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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10207E it is the complementary color #EFDF81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10207E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10207E shade: #152079, #26328C, #37449F, #4856B2 and #5968C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10207E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10207E shade: #10207E, #000E6B, #000058, #000045 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10207E shade: #10207E, #1E107E, #3B107E, #59107E and #77107E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10207E shade: #10207E and #10107E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10207E shade matches the following richer shades: #10207E and #041889

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10207E shade: #10207E, #1B2872, #273067, #33385B and #3E4150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10207E shade: #105B7E, #103E7E, #10207E, #1D107E and #3A107E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10207E shade: #060D35, #0B1759, #10207E, #1529A2 and #1933C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10207E shade: #10207E, #7E1078 and #4C7E10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10207E shade: #10207E, #7E1020 and #207E10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10207E shade: #10207E, #7E1078, #7E6D10 and #107E15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10207E shade: #10207E, #7E1057, #7E6D10 and #107E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

Complementary color

CMYK 0 / 7 / 46 / 6

HEX #EFDF81

RGB 239 223 129

HSL 51.27, 0.77%, 0.72%

LAB 88.31, -6.97, 47.81

 

CMYK 83 / 74 / 0 / 53

HEX #152079

RGB 21 32 121

HSL 233.4, 0.7%, 0.28%

LAB 18.25, 30.23, -51.45

 

CMYK 73 / 64 / 0 / 45

HEX #26328C

RGB 38 50 140

HSL 232.94, 0.57%, 0.35%

LAB 25.52, 27.29, -51.44

 

CMYK 65 / 57 / 0 / 38

HEX #37449F

RGB 55 68 159

HSL 232.5, 0.49%, 0.42%

LAB 32.81, 24.87, -51.15

 

CMYK 60 / 52 / 0 / 30

HEX #4856B2

RGB 72 86 178

HSL 232.08, 0.42%, 0.49%

LAB 39.99, 22.93, -50.82

 

CMYK 55 / 47 / 0 / 23

HEX #5968C5

RGB 89 104 197

HSL 231.67, 0.48%, 0.56%

LAB 47.05, 21.36, -50.49

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 100 / 87 / 0 / 58

HEX #000E6B

RGB 0 14 107

HSL 232.15, 1%, 0.21%

LAB 11.79, 34.82, -53.09

 

CMYK 100 / 100 / 0 / 65

HEX #000058

RGB 0 0 88

HSL 240, 1%, 0.17%

LAB 6.36, 35.92, -49.44

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 76 / 87 / 0 / 51

HEX #1E107E

RGB 30 16 126

HSL 247.64, 0.77%, 0.28%

LAB 16.27, 41.61, -57.89

 

CMYK 53 / 87 / 0 / 51

HEX #3B107E

RGB 59 16 126

HSL 263.45, 0.77%, 0.28%

LAB 19.25, 44.39, -52.87

 

CMYK 29 / 87 / 0 / 51

HEX #59107E

RGB 89 16 126

HSL 279.82, 0.77%, 0.28%

LAB 23.67, 48.76, -45.45

 

CMYK 6 / 87 / 0 / 51

HEX #77107E

RGB 119 16 126

HSL 296.18, 0.77%, 0.28%

LAB 28.9, 54.19, -36.75

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 87 / 87 / 0 / 51

HEX #10107E

RGB 16 16 126

HSL 240, 0.77%, 0.28%

LAB 15.42, 40.85, -59.33

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 97 / 82 / 0 / 46

HEX #041889

RGB 4 24 137

HSL 230.98, 0.94%, 0.28%

LAB 17.85, 40.08, -62.26

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 76 / 65 / 0 / 55

HEX #1B2872

RGB 27 40 114

HSL 231.03, 0.62%, 0.28%

LAB 19.91, 22.68, -44.22

 

CMYK 62 / 53 / 0 / 60

HEX #273067

RGB 39 48 103

HSL 231.56, 0.45%, 0.28%

LAB 22.03, 14.8, -33.62

 

CMYK 44 / 38 / 0 / 64

HEX #33385B

RGB 51 56 91

HSL 232.5, 0.28%, 0.28%

LAB 24.6, 8.1, -21.65

 

CMYK 23 / 19 / 0 / 69

HEX #3E4150

RGB 62 65 80

HSL 230, 0.13%, 0.28%

LAB 27.8, 2.52, -9.44

 

CMYK 87 / 28 / 0 / 51

HEX #105B7E

RGB 16 91 126

HSL 199.09, 0.77%, 0.28%

LAB 36.17, -8.34, -25.76

 

CMYK 87 / 51 / 0 / 51

HEX #103E7E

RGB 16 62 126

HSL 214.91, 0.77%, 0.28%

LAB 26.91, 10.78, -40.49

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 77 / 87 / 0 / 51

HEX #1D107E

RGB 29 16 126

HSL 247.09, 0.77%, 0.28%

LAB 16.2, 41.54, -58.02

 

CMYK 54 / 87 / 0 / 51

HEX #3A107E

RGB 58 16 126

HSL 262.91, 0.77%, 0.28%

LAB 19.13, 44.26, -53.08

 

CMYK 89 / 75 / 0 / 79

HEX #060D35

RGB 6 13 53

HSL 231.06, 0.8%, 0.12%

LAB 5.27, 12.57, -26.52

 

CMYK 88 / 74 / 0 / 65

HEX #0B1759

RGB 11 23 89

HSL 230.77, 0.78%, 0.2%

LAB 11.99, 22.86, -40.77

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 87 / 75 / 0 / 36

HEX #1529A2

RGB 21 41 162

HSL 231.49, 0.77%, 0.36%

LAB 24.81, 39.73, -66.15

 

CMYK 87 / 74 / 0 / 22

HEX #1933C7

RGB 25 51 199

HSL 231.03, 0.78%, 0.44%

LAB 31.11, 47.03, -77.77

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 0 / 87 / 5 / 51

HEX #7E1078

RGB 126 16 120

HSL 303.27, 0.77%, 0.28%

LAB 29.82, 54.59, -31.41

 

CMYK 40 / 0 / 87 / 51

HEX #4C7E10

RGB 76 126 16

HSL 87.27, 0.77%, 0.28%

LAB 47.62, -34.04, 48.49

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 0 / 87 / 75 / 51

HEX #7E1020

RGB 126 16 32

HSL 351.27, 0.77%, 0.28%

LAB 26.48, 45.22, 21.94

 

CMYK 75 / 0 / 87 / 51

HEX #207E10

RGB 32 126 16

HSL 111.27, 0.77%, 0.28%

LAB 46, -46.74, 46.44

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 0 / 87 / 5 / 51

HEX #7E1078

RGB 126 16 120

HSL 303.27, 0.77%, 0.28%

LAB 29.82, 54.59, -31.41

 

CMYK 0 / 13 / 87 / 51

HEX #7E6D10

RGB 126 109 16

HSL 50.73, 0.77%, 0.28%

LAB 46.19, -2.97, 48.77

 

CMYK 87 / 0 / 83 / 51

HEX #107E15

RGB 16 126 21

HSL 122.73, 0.77%, 0.28%

LAB 45.75, -48.8, 44.69

 

CMYK 87 / 75 / 0 / 51

HEX #10207E

RGB 16 32 126

HSL 231.27, 0.77%, 0.28%

LAB 18.58, 31.77, -54.09

 

CMYK 0 / 87 / 31 / 51

HEX #7E1057

RGB 126 16 87

HSL 321.27, 0.77%, 0.28%

LAB 28.1, 49.91, -12.75

 

CMYK 0 / 13 / 87 / 51

HEX #7E6D10

RGB 126 109 16

HSL 50.73, 0.77%, 0.28%

LAB 46.19, -2.97, 48.77

 

CMYK 87 / 0 / 57 / 51

HEX #107E36

RGB 16 126 54

HSL 140.73, 0.77%, 0.28%

LAB 46.04, -45.23, 30.84

 

Description

Color code: HEX #10207E | qconv.com Color code: HEX #10207E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 32 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 32 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 75 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 75% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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