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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10A2A6 it is the complementary color #EF5D59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10A2A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10A2A6 shade: #15A2A1, #26B4B4, #37C6C7, #48D8DA and #59EAED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10A2A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10A2A6 shade: #10A2A6, #009093, #007E80, #006C6D and #005A5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10A2A6 shade: #10A3A7, #107AA7, #1051A7, #1029A7 and #2010A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10A2A6 shade: #10A3A7, #107AA7, #1051A7, #1029A7 and #1010A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10A2A6 shade matches the following richer shades: #10A3A7 and #01B1B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10A2A6 shade: #10A3A7, #1F9598, #2E8689, #3D787A and #4B6A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10A2A6 shade: #10A759, #10A781, #10A4A7, #107CA7 and #1054A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10A2A6 shade: #09595B, #0C7E81, #10A3A7, #14C7CC and #21E3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10A2A6 shade: #10A2A6, #3110A7 and #A76D10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10A2A6 shade: #10A2A6, #A710A4 and #A4A710

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10A2A6 shade: #10A2A6, #3110A7, #A71310 and #86A710

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10A2A6 shade: #10A2A6, #5E10A7, #A71310 and #59A710

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 2 / 0 / 35

HEX #10A2A6

RGB 16 162 166

HSL 181.6, 0.82%, 0.36%

LAB 60.52, -32.35, -11.98

 

Complementary color

CMYK 0 / 61 / 63 / 6

HEX #EF5D59

RGB 239 93 89

HSL 1.6, 0.82%, 0.64%

LAB 58.88, 55.99, 31.99

 

CMYK 87 / 0 / 1 / 36

HEX #15A2A1

RGB 21 162 161

HSL 179.57, 0.77%, 0.36%

LAB 60.4, -33.61, -9.32

 

CMYK 79 / 0 / 0 / 29

HEX #26B4B4

RGB 38 180 180

HSL 180, 0.65%, 0.43%

LAB 66.79, -34.95, -10.38

 

CMYK 72 / 1 / 0 / 22

HEX #37C6C7

RGB 55 198 199

HSL 180.42, 0.57%, 0.5%

LAB 73.1, -35.95, -11.33

 

CMYK 67 / 1 / 0 / 15

HEX #48D8DA

RGB 72 216 218

HSL 180.82, 0.66%, 0.57%

LAB 79.36, -36.7, -12.18

 

CMYK 62 / 1 / 0 / 7

HEX #59EAED

RGB 89 234 237

HSL 181.22, 0.8%, 0.64%

LAB 85.55, -37.25, -12.96

 

CMYK 90 / 2 / 0 / 35

HEX #10A2A6

RGB 16 162 166

HSL 181.6, 0.82%, 0.36%

LAB 60.52, -32.35, -11.98

 

CMYK 100 / 2 / 0 / 42

HEX #009093

RGB 0 144 147

HSL 181.22, 1%, 0.29%

LAB 54.08, -30.45, -10.82

 

CMYK 100 / 2 / 0 / 50

HEX #007E80

RGB 0 126 128

HSL 180.94, 1%, 0.25%

LAB 47.6, -27.86, -9.47

 

CMYK 100 / 1 / 0 / 57

HEX #006C6D

RGB 0 108 109

HSL 180.55, 1%, 0.21%

LAB 40.94, -25.21, -8.07

HEX #006C6D

CMYK 100 / 0 / 0 / 65

HEX #005A5A

RGB 0 90 90

HSL 180, 1%, 0.18%

LAB 34.09, -22.48, -6.61

HEX #005A5A

CMYK 90 / 2 / 0 / 35

HEX #10A3A7

RGB 16 163 167

HSL 181.59, 0.83%, 0.36%

LAB 60.86, -32.51, -12.02

 

CMYK 90 / 27 / 0 / 35

HEX #107AA7

RGB 16 122 167

HSL 197.88, 0.83%, 0.36%

LAB 48.03, -11.01, -31.71

 

CMYK 90 / 51 / 0 / 35

HEX #1051A7

RGB 16 81 167

HSL 214.17, 0.83%, 0.36%

LAB 35.57, 14.8, -51.56

 

CMYK 90 / 75 / 0 / 35

HEX #1029A7

RGB 16 41 167

HSL 230.07, 0.83%, 0.36%

LAB 25.22, 41.29, -68.51

 

CMYK 81 / 90 / 0 / 35

HEX #2010A7

RGB 32 16 167

HSL 246.36, 0.83%, 0.36%

LAB 21.83, 53.82, -74.12

 

CMYK 90 / 2 / 0 / 35

HEX #10A3A7

RGB 16 163 167

HSL 181.59, 0.83%, 0.36%

LAB 60.86, -32.51, -12.02

 

CMYK 90 / 27 / 0 / 35

HEX #107AA7

RGB 16 122 167

HSL 197.88, 0.83%, 0.36%

LAB 48.03, -11.01, -31.71

 

CMYK 90 / 51 / 0 / 35

HEX #1051A7

RGB 16 81 167

HSL 214.17, 0.83%, 0.36%

LAB 35.57, 14.8, -51.56

 

CMYK 90 / 75 / 0 / 35

HEX #1029A7

RGB 16 41 167

HSL 230.07, 0.83%, 0.36%

LAB 25.22, 41.29, -68.51

 

CMYK 90 / 90 / 0 / 35

HEX #1010A7

RGB 16 16 167

HSL 240, 0.83%, 0.36%

LAB 21.1, 53.35, -75.36

 

CMYK 90 / 2 / 0 / 35

HEX #10A3A7

RGB 16 163 167

HSL 181.59, 0.83%, 0.36%

LAB 60.86, -32.51, -12.02

 

CMYK 99 / 2 / 0 / 29

HEX #01B1B5

RGB 1 177 181

HSL 181.33, 0.99%, 0.36%

LAB 65.58, -35.29, -12.77

 

CMYK 90 / 2 / 0 / 35

HEX #10A3A7

RGB 16 163 167

HSL 181.59, 0.83%, 0.36%

LAB 60.86, -32.51, -12.02

 

CMYK 80 / 2 / 0 / 40

HEX #1F9598

RGB 31 149 152

HSL 181.49, 0.66%, 0.36%

LAB 56.14, -29.35, -10.57

 

CMYK 66 / 2 / 0 / 46

HEX #2E8689

RGB 46 134 137

HSL 181.98, 0.5%, 0.36%

LAB 51.19, -24.53, -9.29

 

CMYK 50 / 2 / 0 / 52

HEX #3D787A

RGB 61 120 122

HSL 181.97, 0.33%, 0.36%

LAB 46.75, -18.58, -7.04

 

CMYK 30 / 1 / 0 / 58

HEX #4B6A6B

RGB 75 106 107

HSL 181.88, 0.18%, 0.36%

LAB 42.56, -10.91, -4.2

 

CMYK 90 / 0 / 47 / 35

HEX #10A759

RGB 16 167 89

HSL 149.01, 0.83%, 0.36%

LAB 60.31, -53.79, 30.36

 

CMYK 90 / 0 / 23 / 35

HEX #10A781

RGB 16 167 129

HSL 164.9, 0.83%, 0.36%

LAB 61.07, -45.11, 9.64

 

CMYK 90 / 2 / 0 / 35

HEX #10A4A7

RGB 16 164 167

HSL 181.19, 0.83%, 0.36%

LAB 61.18, -32.98, -11.55

 

CMYK 90 / 26 / 0 / 35

HEX #107CA7

RGB 16 124 167

HSL 197.09, 0.83%, 0.36%

LAB 48.66, -12.16, -30.73

 

CMYK 90 / 50 / 0 / 35

HEX #1054A7

RGB 16 84 167

HSL 212.98, 0.83%, 0.36%

LAB 36.44, 12.78, -50.14

 

CMYK 90 / 2 / 0 / 64

HEX #09595B

RGB 9 89 91

HSL 181.46, 0.82%, 0.2%

LAB 33.9, -20.82, -7.51

 

CMYK 91 / 2 / 0 / 49

HEX #0C7E81

RGB 12 126 129

HSL 181.54, 0.83%, 0.28%

LAB 47.73, -26.87, -9.85

 

CMYK 90 / 2 / 0 / 35

HEX #10A3A7

RGB 16 163 167

HSL 181.59, 0.83%, 0.36%

LAB 60.86, -32.51, -12.02

 

CMYK 90 / 2 / 0 / 20

HEX #14C7CC

RGB 20 199 204

HSL 181.63, 0.82%, 0.44%

LAB 73.13, -37.74, -14.06

 

CMYK 86 / 3 / 0 / 9

HEX #21E3E9

RGB 33 227 233

HSL 181.8, 0.82%, 0.52%

LAB 82.46, -41.13, -15.58

 

CMYK 90 / 2 / 0 / 35

HEX #10A2A6

RGB 16 162 166

HSL 181.6, 0.82%, 0.36%

LAB 60.52, -32.35, -11.98

 

CMYK 71 / 90 / 0 / 35

HEX #3110A7

RGB 49 16 167

HSL 253.11, 0.83%, 0.36%

LAB 23.05, 54.65, -72.06

 

CMYK 0 / 35 / 90 / 35

HEX #A76D10

RGB 167 109 16

HSL 36.95, 0.83%, 0.36%

LAB 50.91, 16.24, 54.55

 

CMYK 90 / 2 / 0 / 35

HEX #10A2A6

RGB 16 162 166

HSL 181.6, 0.82%, 0.36%

LAB 60.52, -32.35, -11.98

 

CMYK 0 / 90 / 2 / 35

HEX #A710A4

RGB 167 16 164

HSL 301.19, 0.83%, 0.36%

LAB 40.03, 69.28, -41.82

 

CMYK 2 / 0 / 90 / 35

HEX #A4A710

RGB 164 167 16

HSL 61.19, 0.83%, 0.36%

LAB 66.19, -16.79, 66.39

 

CMYK 90 / 2 / 0 / 35

HEX #10A2A6

RGB 16 162 166

HSL 181.6, 0.82%, 0.36%

LAB 60.52, -32.35, -11.98

 

CMYK 71 / 90 / 0 / 35

HEX #3110A7

RGB 49 16 167

HSL 253.11, 0.83%, 0.36%

LAB 23.05, 54.65, -72.06

 

CMYK 0 / 89 / 90 / 35

HEX #A71310

RGB 167 19 16

HSL 1.19, 0.83%, 0.36%

LAB 35.44, 55.87, 42.79

 

CMYK 20 / 0 / 90 / 35

HEX #86A710

RGB 134 167 16

HSL 73.11, 0.83%, 0.36%

LAB 63.95, -29.72, 63.65

 

CMYK 90 / 2 / 0 / 35

HEX #10A2A6

RGB 16 162 166

HSL 181.6, 0.82%, 0.36%

LAB 60.52, -32.35, -11.98

 

CMYK 44 / 90 / 0 / 35

HEX #5E10A7

RGB 94 16 167

HSL 270.99, 0.83%, 0.36%

LAB 28.22, 58.65, -63.33

 

CMYK 0 / 89 / 90 / 35

HEX #A71310

RGB 167 19 16

HSL 1.19, 0.83%, 0.36%

LAB 35.44, 55.87, 42.79

 

CMYK 47 / 0 / 90 / 35

HEX #59A710

RGB 89 167 16

HSL 90.99, 0.83%, 0.36%

LAB 61.48, -46.66, 60.6

 

Description

Color code: HEX #10A2A6 | qconv.com Color code: HEX #10A2A6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 162 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 162 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 2 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 2% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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