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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #104645 it is the complementary color #EFB9BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #104645. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #104645 shade: #154640, #265853, #376A66, #487C79 and #598E8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #104645. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #104645 shade: #104645, #003432, #00221F and #00100C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #104645 shade: #104645, #104636, #104628, #104619 and #154610

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #104645 shade: #104645, #103846, #102A46, #101B46 and #101046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #104645 shade matches the following richer shades: #104645, #094D4C and #025453

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #104645 shade: #104645, #173F3E, #1E3838, #253131 and #2C2A2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #104645 shade: #104627, #104636, #104644, #103946 and #102B46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #104645 shade: #000303, #082524, #104645, #176866 and #1F8987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #104645 shade: #104645, #191046 and #462E10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #104645 shade: #104645, #441046 and #464410

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #104645 shade: #104645, #191046, #461011 and #3D4610

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #104645 shade: #104645, #291046, #461011 and #2D4610

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

Complementary color

CMYK 0 / 23 / 22 / 6

HEX #EFB9BA

RGB 239 185 186

HSL 358.89, 0.63%, 0.83%

LAB 79.95, 19.6, 7

 

CMYK 70 / 0 / 9 / 73

HEX #154640

RGB 21 70 64

HSL 172.65, 0.54%, 0.18%

LAB 26.48, -17.94, -1.22

 

CMYK 57 / 0 / 6 / 65

HEX #265853

RGB 38 88 83

HSL 174, 0.4%, 0.25%

LAB 34.02, -18.17, -2.23

 

CMYK 48 / 0 / 4 / 58

HEX #376A66

RGB 55 106 102

HSL 175.29, 0.32%, 0.32%

LAB 41.34, -18.19, -3.08

 

CMYK 42 / 0 / 2 / 51

HEX #487C79

RGB 72 124 121

HSL 176.54, 0.27%, 0.38%

LAB 48.48, -18.14, -3.83

 

CMYK 37 / 0 / 1 / 44

HEX #598E8C

RGB 89 142 140

HSL 177.74, 0.23%, 0.45%

LAB 55.44, -18.05, -4.52

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 100 / 0 / 4 / 80

HEX #003432

RGB 0 52 50

HSL 177.69, 1%, 0.1%

LAB 18.74, -16.38, -3.33

 

CMYK 100 / 0 / 9 / 87

HEX #00221F

RGB 0 34 31

HSL 174.71, 1%, 0.07%

LAB 10.87, -13.29, -1.54

 

CMYK 100 / 0 / 25 / 94

HEX #00100C

RGB 0 16 12

HSL 165, 1%, 0.03%

LAB 3.59, -5.15, 0.3

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 77 / 0 / 23 / 73

HEX #104636

RGB 16 70 54

HSL 162.22, 0.63%, 0.17%

LAB 26.03, -21.94, 4.64

 

CMYK 77 / 0 / 43 / 73

HEX #104628

RGB 16 70 40

HSL 146.67, 0.63%, 0.17%

LAB 25.69, -25.54, 13.16

 

CMYK 77 / 0 / 64 / 73

HEX #104619

RGB 16 70 25

HSL 130, 0.63%, 0.17%

LAB 25.44, -28.39, 21.82

 

CMYK 70 / 0 / 77 / 73

HEX #154610

RGB 21 70 16

HSL 114.44, 0.63%, 0.17%

LAB 25.49, -28.34, 26.58

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 77 / 20 / 0 / 73

HEX #103846

RGB 16 56 70

HSL 195.56, 0.63%, 0.17%

LAB 21.51, -8.49, -12.7

 

CMYK 77 / 40 / 0 / 73

HEX #102A46

RGB 16 42 70

HSL 211.11, 0.63%, 0.17%

LAB 16.54, 1.07, -20.45

 

CMYK 77 / 61 / 0 / 73

HEX #101B46

RGB 16 27 70

HSL 227.78, 0.63%, 0.17%

LAB 11.53, 12.4, -28.49

 

CMYK 77 / 77 / 0 / 73

HEX #101046

RGB 16 16 70

HSL 240, 0.63%, 0.17%

LAB 8.33, 20.66, -33.7

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 88 / 0 / 1 / 70

HEX #094D4C

RGB 9 77 76

HSL 179.12, 0.79%, 0.17%

LAB 29.13, -19.57, -5.11

 

CMYK 98 / 0 / 1 / 67

HEX #025453

RGB 2 84 83

HSL 179.27, 0.95%, 0.17%

LAB 31.76, -21.59, -5.68

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 63 / 0 / 2 / 75

HEX #173F3E

RGB 23 63 62

HSL 178.5, 0.47%, 0.17%

LAB 23.95, -14.18, -3.63

 

CMYK 46 / 0 / 0 / 78

HEX #1E3838

RGB 30 56 56

HSL 180, 0.3%, 0.17%

LAB 21.54, -9.95, -3.14

 

CMYK 24 / 0 / 0 / 81

HEX #253131

RGB 37 49 49

HSL 180, 0.14%, 0.17%

LAB 19.27, -5.03, -1.67

 

CMYK 0 / 5 / 5 / 83

HEX #2C2A2A

RGB 44 42 42

HSL 0, 0.02%, 0.17%

LAB 17.27, 0.91, 0.32

 

CMYK 77 / 0 / 44 / 73

HEX #104627

RGB 16 70 39

HSL 145.56, 0.63%, 0.17%

LAB 25.67, -25.76, 13.76

 

CMYK 77 / 0 / 23 / 73

HEX #104636

RGB 16 70 54

HSL 162.22, 0.63%, 0.17%

LAB 26.03, -21.94, 4.64

 

CMYK 77 / 0 / 3 / 73

HEX #104644

RGB 16 70 68

HSL 177.78, 0.63%, 0.17%

LAB 26.47, -17.56, -3.86

 

CMYK 77 / 19 / 0 / 73

HEX #103946

RGB 16 57 70

HSL 194.44, 0.63%, 0.17%

LAB 21.87, -9.12, -12.15

 

CMYK 77 / 39 / 0 / 73

HEX #102B46

RGB 16 43 70

HSL 210, 0.63%, 0.17%

LAB 16.89, 0.35, -19.9

 

CMYK 100 / 0 / 0 / 99

HEX #000303

RGB 0 3 3

HSL 180, 1%, 0.01%

LAB 0.65, -0.78, -0.28

 

CMYK 78 / 0 / 3 / 85

HEX #082524

RGB 8 37 36

HSL 177.93, 0.64%, 0.09%

LAB 12.62, -10.96, -2.55

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 78 / 0 / 2 / 59

HEX #176866

RGB 23 104 102

HSL 178.52, 0.64%, 0.25%

LAB 39.65, -23.51, -5.7

 

CMYK 77 / 0 / 1 / 46

HEX #1F8987

RGB 31 137 135

HSL 178.87, 0.63%, 0.33%

LAB 51.76, -28.74, -7.31

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 64 / 77 / 0 / 73

HEX #191046

RGB 25 16 70

HSL 250, 0.63%, 0.17%

LAB 9.15, 22.13, -32.32

 

CMYK 0 / 34 / 77 / 73

HEX #462E10

RGB 70 46 16

HSL 33.33, 0.63%, 0.17%

LAB 21.18, 7.59, 23.13

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 3 / 77 / 0 / 73

HEX #441046

RGB 68 16 70

HSL 297.78, 0.63%, 0.17%

LAB 15.7, 32.41, -21.42

 

CMYK 0 / 3 / 77 / 73

HEX #464410

RGB 70 68 16

HSL 57.78, 0.63%, 0.17%

LAB 28.04, -6.5, 30.23

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 64 / 77 / 0 / 73

HEX #191046

RGB 25 16 70

HSL 250, 0.63%, 0.17%

LAB 9.15, 22.13, -32.32

 

CMYK 0 / 77 / 76 / 73

HEX #461011

RGB 70 16 17

HSL 358.89, 0.63%, 0.17%

LAB 13.9, 25.75, 13.78

 

CMYK 13 / 0 / 77 / 73

HEX #3D4610

RGB 61 70 16

HSL 70, 0.63%, 0.17%

LAB 27.87, -12.22, 29.78

 

CMYK 77 / 0 / 1 / 73

HEX #104645

RGB 16 70 69

HSL 178.89, 0.63%, 0.17%

LAB 26.51, -17.22, -4.46

 

CMYK 41 / 77 / 0 / 73

HEX #291046

RGB 41 16 70

HSL 267.78, 0.63%, 0.17%

LAB 11.16, 25.52, -28.96

 

CMYK 0 / 77 / 76 / 73

HEX #461011

RGB 70 16 17

HSL 358.89, 0.63%, 0.17%

LAB 13.9, 25.75, 13.78

 

CMYK 36 / 0 / 77 / 73

HEX #2D4610

RGB 45 70 16

HSL 87.78, 0.63%, 0.17%

LAB 26.67, -19.71, 28.17

 

Description

Color code: HEX #104645 | qconv.com Color code: HEX #104645 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 70 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 70 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 1 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 1% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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