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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #108271 it is the complementary color #EF7D8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #108271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #108271 shade: #15826C, #26947F, #37A692, #48B8A5 and #59CAB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #108271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #108271 shade: #108271, #00705E, #005E4B, #004C38 and #003A25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #108271 shade: #108372, #108353, #108334, #108315 and #2A8310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #108271 shade: #108372, #107583, #105683, #103783 and #101883

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #108271 shade matches the following richer shades: #108372 and #048F7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #108271 shade: #108372, #1C776A, #286B61, #345F59 and #405350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #108271 shade: #108334, #108353, #108372, #107683 and #105783

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #108271 shade: #073A32, #0B5E52, #108372, #14A892 and #19CDB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #108271 shade: #108271, #161083 and #834410

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #108271 shade: #108271, #721083 and #837210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #108271 shade: #108271, #161083, #831021 and #7D8310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #108271 shade: #108271, #381083, #831021 and #5B8310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 13 / 49

HEX #108271

RGB 16 130 113

HSL 171.05, 0.78%, 0.29%

LAB 48.6, -33.47, 0.87

 

Complementary color

CMYK 0 / 48 / 41 / 6

HEX #EF7D8E

RGB 239 125 142

HSL 351.05, 0.78%, 0.71%

LAB 65.73, 45.39, 11.02

 

CMYK 84 / 0 / 17 / 49

HEX #15826C

RGB 21 130 108

HSL 167.89, 0.72%, 0.3%

LAB 48.52, -34.45, 3.7

 

CMYK 74 / 0 / 14 / 42

HEX #26947F

RGB 38 148 127

HSL 168.55, 0.59%, 0.36%

LAB 55.2, -35.38, 2.38

 

CMYK 67 / 0 / 12 / 35

HEX #37A692

RGB 55 166 146

HSL 169.19, 0.5%, 0.43%

LAB 61.79, -35.95, 1.23

 

CMYK 61 / 0 / 10 / 28

HEX #48B8A5

RGB 72 184 165

HSL 169.82, 0.44%, 0.5%

LAB 68.3, -36.28, 0.21

 

CMYK 56 / 0 / 9 / 21

HEX #59CAB8

RGB 89 202 184

HSL 170.44, 0.52%, 0.57%

LAB 74.71, -36.45, -0.72

 

CMYK 88 / 0 / 13 / 49

HEX #108271

RGB 16 130 113

HSL 171.05, 0.78%, 0.29%

LAB 48.6, -33.47, 0.87

 

CMYK 100 / 0 / 16 / 56

HEX #00705E

RGB 0 112 94

HSL 170.36, 1%, 0.22%

LAB 41.84, -31.89, 2.34

 

CMYK 100 / 0 / 20 / 63

HEX #005E4B

RGB 0 94 75

HSL 167.87, 1%, 0.18%

LAB 35.03, -29.26, 4.14

 

CMYK 100 / 0 / 26 / 70

HEX #004C38

RGB 0 76 56

HSL 164.21, 1%, 0.15%

LAB 27.99, -26.53, 6.09

 

CMYK 100 / 0 / 36 / 77

HEX #003A25

RGB 0 58 37

HSL 158.28, 1%, 0.11%

LAB 20.67, -23.65, 8.24

 

CMYK 88 / 0 / 13 / 49

HEX #108372

RGB 16 131 114

HSL 171.13, 0.78%, 0.29%

LAB 48.96, -33.63, 0.8

 

CMYK 88 / 0 / 37 / 49

HEX #108353

RGB 16 131 83

HSL 154.96, 0.78%, 0.29%

LAB 48.22, -41.62, 17.75

 

CMYK 88 / 0 / 60 / 49

HEX #108334

RGB 16 131 52

HSL 138.78, 0.78%, 0.29%

LAB 47.74, -47.27, 33.88

 

CMYK 88 / 0 / 84 / 49

HEX #108315

RGB 16 131 21

HSL 122.61, 0.78%, 0.29%

LAB 47.49, -50.38, 46.31

 

CMYK 68 / 0 / 88 / 49

HEX #2A8310

RGB 42 131 16

HSL 106.43, 0.78%, 0.29%

LAB 47.96, -46.41, 48.28

 

CMYK 88 / 0 / 13 / 49

HEX #108372

RGB 16 131 114

HSL 171.13, 0.78%, 0.29%

LAB 48.96, -33.63, 0.8

 

CMYK 88 / 11 / 0 / 49

HEX #107583

RGB 16 117 131

HSL 187.3, 0.78%, 0.29%

LAB 44.9, -21.29, -15.31

 

CMYK 88 / 34 / 0 / 49

HEX #105683

RGB 16 86 131

HSL 203.48, 0.78%, 0.29%

LAB 34.81, -3.25, -30.97

 

CMYK 88 / 58 / 0 / 49

HEX #103783

RGB 16 55 131

HSL 219.65, 0.78%, 0.29%

LAB 25.2, 17.85, -46.39

 

CMYK 88 / 82 / 0 / 49

HEX #101883

RGB 16 24 131

HSL 235.83, 0.78%, 0.29%

LAB 17.47, 38.43, -59.1

 

CMYK 88 / 0 / 13 / 49

HEX #108372

RGB 16 131 114

HSL 171.13, 0.78%, 0.29%

LAB 48.96, -33.63, 0.8

 

CMYK 97 / 0 / 15 / 44

HEX #048F7A

RGB 4 143 122

HSL 170.94, 0.95%, 0.29%

LAB 53.03, -37.42, 2.06

 

CMYK 88 / 0 / 13 / 49

HEX #108372

RGB 16 131 114

HSL 171.13, 0.78%, 0.29%

LAB 48.96, -33.63, 0.8

 

CMYK 76 / 0 / 11 / 53

HEX #1C776A

RGB 28 119 106

HSL 171.43, 0.62%, 0.29%

LAB 44.92, -29.09, -0.34

 

CMYK 63 / 0 / 9 / 58

HEX #286B61

RGB 40 107 97

HSL 171.04, 0.46%, 0.29%

LAB 40.94, -23.71, -0.69

 

CMYK 45 / 0 / 6 / 63

HEX #345F59

RGB 52 95 89

HSL 171.63, 0.29%, 0.29%

LAB 37.18, -16.58, -1.25

 

CMYK 23 / 0 / 4 / 67

HEX #405350

RGB 64 83 80

HSL 170.53, 0.13%, 0.29%

LAB 33.68, -8.05, -0.67

 

CMYK 88 / 0 / 60 / 49

HEX #108334

RGB 16 131 52

HSL 138.78, 0.78%, 0.29%

LAB 47.74, -47.27, 33.88

 

CMYK 88 / 0 / 37 / 49

HEX #108353

RGB 16 131 83

HSL 154.96, 0.78%, 0.29%

LAB 48.22, -41.62, 17.75

 

CMYK 88 / 0 / 13 / 49

HEX #108372

RGB 16 131 114

HSL 171.13, 0.78%, 0.29%

LAB 48.96, -33.63, 0.8

 

CMYK 88 / 10 / 0 / 49

HEX #107683

RGB 16 118 131

HSL 186.78, 0.78%, 0.29%

LAB 45.23, -21.82, -14.81

 

CMYK 88 / 34 / 0 / 49

HEX #105783

RGB 16 87 131

HSL 202.96, 0.78%, 0.29%

LAB 35.13, -3.88, -30.46

 

CMYK 88 / 0 / 14 / 77

HEX #073A32

RGB 7 58 50

HSL 170.59, 0.78%, 0.13%

LAB 21.21, -18.42, 0.33

 

CMYK 88 / 0 / 13 / 63

HEX #0B5E52

RGB 11 94 82

HSL 171.33, 0.79%, 0.21%

LAB 35.37, -26.14, 0.3

 

CMYK 88 / 0 / 13 / 49

HEX #108372

RGB 16 131 114

HSL 171.13, 0.78%, 0.29%

LAB 48.96, -33.63, 0.8

 

CMYK 88 / 0 / 13 / 34

HEX #14A892

RGB 20 168 146

HSL 171.08, 0.79%, 0.37%

LAB 61.85, -40.77, 1.25

 

CMYK 88 / 0 / 13 / 20

HEX #19CDB2

RGB 25 205 178

HSL 171, 0.78%, 0.45%

LAB 74.24, -47.54, 1.69

 

CMYK 88 / 0 / 13 / 49

HEX #108271

RGB 16 130 113

HSL 171.05, 0.78%, 0.29%

LAB 48.6, -33.47, 0.87

 

CMYK 83 / 88 / 0 / 49

HEX #161083

RGB 22 16 131

HSL 243.13, 0.78%, 0.29%

LAB 16.4, 42.71, -60.87

 

CMYK 0 / 48 / 88 / 49

HEX #834410

RGB 131 68 16

HSL 27.13, 0.78%, 0.29%

LAB 35.98, 23.4, 40.43

 

CMYK 88 / 0 / 13 / 49

HEX #108271

RGB 16 130 113

HSL 171.05, 0.78%, 0.29%

LAB 48.6, -33.47, 0.87

 

CMYK 13 / 88 / 0 / 49

HEX #721083

RGB 114 16 131

HSL 291.13, 0.78%, 0.29%

LAB 28.34, 54.15, -40.83

 

CMYK 0 / 13 / 88 / 49

HEX #837210

RGB 131 114 16

HSL 51.13, 0.78%, 0.29%

LAB 48.13, -3.42, 50.59

 

CMYK 88 / 0 / 13 / 49

HEX #108271

RGB 16 130 113

HSL 171.05, 0.78%, 0.29%

LAB 48.6, -33.47, 0.87

 

CMYK 83 / 88 / 0 / 49

HEX #161083

RGB 22 16 131

HSL 243.13, 0.78%, 0.29%

LAB 16.4, 42.71, -60.87

 

CMYK 0 / 88 / 75 / 49

HEX #831021

RGB 131 16 33

HSL 351.13, 0.78%, 0.29%

LAB 27.59, 46.74, 22.87

 

CMYK 5 / 0 / 88 / 49

HEX #7D8310

RGB 125 131 16

HSL 63.13, 0.78%, 0.29%

LAB 52.54, -15.58, 54.02

 

CMYK 88 / 0 / 13 / 49

HEX #108271

RGB 16 130 113

HSL 171.05, 0.78%, 0.29%

LAB 48.6, -33.47, 0.87

 

CMYK 57 / 88 / 0 / 49

HEX #381083

RGB 56 16 131

HSL 260.87, 0.78%, 0.29%

LAB 19.43, 45.39, -55.75

 

CMYK 0 / 88 / 75 / 49

HEX #831021

RGB 131 16 33

HSL 351.13, 0.78%, 0.29%

LAB 27.59, 46.74, 22.87

 

CMYK 31 / 0 / 88 / 49

HEX #5B8310

RGB 91 131 16

HSL 80.87, 0.78%, 0.29%

LAB 50.09, -30.44, 50.97

 

Description

Color code: HEX #108271 | qconv.com Color code: HEX #108271 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 130 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 130 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 13 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 13% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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