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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13C21E it is the complementary color #EC3DE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13C21E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13C21E shade: #18C219, #29D42C, #3AE63F, #4BF852 and #5CFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13C21E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13C21E shade: #13C21E, #02B00B, #009E00, #008C00 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13C21E shade: #13C21E, #37C213, #66C213, #96C213 and #C2C013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13C21E shade: #13C21E, #13C24D, #13C27D, #13C2AC and #13AAC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13C21E shade matches the following richer shades: #13C21E and #01D40F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13C21E shade: #13C21E, #24B12D, #35A03C, #478E4B and #587D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13C21E shade: #68C213, #39C213, #13C21C, #13C24A and #13C279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13C21E shade: #0B7712, #0F9D18, #13C21E, #17E824 and #3CEB47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13C21E shade: #13C21E, #1397C2 and #C21350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13C21E shade: #13C21E, #1C13C2 and #C21C13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13C21E shade: #13C21E, #1397C2, #C213BA and #C23F13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13C21E shade: #13C21E, #1362C2, #C213BA and #C27313

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

Complementary color

CMYK 0 / 74 / 5 / 7

HEX #EC3DE1

RGB 236 61 225

HSL 303.77, 0.82%, 0.58%

LAB 58.61, 81.64, -47

 

CMYK 88 / 0 / 87 / 24

HEX #18C219

RGB 24 194 25

HSL 120.35, 0.78%, 0.43%

LAB 68.64, -68.21, 64.42

 

CMYK 81 / 0 / 79 / 17

HEX #29D42C

RGB 41 212 44

HSL 121.05, 0.68%, 0.5%

LAB 74.66, -70.79, 65.23

 

CMYK 75 / 0 / 73 / 10

HEX #3AE63F

RGB 58 230 63

HSL 121.74, 0.77%, 0.56%

LAB 80.66, -72.68, 65.13

 

CMYK 70 / 0 / 67 / 3

HEX #4BF852

RGB 75 248 82

HSL 122.43, 0.93%, 0.63%

LAB 86.62, -74.02, 64.5

 

CMYK 64 / 0 / 60 / 0

HEX #5CFF65

RGB 92 255 101

HSL 123.31, 1%, 0.68%

LAB 89.27, -71.33, 59.86

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 99 / 0 / 94 / 31

HEX #02B00B

RGB 2 176 11

HSL 123.1, 0.98%, 0.35%

LAB 62.58, -64.89, 61.58

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 72 / 0 / 90 / 24

HEX #37C213

RGB 55 194 19

HSL 107.66, 0.82%, 0.42%

LAB 69.07, -64.49, 66.09

 

CMYK 47 / 0 / 90 / 24

HEX #66C213

RGB 102 194 19

HSL 91.54, 0.82%, 0.42%

LAB 70.49, -52.93, 67.86

 

CMYK 23 / 0 / 90 / 24

HEX #96C213

RGB 150 194 19

HSL 75.09, 0.82%, 0.42%

LAB 72.97, -35.69, 70.91

 

CMYK 0 / 1 / 90 / 24

HEX #C2C013

RGB 194 192 19

HSL 59.31, 0.82%, 0.42%

LAB 75.59, -16.31, 74.34

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 90 / 0 / 60 / 24

HEX #13C24D

RGB 19 194 77

HSL 139.89, 0.82%, 0.42%

LAB 68.94, -64.32, 46.72

 

CMYK 90 / 0 / 36 / 24

HEX #13C27D

RGB 19 194 125

HSL 156.34, 0.82%, 0.42%

LAB 69.61, -56.27, 23.63

 

CMYK 90 / 0 / 11 / 24

HEX #13C2AC

RGB 19 194 172

HSL 172.46, 0.82%, 0.42%

LAB 70.66, -44.84, -0.27

 

CMYK 90 / 12 / 0 / 24

HEX #13AAC2

RGB 19 170 194

HSL 188.23, 0.82%, 0.42%

LAB 63.98, -27.07, -22.41

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 100 / 0 / 93 / 17

HEX #01D40F

RGB 1 212 15

HSL 123.98, 0.99%, 0.42%

LAB 74.27, -74.65, 70.83

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 80 / 0 / 75 / 31

HEX #24B12D

RGB 36 177 45

HSL 123.83, 0.66%, 0.42%

LAB 63.35, -60.74, 53.86

 

CMYK 67 / 0 / 63 / 37

HEX #35A03C

RGB 53 160 60

HSL 123.93, 0.5%, 0.42%

LAB 58.25, -50.72, 42.36

 

CMYK 50 / 0 / 47 / 44

HEX #478E4B

RGB 71 142 75

HSL 123.38, 0.33%, 0.42%

LAB 53.16, -36.96, 28.91

 

CMYK 30 / 0 / 28 / 51

HEX #587D5A

RGB 88 125 90

HSL 123.24, 0.17%, 0.42%

LAB 48.86, -20.61, 15.01

 

CMYK 46 / 0 / 90 / 24

HEX #68C213

RGB 104 194 19

HSL 90.86, 0.82%, 0.42%

LAB 70.58, -52.31, 67.96

 

CMYK 71 / 0 / 90 / 24

HEX #39C213

RGB 57 194 19

HSL 106.97, 0.82%, 0.42%

LAB 69.11, -64.13, 66.14

 

CMYK 90 / 0 / 86 / 24

HEX #13C21C

RGB 19 194 28

HSL 123.09, 0.82%, 0.42%

LAB 68.61, -68.45, 63.73

 

CMYK 90 / 0 / 62 / 24

HEX #13C24A

RGB 19 194 74

HSL 138.86, 0.82%, 0.42%

LAB 68.91, -64.69, 48.03

 

CMYK 90 / 0 / 38 / 24

HEX #13C279

RGB 19 194 121

HSL 154.97, 0.82%, 0.42%

LAB 69.54, -57.09, 25.65

 

CMYK 91 / 0 / 85 / 53

HEX #0B7712

RGB 11 119 18

HSL 123.89, 0.83%, 0.25%

LAB 43.22, -47.26, 43.22

 

CMYK 90 / 0 / 85 / 38

HEX #0F9D18

RGB 15 157 24

HSL 123.8, 0.83%, 0.34%

LAB 56.37, -58.22, 53.65

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 90 / 0 / 84 / 9

HEX #17E824

RGB 23 232 36

HSL 123.73, 0.82%, 0.5%

LAB 80.75, -78.39, 72.79

 

CMYK 74 / 0 / 70 / 8

HEX #3CEB47

RGB 60 235 71

HSL 123.77, 0.81%, 0.58%

LAB 82.29, -73.27, 63.97

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 90 / 22 / 0 / 24

HEX #1397C2

RGB 19 151 194

HSL 194.74, 0.82%, 0.42%

LAB 58.19, -17.19, -31.34

 

CMYK 0 / 90 / 59 / 24

HEX #C21350

RGB 194 19 80

HSL 339.09, 0.82%, 0.42%

LAB 42.02, 65.62, 13.75

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 86 / 90 / 0 / 24

HEX #1C13C2

RGB 28 19 194

HSL 243.09, 0.82%, 0.42%

LAB 25.59, 60.27, -84

 

CMYK 0 / 86 / 90 / 24

HEX #C21C13

RGB 194 28 19

HSL 3.09, 0.82%, 0.42%

LAB 41.76, 61.61, 48.65

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 90 / 22 / 0 / 24

HEX #1397C2

RGB 19 151 194

HSL 194.74, 0.82%, 0.42%

LAB 58.19, -17.19, -31.34

 

CMYK 0 / 90 / 4 / 24

HEX #C213BA

RGB 194 19 186

HSL 302.74, 0.82%, 0.42%

LAB 46.29, 76.97, -44.6

 

CMYK 0 / 68 / 90 / 24

HEX #C23F13

RGB 194 63 19

HSL 15.09, 0.82%, 0.42%

LAB 45.73, 50.57, 51.53

 

CMYK 90 / 0 / 85 / 24

HEX #13C21E

RGB 19 194 30

HSL 123.77, 0.82%, 0.42%

LAB 68.62, -68.36, 63.27

 

CMYK 90 / 49 / 0 / 24

HEX #1362C2

RGB 19 98 194

HSL 212.91, 0.82%, 0.42%

LAB 42.41, 14.61, -56.36

 

CMYK 0 / 90 / 4 / 24

HEX #C213BA

RGB 194 19 186

HSL 302.74, 0.82%, 0.42%

LAB 46.29, 76.97, -44.6

 

CMYK 0 / 41 / 90 / 24

HEX #C27313

RGB 194 115 19

HSL 32.91, 0.82%, 0.42%

LAB 55.86, 24.89, 59.1

 

Description

Color code: HEX #13C21E | qconv.com Color code: HEX #13C21E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 194 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 194 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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