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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13BD76 it is the complementary color #EC4289. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13BD76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13BD76 shade: #18BD71, #29CF84, #3AE197, #4BF3AA and #5CFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13BD76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13BD76 shade: #13BD76, #02AB63, #009950, #00873D and #00752A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13BD76 shade: #12BE76, #12BE48, #12BE1A, #39BE12 and #67BE12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13BD76 shade: #12BE76, #12BEA4, #12A9BE, #127BBE and #124CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13BD76 shade matches the following richer shades: #12BE76 and #01CF79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13BD76 shade: #12BE76, #23AD73, #349C71, #458B6E and #567A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13BD76 shade: #12BE18, #12BE46, #12BE73, #12BEA1 and #12ADBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13BD76 shade: #0B7347, #0F985F, #12BE76, #16E38E and #38EBA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13BD76 shade: #13BD76, #123ABE and #BE2F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13BD76 shade: #13BD76, #7312BE and #BE7312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13BD76 shade: #13BD76, #123ABE, #BE125D and #BE9612

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13BD76 shade: #13BD76, #1E12BE, #BE125D and #B2BE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 38 / 26

HEX #13BD76

RGB 19 189 118

HSL 154.94, 0.82%, 0.41%

LAB 67.9, -55.89, 25.04

 

Complementary color

CMYK 0 / 72 / 42 / 7

HEX #EC4289

RGB 236 66 137

HSL 334.94, 0.82%, 0.59%

LAB 55.62, 69.26, -0.67

 

CMYK 87 / 0 / 40 / 26

HEX #18BD71

RGB 24 189 113

HSL 152.36, 0.77%, 0.42%

LAB 67.86, -56.55, 27.62

 

CMYK 80 / 0 / 36 / 19

HEX #29CF84

RGB 41 207 132

HSL 152.89, 0.67%, 0.49%

LAB 74.04, -57.83, 25.95

 

CMYK 74 / 0 / 33 / 12

HEX #3AE197

RGB 58 225 151

HSL 153.41, 0.74%, 0.55%

LAB 80.17, -58.7, 24.42

 

CMYK 69 / 0 / 30 / 5

HEX #4BF3AA

RGB 75 243 170

HSL 153.93, 0.88%, 0.62%

LAB 86.26, -59.29, 23.01

 

CMYK 64 / 0 / 26 / 0

HEX #5CFFBD

RGB 92 255 189

HSL 155.71, 1%, 0.68%

LAB 90.54, -57.32, 19.27

 

CMYK 90 / 0 / 38 / 26

HEX #13BD76

RGB 19 189 118

HSL 154.94, 0.82%, 0.41%

LAB 67.9, -55.89, 25.04

 

CMYK 99 / 0 / 42 / 33

HEX #02AB63

RGB 2 171 99

HSL 154.44, 0.98%, 0.34%

LAB 61.69, -54.04, 26.86

 

CMYK 100 / 0 / 48 / 40

HEX #009950

RGB 0 153 80

HSL 151.37, 1%, 0.3%

LAB 55.44, -51.39, 28.85

 

CMYK 100 / 0 / 55 / 47

HEX #00873D

RGB 0 135 61

HSL 147.11, 1%, 0.26%

LAB 49.09, -48.46, 30.88

 

CMYK 100 / 0 / 64 / 54

HEX #00752A

RGB 0 117 42

HSL 141.54, 1%, 0.23%

LAB 42.6, -45.22, 32.81

 

CMYK 91 / 0 / 38 / 25

HEX #12BE76

RGB 18 190 118

HSL 154.88, 0.83%, 0.41%

LAB 68.21, -56.31, 25.45

 

CMYK 91 / 0 / 62 / 25

HEX #12BE48

RGB 18 190 72

HSL 138.84, 0.83%, 0.41%

LAB 67.59, -63.75, 47.42

 

CMYK 91 / 0 / 86 / 25

HEX #12BE1A

RGB 18 190 26

HSL 122.79, 0.83%, 0.41%

LAB 67.3, -67.47, 63

 

CMYK 70 / 0 / 91 / 25

HEX #39BE12

RGB 57 190 18

HSL 106.4, 0.83%, 0.41%

LAB 67.83, -62.9, 65.21

 

CMYK 46 / 0 / 91 / 25

HEX #67BE12

RGB 103 190 18

HSL 90.35, 0.83%, 0.41%

LAB 69.29, -51.11, 67.04

 

CMYK 91 / 0 / 38 / 25

HEX #12BE76

RGB 18 190 118

HSL 154.88, 0.83%, 0.41%

LAB 68.21, -56.31, 25.45

 

CMYK 91 / 0 / 14 / 25

HEX #12BEA4

RGB 18 190 164

HSL 170.93, 0.83%, 0.41%

LAB 69.21, -45.38, 1.98

 

CMYK 91 / 11 / 0 / 25

HEX #12A9BE

RGB 18 169 190

HSL 187.33, 0.83%, 0.41%

LAB 63.53, -27.94, -20.89

 

CMYK 91 / 35 / 0 / 25

HEX #127BBE

RGB 18 123 190

HSL 203.37, 0.83%, 0.41%

LAB 49.51, -2.74, -42.69

 

CMYK 91 / 60 / 0 / 25

HEX #124CBE

RGB 18 76 190

HSL 219.77, 0.83%, 0.41%

LAB 36.01, 27.53, -64.43

 

CMYK 91 / 0 / 38 / 25

HEX #12BE76

RGB 18 190 118

HSL 154.88, 0.83%, 0.41%

LAB 68.21, -56.31, 25.45

 

CMYK 100 / 0 / 42 / 19

HEX #01CF79

RGB 1 207 121

HSL 154.95, 0.99%, 0.41%

LAB 73.55, -62.36, 30.94

 

CMYK 91 / 0 / 38 / 25

HEX #12BE76

RGB 18 190 118

HSL 154.88, 0.83%, 0.41%

LAB 68.21, -56.31, 25.45

 

CMYK 80 / 0 / 34 / 32

HEX #23AD73

RGB 35 173 115

HSL 154.78, 0.66%, 0.41%

LAB 62.91, -49.17, 19.94

 

CMYK 67 / 0 / 28 / 39

HEX #349C71

RGB 52 156 113

HSL 155.19, 0.5%, 0.41%

LAB 57.75, -40.18, 13.99

 

CMYK 50 / 0 / 21 / 45

HEX #458B6E

RGB 69 139 110

HSL 155.14, 0.34%, 0.41%

LAB 52.79, -29.34, 8.81

 

CMYK 30 / 0 / 12 / 52

HEX #567A6B

RGB 86 122 107

HSL 155, 0.17%, 0.41%

LAB 48.21, -16.2, 4.13

 

CMYK 91 / 0 / 87 / 25

HEX #12BE18

RGB 18 190 24

HSL 122.09, 0.83%, 0.41%

LAB 67.29, -67.55, 63.42

 

CMYK 91 / 0 / 63 / 25

HEX #12BE46

RGB 18 190 70

HSL 138.14, 0.83%, 0.41%

LAB 67.57, -63.99, 48.28

 

CMYK 91 / 0 / 39 / 25

HEX #12BE73

RGB 18 190 115

HSL 153.84, 0.83%, 0.41%

LAB 68.16, -56.91, 26.96

 

CMYK 91 / 0 / 15 / 25

HEX #12BEA1

RGB 18 190 161

HSL 169.88, 0.83%, 0.41%

LAB 69.13, -46.18, 3.51

 

CMYK 91 / 9 / 0 / 25

HEX #12ADBE

RGB 18 173 190

HSL 185.93, 0.83%, 0.41%

LAB 64.75, -29.91, -19.02

 

CMYK 90 / 0 / 38 / 55

HEX #0B7347

RGB 11 115 71

HSL 154.62, 0.83%, 0.25%

LAB 42.44, -38.34, 16.86

 

CMYK 90 / 0 / 38 / 40

HEX #0F985F

RGB 15 152 95

HSL 155.04, 0.82%, 0.33%

LAB 55.47, -47.23, 20.78

 

CMYK 91 / 0 / 38 / 25

HEX #12BE76

RGB 18 190 118

HSL 154.88, 0.83%, 0.41%

LAB 68.21, -56.31, 25.45

 

CMYK 90 / 0 / 37 / 11

HEX #16E38E

RGB 22 227 142

HSL 155.12, 0.82%, 0.49%

LAB 80.21, -64.43, 29.04

 

CMYK 76 / 0 / 32 / 8

HEX #38EBA0

RGB 56 235 160

HSL 154.86, 0.82%, 0.57%

LAB 83.33, -60.85, 24.09

 

CMYK 90 / 0 / 38 / 26

HEX #13BD76

RGB 19 189 118

HSL 154.94, 0.82%, 0.41%

LAB 67.9, -55.89, 25.04

 

CMYK 91 / 69 / 0 / 25

HEX #123ABE

RGB 18 58 190

HSL 226.05, 0.83%, 0.41%

LAB 31.51, 39.28, -71.82

 

CMYK 0 / 75 / 91 / 25

HEX #BE2F12

RGB 190 47 18

HSL 10.12, 0.83%, 0.41%

LAB 42.8, 55.22, 49.43

 

CMYK 90 / 0 / 38 / 26

HEX #13BD76

RGB 19 189 118

HSL 154.94, 0.82%, 0.41%

LAB 67.9, -55.89, 25.04

 

CMYK 39 / 91 / 0 / 25

HEX #7312BE

RGB 115 18 190

HSL 273.84, 0.83%, 0.41%

LAB 33.55, 65.79, -68.19

 

CMYK 0 / 39 / 91 / 25

HEX #BE7312

RGB 190 115 18

HSL 33.84, 0.83%, 0.41%

LAB 55.33, 23.14, 58.72

 

CMYK 90 / 0 / 38 / 26

HEX #13BD76

RGB 19 189 118

HSL 154.94, 0.82%, 0.41%

LAB 67.9, -55.89, 25.04

 

CMYK 91 / 69 / 0 / 25

HEX #123ABE

RGB 18 58 190

HSL 226.05, 0.83%, 0.41%

LAB 31.51, 39.28, -71.82

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 0 / 21 / 91 / 25

HEX #BE9612

RGB 190 150 18

HSL 46.05, 0.83%, 0.41%

LAB 64, 3.91, 65.35

 

CMYK 90 / 0 / 38 / 26

HEX #13BD76

RGB 19 189 118

HSL 154.94, 0.82%, 0.41%

LAB 67.9, -55.89, 25.04

 

CMYK 84 / 91 / 0 / 25

HEX #1E12BE

RGB 30 18 190

HSL 244.19, 0.83%, 0.41%

LAB 25.03, 59.54, -82.56

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 6 / 0 / 91 / 25

HEX #B2BE12

RGB 178 190 18

HSL 64.19, 0.83%, 0.41%

LAB 73.76, -22.21, 72.52

 

Description

Color code: HEX #13BD76 | qconv.com Color code: HEX #13BD76 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 189 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 189 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 38 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 38% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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