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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10580D it is the complementary color #EFA7F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10580D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10580D shade: #155808, #266A1B, #377C2E, #488E41 and #59A054

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10580D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10580D shade: #10580D, #004600, #003400, #002200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10580D shade: #10580D, #24580D, #38580D, #4D580D and #584F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10580D shade: #10580D, #0D581E, #0D5832, #0D5847 and #0D5558

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10580D shade matches the following richer shades: #10580D and #086005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10580D shade: #10580D, #175015, #1F481D, #273F26 and #2E372E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10580D shade: #39580D, #25580D, #11580D, #0D581D and #0D5831

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10580D shade: #031002, #093407, #10580D, #167C12 and #1DA017

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10580D shade: #10580D, #0D4D58 and #580D2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10580D shade: #10580D, #0D1158 and #580D11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10580D shade: #10580D, #0D4D58, #540D58 and #58180D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10580D shade: #10580D, #0D3658, #540D58 and #582F0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

Complementary color

CMYK 1 / 31 / 0 / 5

HEX #EFA7F2

RGB 239 167 242

HSL 297.6, 0.74%, 0.8%

LAB 77.52, 38.41, -26.92

 

CMYK 76 / 0 / 91 / 65

HEX #155808

RGB 21 88 8

HSL 110.25, 0.83%, 0.19%

LAB 32.16, -35.98, 36.09

 

CMYK 64 / 0 / 75 / 58

HEX #266A1B

RGB 38 106 27

HSL 111.65, 0.59%, 0.26%

LAB 39.24, -37.36, 36.23

 

CMYK 56 / 0 / 63 / 51

HEX #377C2E

RGB 55 124 46

HSL 113.08, 0.46%, 0.33%

LAB 46.21, -37.94, 35.29

 

CMYK 49 / 0 / 54 / 44

HEX #488E41

RGB 72 142 65

HSL 114.55, 0.37%, 0.41%

LAB 53.06, -38.11, 34.02

 

CMYK 44 / 0 / 48 / 37

HEX #59A054

RGB 89 160 84

HSL 116.05, 0.31%, 0.48%

LAB 59.8, -38.07, 32.7

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 59 / 0 / 85 / 65

HEX #24580D

RGB 36 88 13

HSL 101.6, 0.74%, 0.2%

LAB 32.66, -31.74, 35.12

 

CMYK 36 / 0 / 85 / 65

HEX #38580D

RGB 56 88 13

HSL 85.6, 0.74%, 0.2%

LAB 33.67, -24.35, 36.42

 

CMYK 13 / 0 / 85 / 65

HEX #4D580D

RGB 77 88 13

HSL 68.8, 0.74%, 0.2%

LAB 35.18, -14.83, 38.35

 

CMYK 0 / 10 / 85 / 65

HEX #584F0D

RGB 88 79 13

HSL 52.8, 0.74%, 0.2%

LAB 33.34, -4.17, 37.1

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 85 / 0 / 66 / 65

HEX #0D581E

RGB 13 88 30

HSL 133.6, 0.74%, 0.2%

LAB 32.17, -35.3, 26.93

 

CMYK 85 / 0 / 43 / 65

HEX #0D5832

RGB 13 88 50

HSL 149.6, 0.74%, 0.2%

LAB 32.47, -31.71, 15.98

 

CMYK 85 / 0 / 19 / 65

HEX #0D5847

RGB 13 88 71

HSL 166.4, 0.74%, 0.2%

LAB 32.96, -26.32, 3.69

 

CMYK 85 / 3 / 0 / 65

HEX #0D5558

RGB 13 85 88

HSL 182.4, 0.74%, 0.2%

LAB 32.45, -19.32, -7.79

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 92 / 0 / 95 / 62

HEX #086005

RGB 8 96 5

HSL 118.02, 0.9%, 0.2%

LAB 34.86, -40.92, 39.29

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 71 / 0 / 74 / 69

HEX #175015

RGB 23 80 21

HSL 117.97, 0.58%, 0.2%

LAB 29.35, -31.4, 28.34

 

CMYK 57 / 0 / 60 / 72

HEX #1F481D

RGB 31 72 29

HSL 117.21, 0.43%, 0.2%

LAB 26.78, -24.56, 21.28

 

CMYK 38 / 0 / 40 / 75

HEX #273F26

RGB 39 63 38

HSL 117.6, 0.25%, 0.2%

LAB 24.08, -15.4, 12.46

 

CMYK 16 / 0 / 16 / 78

HEX #2E372E

RGB 46 55 46

HSL 120, 0.09%, 0.2%

LAB 21.98, -5.95, 4.38

 

CMYK 35 / 0 / 85 / 65

HEX #39580D

RGB 57 88 13

HSL 84.8, 0.74%, 0.2%

LAB 33.73, -23.93, 36.5

 

CMYK 58 / 0 / 85 / 65

HEX #25580D

RGB 37 88 13

HSL 100.8, 0.74%, 0.2%

LAB 32.7, -31.42, 35.18

 

CMYK 81 / 0 / 85 / 65

HEX #11580D

RGB 17 88 13

HSL 116.8, 0.74%, 0.2%

LAB 32.1, -36.44, 34.38

 

CMYK 85 / 0 / 67 / 65

HEX #0D581D

RGB 13 88 29

HSL 132.8, 0.74%, 0.2%

LAB 32.15, -35.44, 27.43

 

CMYK 85 / 0 / 44 / 65

HEX #0D5831

RGB 13 88 49

HSL 148.8, 0.74%, 0.2%

LAB 32.45, -31.93, 16.55

 

CMYK 81 / 0 / 88 / 94

HEX #031002

RGB 3 16 2

HSL 115.71, 0.78%, 0.04%

LAB 3.56, -5.78, 4.41

 

CMYK 83 / 0 / 87 / 80

HEX #093407

RGB 9 52 7

HSL 117.33, 0.76%, 0.12%

LAB 18.05, -24.82, 22.3

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 82 / 0 / 85 / 51

HEX #167C12

RGB 22 124 18

HSL 117.74, 0.75%, 0.28%

LAB 45.12, -47.6, 45.02

 

CMYK 82 / 0 / 86 / 37

HEX #1DA017

RGB 29 160 23

HSL 117.37, 0.75%, 0.36%

LAB 57.53, -57.78, 55.01

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 85 / 13 / 0 / 65

HEX #0D4D58

RGB 13 77 88

HSL 188.8, 0.74%, 0.2%

LAB 29.66, -14.84, -12.02

 

CMYK 0 / 85 / 47 / 65

HEX #580D2F

RGB 88 13 47

HSL 332.8, 0.74%, 0.2%

LAB 18.22, 35.77, -0.98

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 85 / 81 / 0 / 65

HEX #0D1158

RGB 13 17 88

HSL 236.8, 0.74%, 0.2%

LAB 10.49, 26.73, -42.56

 

CMYK 0 / 85 / 81 / 65

HEX #580D11

RGB 88 13 17

HSL 356.8, 0.74%, 0.2%

LAB 17.47, 33.45, 19.13

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 85 / 13 / 0 / 65

HEX #0D4D58

RGB 13 77 88

HSL 188.8, 0.74%, 0.2%

LAB 29.66, -14.84, -12.02

 

CMYK 5 / 85 / 0 / 65

HEX #540D58

RGB 84 13 88

HSL 296.8, 0.74%, 0.2%

LAB 19.55, 40.9, -27.4

 

CMYK 0 / 73 / 85 / 65

HEX #58180D

RGB 88 24 13

HSL 8.8, 0.74%, 0.2%

LAB 19.04, 28.81, 23.11

 

CMYK 82 / 0 / 85 / 65

HEX #10580D

RGB 16 88 13

HSL 117.6, 0.74%, 0.2%

LAB 32.08, -36.61, 34.36

 

CMYK 85 / 39 / 0 / 65

HEX #0D3658

RGB 13 54 88

HSL 207.2, 0.74%, 0.2%

LAB 21.68, -0.2, -24.42

 

CMYK 5 / 85 / 0 / 65

HEX #540D58

RGB 84 13 88

HSL 296.8, 0.74%, 0.2%

LAB 19.55, 40.9, -27.4

 

CMYK 0 / 47 / 85 / 65

HEX #582F0D

RGB 88 47 13

HSL 27.2, 0.74%, 0.2%

LAB 24.12, 15.83, 28.57

 

Description

Color code: HEX #10580D | qconv.com Color code: HEX #10580D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 88 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 88 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 85 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 85% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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