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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #109283 it is the complementary color #EF6D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #109283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #109283 shade: #15927E, #26A491, #37B6A4, #48C8B7 and #59DACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #109283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #109283 shade: #109283, #008070, #006E5D, #005C4A and #004A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #109283 shade: #109283, #109260, #10923D, #10921A and #299210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #109283 shade: #109283, #107E92, #105B92, #103892 and #101592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #109283 shade matches the following richer shades: #109283 and #03A08D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #109283 shade: #109283, #1D8579, #2A786F, #376B65 and #455E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #109283 shade: #10923E, #109260, #109283, #107F92 and #105C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #109283 shade: #084841, #0C6D62, #109283, #14B8A5 and #18DDC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #109283 shade: #109283, #1B1092 and #924F10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #109283 shade: #109283, #831092 and #928310

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #109283 shade: #109283, #1B1092, #92101F and #889210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #109283 shade: #109283, #421092, #92101F and #609210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

Complementary color

CMYK 0 / 54 / 48 / 6

HEX #EF6D7C

RGB 239 109 124

HSL 353.08, 0.8%, 0.68%

LAB 62.29, 51.38, 16.49

 

CMYK 86 / 0 / 14 / 43

HEX #15927E

RGB 21 146 126

HSL 170.4, 0.75%, 0.33%

LAB 54.26, -36.59, 1.57

 

CMYK 77 / 0 / 12 / 36

HEX #26A491

RGB 38 164 145

HSL 170.95, 0.62%, 0.4%

LAB 60.79, -37.68, 0.29

 

CMYK 70 / 0 / 10 / 29

HEX #37B6A4

RGB 55 182 164

HSL 171.5, 0.54%, 0.46%

LAB 67.24, -38.41, -0.83

 

CMYK 64 / 0 / 9 / 22

HEX #48C8B7

RGB 72 200 183

HSL 172.03, 0.54%, 0.53%

LAB 73.61, -38.89, -1.84

 

CMYK 59 / 0 / 7 / 15

HEX #59DACA

RGB 89 218 202

HSL 172.56, 0.64%, 0.6%

LAB 79.92, -39.2, -2.76

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 100 / 0 / 13 / 50

HEX #008070

RGB 0 128 112

HSL 172.5, 1%, 0.25%

LAB 47.76, -33.84, 0.22

 

CMYK 100 / 0 / 15 / 57

HEX #006E5D

RGB 0 110 93

HSL 170.73, 1%, 0.22%

LAB 41.12, -31.27, 1.91

 

CMYK 100 / 0 / 20 / 64

HEX #005C4A

RGB 0 92 74

HSL 168.26, 1%, 0.18%

LAB 34.29, -28.64, 3.7

 

CMYK 100 / 0 / 26 / 71

HEX #004A37

RGB 0 74 55

HSL 164.59, 1%, 0.15%

LAB 27.22, -25.9, 5.64

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 89 / 0 / 34 / 43

HEX #109260

RGB 16 146 96

HSL 156.92, 0.8%, 0.32%

LAB 53.51, -44.62, 17.58

 

CMYK 89 / 0 / 58 / 43

HEX #10923D

RGB 16 146 61

HSL 140.77, 0.8%, 0.32%

LAB 52.95, -51.11, 35.57

 

CMYK 89 / 0 / 82 / 43

HEX #10921A

RGB 16 146 26

HSL 124.62, 0.8%, 0.32%

LAB 52.67, -54.71, 49.66

 

CMYK 72 / 0 / 89 / 43

HEX #299210

RGB 41 146 16

HSL 108.46, 0.8%, 0.32%

LAB 53.02, -51.75, 52.73

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 89 / 14 / 0 / 43

HEX #107E92

RGB 16 126 146

HSL 189.23, 0.8%, 0.32%

LAB 48.39, -20.86, -18.85

 

CMYK 89 / 38 / 0 / 43

HEX #105B92

RGB 16 91 146

HSL 205.38, 0.8%, 0.32%

LAB 37.24, -0.38, -36.26

 

CMYK 89 / 62 / 0 / 43

HEX #103892

RGB 16 56 146

HSL 221.54, 0.8%, 0.32%

LAB 26.77, 23.36, -53.14

 

CMYK 89 / 86 / 0 / 43

HEX #101592

RGB 16 21 146

HSL 237.69, 0.8%, 0.32%

LAB 18.89, 44.97, -66.14

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 98 / 0 / 12 / 37

HEX #03A08D

RGB 3 160 141

HSL 172.74, 0.96%, 0.32%

LAB 59.05, -39.51, -0.03

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 78 / 0 / 9 / 48

HEX #1D8579

RGB 29 133 121

HSL 173.08, 0.64%, 0.32%

LAB 50, -31.26, -1.75

 

CMYK 65 / 0 / 8 / 53

HEX #2A786F

RGB 42 120 111

HSL 173.08, 0.48%, 0.32%

LAB 45.73, -25.87, -2.08

 

CMYK 49 / 0 / 6 / 58

HEX #376B65

RGB 55 107 101

HSL 173.08, 0.32%, 0.32%

LAB 41.64, -19.01, -2.04

 

CMYK 27 / 0 / 3 / 63

HEX #455E5B

RGB 69 94 91

HSL 172.8, 0.15%, 0.32%

LAB 37.89, -10.05, -1.33

 

CMYK 89 / 0 / 58 / 43

HEX #10923E

RGB 16 146 62

HSL 141.23, 0.8%, 0.32%

LAB 52.97, -50.96, 35.09

 

CMYK 89 / 0 / 34 / 43

HEX #109260

RGB 16 146 96

HSL 156.92, 0.8%, 0.32%

LAB 53.51, -44.62, 17.58

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 89 / 13 / 0 / 43

HEX #107F92

RGB 16 127 146

HSL 188.77, 0.8%, 0.32%

LAB 48.72, -21.39, -18.36

 

CMYK 89 / 37 / 0 / 43

HEX #105C92

RGB 16 92 146

HSL 204.92, 0.8%, 0.32%

LAB 37.55, -1.02, -35.76

 

CMYK 89 / 0 / 10 / 72

HEX #084841

RGB 8 72 65

HSL 173.44, 0.8%, 0.16%

LAB 26.93, -20.75, -1.25

 

CMYK 89 / 0 / 10 / 57

HEX #0C6D62

RGB 12 109 98

HSL 173.2, 0.8%, 0.24%

LAB 41.05, -28.4, -1.21

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 89 / 0 / 10 / 28

HEX #14B8A5

RGB 20 184 165

HSL 173.05, 0.8%, 0.4%

LAB 67.39, -42.43, -1.23

 

CMYK 89 / 0 / 10 / 13

HEX #18DDC6

RGB 24 221 198

HSL 172.99, 0.8%, 0.48%

LAB 79.6, -48.9, -1.21

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 82 / 89 / 0 / 43

HEX #1B1092

RGB 27 16 146

HSL 245.08, 0.8%, 0.32%

LAB 18.71, 47.53, -66.43

 

CMYK 0 / 46 / 89 / 43

HEX #924F10

RGB 146 79 16

HSL 29.08, 0.8%, 0.32%

LAB 40.8, 23.82, 45.34

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 10 / 89 / 0 / 43

HEX #831092

RGB 131 16 146

HSL 293.08, 0.8%, 0.32%

LAB 32.42, 59.9, -43.43

 

CMYK 0 / 10 / 89 / 43

HEX #928310

RGB 146 131 16

HSL 53.08, 0.8%, 0.32%

LAB 54.43, -5.86, 56.34

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 82 / 89 / 0 / 43

HEX #1B1092

RGB 27 16 146

HSL 245.08, 0.8%, 0.32%

LAB 18.71, 47.53, -66.43

 

CMYK 0 / 89 / 79 / 43

HEX #92101F

RGB 146 16 31

HSL 353.08, 0.8%, 0.32%

LAB 30.83, 50.95, 28.7

 

CMYK 7 / 0 / 89 / 43

HEX #889210

RGB 136 146 16

HSL 64.62, 0.8%, 0.32%

LAB 57.87, -18.45, 58.77

 

CMYK 89 / 0 / 10 / 43

HEX #109283

RGB 16 146 131

HSL 173.08, 0.8%, 0.32%

LAB 54.35, -35.52, -1.19

 

CMYK 55 / 89 / 0 / 43

HEX #421092

RGB 66 16 146

HSL 263.08, 0.8%, 0.32%

LAB 22.32, 50.44, -60.34

 

CMYK 0 / 89 / 79 / 43

HEX #92101F

RGB 146 16 31

HSL 353.08, 0.8%, 0.32%

LAB 30.83, 50.95, 28.7

 

CMYK 34 / 0 / 89 / 43

HEX #609210

RGB 96 146 16

HSL 83.08, 0.8%, 0.32%

LAB 55.16, -35.33, 55.41

 

Description

Color code: HEX #109283 | qconv.com Color code: HEX #109283 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 146 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 146 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 10 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 10% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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