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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106B33 it is the complementary color #EF94CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106B33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106B33 shade: #156B2E, #267D41, #378F54, #48A167 and #59B37A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106B33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106B33 shade: #106B33, #005920, #00470D, #003500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106B33 shade: #0F6A32, #0F6A1A, #1D6A0F, #366A0F and #4E6A0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106B33 shade: #0F6A32, #0F6A4B, #0F6A63, #0F586A and #0F406A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106B33 shade matches the following richer shades: #0F6A32 and #067430

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106B33 shade: #0F6A32, #196035, #235637, #2D4C39 and #37423B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106B33 shade: #1D6A0F, #0F6A1A, #0F6A32, #0F6A4A and #0F6A62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106B33 shade: #052210, #0A4621, #0F6A32, #158E43 and #1AB254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106B33 shade: #106B33, #0F356A and #6A0F11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106B33 shade: #106B33, #320F6A and #6A320F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106B33 shade: #106B33, #0F356A, #6A0F47 and #6A440F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106B33 shade: #106B33, #0F1A6A, #6A0F47 and #6A5F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 52 / 58

HEX #106B33

RGB 16 107 51

HSL 143.08, 0.74%, 0.24%

LAB 39.35, -38.74, 24.25

 

Complementary color

CMYK 0 / 38 / 15 / 6

HEX #EF94CC

RGB 239 148 204

HSL 323.08, 0.74%, 0.76%

LAB 72.16, 41.88, -14.3

 

CMYK 80 / 0 / 57 / 58

HEX #156B2E

RGB 21 107 46

HSL 137.44, 0.67%, 0.25%

LAB 39.36, -38.89, 27.01

 

CMYK 70 / 0 / 48 / 51

HEX #267D41

RGB 38 125 65

HSL 138.62, 0.53%, 0.32%

LAB 46.26, -39.73, 25.34

 

CMYK 62 / 0 / 41 / 44

HEX #378F54

RGB 55 143 84

HSL 139.77, 0.44%, 0.39%

LAB 53.06, -40.05, 23.78

 

CMYK 55 / 0 / 36 / 37

HEX #48A167

RGB 72 161 103

HSL 140.9, 0.38%, 0.46%

LAB 59.75, -40.09, 22.35

 

CMYK 50 / 0 / 32 / 30

HEX #59B37A

RGB 89 179 122

HSL 142, 0.37%, 0.53%

LAB 66.34, -39.99, 21.05

 

CMYK 85 / 0 / 52 / 58

HEX #106B33

RGB 16 107 51

HSL 143.08, 0.74%, 0.24%

LAB 39.35, -38.74, 24.25

 

CMYK 100 / 0 / 64 / 65

HEX #005920

RGB 0 89 32

HSL 141.57, 1%, 0.17%

LAB 32.37, -37.02, 26.07

 

CMYK 100 / 0 / 82 / 72

HEX #00470D

RGB 0 71 13

HSL 130.99, 1%, 0.14%

LAB 25.37, -33.15, 27.65

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 86 / 0 / 75 / 58

HEX #0F6A1A

RGB 15 106 26

HSL 127.25, 0.75%, 0.24%

LAB 38.7, -41.93, 35.92

 

CMYK 73 / 0 / 86 / 58

HEX #1D6A0F

RGB 29 106 15

HSL 110.77, 0.75%, 0.24%

LAB 38.9, -40.41, 40.23

 

CMYK 49 / 0 / 86 / 58

HEX #366A0F

RGB 54 106 15

HSL 94.29, 0.75%, 0.24%

LAB 39.79, -33.31, 41.37

 

CMYK 26 / 0 / 86 / 58

HEX #4E6A0F

RGB 78 106 15

HSL 78.46, 0.75%, 0.24%

LAB 41.16, -23.8, 43.11

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 86 / 0 / 29 / 58

HEX #0F6A4B

RGB 15 106 75

HSL 159.56, 0.75%, 0.24%

LAB 39.44, -33.24, 10.4

 

CMYK 86 / 0 / 7 / 58

HEX #0F6A63

RGB 15 106 99

HSL 175.38, 0.75%, 0.24%

LAB 40.1, -26.37, -3.22

 

CMYK 86 / 17 / 0 / 58

HEX #0F586A

RGB 15 88 106

HSL 191.87, 0.75%, 0.24%

LAB 34.23, -14.31, -16.39

 

CMYK 86 / 40 / 0 / 58

HEX #0F406A

RGB 15 64 106

HSL 207.69, 0.75%, 0.24%

LAB 26.18, 0.81, -28.98

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 95 / 0 / 59 / 55

HEX #067430

RGB 6 116 48

HSL 142.91, 0.9%, 0.24%

LAB 42.37, -43.49, 29.53

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 74 / 0 / 45 / 62

HEX #196035

RGB 25 96 53

HSL 143.66, 0.59%, 0.24%

LAB 35.65, -32.51, 18.42

 

CMYK 59 / 0 / 36 / 66

HEX #235637

RGB 35 86 55

HSL 143.53, 0.42%, 0.24%

LAB 32.46, -25.2, 13.02

 

CMYK 41 / 0 / 25 / 70

HEX #2D4C39

RGB 45 76 57

HSL 143.23, 0.26%, 0.24%

LAB 29.47, -16.38, 7.74

 

CMYK 17 / 0 / 11 / 74

HEX #37423B

RGB 55 66 59

HSL 141.82, 0.09%, 0.24%

LAB 26.8, -6.16, 2.76

 

CMYK 73 / 0 / 86 / 58

HEX #1D6A0F

RGB 29 106 15

HSL 110.77, 0.75%, 0.24%

LAB 38.9, -40.41, 40.23

 

CMYK 86 / 0 / 75 / 58

HEX #0F6A1A

RGB 15 106 26

HSL 127.25, 0.75%, 0.24%

LAB 38.7, -41.93, 35.92

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 86 / 0 / 30 / 58

HEX #0F6A4A

RGB 15 106 74

HSL 158.9, 0.75%, 0.24%

LAB 39.42, -33.49, 10.97

 

CMYK 86 / 0 / 8 / 58

HEX #0F6A62

RGB 15 106 98

HSL 174.73, 0.75%, 0.24%

LAB 40.07, -26.68, -2.66

 

CMYK 85 / 0 / 53 / 87

HEX #052210

RGB 5 34 16

HSL 142.76, 0.74%, 0.08%

LAB 10.66, -16.11, 8.56

 

CMYK 86 / 0 / 53 / 73

HEX #0A4621

RGB 10 70 33

HSL 143, 0.75%, 0.16%

LAB 25.43, -28.1, 17.1

 

CMYK 86 / 0 / 53 / 58

HEX #0F6A32

RGB 15 106 50

HSL 143.08, 0.75%, 0.24%

LAB 38.97, -38.66, 24.32

 

CMYK 85 / 0 / 53 / 44

HEX #158E43

RGB 21 142 67

HSL 142.81, 0.74%, 0.32%

LAB 51.74, -48.34, 31.06

 

CMYK 85 / 0 / 53 / 30

HEX #1AB254

RGB 26 178 84

HSL 142.89, 0.75%, 0.4%

LAB 63.92, -57.62, 37.44

 

CMYK 85 / 0 / 52 / 58

HEX #106B33

RGB 16 107 51

HSL 143.08, 0.74%, 0.24%

LAB 39.35, -38.74, 24.25

 

CMYK 86 / 50 / 0 / 58

HEX #0F356A

RGB 15 53 106

HSL 214.95, 0.75%, 0.24%

LAB 22.61, 8.51, -34.69

 

CMYK 0 / 86 / 84 / 58

HEX #6A0F11

RGB 106 15 17

HSL 358.68, 0.75%, 0.24%

LAB 21.75, 38.73, 25.08

 

CMYK 85 / 0 / 52 / 58

HEX #106B33

RGB 16 107 51

HSL 143.08, 0.74%, 0.24%

LAB 39.35, -38.74, 24.25

 

CMYK 53 / 86 / 0 / 58

HEX #320F6A

RGB 50 15 106

HSL 263.08, 0.75%, 0.24%

LAB 15.8, 38.11, -45.68

 

CMYK 0 / 53 / 86 / 58

HEX #6A320F

RGB 106 50 15

HSL 23.08, 0.75%, 0.24%

LAB 27.79, 22.52, 32.1

 

CMYK 85 / 0 / 52 / 58

HEX #106B33

RGB 16 107 51

HSL 143.08, 0.74%, 0.24%

LAB 39.35, -38.74, 24.25

 

CMYK 86 / 50 / 0 / 58

HEX #0F356A

RGB 15 53 106

HSL 214.95, 0.75%, 0.24%

LAB 22.61, 8.51, -34.69

 

CMYK 0 / 86 / 33 / 58

HEX #6A0F47

RGB 106 15 71

HSL 323.08, 0.75%, 0.24%

LAB 23.21, 43.08, -9.86

 

CMYK 0 / 36 / 86 / 58

HEX #6A440F

RGB 106 68 15

HSL 34.95, 0.75%, 0.24%

LAB 32.33, 11.68, 36.24

 

CMYK 85 / 0 / 52 / 58

HEX #106B33

RGB 16 107 51

HSL 143.08, 0.74%, 0.24%

LAB 39.35, -38.74, 24.25

 

CMYK 86 / 75 / 0 / 58

HEX #0F1A6A

RGB 15 26 106

HSL 232.75, 0.75%, 0.24%

LAB 14.85, 27.94, -47.35

 

CMYK 0 / 86 / 33 / 58

HEX #6A0F47

RGB 106 15 71

HSL 323.08, 0.75%, 0.24%

LAB 23.21, 43.08, -9.86

 

CMYK 0 / 10 / 86 / 58

HEX #6A5F0F

RGB 106 95 15

HSL 52.75, 0.75%, 0.24%

LAB 40.05, -4.61, 43.04

 

Description

Color code: HEX #106B33 | qconv.com Color code: HEX #106B33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 107 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 107 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 52 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 52% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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