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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A473 it is the complementary color #EC5B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A473 shade: #18A46E, #29B681, #3AC894, #4BDAA7 and #5CECBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A473 shade: #13A473, #029260, #00804D, #006E3A and #005C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A473 shade: #13A473, #13A44C, #13A425, #28A413 and #4FA413

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A473 shade: #13A473, #13A49A, #1387A4, #1360A4 and #1338A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A473 shade matches the following richer shades: #13A473 and #04B378

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A473 shade: #13A473, #22956E, #308669, #3F7764 and #4E6860

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A473 shade: #13A424, #13A44A, #13A471, #13A498 and #1389A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A473 shade: #0A5A3F, #0E7F59, #13A473, #17C98D and #24E5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A473 shade: #13A473, #1329A4 and #A43713

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A473 shade: #13A473, #7113A4 and #A47113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A473 shade: #13A473, #1329A4, #A41346 and #A48E13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A473 shade: #13A473, #2913A4, #A41346 and #8EA413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

Complementary color

CMYK 0 / 61 / 41 / 7

HEX #EC5B8C

RGB 236 91 140

HSL 339.72, 0.79%, 0.64%

LAB 59.17, 60.04, 2.73

 

CMYK 85 / 0 / 33 / 36

HEX #18A46E

RGB 24 164 110

HSL 156.86, 0.74%, 0.37%

LAB 59.77, -47.87, 18.36

 

CMYK 77 / 0 / 29 / 29

HEX #29B681

RGB 41 182 129

HSL 157.45, 0.63%, 0.44%

LAB 66.15, -48.93, 16.78

 

CMYK 71 / 0 / 26 / 22

HEX #3AC894

RGB 58 200 148

HSL 158.03, 0.56%, 0.51%

LAB 72.46, -49.61, 15.36

 

CMYK 66 / 0 / 23 / 15

HEX #4BDAA7

RGB 75 218 167

HSL 158.6, 0.66%, 0.57%

LAB 78.71, -50.03, 14.07

 

CMYK 61 / 0 / 21 / 7

HEX #5CECBA

RGB 92 236 186

HSL 159.17, 0.79%, 0.64%

LAB 84.9, -50.27, 12.89

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 99 / 0 / 34 / 43

HEX #029260

RGB 2 146 96

HSL 159.17, 0.97%, 0.29%

LAB 53.4, -45.45, 17.42

 

CMYK 100 / 0 / 40 / 50

HEX #00804D

RGB 0 128 77

HSL 156.09, 1%, 0.25%

LAB 46.94, -42.9, 19.42

 

CMYK 100 / 0 / 47 / 57

HEX #006E3A

RGB 0 110 58

HSL 151.64, 1%, 0.22%

LAB 40.34, -40.07, 21.54

 

CMYK 100 / 0 / 58 / 64

HEX #005C27

RGB 0 92 39

HSL 145.43, 1%, 0.18%

LAB 33.56, -36.96, 23.71

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 88 / 0 / 54 / 36

HEX #13A44C

RGB 19 164 76

HSL 143.59, 0.79%, 0.36%

LAB 59.17, -54.72, 35.59

 

CMYK 88 / 0 / 77 / 36

HEX #13A425

RGB 19 164 37

HSL 127.45, 0.79%, 0.36%

LAB 58.81, -59.17, 52.05

 

CMYK 76 / 0 / 88 / 36

HEX #28A413

RGB 40 164 19

HSL 111.31, 0.79%, 0.36%

LAB 59.02, -57.63, 57.32

 

CMYK 52 / 0 / 88 / 36

HEX #4FA413

RGB 79 164 19

HSL 95.17, 0.79%, 0.36%

LAB 60.12, -48.53, 58.71

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 88 / 0 / 6 / 36

HEX #13A49A

RGB 19 164 154

HSL 175.86, 0.79%, 0.36%

LAB 60.8, -36.77, -4.79

 

CMYK 88 / 18 / 0 / 36

HEX #1387A4

RGB 19 135 164

HSL 192, 0.79%, 0.36%

LAB 52, -19.16, -23.8

 

CMYK 88 / 41 / 0 / 36

HEX #1360A4

RGB 19 96 164

HSL 208.14, 0.79%, 0.36%

LAB 39.89, 3.88, -42.82

 

CMYK 88 / 66 / 0 / 36

HEX #1338A4

RGB 19 56 164

HSL 224.69, 0.79%, 0.36%

LAB 28.5, 30.74, -61.27

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 98 / 0 / 33 / 30

HEX #04B378

RGB 4 179 120

HSL 159.77, 0.96%, 0.36%

LAB 64.66, -52.48, 19.57

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 77 / 0 / 26 / 42

HEX #22956E

RGB 34 149 110

HSL 159.65, 0.63%, 0.36%

LAB 55.03, -40.73, 11.83

 

CMYK 64 / 0 / 22 / 47

HEX #308669

RGB 48 134 105

HSL 159.77, 0.47%, 0.36%

LAB 50.33, -33.05, 8.12

 

CMYK 47 / 0 / 16 / 53

HEX #3F7764

RGB 63 119 100

HSL 159.64, 0.31%, 0.36%

LAB 45.87, -23.4, 4.75

 

CMYK 25 / 0 / 8 / 59

HEX #4E6860

RGB 78 104 96

HSL 161.54, 0.14%, 0.36%

LAB 41.79, -11.46, 1.37

 

CMYK 88 / 0 / 78 / 36

HEX #13A424

RGB 19 164 36

HSL 127.03, 0.79%, 0.36%

LAB 58.8, -59.24, 52.38

 

CMYK 88 / 0 / 55 / 36

HEX #13A44A

RGB 19 164 74

HSL 142.76, 0.79%, 0.36%

LAB 59.14, -55.02, 36.56

 

CMYK 88 / 0 / 31 / 36

HEX #13A471

RGB 19 164 113

HSL 158.9, 0.79%, 0.36%

LAB 59.78, -47.58, 16.72

 

CMYK 88 / 0 / 7 / 36

HEX #13A498

RGB 19 164 152

HSL 175.03, 0.79%, 0.36%

LAB 60.74, -37.35, -3.75

 

CMYK 88 / 16 / 0 / 36

HEX #1389A4

RGB 19 137 164

HSL 191.17, 0.79%, 0.36%

LAB 52.63, -20.23, -22.83

 

CMYK 89 / 0 / 30 / 65

HEX #0A5A3F

RGB 10 90 63

HSL 159.75, 0.8%, 0.2%

LAB 33.43, -29.8, 9.33

 

CMYK 89 / 0 / 30 / 50

HEX #0E7F59

RGB 14 127 89

HSL 159.82, 0.8%, 0.28%

LAB 46.97, -38.77, 12.58

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 89 / 0 / 30 / 21

HEX #17C98D

RGB 23 201 141

HSL 159.78, 0.79%, 0.44%

LAB 72.15, -55.17, 18.6

 

CMYK 84 / 0 / 28 / 10

HEX #24E5A4

RGB 36 229 164

HSL 159.79, 0.79%, 0.52%

LAB 81.34, -59.68, 19.23

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 88 / 75 / 0 / 36

HEX #1329A4

RGB 19 41 164

HSL 230.9, 0.79%, 0.36%

LAB 24.97, 40.35, -67.1

 

CMYK 0 / 66 / 88 / 36

HEX #A43713

RGB 164 55 19

HSL 14.9, 0.79%, 0.36%

LAB 39.02, 43.4, 44

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 31 / 88 / 0 / 36

HEX #7113A4

RGB 113 19 164

HSL 278.9, 0.79%, 0.36%

LAB 31.01, 59.8, -56.83

 

CMYK 0 / 31 / 88 / 36

HEX #A47113

RGB 164 113 19

HSL 38.9, 0.79%, 0.36%

LAB 51.55, 12.68, 54.09

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 88 / 75 / 0 / 36

HEX #1329A4

RGB 19 41 164

HSL 230.9, 0.79%, 0.36%

LAB 24.97, 40.35, -67.1

 

CMYK 0 / 88 / 57 / 36

HEX #A41346

RGB 164 19 70

HSL 338.9, 0.79%, 0.36%

LAB 35.6, 57.35, 10.33

 

CMYK 0 / 13 / 88 / 36

HEX #A48E13

RGB 164 142 19

HSL 50.9, 0.79%, 0.36%

LAB 59.24, -3.51, 60.27

 

CMYK 88 / 0 / 30 / 36

HEX #13A473

RGB 19 164 115

HSL 159.72, 0.79%, 0.36%

LAB 59.82, -47.12, 15.67

 

CMYK 75 / 88 / 0 / 36

HEX #2913A4

RGB 41 19 164

HSL 249.1, 0.79%, 0.36%

LAB 22.36, 52.36, -71.39

 

CMYK 0 / 88 / 57 / 36

HEX #A41346

RGB 164 19 70

HSL 338.9, 0.79%, 0.36%

LAB 35.6, 57.35, 10.33

 

CMYK 13 / 0 / 88 / 36

HEX #8EA413

RGB 142 164 19

HSL 69.1, 0.79%, 0.36%

LAB 63.63, -24.81, 63.07

 

Description

Color code: HEX #13A473 | qconv.com Color code: HEX #13A473 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 164 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 164 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 30 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 30% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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