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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10AC2E it is the complementary color #EF53D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10AC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10AC2E shade: #15AC29, #26BE3C, #37D04F, #48E262 and #59F475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10AC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10AC2E shade: #10AC2E, #009A1B, #008808, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10AC2E shade: #10AC2E, #1CAC10, #46AC10, #70AC10 and #9AAC10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10AC2E shade: #10AC2E, #10AC58, #10AC82, #10ACAC and #1082AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10AC2E shade matches the following richer shades: #10AC2E and #00BB24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10AC2E shade: #10AC2E, #1F9D37, #2E8E40, #3D7E4A and #4D6F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10AC2E shade: #46AC10, #1DAC10, #10AC2C, #10AC56 and #10AC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10AC2E shade: #096119, #0C8624, #10AC2E, #13D238 and #24EA4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10AC2E shade: #10AC2E, #1070AC and #AC1031

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10AC2E shade: #10AC2E, #2C10AC and #AC2C10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10AC2E shade: #10AC2E, #1070AC, #AC108F and #AC4C10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10AC2E shade: #10AC2E, #1041AC, #AC108F and #AC7B10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

Complementary color

CMYK 0 / 65 / 13 / 6

HEX #EF53D1

RGB 239 83 209

HSL 311.54, 0.83%, 0.63%

LAB 60.91, 72.67, -34.33

 

CMYK 88 / 0 / 76 / 33

HEX #15AC29

RGB 21 172 41

HSL 127.95, 0.78%, 0.38%

LAB 61.5, -61.12, 53.35

 

CMYK 80 / 0 / 68 / 25

HEX #26BE3C

RGB 38 190 60

HSL 128.68, 0.67%, 0.45%

LAB 67.7, -63.24, 52.68

 

CMYK 74 / 0 / 62 / 18

HEX #37D04F

RGB 55 208 79

HSL 129.41, 0.62%, 0.52%

LAB 73.86, -64.67, 51.58

 

CMYK 68 / 0 / 57 / 11

HEX #48E262

RGB 72 226 98

HSL 130.13, 0.73%, 0.58%

LAB 79.98, -65.62, 50.3

 

CMYK 64 / 0 / 52 / 4

HEX #59F475

RGB 89 244 117

HSL 130.84, 0.88%, 0.65%

LAB 86.06, -66.22, 48.96

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 100 / 0 / 82 / 40

HEX #009A1B

RGB 0 154 27

HSL 130.52, 1%, 0.3%

LAB 55.27, -58.09, 51.77

 

CMYK 100 / 0 / 94 / 47

HEX #008808

RGB 0 136 8

HSL 123.53, 1%, 0.27%

LAB 49.04, -53.73, 50.64

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 84 / 0 / 91 / 33

HEX #1CAC10

RGB 28 172 16

HSL 115.38, 0.83%, 0.37%

LAB 61.47, -61.79, 59.94

 

CMYK 59 / 0 / 91 / 33

HEX #46AC10

RGB 70 172 16

HSL 99.23, 0.83%, 0.37%

LAB 62.38, -54.08, 61.07

 

CMYK 35 / 0 / 91 / 33

HEX #70AC10

RGB 112 172 16

HSL 83.08, 0.83%, 0.37%

LAB 64.15, -40.69, 63.27

 

CMYK 10 / 0 / 91 / 33

HEX #9AAC10

RGB 154 172 16

HSL 66.92, 0.83%, 0.37%

LAB 66.83, -23.67, 66.57

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 91 / 0 / 49 / 33

HEX #10AC58

RGB 16 172 88

HSL 147.69, 0.83%, 0.37%

LAB 61.93, -55.7, 32.93

 

CMYK 91 / 0 / 24 / 33

HEX #10AC82

RGB 16 172 130

HSL 163.85, 0.83%, 0.37%

LAB 62.7, -46.89, 11.38

 

CMYK 91 / 0 / 0 / 33

HEX #10ACAC

RGB 16 172 172

HSL 180, 0.83%, 0.37%

LAB 63.83, -35.2, -10.38

 

CMYK 91 / 24 / 0 / 33

HEX #1082AC

RGB 16 130 172

HSL 196.15, 0.83%, 0.37%

LAB 50.75, -13.71, -30.37

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 100 / 0 / 81 / 27

HEX #00BB24

RGB 0 187 36

HSL 131.55, 1%, 0.37%

LAB 66.27, -66.99, 59.49

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 80 / 0 / 65 / 38

HEX #1F9D37

RGB 31 157 55

HSL 131.43, 0.67%, 0.37%

LAB 56.76, -53.98, 42.83

 

CMYK 68 / 0 / 55 / 44

HEX #2E8E40

RGB 46 142 64

HSL 131.25, 0.51%, 0.37%

LAB 52.17, -44.94, 33.25

 

CMYK 52 / 0 / 41 / 51

HEX #3D7E4A

RGB 61 126 74

HSL 132, 0.35%, 0.37%

LAB 47.51, -32.9, 22.09

 

CMYK 31 / 0 / 25 / 56

HEX #4D6F53

RGB 77 111 83

HSL 130.59, 0.18%, 0.37%

LAB 43.61, -18.52, 11.77

 

CMYK 59 / 0 / 91 / 33

HEX #46AC10

RGB 70 172 16

HSL 99.23, 0.83%, 0.37%

LAB 62.38, -54.08, 61.07

 

CMYK 83 / 0 / 91 / 33

HEX #1DAC10

RGB 29 172 16

HSL 115, 0.83%, 0.37%

LAB 61.48, -61.68, 59.96

 

CMYK 91 / 0 / 74 / 33

HEX #10AC2C

RGB 16 172 44

HSL 130.77, 0.83%, 0.37%

LAB 61.48, -61.25, 52.26

 

CMYK 91 / 0 / 50 / 33

HEX #10AC56

RGB 16 172 86

HSL 146.92, 0.83%, 0.37%

LAB 61.9, -56.04, 33.92

 

CMYK 91 / 0 / 26 / 33

HEX #10AC80

RGB 16 172 128

HSL 163.08, 0.83%, 0.37%

LAB 62.65, -47.38, 12.42

 

CMYK 91 / 0 / 74 / 62

HEX #096119

RGB 9 97 25

HSL 130.91, 0.83%, 0.21%

LAB 35.36, -39.64, 32.83

 

CMYK 91 / 0 / 73 / 47

HEX #0C8624

RGB 12 134 36

HSL 131.8, 0.84%, 0.29%

LAB 48.58, -50.51, 42.07

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 91 / 0 / 73 / 18

HEX #13D238

RGB 19 210 56

HSL 131.62, 0.83%, 0.45%

LAB 73.88, -71.26, 60.55

 

CMYK 85 / 0 / 68 / 8

HEX #24EA4A

RGB 36 234 74

HSL 131.52, 0.83%, 0.53%

LAB 81.68, -75.45, 62.11

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 91 / 35 / 0 / 33

HEX #1070AC

RGB 16 112 172

HSL 203.08, 0.83%, 0.37%

LAB 45.19, -3.16, -39.11

 

CMYK 0 / 91 / 72 / 33

HEX #AC1031

RGB 172 16 49

HSL 347.31, 0.83%, 0.37%

LAB 36.67, 58.77, 25.59

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 74 / 91 / 0 / 33

HEX #2C10AC

RGB 44 16 172

HSL 250.77, 0.83%, 0.37%

LAB 23.29, 55.74, -74.69

 

CMYK 0 / 74 / 91 / 33

HEX #AC2C10

RGB 172 44 16

HSL 10.77, 0.83%, 0.37%

LAB 38.91, 50.47, 45.81

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 91 / 35 / 0 / 33

HEX #1070AC

RGB 16 112 172

HSL 203.08, 0.83%, 0.37%

LAB 45.19, -3.16, -39.11

 

CMYK 0 / 91 / 17 / 33

HEX #AC108F

RGB 172 16 143

HSL 311.15, 0.83%, 0.37%

LAB 39.79, 67.25, -29.41

 

CMYK 0 / 56 / 91 / 33

HEX #AC4C10

RGB 172 76 16

HSL 23.08, 0.83%, 0.37%

LAB 44.2, 36.37, 49.73

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2E

RGB 16 172 46

HSL 131.54, 0.83%, 0.37%

LAB 61.49, -61.09, 51.53

 

CMYK 91 / 62 / 0 / 33

HEX #1041AC

RGB 16 65 172

HSL 221.15, 0.83%, 0.37%

LAB 31.51, 27.68, -61.15

 

CMYK 0 / 91 / 17 / 33

HEX #AC108F

RGB 172 16 143

HSL 311.15, 0.83%, 0.37%

LAB 39.79, 67.25, -29.41

 

CMYK 0 / 28 / 91 / 33

HEX #AC7B10

RGB 172 123 16

HSL 41.15, 0.83%, 0.37%

LAB 55.05, 10.63, 58.01

 

Description

Color code: HEX #10AC2E | qconv.com Color code: HEX #10AC2E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 172 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 172 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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