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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #109EE5 it is the complementary color #EF611A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #109EE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #109EE5 shade: #159EE0, #26B0F3, #37C2FF, #48D4FF and #59E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #109EE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #109EE5 shade: #109EE5, #008CD2, #007ABF, #0068AC and #005699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #109EE5 shade: #0F9DE4, #0F64E4, #0F2BE4, #2E0FE4 and #670FE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #109EE5 shade: #0F9DE4, #0F64E4, #0F2BE4 and #0F0FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #109EE5 shade matches the following richer shades: #0F9DE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #109EE5 shade: #0F9DE4, #2397D1, #3790BD, #4B8AA9 and #5F8395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #109EE5 shade: #0FE4BA, #0FD6E4, #0F9DE4, #0F65E4 and #0F2CE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #109EE5 shade: #0A6897, #0D83BE, #0F9DE4, #2DAFF0 and #54BEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #109EE5 shade: #109EE5, #810FE4 and #E4D60F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #109EE5 shade: #109EE5, #E40F9D and #9DE40F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #109EE5 shade: #109EE5, #810FE4, #E4560F and #73E40F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #109EE5 shade: #109EE5, #C10FE4, #E4560F and #33E40F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 31 / 0 / 10

HEX #109EE5

RGB 16 158 229

HSL 200, 0.87%, 0.48%

LAB 61.84, -8.55, -45.17

 

Complementary color

CMYK 0 / 59 / 89 / 6

HEX #EF611A

RGB 239 97 26

HSL 20, 0.87%, 0.52%

LAB 58.95, 51.81, 62.34

 

CMYK 91 / 29 / 0 / 12

HEX #159EE0

RGB 21 158 224

HSL 199.51, 0.83%, 0.48%

LAB 61.65, -10.16, -42.7

 

CMYK 84 / 28 / 0 / 5

HEX #26B0F3

RGB 38 176 243

HSL 199.61, 0.9%, 0.55%

LAB 67.97, -12.3, -43.2

 

CMYK 78 / 24 / 0 / 0

HEX #37C2FF

RGB 55 194 255

HSL 198.3, 1%, 0.61%

LAB 73.94, -16.4, -40.33

 

CMYK 72 / 17 / 0 / 0

HEX #48D4FF

RGB 72 212 255

HSL 194.1, 1%, 0.64%

LAB 79.43, -23.79, -31.8

 

CMYK 65 / 10 / 0 / 0

HEX #59E6FF

RGB 89 230 255

HSL 189.04, 1%, 0.67%

LAB 84.96, -30.31, -23.31

 

CMYK 93 / 31 / 0 / 10

HEX #109EE5

RGB 16 158 229

HSL 200, 0.87%, 0.48%

LAB 61.84, -8.55, -45.17

 

CMYK 100 / 33 / 0 / 18

HEX #008CD2

RGB 0 140 210

HSL 200, 1%, 0.41%

LAB 55.49, -5.83, -44.61

 

CMYK 100 / 36 / 0 / 25

HEX #007ABF

RGB 0 122 191

HSL 201.68, 1%, 0.37%

LAB 49.11, -2.48, -43.92

 

CMYK 100 / 40 / 0 / 33

HEX #0068AC

RGB 0 104 172

HSL 203.72, 1%, 0.34%

LAB 42.58, 1.06, -43.26

 

CMYK 100 / 44 / 0 / 40

HEX #005699

RGB 0 86 153

HSL 206.27, 1%, 0.3%

LAB 35.9, 4.85, -42.64

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 93 / 56 / 0 / 11

HEX #0F64E4

RGB 15 100 228

HSL 216.06, 0.88%, 0.48%

LAB 45.38, 26.52, -71.01

 

CMYK 93 / 81 / 0 / 11

HEX #0F2BE4

RGB 15 43 228

HSL 232.11, 0.88%, 0.48%

LAB 32.77, 60.38, -91.79

 

CMYK 80 / 93 / 0 / 11

HEX #2E0FE4

RGB 46 15 228

HSL 248.73, 0.88%, 0.48%

LAB 30.7, 70.71, -95.21

 

CMYK 55 / 93 / 0 / 11

HEX #670FE4

RGB 103 15 228

HSL 264.79, 0.88%, 0.48%

LAB 35.65, 73.62, -86.84

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 93 / 56 / 0 / 11

HEX #0F64E4

RGB 15 100 228

HSL 216.06, 0.88%, 0.48%

LAB 45.38, 26.52, -71.01

 

CMYK 93 / 81 / 0 / 11

HEX #0F2BE4

RGB 15 43 228

HSL 232.11, 0.88%, 0.48%

LAB 32.77, 60.38, -91.79

 

CMYK 93 / 93 / 0 / 11

HEX #0F0FE4

RGB 15 15 228

HSL 240, 0.88%, 0.48%

LAB 29.52, 70.15, -97.2

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 83 / 28 / 0 / 18

HEX #2397D1

RGB 35 151 209

HSL 200, 0.71%, 0.48%

LAB 59.06, -10.75, -38.4

 

CMYK 71 / 24 / 0 / 26

HEX #3790BD

RGB 55 144 189

HSL 200.15, 0.55%, 0.48%

LAB 56.52, -11.59, -31.07

 

CMYK 56 / 18 / 0 / 34

HEX #4B8AA9

RGB 75 138 169

HSL 199.79, 0.39%, 0.48%

LAB 54.59, -11.15, -22.57

 

CMYK 36 / 12 / 0 / 42

HEX #5F8395

RGB 95 131 149

HSL 200, 0.22%, 0.48%

LAB 52.77, -7.91, -13.7

 

CMYK 93 / 0 / 18 / 11

HEX #0FE4BA

RGB 15 228 186

HSL 168.17, 0.88%, 0.48%

LAB 81.36, -55.24, 7.7

 

CMYK 93 / 6 / 0 / 11

HEX #0FD6E4

RGB 15 214 228

HSL 183.94, 0.88%, 0.48%

LAB 78.34, -37.51, -19.13

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 93 / 56 / 0 / 11

HEX #0F65E4

RGB 15 101 228

HSL 215.77, 0.88%, 0.48%

LAB 45.65, 25.88, -70.58

 

CMYK 93 / 81 / 0 / 11

HEX #0F2CE4

RGB 15 44 228

HSL 231.83, 0.88%, 0.48%

LAB 32.93, 59.91, -91.52

 

CMYK 93 / 31 / 0 / 41

HEX #0A6897

RGB 10 104 151

HSL 200, 0.88%, 0.32%

LAB 41.53, -6.84, -32.48

 

CMYK 93 / 31 / 0 / 25

HEX #0D83BE

RGB 13 131 190

HSL 200, 0.87%, 0.4%

LAB 51.88, -7.71, -38.95

 

CMYK 93 / 31 / 0 / 11

HEX #0F9DE4

RGB 15 157 228

HSL 200, 0.88%, 0.48%

LAB 61.5, -8.39, -45.16

 

CMYK 81 / 27 / 0 / 6

HEX #2DAFF0

RGB 45 175 240

HSL 200, 0.87%, 0.56%

LAB 67.66, -12.25, -42.05

 

CMYK 65 / 22 / 0 / 5

HEX #54BEF3

RGB 84 190 243

HSL 200, 0.87%, 0.64%

LAB 73.01, -14.53, -35.26

 

CMYK 93 / 31 / 0 / 10

HEX #109EE5

RGB 16 158 229

HSL 200, 0.87%, 0.48%

LAB 61.84, -8.55, -45.17

 

CMYK 43 / 93 / 0 / 11

HEX #810FE4

RGB 129 15 228

HSL 272.11, 0.88%, 0.48%

LAB 38.92, 75.9, -81.33

 

CMYK 0 / 6 / 93 / 11

HEX #E4D60F

RGB 228 214 15

HSL 56.06, 0.88%, 0.48%

LAB 84.29, -12.79, 82.78

 

CMYK 93 / 31 / 0 / 10

HEX #109EE5

RGB 16 158 229

HSL 200, 0.87%, 0.48%

LAB 61.84, -8.55, -45.17

 

CMYK 0 / 93 / 31 / 11

HEX #E40F9D

RGB 228 15 157

HSL 320, 0.88%, 0.48%

LAB 51, 80.35, -19.63

 

CMYK 31 / 0 / 93 / 11

HEX #9DE40F

RGB 157 228 15

HSL 80, 0.88%, 0.48%

LAB 83.28, -47.89, 79.89

 

CMYK 93 / 31 / 0 / 10

HEX #109EE5

RGB 16 158 229

HSL 200, 0.87%, 0.48%

LAB 61.84, -8.55, -45.17

 

CMYK 43 / 93 / 0 / 11

HEX #810FE4

RGB 129 15 228

HSL 272.11, 0.88%, 0.48%

LAB 38.92, 75.9, -81.33

 

CMYK 0 / 62 / 93 / 11

HEX #E4560F

RGB 228 86 15

HSL 20, 0.88%, 0.48%

LAB 55.26, 52.61, 62.05

 

CMYK 50 / 0 / 93 / 11

HEX #73E40F

RGB 115 228 15

HSL 91.83, 0.88%, 0.48%

LAB 81.38, -61.71, 77.57

 

CMYK 93 / 31 / 0 / 10

HEX #109EE5

RGB 16 158 229

HSL 200, 0.87%, 0.48%

LAB 61.84, -8.55, -45.17

 

CMYK 15 / 93 / 0 / 11

HEX #C10FE4

RGB 193 15 228

HSL 290.14, 0.88%, 0.48%

LAB 48.61, 83.82, -65.1

 

CMYK 0 / 62 / 93 / 11

HEX #E4560F

RGB 228 86 15

HSL 20, 0.88%, 0.48%

LAB 55.26, 52.61, 62.05

 

CMYK 78 / 0 / 93 / 11

HEX #33E40F

RGB 51 228 15

HSL 109.86, 0.88%, 0.48%

LAB 79.74, -75.32, 75.55

 

Description

Color code: HEX #109EE5 | qconv.com Color code: HEX #109EE5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 158 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 158 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 31 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 31% 0% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Foro para aprender I...
Link: http://www.foroidiomas.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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