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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FD1DB it is the complementary color #F02E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FD1DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FD1DB shade: #14D1D6, #25E3E9, #36F5FC, #47FFFF and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FD1DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FD1DB shade: #0FD1DB, #00BFC8, #00ADB5, #009BA2 and #00898F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FD1DB shade: #0FD1DB, #0F9ADB, #0F63DB, #0F2CDB and #290FDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FD1DB shade: #0FD1DB, #0F9ADB, #0F63DB, #0F2CDB and #0F0FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FD1DB shade matches the following richer shades: #0FD1DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FD1DB shade: #0FD1DB, #22C0C8, #35AFB5, #489DA2 and #5B8C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FD1DB shade: #0FDB75, #0FDBAB, #0FD4DB, #0F9EDB and #0F67DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FD1DB shade: #09878E, #0CACB4, #0FD1DB, #24E5EF and #4AEAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FD1DB shade: #0FD1DB, #3E0FDB and #DB900F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FD1DB shade: #0FD1DB, #DB0FD4 and #D4DB0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FD1DB shade: #0FD1DB, #3E0FDB, #DB160F and #ABDB0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FD1DB shade: #0FD1DB, #7C0FDB, #DB160F and #6EDB0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

Complementary color

CMYK 0 / 81 / 85 / 6

HEX #F02E24

RGB 240 46 36

HSL 2.94, 0.87%, 0.54%

LAB 52.52, 70.51, 53.44

 

CMYK 91 / 2 / 0 / 16

HEX #14D1D6

RGB 20 209 214

HSL 181.55, 0.83%, 0.46%

LAB 76.44, -39.29, -14.48

 

CMYK 84 / 3 / 0 / 9

HEX #25E3E9

RGB 37 227 233

HSL 181.84, 0.82%, 0.53%

LAB 82.49, -40.88, -15.52

 

CMYK 79 / 3 / 0 / 1

HEX #36F5FC

RGB 54 245 252

HSL 182.12, 0.97%, 0.6%

LAB 88.5, -42.18, -16.46

 

CMYK 72 / 0 / 0 / 0

HEX #47FFFF

RGB 71 255 255

HSL 180, 1%, 0.64%

LAB 91.72, -44.13, -13.17

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 100 / 5 / 0 / 22

HEX #00BFC8

RGB 0 191 200

HSL 182.7, 1%, 0.39%

LAB 70.48, -35.92, -15.87

 

CMYK 100 / 4 / 0 / 29

HEX #00ADB5

RGB 0 173 181

HSL 182.65, 1%, 0.35%

LAB 64.34, -33.44, -14.64

 

CMYK 100 / 4 / 0 / 36

HEX #009BA2

RGB 0 155 162

HSL 182.59, 1%, 0.32%

LAB 58.09, -30.92, -13.38

 

CMYK 100 / 4 / 0 / 44

HEX #00898F

RGB 0 137 143

HSL 182.52, 1%, 0.28%

LAB 51.7, -28.34, -12.1

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 93 / 30 / 0 / 14

HEX #0F9ADB

RGB 15 154 219

HSL 199.12, 0.87%, 0.46%

LAB 60.18, -10, -42.24

 

CMYK 93 / 55 / 0 / 14

HEX #0F63DB

RGB 15 99 219

HSL 215.29, 0.87%, 0.46%

LAB 44.43, 23.66, -67.45

 

CMYK 93 / 80 / 0 / 14

HEX #0F2CDB

RGB 15 44 219

HSL 231.47, 0.87%, 0.46%

LAB 31.85, 57.09, -88.16

 

CMYK 81 / 93 / 0 / 14

HEX #290FDB

RGB 41 15 219

HSL 247.65, 0.87%, 0.46%

LAB 29.23, 68.3, -92.49

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 93 / 30 / 0 / 14

HEX #0F9ADB

RGB 15 154 219

HSL 199.12, 0.87%, 0.46%

LAB 60.18, -10, -42.24

 

CMYK 93 / 55 / 0 / 14

HEX #0F63DB

RGB 15 99 219

HSL 215.29, 0.87%, 0.46%

LAB 44.43, 23.66, -67.45

 

CMYK 93 / 80 / 0 / 14

HEX #0F2CDB

RGB 15 44 219

HSL 231.47, 0.87%, 0.46%

LAB 31.85, 57.09, -88.16

 

CMYK 93 / 93 / 0 / 14

HEX #0F0FDB

RGB 15 15 219

HSL 240, 0.87%, 0.46%

LAB 28.27, 67.82, -94.12

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 83 / 4 / 0 / 22

HEX #22C0C8

RGB 34 192 200

HSL 182.89, 0.71%, 0.46%

LAB 71.02, -34.88, -15.04

 

CMYK 71 / 3 / 0 / 29

HEX #35AFB5

RGB 53 175 181

HSL 182.81, 0.55%, 0.46%

LAB 65.56, -30.58, -12.75

 

CMYK 56 / 3 / 0 / 36

HEX #489DA2

RGB 72 157 162

HSL 183.33, 0.38%, 0.46%

LAB 59.98, -24.03, -10.41

 

CMYK 36 / 2 / 0 / 44

HEX #5B8C8F

RGB 91 140 143

HSL 183.46, 0.22%, 0.46%

LAB 55.03, -15.63, -6.85

 

CMYK 93 / 0 / 47 / 14

HEX #0FDB75

RGB 15 219 117

HSL 150, 0.87%, 0.46%

LAB 77.31, -66.6, 37.82

 

CMYK 93 / 0 / 22 / 14

HEX #0FDBAB

RGB 15 219 171

HSL 165.88, 0.87%, 0.46%

LAB 78.29, -55.43, 11.24

 

CMYK 93 / 3 / 0 / 14

HEX #0FD4DB

RGB 15 212 219

HSL 182.06, 0.87%, 0.46%

LAB 77.46, -39.33, -15.64

 

CMYK 93 / 28 / 0 / 14

HEX #0F9EDB

RGB 15 158 219

HSL 197.94, 0.87%, 0.46%

LAB 61.37, -12.23, -40.38

 

CMYK 93 / 53 / 0 / 14

HEX #0F67DB

RGB 15 103 219

HSL 214.12, 0.87%, 0.46%

LAB 45.52, 21.07, -65.68

 

CMYK 94 / 5 / 0 / 44

HEX #09878E

RGB 9 135 142

HSL 183.16, 0.88%, 0.3%

LAB 51.08, -27.25, -12.43

 

CMYK 93 / 4 / 0 / 29

HEX #0CACB4

RGB 12 172 180

HSL 182.86, 0.88%, 0.38%

LAB 64.06, -32.88, -14.5

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 85 / 4 / 0 / 6

HEX #24E5EF

RGB 36 229 239

HSL 182.96, 0.86%, 0.54%

LAB 83.26, -40.08, -17.55

 

CMYK 69 / 3 / 0 / 5

HEX #4AEAF2

RGB 74 234 242

HSL 182.86, 0.87%, 0.62%

LAB 85.36, -37.96, -15.91

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 72 / 93 / 0 / 14

HEX #3E0FDB

RGB 62 15 219

HSL 253.82, 0.87%, 0.46%

LAB 30.59, 69.03, -90.19

 

CMYK 0 / 34 / 93 / 14

HEX #DB900F

RGB 219 144 15

HSL 37.94, 0.87%, 0.46%

LAB 65.78, 19.91, 68.69

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 0 / 93 / 3 / 14

HEX #DB0FD4

RGB 219 15 212

HSL 302.06, 0.87%, 0.46%

LAB 52.01, 85.46, -50.27

 

CMYK 3 / 0 / 93 / 14

HEX #D4DB0F

RGB 212 219 15

HSL 62.06, 0.87%, 0.46%

LAB 84.33, -22.01, 82.24

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 72 / 93 / 0 / 14

HEX #3E0FDB

RGB 62 15 219

HSL 253.82, 0.87%, 0.46%

LAB 30.59, 69.03, -90.19

 

CMYK 0 / 90 / 93 / 14

HEX #DB160F

RGB 219 22 15

HSL 2.06, 0.87%, 0.46%

LAB 46.54, 69.31, 55.79

 

CMYK 22 / 0 / 93 / 14

HEX #ABDB0F

RGB 171 219 15

HSL 74.12, 0.87%, 0.46%

LAB 81.49, -38.72, 78.81

 

CMYK 93 / 5 / 0 / 14

HEX #0FD1DB

RGB 15 209 219

HSL 182.94, 0.87%, 0.46%

LAB 76.57, -37.96, -16.98

 

CMYK 43 / 93 / 0 / 14

HEX #7C0FDB

RGB 124 15 219

HSL 272.06, 0.87%, 0.46%

LAB 37.37, 73.5, -78.74

 

CMYK 0 / 90 / 93 / 14

HEX #DB160F

RGB 219 22 15

HSL 2.06, 0.87%, 0.46%

LAB 46.54, 69.31, 55.79

 

CMYK 50 / 0 / 93 / 14

HEX #6EDB0F

RGB 110 219 15

HSL 92.06, 0.87%, 0.46%

LAB 78.47, -59.91, 75.12

 

Description

Color code: HEX #0FD1DB | qconv.com Color code: HEX #0FD1DB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 209 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 209 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 5 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 5% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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