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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A837 it is the complementary color #EC57C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A837 shade: #18A832, #29BA45, #3ACC58, #4BDE6B and #5CF07E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A837 shade: #13A837, #029624, #008411, #007200 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A837 shade: #12A937, #17A912, #3FA912, #68A912 and #91A912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A837 shade: #12A937, #12A960, #12A988, #12A2A9 and #1279A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A837 shade matches the following richer shades: #12A937 and #03B92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A837 shade: #12A937, #229A3F, #318B47, #407C4F and #4F6C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A837 shade: #40A912, #17A912, #12A936, #12A95E and #12A986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A837 shade: #0A5F1F, #0E842B, #12A937, #16CE43 and #28E756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A837 shade: #13A837, #1268A9 and #A9122C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A837 shade: #13A837, #3612A9 and #A93612

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A837 shade: #13A837, #1268A9, #A91286 and #A95412

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A837 shade: #13A837, #123BA9, #A91286 and #A98112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 67 / 34

HEX #13A837

RGB 19 168 55

HSL 134.5, 0.8%, 0.37%

LAB 60.27, -58.77, 46.65

 

Complementary color

CMYK 0 / 63 / 15 / 7

HEX #EC57C8

RGB 236 87 200

HSL 314.5, 0.8%, 0.63%

LAB 60.62, 69.08, -29.7

 

CMYK 86 / 0 / 70 / 34

HEX #18A832

RGB 24 168 50

HSL 130.83, 0.75%, 0.38%

LAB 60.28, -58.84, 48.74

 

CMYK 78 / 0 / 63 / 27

HEX #29BA45

RGB 41 186 69

HSL 131.59, 0.64%, 0.45%

LAB 66.53, -60.62, 47.62

 

CMYK 72 / 0 / 57 / 20

HEX #3ACC58

RGB 58 204 88

HSL 132.33, 0.59%, 0.51%

LAB 72.75, -61.77, 46.28

 

CMYK 66 / 0 / 52 / 13

HEX #4BDE6B

RGB 75 222 107

HSL 133.06, 0.69%, 0.58%

LAB 78.93, -62.5, 44.87

 

CMYK 62 / 0 / 48 / 6

HEX #5CF07E

RGB 92 240 126

HSL 133.78, 0.83%, 0.65%

LAB 85.05, -62.93, 43.47

 

CMYK 89 / 0 / 67 / 34

HEX #13A837

RGB 19 168 55

HSL 134.5, 0.8%, 0.37%

LAB 60.27, -58.77, 46.65

 

CMYK 99 / 0 / 76 / 41

HEX #029624

RGB 2 150 36

HSL 133.78, 0.97%, 0.3%

LAB 53.98, -56.13, 47.56

 

CMYK 100 / 0 / 87 / 48

HEX #008411

RGB 0 132 17

HSL 127.73, 1%, 0.26%

LAB 47.68, -52.18, 47.54

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 89 / 0 / 67 / 34

HEX #12A937

RGB 18 169 55

HSL 134.7, 0.81%, 0.37%

LAB 60.59, -59.16, 47

 

CMYK 86 / 0 / 89 / 34

HEX #17A912

RGB 23 169 18

HSL 118.01, 0.81%, 0.37%

LAB 60.43, -61.35, 58.65

 

CMYK 63 / 0 / 89 / 34

HEX #3FA912

RGB 63 169 18

HSL 102.12, 0.81%, 0.37%

LAB 61.2, -54.7, 59.62

 

CMYK 38 / 0 / 89 / 34

HEX #68A912

RGB 104 169 18

HSL 85.83, 0.81%, 0.37%

LAB 62.81, -42.28, 61.63

 

CMYK 14 / 0 / 89 / 34

HEX #91A912

RGB 145 169 18

HSL 69.54, 0.81%, 0.37%

LAB 65.31, -26.01, 64.72

 

CMYK 89 / 0 / 67 / 34

HEX #12A937

RGB 18 169 55

HSL 134.7, 0.81%, 0.37%

LAB 60.59, -59.16, 47

 

CMYK 89 / 0 / 43 / 34

HEX #12A960

RGB 18 169 96

HSL 150.99, 0.81%, 0.37%

LAB 61.09, -53.08, 27.68

 

CMYK 89 / 0 / 20 / 34

HEX #12A988

RGB 18 169 136

HSL 166.89, 0.81%, 0.37%

LAB 61.9, -44.02, 6.91

 

CMYK 89 / 4 / 0 / 34

HEX #12A2A9

RGB 18 162 169

HSL 182.78, 0.81%, 0.37%

LAB 60.63, -31.29, -13.49

 

CMYK 89 / 28 / 0 / 34

HEX #1279A9

RGB 18 121 169

HSL 199.07, 0.81%, 0.37%

LAB 47.84, -9.56, -33.18

 

CMYK 89 / 0 / 67 / 34

HEX #12A937

RGB 18 169 55

HSL 134.7, 0.81%, 0.37%

LAB 60.59, -59.16, 47

 

CMYK 98 / 0 / 75 / 27

HEX #03B92F

RGB 3 185 47

HSL 134.51, 0.97%, 0.37%

LAB 65.69, -65.51, 55.41

 

CMYK 89 / 0 / 67 / 34

HEX #12A937

RGB 18 169 55

HSL 134.7, 0.81%, 0.37%

LAB 60.59, -59.16, 47

 

CMYK 78 / 0 / 59 / 40

HEX #229A3F

RGB 34 154 63

HSL 134.5, 0.64%, 0.37%

LAB 55.9, -51.55, 38.13

 

CMYK 65 / 0 / 49 / 45

HEX #318B47

RGB 49 139 71

HSL 134.67, 0.48%, 0.37%

LAB 51.35, -42.03, 28.6

 

CMYK 48 / 0 / 36 / 51

HEX #407C4F

RGB 64 124 79

HSL 135, 0.32%, 0.37%

LAB 47.07, -30.16, 18.7

 

CMYK 27 / 0 / 20 / 58

HEX #4F6C56

RGB 79 108 86

HSL 134.48, 0.16%, 0.37%

LAB 42.85, -15.55, 8.94

 

CMYK 62 / 0 / 89 / 34

HEX #40A912

RGB 64 169 18

HSL 101.72, 0.81%, 0.37%

LAB 61.23, -54.46, 59.66

 

CMYK 86 / 0 / 89 / 34

HEX #17A912

RGB 23 169 18

HSL 118.01, 0.81%, 0.37%

LAB 60.43, -61.35, 58.65

 

CMYK 89 / 0 / 68 / 34

HEX #12A936

RGB 18 169 54

HSL 134.3, 0.81%, 0.37%

LAB 60.58, -59.26, 47.41

 

CMYK 89 / 0 / 44 / 34

HEX #12A95E

RGB 18 169 94

HSL 150.2, 0.81%, 0.37%

LAB 61.06, -53.45, 28.7

 

CMYK 89 / 0 / 21 / 34

HEX #12A986

RGB 18 169 134

HSL 166.09, 0.81%, 0.37%

LAB 61.85, -44.54, 7.95

 

CMYK 89 / 0 / 67 / 63

HEX #0A5F1F

RGB 10 95 31

HSL 134.82, 0.81%, 0.21%

LAB 34.7, -38.11, 29.29

 

CMYK 89 / 0 / 67 / 48

HEX #0E842B

RGB 14 132 43

HSL 134.75, 0.81%, 0.29%

LAB 47.97, -48.95, 38.41

 

CMYK 89 / 0 / 67 / 34

HEX #12A937

RGB 18 169 55

HSL 134.7, 0.81%, 0.37%

LAB 60.59, -59.16, 47

 

CMYK 89 / 0 / 67 / 19

HEX #16CE43

RGB 22 206 67

HSL 134.67, 0.81%, 0.45%

LAB 72.71, -68.91, 55.2

 

CMYK 83 / 0 / 63 / 9

HEX #28E756

RGB 40 231 86

HSL 134.45, 0.8%, 0.53%

LAB 80.89, -72.98, 56.46

 

CMYK 89 / 0 / 67 / 34

HEX #13A837

RGB 19 168 55

HSL 134.5, 0.8%, 0.37%

LAB 60.27, -58.77, 46.65

 

CMYK 89 / 38 / 0 / 34

HEX #1268A9

RGB 18 104 169

HSL 205.83, 0.81%, 0.37%

LAB 42.6, 0.73, -41.45

 

CMYK 0 / 89 / 74 / 34

HEX #A9122C

RGB 169 18 44

HSL 349.67, 0.81%, 0.37%

LAB 36.08, 57.42, 27.87

 

CMYK 89 / 0 / 67 / 34

HEX #13A837

RGB 19 168 55

HSL 134.5, 0.8%, 0.37%

LAB 60.27, -58.77, 46.65

 

CMYK 68 / 89 / 0 / 34

HEX #3612A9

RGB 54 18 169

HSL 254.3, 0.81%, 0.37%

LAB 23.94, 54.89, -71.77

 

CMYK 0 / 68 / 89 / 34

HEX #A93612

RGB 169 54 18

HSL 14.3, 0.81%, 0.37%

LAB 39.78, 45.6, 45.4

 

CMYK 89 / 0 / 67 / 34

HEX #13A837

RGB 19 168 55

HSL 134.5, 0.8%, 0.37%

LAB 60.27, -58.77, 46.65

 

CMYK 89 / 38 / 0 / 34

HEX #1268A9

RGB 18 104 169

HSL 205.83, 0.81%, 0.37%

LAB 42.6, 0.73, -41.45

 

CMYK 0 / 89 / 21 / 34

HEX #A91286

RGB 169 18 134

HSL 313.91, 0.81%, 0.37%

LAB 38.88, 65.15, -25.34

 

CMYK 0 / 50 / 89 / 34

HEX #A95412

RGB 169 84 18

HSL 26.23, 0.81%, 0.37%

LAB 45.39, 31.01, 49.78

 

CMYK 89 / 0 / 67 / 34

HEX #13A837

RGB 19 168 55

HSL 134.5, 0.8%, 0.37%

LAB 60.27, -58.77, 46.65

 

CMYK 89 / 65 / 0 / 34

HEX #123BA9

RGB 18 59 169

HSL 223.71, 0.81%, 0.37%

LAB 29.72, 30.63, -62.29

 

CMYK 0 / 89 / 21 / 34

HEX #A91286

RGB 169 18 134

HSL 313.91, 0.81%, 0.37%

LAB 38.88, 65.15, -25.34

 

CMYK 0 / 24 / 89 / 34

HEX #A98112

RGB 169 129 18

HSL 44.11, 0.81%, 0.37%

LAB 56.27, 5.94, 58.35

 

Description

Color code: HEX #13A837 | qconv.com Color code: HEX #13A837 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 168 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 168 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 67 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 67% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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