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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A155 it is the complementary color #EC5EAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A155 shade: #18A150, #29B363, #3AC576, #4BD789 and #5CE99C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A155 shade: #13A155, #028F42, #007D2F, #006B1C and #005909

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A155 shade: #129F54, #129F2E, #1D9F12, #439F12 and #699F12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A155 shade: #129F54, #129F7A, #129F9F, #12799F and #12539F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A155 shade matches the following richer shades: #129F54 and #04AE53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A155 shade: #129F54, #219155, #2F8256, #3E7457 and #4C6558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A155 shade: #1E9F12, #129F2C, #129F52, #129F77 and #129F9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A155 shade: #0A552D, #0E7A40, #129F54, #17C467 and #20E47B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A155 shade: #13A155, #12449F and #9F1912

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A155 shade: #13A155, #52129F and #9F5212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A155 shade: #13A155, #12449F, #9F1260 and #9F6E12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A155 shade: #13A155, #12199F, #9F1260 and #9F9812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 47 / 37

HEX #13A155

RGB 19 161 85

HSL 147.89, 0.79%, 0.35%

LAB 58.31, -52.18, 29.9

 

Complementary color

CMYK 0 / 60 / 28 / 7

HEX #EC5EAA

RGB 236 94 170

HSL 327.89, 0.79%, 0.65%

LAB 60.55, 62.17, -12.63

 

CMYK 85 / 0 / 50 / 37

HEX #18A150

RGB 24 161 80

HSL 144.53, 0.74%, 0.36%

LAB 58.29, -52.61, 32.48

 

CMYK 77 / 0 / 45 / 30

HEX #29B363

RGB 41 179 99

HSL 145.22, 0.63%, 0.43%

LAB 64.65, -53.83, 30.78

 

CMYK 71 / 0 / 40 / 23

HEX #3AC576

RGB 58 197 118

HSL 145.9, 0.55%, 0.5%

LAB 70.97, -54.58, 29.2

 

CMYK 65 / 0 / 36 / 16

HEX #4BD789

RGB 75 215 137

HSL 146.57, 0.64%, 0.57%

LAB 77.22, -55.01, 27.74

 

CMYK 61 / 0 / 33 / 9

HEX #5CE99C

RGB 92 233 156

HSL 147.23, 0.76%, 0.64%

LAB 83.42, -55.23, 26.38

 

CMYK 88 / 0 / 47 / 37

HEX #13A155

RGB 19 161 85

HSL 147.89, 0.79%, 0.35%

LAB 58.31, -52.18, 29.9

 

CMYK 99 / 0 / 54 / 44

HEX #028F42

RGB 2 143 66

HSL 147.23, 0.97%, 0.28%

LAB 51.9, -50.24, 31.74

 

CMYK 100 / 0 / 62 / 51

HEX #007D2F

RGB 0 125 47

HSL 142.56, 1%, 0.25%

LAB 45.46, -47.2, 33.65

 

CMYK 100 / 0 / 74 / 58

HEX #006B1C

RGB 0 107 28

HSL 135.7, 1%, 0.21%

LAB 38.9, -43.61, 35.22

 

CMYK 100 / 0 / 90 / 65

HEX #005909

RGB 0 89 9

HSL 126.07, 1%, 0.17%

LAB 32.18, -39.41, 35.66

 

CMYK 89 / 0 / 47 / 38

HEX #129F54

RGB 18 159 84

HSL 148.09, 0.8%, 0.35%

LAB 57.62, -51.73, 29.55

 

CMYK 89 / 0 / 71 / 38

HEX #129F2E

RGB 18 159 46

HSL 131.91, 0.8%, 0.35%

LAB 57.19, -56.95, 47.08

 

CMYK 82 / 0 / 89 / 38

HEX #1D9F12

RGB 29 159 18

HSL 115.32, 0.8%, 0.35%

LAB 57.17, -57.7, 55.85

 

CMYK 58 / 0 / 89 / 38

HEX #439F12

RGB 67 159 18

HSL 99.15, 0.8%, 0.35%

LAB 58.07, -50.13, 56.97

 

CMYK 34 / 0 / 89 / 38

HEX #699F12

RGB 105 159 18

HSL 82.98, 0.8%, 0.35%

LAB 59.75, -37.6, 59.07

 

CMYK 89 / 0 / 47 / 38

HEX #129F54

RGB 18 159 84

HSL 148.09, 0.8%, 0.35%

LAB 57.62, -51.73, 29.55

 

CMYK 89 / 0 / 23 / 38

HEX #129F7A

RGB 18 159 122

HSL 164.26, 0.8%, 0.35%

LAB 58.35, -43.47, 9.7

 

CMYK 89 / 0 / 0 / 38

HEX #129F9F

RGB 18 159 159

HSL 180, 0.8%, 0.35%

LAB 59.37, -33, -9.74

 

CMYK 89 / 24 / 0 / 38

HEX #12799F

RGB 18 121 159

HSL 196.17, 0.8%, 0.35%

LAB 47.37, -13.29, -28.06

 

CMYK 89 / 48 / 0 / 38

HEX #12539F

RGB 18 83 159

HSL 212.34, 0.8%, 0.35%

LAB 35.63, 10.31, -46.66

 

CMYK 89 / 0 / 47 / 38

HEX #129F54

RGB 18 159 84

HSL 148.09, 0.8%, 0.35%

LAB 57.62, -51.73, 29.55

 

CMYK 98 / 0 / 52 / 32

HEX #04AE53

RGB 4 174 83

HSL 147.88, 0.96%, 0.35%

LAB 62.44, -57.8, 36.09

 

CMYK 89 / 0 / 47 / 38

HEX #129F54

RGB 18 159 84

HSL 148.09, 0.8%, 0.35%

LAB 57.62, -51.73, 29.55

 

CMYK 77 / 0 / 41 / 43

HEX #219155

RGB 33 145 85

HSL 147.86, 0.63%, 0.35%

LAB 53.2, -44.74, 23.32

 

CMYK 64 / 0 / 34 / 49

HEX #2F8256

RGB 47 130 86

HSL 148.19, 0.47%, 0.35%

LAB 48.56, -35.85, 16.61

 

CMYK 47 / 0 / 25 / 55

HEX #3E7457

RGB 62 116 87

HSL 147.78, 0.3%, 0.35%

LAB 44.52, -25.21, 10.55

 

CMYK 25 / 0 / 13 / 60

HEX #4C6558

RGB 76 101 88

HSL 148.8, 0.14%, 0.35%

LAB 40.49, -12.3, 4.34

 

CMYK 81 / 0 / 89 / 38

HEX #1E9F12

RGB 30 159 18

HSL 114.89, 0.8%, 0.35%

LAB 57.19, -57.57, 55.87

 

CMYK 89 / 0 / 72 / 38

HEX #129F2C

RGB 18 159 44

HSL 131.06, 0.8%, 0.35%

LAB 57.18, -57.14, 47.85

 

CMYK 89 / 0 / 48 / 38

HEX #129F52

RGB 18 159 82

HSL 147.23, 0.8%, 0.35%

LAB 57.59, -52.08, 30.56

 

CMYK 89 / 0 / 25 / 38

HEX #129F77

RGB 18 159 119

HSL 162.98, 0.8%, 0.35%

LAB 58.28, -44.23, 11.28

 

CMYK 89 / 0 / 1 / 38

HEX #129F9D

RGB 18 159 157

HSL 179.15, 0.8%, 0.35%

LAB 59.31, -33.61, -8.7

 

CMYK 88 / 0 / 47 / 67

HEX #0A552D

RGB 10 85 45

HSL 148, 0.79%, 0.19%

LAB 31.23, -31.92, 17.35

 

CMYK 89 / 0 / 48 / 52

HEX #0E7A40

RGB 14 122 64

HSL 147.78, 0.79%, 0.27%

LAB 44.78, -42.24, 23.91

 

CMYK 89 / 0 / 47 / 38

HEX #129F54

RGB 18 159 84

HSL 148.09, 0.8%, 0.35%

LAB 57.62, -51.73, 29.55

 

CMYK 88 / 0 / 47 / 23

HEX #17C467

RGB 23 196 103

HSL 147.75, 0.79%, 0.43%

LAB 69.92, -60.87, 35.43

 

CMYK 86 / 0 / 46 / 11

HEX #20E47B

RGB 32 228 123

HSL 147.86, 0.78%, 0.51%

LAB 80.31, -67.59, 38.71

 

CMYK 88 / 0 / 47 / 37

HEX #13A155

RGB 19 161 85

HSL 147.89, 0.79%, 0.35%

LAB 58.31, -52.18, 29.9

 

CMYK 89 / 57 / 0 / 38

HEX #12449F

RGB 18 68 159

HSL 218.72, 0.8%, 0.35%

LAB 31.27, 20.51, -53.73

 

CMYK 0 / 84 / 89 / 38

HEX #9F1912

RGB 159 25 18

HSL 2.98, 0.8%, 0.35%

LAB 34.21, 52.3, 40.17

 

CMYK 88 / 0 / 47 / 37

HEX #13A155

RGB 19 161 85

HSL 147.89, 0.79%, 0.35%

LAB 58.31, -52.18, 29.9

 

CMYK 48 / 89 / 0 / 38

HEX #52129F

RGB 82 18 159

HSL 267.23, 0.8%, 0.35%

LAB 25.95, 54.86, -62.27

 

CMYK 0 / 48 / 89 / 38

HEX #9F5212

RGB 159 82 18

HSL 27.23, 0.8%, 0.35%

LAB 43.43, 27.86, 47.59

 

CMYK 88 / 0 / 47 / 37

HEX #13A155

RGB 19 161 85

HSL 147.89, 0.79%, 0.35%

LAB 58.31, -52.18, 29.9

 

CMYK 89 / 57 / 0 / 38

HEX #12449F

RGB 18 68 159

HSL 218.72, 0.8%, 0.35%

LAB 31.27, 20.51, -53.73

 

CMYK 0 / 89 / 40 / 38

HEX #9F1260

RGB 159 18 96

HSL 326.81, 0.8%, 0.35%

LAB 35.3, 58.52, -7.07

 

CMYK 0 / 31 / 89 / 38

HEX #9F6E12

RGB 159 110 18

HSL 39.15, 0.8%, 0.35%

LAB 50.18, 12.07, 53.01

 

CMYK 88 / 0 / 47 / 37

HEX #13A155

RGB 19 161 85

HSL 147.89, 0.79%, 0.35%

LAB 58.31, -52.18, 29.9

 

CMYK 89 / 84 / 0 / 38

HEX #12199F

RGB 18 25 159

HSL 237.02, 0.8%, 0.35%

LAB 21.31, 47.31, -70.13

 

CMYK 0 / 89 / 40 / 38

HEX #9F1260

RGB 159 18 96

HSL 326.81, 0.8%, 0.35%

LAB 35.3, 58.52, -7.07

 

CMYK 0 / 4 / 89 / 38

HEX #9F9812

RGB 159 152 18

HSL 57.02, 0.8%, 0.35%

LAB 61.54, -11.19, 62.14

 

Description

Color code: HEX #13A155 | qconv.com Color code: HEX #13A155 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 161 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 161 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 47 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 47% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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