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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A387 it is the complementary color #EC5C78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A387 shade: #18A382, #29B595, #3AC7A8, #4BD9BB and #5CEBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A387 shade: #13A387, #029174, #007F61, #006D4E and #005B3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A387 shade: #13A488, #13A460, #13A439, #13A413 and #3AA413

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A387 shade: #13A488, #1399A4, #1372A4, #134BA4 and #1324A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A387 shade matches the following richer shades: #13A488 and #04B391

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A387 shade: #13A488, #22957F, #308675, #3F776C and #4E6863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A387 shade: #13A439, #13A460, #13A487, #139AA4 and #1373A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A387 shade: #0A5A4A, #0E7F69, #13A488, #17C9A6 and #24E5BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A387 shade: #13A387, #1313A4 and #A44D13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A387 shade: #13A387, #8713A4 and #A48713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A387 shade: #13A387, #1313A4, #A41330 and #A4A413

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A387 shade: #13A387, #3E13A4, #A41330 and #78A413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 17 / 36

HEX #13A387

RGB 19 163 135

HSL 168.33, 0.79%, 0.36%

LAB 59.96, -41.69, 4.69

 

Complementary color

CMYK 0 / 61 / 49 / 7

HEX #EC5C78

RGB 236 92 120

HSL 348.33, 0.79%, 0.64%

LAB 58.83, 57.72, 13.93

 

CMYK 85 / 0 / 20 / 36

HEX #18A382

RGB 24 163 130

HSL 165.76, 0.74%, 0.37%

LAB 59.89, -42.64, 7.4

 

CMYK 77 / 0 / 18 / 29

HEX #29B595

RGB 41 181 149

HSL 166.29, 0.63%, 0.44%

LAB 66.28, -43.7, 6.02

 

CMYK 71 / 0 / 16 / 22

HEX #3AC7A8

RGB 58 199 168

HSL 166.81, 0.56%, 0.5%

LAB 72.61, -44.42, 4.79

 

CMYK 65 / 0 / 14 / 15

HEX #4BD9BB

RGB 75 217 187

HSL 167.32, 0.65%, 0.57%

LAB 78.87, -44.9, 3.68

 

CMYK 61 / 0 / 12 / 8

HEX #5CEBCE

RGB 92 235 206

HSL 167.83, 0.78%, 0.64%

LAB 85.07, -45.2, 2.66

 

CMYK 88 / 0 / 17 / 36

HEX #13A387

RGB 19 163 135

HSL 168.33, 0.79%, 0.36%

LAB 59.96, -41.69, 4.69

 

CMYK 99 / 0 / 20 / 43

HEX #029174

RGB 2 145 116

HSL 167.83, 0.97%, 0.29%

LAB 53.52, -40.05, 6.22

 

CMYK 100 / 0 / 24 / 50

HEX #007F61

RGB 0 127 97

HSL 165.83, 1%, 0.25%

LAB 47.03, -37.64, 7.99

 

CMYK 100 / 0 / 28 / 57

HEX #006D4E

RGB 0 109 78

HSL 162.94, 1%, 0.21%

LAB 40.39, -35.05, 9.89

 

CMYK 100 / 0 / 35 / 64

HEX #005B3B

RGB 0 91 59

HSL 158.9, 1%, 0.18%

LAB 33.56, -32.32, 11.95

 

CMYK 88 / 0 / 17 / 36

HEX #13A488

RGB 19 164 136

HSL 168.41, 0.79%, 0.36%

LAB 60.31, -41.85, 4.63

 

CMYK 88 / 0 / 41 / 36

HEX #13A460

RGB 19 164 96

HSL 151.86, 0.79%, 0.36%

LAB 59.47, -51.2, 25.56

 

CMYK 88 / 0 / 65 / 36

HEX #13A439

RGB 19 164 57

HSL 135.72, 0.79%, 0.36%

LAB 58.96, -57.28, 44.35

 

CMYK 88 / 0 / 88 / 36

HEX #13A413

RGB 19 164 19

HSL 120, 0.79%, 0.36%

LAB 58.73, -60.2, 56.95

 

CMYK 65 / 0 / 88 / 36

HEX #3AA413

RGB 58 164 19

HSL 103.86, 0.79%, 0.36%

LAB 59.43, -54.11, 57.84

 

CMYK 88 / 0 / 17 / 36

HEX #13A488

RGB 19 164 136

HSL 168.41, 0.79%, 0.36%

LAB 60.31, -41.85, 4.63

 

CMYK 88 / 7 / 0 / 36

HEX #1399A4

RGB 19 153 164

HSL 184.55, 0.79%, 0.36%

LAB 57.66, -28.45, -15.16

 

CMYK 88 / 30 / 0 / 36

HEX #1372A4

RGB 19 114 164

HSL 200.69, 0.79%, 0.36%

LAB 45.43, -7.27, -34.03

 

CMYK 88 / 54 / 0 / 36

HEX #134BA4

RGB 19 75 164

HSL 216.83, 0.79%, 0.36%

LAB 33.67, 17.83, -52.83

 

CMYK 88 / 78 / 0 / 36

HEX #1324A4

RGB 19 36 164

HSL 232.97, 0.79%, 0.36%

LAB 23.94, 43.27, -68.81

 

CMYK 88 / 0 / 17 / 36

HEX #13A488

RGB 19 164 136

HSL 168.41, 0.79%, 0.36%

LAB 60.31, -41.85, 4.63

 

CMYK 98 / 0 / 19 / 30

HEX #04B391

RGB 4 179 145

HSL 168.34, 0.96%, 0.36%

LAB 65.21, -46.42, 6.64

 

CMYK 88 / 0 / 17 / 36

HEX #13A488

RGB 19 164 136

HSL 168.41, 0.79%, 0.36%

LAB 60.31, -41.85, 4.63

 

CMYK 77 / 0 / 15 / 42

HEX #22957F

RGB 34 149 127

HSL 168.52, 0.63%, 0.36%

LAB 55.45, -36.35, 2.73

 

CMYK 64 / 0 / 13 / 47

HEX #308675

RGB 48 134 117

HSL 168.14, 0.47%, 0.36%

LAB 50.64, -29.94, 1.58

 

CMYK 47 / 0 / 9 / 53

HEX #3F776C

RGB 63 119 108

HSL 168.21, 0.31%, 0.36%

LAB 46.09, -21.37, 0.31

 

CMYK 25 / 0 / 5 / 59

HEX #4E6863

RGB 78 104 99

HSL 168.46, 0.14%, 0.36%

LAB 41.88, -10.75, -0.32

 

CMYK 88 / 0 / 65 / 36

HEX #13A439

RGB 19 164 57

HSL 135.72, 0.79%, 0.36%

LAB 58.96, -57.28, 44.35

 

CMYK 88 / 0 / 41 / 36

HEX #13A460

RGB 19 164 96

HSL 151.86, 0.79%, 0.36%

LAB 59.47, -51.2, 25.56

 

CMYK 88 / 0 / 18 / 36

HEX #13A487

RGB 19 164 135

HSL 168, 0.79%, 0.36%

LAB 60.28, -42.12, 5.15

 

CMYK 88 / 6 / 0 / 36

HEX #139AA4

RGB 19 154 164

HSL 184.14, 0.79%, 0.36%

LAB 57.97, -28.94, -14.68

 

CMYK 88 / 30 / 0 / 36

HEX #1373A4

RGB 19 115 164

HSL 200.28, 0.79%, 0.36%

LAB 45.74, -7.86, -33.54

 

CMYK 89 / 0 / 18 / 65

HEX #0A5A4A

RGB 10 90 74

HSL 168, 0.8%, 0.2%

LAB 33.71, -26.72, 2.89

 

CMYK 89 / 0 / 17 / 50

HEX #0E7F69

RGB 14 127 105

HSL 168.32, 0.8%, 0.28%

LAB 47.36, -34.55, 3.77

 

CMYK 88 / 0 / 17 / 36

HEX #13A488

RGB 19 164 136

HSL 168.41, 0.79%, 0.36%

LAB 60.31, -41.85, 4.63

 

CMYK 89 / 0 / 17 / 21

HEX #17C9A6

RGB 23 201 166

HSL 168.2, 0.79%, 0.44%

LAB 72.7, -49.15, 5.94

 

CMYK 84 / 0 / 17 / 10

HEX #24E5BF

RGB 36 229 191

HSL 168.19, 0.79%, 0.52%

LAB 81.93, -53.3, 5.9

 

CMYK 88 / 0 / 17 / 36

HEX #13A387

RGB 19 163 135

HSL 168.33, 0.79%, 0.36%

LAB 59.96, -41.69, 4.69

 

CMYK 88 / 88 / 0 / 36

HEX #1313A4

RGB 19 19 164

HSL 240, 0.79%, 0.36%

LAB 21.15, 51.46, -73.44

 

CMYK 0 / 53 / 88 / 36

HEX #A44D13

RGB 164 77 19

HSL 24, 0.79%, 0.36%

LAB 43.13, 32.68, 47.32

 

CMYK 88 / 0 / 17 / 36

HEX #13A387

RGB 19 163 135

HSL 168.33, 0.79%, 0.36%

LAB 59.96, -41.69, 4.69

 

CMYK 18 / 88 / 0 / 36

HEX #8713A4

RGB 135 19 164

HSL 288, 0.79%, 0.36%

LAB 34.59, 63.22, -50.85

 

CMYK 0 / 18 / 88 / 36

HEX #A48713

RGB 164 135 19

HSL 48, 0.79%, 0.36%

LAB 57.34, 0.33, 58.74

 

CMYK 88 / 0 / 17 / 36

HEX #13A387

RGB 19 163 135

HSL 168.33, 0.79%, 0.36%

LAB 59.96, -41.69, 4.69

 

CMYK 88 / 88 / 0 / 36

HEX #1313A4

RGB 19 19 164

HSL 240, 0.79%, 0.36%

LAB 21.15, 51.46, -73.44

 

CMYK 0 / 88 / 71 / 36

HEX #A41330

RGB 164 19 48

HSL 348, 0.79%, 0.36%

LAB 35.15, 56.06, 23.97

 

CMYK 0 / 0 / 88 / 36

HEX #A4A413

RGB 164 164 19

HSL 60, 0.79%, 0.36%

LAB 65.35, -15.19, 65.18

 

CMYK 88 / 0 / 17 / 36

HEX #13A387

RGB 19 163 135

HSL 168.33, 0.79%, 0.36%

LAB 59.96, -41.69, 4.69

 

CMYK 62 / 88 / 0 / 36

HEX #3E13A4

RGB 62 19 164

HSL 257.79, 0.79%, 0.36%

LAB 24.23, 53.83, -68.24

 

CMYK 0 / 88 / 71 / 36

HEX #A41330

RGB 164 19 48

HSL 348, 0.79%, 0.36%

LAB 35.15, 56.06, 23.97

 

CMYK 27 / 0 / 88 / 36

HEX #78A413

RGB 120 164 19

HSL 78.21, 0.79%, 0.36%

LAB 62.16, -33.96, 61.25

 

Description

Color code: HEX #13A387 | qconv.com Color code: HEX #13A387 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 163 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 163 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 17 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 17% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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