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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FF90F it is the complementary color #F006F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FF90F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FF90F shade: #14F90A, #25FF1D, #36FF30, #47FF43 and #58FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FF90F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FF90F shade: #0FF90F, #00E700, #00D500, #00C300 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FF90F shade: #10F810, #4FF810, #8DF810, #CCF810 and #F8E610

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FF90F shade: #10F810, #10F84F, #10F88D, #10F8CC and #10E6F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FF90F shade matches the following richer shades: #10F810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FF90F shade: #10F810, #24E524, #37D137, #4BBD4B and #5FA95F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FF90F shade: #8CF810, #4EF810, #10F810, #10F84E and #10F88C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FF90F shade: #04B204, #05DA05, #10F810, #38F938 and #60FA60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FF90F shade: #0FF90F, #10CAF8 and #F8106D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FF90F shade: #0FF90F, #1010F8 and #F81010

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FF90F shade: #0FF90F, #10CAF8, #F810F8 and #F83E10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FF90F shade: #0FF90F, #1084F8, #F810F8 and #F88410

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 94 / 2

HEX #0FF90F

RGB 15 249 15

HSL 120, 0.95%, 0.52%

LAB 85.95, -83.95, 80.54

 

Complementary color

CMYK 0 / 98 / 0 / 6

HEX #F006F0

RGB 240 6 240

HSL 300, 0.95%, 0.48%

LAB 57.02, 93.47, -57.91

 

CMYK 92 / 0 / 96 / 2

HEX #14F90A

RGB 20 249 10

HSL 117.49, 0.95%, 0.51%

LAB 85.97, -83.82, 81.01

 

CMYK 85 / 0 / 89 / 0

HEX #25FF1D

RGB 37 255 29

HSL 117.88, 1%, 0.56%

LAB 87.97, -83.9, 80.46

 

CMYK 79 / 0 / 81 / 0

HEX #36FF30

RGB 54 255 48

HSL 118.26, 1%, 0.59%

LAB 88.22, -81.47, 76.85

 

CMYK 72 / 0 / 74 / 0

HEX #47FF43

RGB 71 255 67

HSL 118.72, 1%, 0.63%

LAB 88.57, -78.03, 71.82

 

CMYK 65 / 0 / 66 / 0

HEX #58FF56

RGB 88 255 86

HSL 119.29, 1%, 0.67%

LAB 89.05, -73.58, 65.65

 

CMYK 94 / 0 / 94 / 2

HEX #0FF90F

RGB 15 249 15

HSL 120, 0.95%, 0.52%

LAB 85.95, -83.95, 80.54

 

CMYK 100 / 0 / 100 / 9

HEX #00E700

RGB 0 231 0

HSL 120, 1%, 0.45%

LAB 80.26, -79.98, 77.19

 

CMYK 100 / 0 / 100 / 16

HEX #00D500

RGB 0 213 0

HSL 120, 1%, 0.42%

LAB 74.56, -75.24, 72.62

 

CMYK 100 / 0 / 100 / 24

HEX #00C300

RGB 0 195 0

HSL 120, 1%, 0.38%

LAB 68.77, -70.43, 67.98

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 94 / 0 / 94 / 3

HEX #10F810

RGB 16 248 16

HSL 120, 0.94%, 0.52%

LAB 85.65, -83.63, 80.19

 

CMYK 68 / 0 / 94 / 3

HEX #4FF810

RGB 79 248 16

HSL 103.71, 0.94%, 0.52%

LAB 86.42, -76.77, 81.15

 

CMYK 43 / 0 / 94 / 3

HEX #8DF810

RGB 141 248 16

HSL 87.67, 0.94%, 0.52%

LAB 88.37, -61.19, 83.54

 

CMYK 18 / 0 / 94 / 3

HEX #CCF810

RGB 204 248 16

HSL 71.38, 0.94%, 0.52%

LAB 91.69, -38.71, 87.58

 

CMYK 0 / 7 / 94 / 3

HEX #F8E610

RGB 248 230 16

HSL 55.34, 0.94%, 0.52%

LAB 90.13, -12.25, 87.8

 

CMYK 94 / 0 / 94 / 3

HEX #10F810

RGB 16 248 16

HSL 120, 0.94%, 0.52%

LAB 85.65, -83.63, 80.19

 

CMYK 94 / 0 / 68 / 3

HEX #10F84F

RGB 16 248 79

HSL 136.29, 0.94%, 0.52%

LAB 85.91, -80.23, 64.68

 

CMYK 94 / 0 / 43 / 3

HEX #10F88D

RGB 16 248 141

HSL 152.33, 0.94%, 0.52%

LAB 86.59, -71.95, 37.92

 

CMYK 94 / 0 / 18 / 3

HEX #10F8CC

RGB 16 248 204

HSL 168.62, 0.94%, 0.52%

LAB 87.78, -58.55, 7.48

 

CMYK 94 / 7 / 0 / 3

HEX #10E6F8

RGB 16 230 248

HSL 184.66, 0.94%, 0.52%

LAB 83.69, -38.72, -21.65

 

CMYK 94 / 0 / 94 / 3

HEX #10F810

RGB 16 248 16

HSL 120, 0.94%, 0.52%

LAB 85.65, -83.63, 80.19

 

CMYK 94 / 0 / 94 / 3

HEX #10F810

RGB 16 248 16

HSL 120, 0.94%, 0.52%

LAB 85.65, -83.63, 80.19

 

CMYK 84 / 0 / 84 / 10

HEX #24E524

RGB 36 229 36

HSL 120, 0.79%, 0.52%

LAB 79.92, -76.59, 72.09

 

CMYK 74 / 0 / 74 / 18

HEX #37D137

RGB 55 209 55

HSL 120, 0.63%, 0.52%

LAB 73.99, -67.25, 61.15

 

CMYK 60 / 0 / 60 / 26

HEX #4BBD4B

RGB 75 189 75

HSL 120, 0.46%, 0.52%

LAB 68.31, -54.72, 47.17

 

CMYK 44 / 0 / 44 / 34

HEX #5FA95F

RGB 95 169 95

HSL 120, 0.3%, 0.52%

LAB 63.04, -38.55, 31.12

 

CMYK 44 / 0 / 94 / 3

HEX #8CF810

RGB 140 248 16

HSL 87.93, 0.94%, 0.52%

LAB 88.33, -61.51, 83.49

 

CMYK 69 / 0 / 94 / 3

HEX #4EF810

RGB 78 248 16

HSL 103.97, 0.94%, 0.52%

LAB 86.4, -76.95, 81.12

 

CMYK 94 / 0 / 94 / 3

HEX #10F810

RGB 16 248 16

HSL 120, 0.94%, 0.52%

LAB 85.65, -83.63, 80.19

 

CMYK 94 / 0 / 69 / 3

HEX #10F84E

RGB 16 248 78

HSL 136.03, 0.94%, 0.52%

LAB 85.9, -80.33, 65.04

 

CMYK 94 / 0 / 44 / 3

HEX #10F88C

RGB 16 248 140

HSL 152.07, 0.94%, 0.52%

LAB 86.57, -72.12, 38.39

 

CMYK 98 / 0 / 98 / 30

HEX #04B204

RGB 4 178 4

HSL 120, 0.96%, 0.36%

LAB 63.24, -65.52, 63.03

 

CMYK 98 / 0 / 98 / 15

HEX #05DA05

RGB 5 218 5

HSL 120, 0.96%, 0.44%

LAB 76.18, -76.29, 73.45

 

CMYK 94 / 0 / 94 / 3

HEX #10F810

RGB 16 248 16

HSL 120, 0.94%, 0.52%

LAB 85.65, -83.63, 80.19

 

CMYK 78 / 0 / 78 / 2

HEX #38F938

RGB 56 249 56

HSL 120, 0.94%, 0.6%

LAB 86.44, -79.07, 73.04

 

CMYK 62 / 0 / 62 / 2

HEX #60FA60

RGB 96 250 96

HSL 120, 0.94%, 0.68%

LAB 87.83, -69.36, 60.35

 

CMYK 94 / 0 / 94 / 2

HEX #0FF90F

RGB 15 249 15

HSL 120, 0.95%, 0.52%

LAB 85.95, -83.95, 80.54

 

CMYK 94 / 19 / 0 / 3

HEX #10CAF8

RGB 16 202 248

HSL 191.9, 0.94%, 0.52%

LAB 75.53, -25.29, -34.15

 

CMYK 0 / 94 / 56 / 3

HEX #F8106D

RGB 248 16 109

HSL 335.95, 0.94%, 0.52%

LAB 53.42, 80.58, 13.25

 

CMYK 94 / 0 / 94 / 2

HEX #0FF90F

RGB 15 249 15

HSL 120, 0.95%, 0.52%

LAB 85.95, -83.95, 80.54

 

CMYK 94 / 94 / 0 / 3

HEX #1010F8

RGB 16 16 248

HSL 240, 0.94%, 0.52%

LAB 32.39, 75.03, -103.78

 

CMYK 0 / 94 / 94 / 3

HEX #F81010

RGB 248 16 16

HSL 0, 0.94%, 0.52%

LAB 52.25, 77.35, 61.86

 

CMYK 94 / 0 / 94 / 2

HEX #0FF90F

RGB 15 249 15

HSL 120, 0.95%, 0.52%

LAB 85.95, -83.95, 80.54

 

CMYK 94 / 19 / 0 / 3

HEX #10CAF8

RGB 16 202 248

HSL 191.9, 0.94%, 0.52%

LAB 75.53, -25.29, -34.15

 

CMYK 0 / 94 / 0 / 3

HEX #F810F8

RGB 248 16 248

HSL 300, 0.94%, 0.52%

LAB 59.07, 95.19, -59.02

 

CMYK 0 / 75 / 94 / 3

HEX #F83E10

RGB 248 62 16

HSL 11.9, 0.94%, 0.52%

LAB 55.52, 68.05, 63.73

 

CMYK 94 / 0 / 94 / 2

HEX #0FF90F

RGB 15 249 15

HSL 120, 0.95%, 0.52%

LAB 85.95, -83.95, 80.54

 

CMYK 94 / 47 / 0 / 3

HEX #1084F8

RGB 16 132 248

HSL 210, 0.94%, 0.52%

LAB 55.47, 14.03, -65.84

 

CMYK 0 / 94 / 0 / 3

HEX #F810F8

RGB 248 16 248

HSL 300, 0.94%, 0.52%

LAB 59.07, 95.19, -59.02

 

CMYK 0 / 47 / 94 / 3

HEX #F88410

RGB 248 132 16

HSL 30, 0.94%, 0.52%

LAB 66.9, 38.23, 71.05

 

Description

Color code: HEX #0FF90F | qconv.com Color code: HEX #0FF90F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 249 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 249 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 94 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 94% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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