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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13DE97 it is the complementary color #EC2168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13DE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13DE97 shade: #18DE92, #29F0A5, #3AFFB8, #4BFFCB and #5CFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13DE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13DE97 shade: #13DE97, #02CC84, #00BA71, #00A85E and #00964B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13DE97 shade: #13DC96, #13DC5F, #13DC29, #33DC13 and #69DC13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13DE97 shade: #13DC96, #13DCCC, #13B6DC, #1380DC and #1349DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13DE97 shade matches the following richer shades: #13DC96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13DE97 shade: #13DC96, #26C990, #39B58A, #4DA284 and #608E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13DE97 shade: #13DC2A, #13DC60, #13DC96, #13DCCB and #13B7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13DE97 shade: #0C9062, #0FB67C, #13DC96, #2CECA9 and #52EFB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13DE97 shade: #13DE97, #1331DC and #DC4513

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13DE97 shade: #13DE97, #9613DC and #DC9613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13DE97 shade: #13DE97, #1331DC, #DC1359 and #DCBE13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13DE97 shade: #13DE97, #3113DC, #DC1359 and #BEDC13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 32 / 13

HEX #13DE97

RGB 19 222 151

HSL 159.01, 0.84%, 0.47%

LAB 78.82, -60.96, 22.5

 

Complementary color

CMYK 0 / 86 / 56 / 7

HEX #EC2168

RGB 236 33 104

HSL 339.01, 0.84%, 0.53%

LAB 51.75, 75.15, 13.61

 

CMYK 89 / 0 / 34 / 13

HEX #18DE92

RGB 24 222 146

HSL 156.97, 0.8%, 0.48%

LAB 78.76, -61.75, 25.02

 

CMYK 83 / 0 / 31 / 6

HEX #29F0A5

RGB 41 240 165

HSL 157.39, 0.87%, 0.55%

LAB 84.74, -63.13, 23.42

 

CMYK 77 / 0 / 28 / 0

HEX #3AFFB8

RGB 58 255 184

HSL 158.38, 1%, 0.61%

LAB 89.8, -63.04, 20.7

 

CMYK 71 / 0 / 20 / 0

HEX #4BFFCB

RGB 75 255 203

HSL 162.67, 1%, 0.65%

LAB 90.47, -56.81, 11.93

 

CMYK 64 / 0 / 13 / 0

HEX #5CFFDE

RGB 92 255 222

HSL 167.85, 1%, 0.68%

LAB 91.27, -49.88, 3.31

 

CMYK 91 / 0 / 32 / 13

HEX #13DE97

RGB 19 222 151

HSL 159.01, 0.84%, 0.47%

LAB 78.82, -60.96, 22.5

 

CMYK 99 / 0 / 35 / 20

HEX #02CC84

RGB 2 204 132

HSL 158.61, 0.98%, 0.4%

LAB 72.8, -59.1, 24.24

 

CMYK 100 / 0 / 39 / 27

HEX #00BA71

RGB 0 186 113

HSL 156.45, 1%, 0.36%

LAB 66.76, -56.66, 26.13

 

CMYK 100 / 0 / 44 / 34

HEX #00A85E

RGB 0 168 94

HSL 153.57, 1%, 0.33%

LAB 60.62, -54.03, 28.1

 

CMYK 100 / 0 / 50 / 41

HEX #00964B

RGB 0 150 75

HSL 150, 1%, 0.29%

LAB 54.37, -51.24, 30.12

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 91 / 0 / 57 / 14

HEX #13DC5F

RGB 19 220 95

HSL 142.69, 0.84%, 0.47%

LAB 77.37, -70.06, 48.4

 

CMYK 91 / 0 / 81 / 14

HEX #13DC29

RGB 19 220 41

HSL 126.57, 0.84%, 0.47%

LAB 76.97, -75.08, 68.14

 

CMYK 77 / 0 / 91 / 14

HEX #33DC13

RGB 51 220 19

HSL 110.45, 0.84%, 0.47%

LAB 77.24, -72.92, 72.96

 

CMYK 52 / 0 / 91 / 14

HEX #69DC13

RGB 105 220 19

HSL 94.33, 0.84%, 0.47%

LAB 78.6, -61.61, 74.64

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 91 / 0 / 7 / 14

HEX #13DCCC

RGB 19 220 204

HSL 175.22, 0.84%, 0.47%

LAB 79.43, -47.06, -4.67

 

CMYK 91 / 17 / 0 / 14

HEX #13B6DC

RGB 19 182 220

HSL 191.34, 0.84%, 0.47%

LAB 68.58, -24.45, -29.71

 

CMYK 91 / 42 / 0 / 14

HEX #1380DC

RGB 19 128 220

HSL 207.46, 0.84%, 0.47%

LAB 52.67, 5.84, -54.72

 

CMYK 91 / 67 / 0 / 14

HEX #1349DC

RGB 19 73 220

HSL 223.88, 0.84%, 0.47%

LAB 37.97, 40.95, -78.6

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 81 / 0 / 28 / 21

HEX #26C990

RGB 38 201 144

HSL 159.02, 0.68%, 0.47%

LAB 72.36, -53.32, 17.32

 

CMYK 69 / 0 / 24 / 29

HEX #39B58A

RGB 57 181 138

HSL 159.19, 0.52%, 0.47%

LAB 66.33, -44.21, 12.18

 

CMYK 52 / 0 / 19 / 36

HEX #4DA284

RGB 77 162 132

HSL 158.82, 0.36%, 0.47%

LAB 60.86, -33.16, 7.83

 

CMYK 32 / 0 / 11 / 44

HEX #608E7E

RGB 96 142 126

HSL 159.13, 0.19%, 0.47%

LAB 55.42, -19.32, 3.54

 

CMYK 91 / 0 / 81 / 14

HEX #13DC2A

RGB 19 220 42

HSL 126.87, 0.84%, 0.47%

LAB 76.98, -75.02, 67.88

 

CMYK 91 / 0 / 56 / 14

HEX #13DC60

RGB 19 220 96

HSL 142.99, 0.84%, 0.47%

LAB 77.38, -69.92, 47.96

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 91 / 0 / 8 / 14

HEX #13DCCB

RGB 19 220 203

HSL 174.93, 0.84%, 0.47%

LAB 79.41, -47.34, -4.17

 

CMYK 91 / 17 / 0 / 14

HEX #13B7DC

RGB 19 183 220

HSL 191.04, 0.84%, 0.47%

LAB 68.88, -24.96, -29.25

 

CMYK 92 / 0 / 32 / 44

HEX #0C9062

RGB 12 144 98

HSL 159.09, 0.85%, 0.31%

LAB 52.85, -43.65, 15.54

 

CMYK 92 / 0 / 32 / 29

HEX #0FB67C

RGB 15 182 124

HSL 159.16, 0.85%, 0.39%

LAB 65.76, -52.25, 18.92

 

CMYK 91 / 0 / 32 / 14

HEX #13DC96

RGB 19 220 150

HSL 159.1, 0.84%, 0.47%

LAB 78.19, -60.44, 22.16

 

CMYK 81 / 0 / 28 / 7

HEX #2CECA9

RGB 44 236 169

HSL 159.06, 0.83%, 0.55%

LAB 83.65, -60.54, 19.85

 

CMYK 66 / 0 / 23 / 6

HEX #52EFB8

RGB 82 239 184

HSL 158.98, 0.83%, 0.63%

LAB 85.5, -53.66, 14.74

 

CMYK 91 / 0 / 32 / 13

HEX #13DE97

RGB 19 222 151

HSL 159.01, 0.84%, 0.47%

LAB 78.82, -60.96, 22.5

 

CMYK 91 / 78 / 0 / 14

HEX #1331DC

RGB 19 49 220

HSL 231.04, 0.84%, 0.47%

LAB 32.92, 54.96, -86.94

 

CMYK 0 / 69 / 91 / 14

HEX #DC4513

RGB 220 69 19

HSL 14.93, 0.84%, 0.47%

LAB 51.29, 56.93, 57.62

 

CMYK 91 / 0 / 32 / 13

HEX #13DE97

RGB 19 222 151

HSL 159.01, 0.84%, 0.47%

LAB 78.82, -60.96, 22.5

 

CMYK 32 / 91 / 0 / 14

HEX #9613DC

RGB 150 19 220

HSL 279.1, 0.84%, 0.47%

LAB 41.4, 76.02, -72.56

 

CMYK 0 / 32 / 91 / 14

HEX #DC9613

RGB 220 150 19

HSL 39.1, 0.84%, 0.47%

LAB 67.33, 17.17, 69.14

 

CMYK 91 / 0 / 32 / 13

HEX #13DE97

RGB 19 222 151

HSL 159.01, 0.84%, 0.47%

LAB 78.82, -60.96, 22.5

 

CMYK 91 / 78 / 0 / 14

HEX #1331DC

RGB 19 49 220

HSL 231.04, 0.84%, 0.47%

LAB 32.92, 54.96, -86.94

 

CMYK 0 / 91 / 60 / 14

HEX #DC1359

RGB 220 19 89

HSL 339.1, 0.84%, 0.47%

LAB 47.5, 72.5, 16.46

 

CMYK 0 / 14 / 91 / 14

HEX #DCBE13

RGB 220 190 19

HSL 51.04, 0.84%, 0.47%

LAB 77.33, -4, 76.68

 

CMYK 91 / 0 / 32 / 13

HEX #13DE97

RGB 19 222 151

HSL 159.01, 0.84%, 0.47%

LAB 78.82, -60.96, 22.5

 

CMYK 78 / 91 / 0 / 14

HEX #3113DC

RGB 49 19 220

HSL 248.96, 0.84%, 0.47%

LAB 30.12, 67.85, -91.57

 

CMYK 0 / 91 / 60 / 14

HEX #DC1359

RGB 220 19 89

HSL 339.1, 0.84%, 0.47%

LAB 47.5, 72.5, 16.46

 

CMYK 14 / 0 / 91 / 14

HEX #BEDC13

RGB 190 220 19

HSL 68.96, 0.84%, 0.47%

LAB 83.01, -31.53, 80.04

 

Description

Color code: HEX #13DE97 | qconv.com Color code: HEX #13DE97 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 222 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 222 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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