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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #102CBD it is the complementary color #EFD342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #102CBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #102CBD shade: #152CB8, #263ECB, #3750DE, #4862F1 and #5974FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #102CBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #102CBD shade: #102CBD, #001AAA, #000897, #000084 and #000071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #102CBD shade: #102CBB, #2210BB, #5110BB, #7F10BB and #AD10BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #102CBD shade: #102CBB and #1010BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #102CBD shade matches the following richer shades: #102CBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #102CBD shade: #102CBB, #2037AB, #31429A, #414D8A and #525879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #102CBD shade: #1088BB, #105ABB, #102CBB, #2110BB and #4F10BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #102CBD shade: #091A6F, #0D2395, #102CBB, #1334E1 and #314FED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #102CBD shade: #102CBD, #BB10B5 and #71BB10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #102CBD shade: #102CBD, #BB102C and #2CBB10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #102CBD shade: #102CBD, #BB10B5, #BB9F10 and #10BB16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #102CBD shade: #102CBD, #BB1082, #BB9F10 and #10BB49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 77 / 0 / 26

HEX #102CBD

RGB 16 44 189

HSL 230.29, 0.84%, 0.4%

LAB 28.34, 47.25, -76.48

 

Complementary color

CMYK 0 / 12 / 72 / 6

HEX #EFD342

RGB 239 211 66

HSL 50.29, 0.84%, 0.6%

LAB 84.65, -5.24, 71.15

 

CMYK 89 / 76 / 0 / 28

HEX #152CB8

RGB 21 44 184

HSL 231.53, 0.8%, 0.4%

LAB 27.9, 45.71, -74.24

 

CMYK 81 / 69 / 0 / 20

HEX #263ECB

RGB 38 62 203

HSL 231.27, 0.68%, 0.47%

LAB 34.33, 42.64, -74.76

 

CMYK 75 / 64 / 0 / 13

HEX #3750DE

RGB 55 80 222

HSL 231.02, 0.72%, 0.54%

LAB 40.93, 39.74, -74.83

 

CMYK 70 / 59 / 0 / 5

HEX #4862F1

RGB 72 98 241

HSL 230.77, 0.86%, 0.61%

LAB 47.58, 37.16, -74.68

 

CMYK 65 / 55 / 0 / 0

HEX #5974FF

RGB 89 116 255

HSL 230.24, 1%, 0.67%

LAB 53.85, 33.25, -72.22

 

CMYK 92 / 77 / 0 / 26

HEX #102CBD

RGB 16 44 189

HSL 230.29, 0.84%, 0.4%

LAB 28.34, 47.25, -76.48

 

CMYK 100 / 85 / 0 / 33

HEX #001AAA

RGB 0 26 170

HSL 230.82, 1%, 0.33%

LAB 22.45, 49.92, -74.93

 

CMYK 100 / 95 / 0 / 41

HEX #000897

RGB 0 8 151

HSL 236.82, 1%, 0.3%

LAB 17.5, 51.01, -71.58

 

CMYK 100 / 100 / 0 / 48

HEX #000084

RGB 0 0 132

HSL 240, 1%, 0.26%

LAB 13.63, 48.58, -66.16

 

CMYK 100 / 100 / 0 / 56

HEX #000071

RGB 0 0 113

HSL 240, 1%, 0.22%

LAB 10.5, 43.45, -59.18

 

CMYK 91 / 76 / 0 / 27

HEX #102CBB

RGB 16 44 187

HSL 230.18, 0.84%, 0.4%

LAB 28.11, 46.56, -75.67

 

CMYK 82 / 91 / 0 / 27

HEX #2210BB

RGB 34 16 187

HSL 246.32, 0.84%, 0.4%

LAB 24.63, 59.43, -81.44

 

CMYK 57 / 91 / 0 / 27

HEX #5110BB

RGB 81 16 187

HSL 262.81, 0.84%, 0.4%

LAB 28.66, 62.08, -74.63

 

CMYK 32 / 91 / 0 / 27

HEX #7F10BB

RGB 127 16 187

HSL 278.95, 0.84%, 0.4%

LAB 34.94, 67.05, -64.07

 

CMYK 7 / 91 / 0 / 27

HEX #AD10BB

RGB 173 16 187

HSL 295.09, 0.84%, 0.4%

LAB 42.53, 73.92, -51.42

 

CMYK 91 / 76 / 0 / 27

HEX #102CBB

RGB 16 44 187

HSL 230.18, 0.84%, 0.4%

LAB 28.11, 46.56, -75.67

 

CMYK 91 / 91 / 0 / 27

HEX #1010BB

RGB 16 16 187

HSL 240, 0.84%, 0.4%

LAB 23.9, 59, -82.69

 

CMYK 91 / 76 / 0 / 27

HEX #102CBB

RGB 16 44 187

HSL 230.18, 0.84%, 0.4%

LAB 28.11, 46.56, -75.67

 

CMYK 91 / 76 / 0 / 27

HEX #102CBB

RGB 16 44 187

HSL 230.18, 0.84%, 0.4%

LAB 28.11, 46.56, -75.67

 

CMYK 81 / 68 / 0 / 33

HEX #2037AB

RGB 32 55 171

HSL 230.07, 0.68%, 0.4%

LAB 29.36, 34.98, -64.06

 

CMYK 68 / 57 / 0 / 40

HEX #31429A

RGB 49 66 154

HSL 230.29, 0.52%, 0.4%

LAB 31.54, 23.39, -50.21

 

CMYK 53 / 44 / 0 / 46

HEX #414D8A

RGB 65 77 138

HSL 230.14, 0.36%, 0.4%

LAB 34.53, 13.59, -35.58

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 91 / 27 / 0 / 27

HEX #1088BB

RGB 16 136 187

HSL 197.89, 0.84%, 0.4%

LAB 53.28, -11.57, -35.03

 

CMYK 91 / 52 / 0 / 27

HEX #105ABB

RGB 16 90 187

HSL 214.04, 0.84%, 0.4%

LAB 39.6, 16.9, -56.84

 

CMYK 91 / 76 / 0 / 27

HEX #102CBB

RGB 16 44 187

HSL 230.18, 0.84%, 0.4%

LAB 28.11, 46.56, -75.67

 

CMYK 82 / 91 / 0 / 27

HEX #2110BB

RGB 33 16 187

HSL 245.96, 0.84%, 0.4%

LAB 24.58, 59.39, -81.53

 

CMYK 58 / 91 / 0 / 27

HEX #4F10BB

RGB 79 16 187

HSL 262.11, 0.84%, 0.4%

LAB 28.43, 61.92, -75.02

 

CMYK 92 / 77 / 0 / 56

HEX #091A6F

RGB 9 26 111

HSL 230, 0.85%, 0.24%

LAB 15.19, 29.5, -50.05

 

CMYK 91 / 77 / 0 / 42

HEX #0D2395

RGB 13 35 149

HSL 230.29, 0.84%, 0.32%

LAB 21.79, 38.3, -63.19

 

CMYK 91 / 76 / 0 / 27

HEX #102CBB

RGB 16 44 187

HSL 230.18, 0.84%, 0.4%

LAB 28.11, 46.56, -75.67

 

CMYK 92 / 77 / 0 / 12

HEX #1334E1

RGB 19 52 225

HSL 230.39, 0.84%, 0.48%

LAB 34.05, 55.01, -87.95

 

CMYK 79 / 67 / 0 / 7

HEX #314FED

RGB 49 79 237

HSL 230.43, 0.84%, 0.56%

LAB 41.78, 45.07, -81.96

 

CMYK 92 / 77 / 0 / 26

HEX #102CBD

RGB 16 44 189

HSL 230.29, 0.84%, 0.4%

LAB 28.34, 47.25, -76.48

 

CMYK 0 / 91 / 3 / 27

HEX #BB10B5

RGB 187 16 181

HSL 302.11, 0.84%, 0.4%

LAB 44.62, 75.39, -44.39

 

CMYK 40 / 0 / 91 / 27

HEX #71BB10

RGB 113 187 16

HSL 85.96, 0.84%, 0.4%

LAB 68.82, -46.62, 67.14

 

CMYK 92 / 77 / 0 / 26

HEX #102CBD

RGB 16 44 189

HSL 230.29, 0.84%, 0.4%

LAB 28.34, 47.25, -76.48

 

CMYK 0 / 91 / 76 / 27

HEX #BB102C

RGB 187 16 44

HSL 350.18, 0.84%, 0.4%

LAB 39.78, 62.49, 33.1

 

CMYK 76 / 0 / 91 / 27

HEX #2CBB10

RGB 44 187 16

HSL 110.18, 0.84%, 0.4%

LAB 66.61, -64.21, 64.4

 

CMYK 92 / 77 / 0 / 26

HEX #102CBD

RGB 16 44 189

HSL 230.29, 0.84%, 0.4%

LAB 28.34, 47.25, -76.48

 

CMYK 0 / 91 / 3 / 27

HEX #BB10B5

RGB 187 16 181

HSL 302.11, 0.84%, 0.4%

LAB 44.62, 75.39, -44.39

 

CMYK 0 / 15 / 91 / 27

HEX #BB9F10

RGB 187 159 16

HSL 50.18, 0.84%, 0.4%

LAB 66.06, -2.33, 67.17

 

CMYK 91 / 0 / 88 / 27

HEX #10BB16

RGB 16 187 22

HSL 122.11, 0.84%, 0.4%

LAB 66.3, -66.91, 62.95

 

CMYK 92 / 77 / 0 / 26

HEX #102CBD

RGB 16 44 189

HSL 230.29, 0.84%, 0.4%

LAB 28.34, 47.25, -76.48

 

CMYK 0 / 91 / 30 / 27

HEX #BB1082

RGB 187 16 130

HSL 320, 0.84%, 0.4%

LAB 42.07, 68.79, -17.66

 

CMYK 0 / 15 / 91 / 27

HEX #BB9F10

RGB 187 159 16

HSL 50.18, 0.84%, 0.4%

LAB 66.06, -2.33, 67.17

 

CMYK 91 / 0 / 61 / 27

HEX #10BB49

RGB 16 187 73

HSL 140, 0.84%, 0.4%

LAB 66.62, -62.82, 45.86

 

Description

Color code: HEX #102CBD | qconv.com Color code: HEX #102CBD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 44 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 44 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 77 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 77% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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