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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FD0CA it is the complementary color #F02F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FD0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FD0CA shade: #14D0C5, #25E2D8, #36F4EB, #47FFFE and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FD0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FD0CA shade: #0FD0CA, #00BEB7, #00ACA4, #009A91 and #00887E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FD0CA shade: #0ED1CB, #0ED197, #0ED162, #0ED12D and #24D10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FD0CA shade: #0ED1CB, #0EA3D1, #0E6ED1, #0E39D1 and #0E0ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FD0CA shade matches the following richer shades: #0ED1CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FD0CA shade: #0ED1CB, #20BFBA, #32ADA9, #459B98 and #578987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FD0CA shade: #0ED163, #0ED197, #0ED1CB, #0EA4D1 and #0E70D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FD0CA shade: #098480, #0BABA6, #0ED1CB, #1AEFE8 and #41F1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FD0CA shade: #0FD0CA, #2F0ED1 and #D17D0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FD0CA shade: #0FD0CA, #CB0ED1 and #D1CB0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FD0CA shade: #0FD0CA, #2F0ED1, #D10E15 and #B1D10E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FD0CA shade: #0FD0CA, #690ED1, #D10E15 and #76D10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 3 / 18

HEX #0FD0CA

RGB 15 208 202

HSL 178.13, 0.87%, 0.44%

LAB 75.75, -42.58, -9.06

 

Complementary color

CMYK 0 / 80 / 78 / 6

HEX #F02F35

RGB 240 47 53

HSL 358.13, 0.87%, 0.56%

LAB 52.75, 70.7, 45.03

 

CMYK 90 / 0 / 5 / 18

HEX #14D0C5

RGB 20 208 197

HSL 176.49, 0.82%, 0.45%

LAB 75.63, -43.82, -6.53

 

CMYK 84 / 0 / 4 / 11

HEX #25E2D8

RGB 37 226 216

HSL 176.83, 0.77%, 0.52%

LAB 81.7, -45.32, -7.69

 

CMYK 78 / 0 / 4 / 4

HEX #36F4EB

RGB 54 244 235

HSL 177.16, 0.9%, 0.58%

LAB 87.72, -46.51, -8.74

 

CMYK 72 / 0 / 0 / 0

HEX #47FFFE

RGB 71 255 254

HSL 179.67, 1%, 0.64%

LAB 91.69, -44.4, -12.7

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 93 / 0 / 3 / 18

HEX #0FD0CA

RGB 15 208 202

HSL 178.13, 0.87%, 0.44%

LAB 75.75, -42.58, -9.06

 

CMYK 100 / 0 / 4 / 25

HEX #00BEB7

RGB 0 190 183

HSL 177.79, 1%, 0.37%

LAB 69.64, -40.63, -7.81

 

CMYK 100 / 0 / 5 / 33

HEX #00ACA4

RGB 0 172 164

HSL 177.21, 1%, 0.34%

LAB 63.5, -38.22, -6.42

 

CMYK 100 / 0 / 6 / 40

HEX #009A91

RGB 0 154 145

HSL 176.49, 1%, 0.3%

LAB 57.23, -35.77, -4.99

 

CMYK 100 / 0 / 7 / 47

HEX #00887E

RGB 0 136 126

HSL 175.59, 1%, 0.27%

LAB 50.82, -33.28, -3.5

 

CMYK 93 / 0 / 3 / 18

HEX #0ED1CB

RGB 14 209 203

HSL 178.15, 0.87%, 0.44%

LAB 76.07, -42.76, -9.11

 

CMYK 93 / 0 / 28 / 18

HEX #0ED197

RGB 14 209 151

HSL 162.15, 0.87%, 0.44%

LAB 74.78, -56.37, 16.92

 

CMYK 93 / 0 / 53 / 18

HEX #0ED162

RGB 14 209 98

HSL 145.85, 0.87%, 0.44%

LAB 73.92, -66.42, 42.84

 

CMYK 93 / 0 / 78 / 18

HEX #0ED12D

RGB 14 209 45

HSL 129.54, 0.87%, 0.44%

LAB 73.47, -72.03, 63.72

 

CMYK 83 / 0 / 93 / 18

HEX #24D10E

RGB 36 209 14

HSL 113.23, 0.87%, 0.44%

LAB 73.55, -71.7, 70.45

 

CMYK 93 / 0 / 3 / 18

HEX #0ED1CB

RGB 14 209 203

HSL 178.15, 0.87%, 0.44%

LAB 76.07, -42.76, -9.11

 

CMYK 93 / 22 / 0 / 18

HEX #0EA3D1

RGB 14 163 209

HSL 194.15, 0.87%, 0.44%

LAB 62.42, -18.55, -33.18

 

CMYK 93 / 47 / 0 / 18

HEX #0E6ED1

RGB 14 110 209

HSL 210.46, 0.87%, 0.44%

LAB 46.78, 12.59, -57.96

 

CMYK 93 / 73 / 0 / 18

HEX #0E39D1

RGB 14 57 209

HSL 226.77, 0.87%, 0.44%

LAB 33.19, 46.62, -80.16

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 93 / 0 / 3 / 18

HEX #0ED1CB

RGB 14 209 203

HSL 178.15, 0.87%, 0.44%

LAB 76.07, -42.76, -9.11

 

CMYK 93 / 0 / 3 / 18

HEX #0ED1CB

RGB 14 209 203

HSL 178.15, 0.87%, 0.44%

LAB 76.07, -42.76, -9.11

 

CMYK 83 / 0 / 3 / 25

HEX #20BFBA

RGB 32 191 186

HSL 178.11, 0.71%, 0.44%

LAB 70.26, -38.75, -8.52

 

CMYK 71 / 0 / 2 / 32

HEX #32ADA9

RGB 50 173 169

HSL 178.05, 0.55%, 0.44%

LAB 64.51, -33.55, -7.65

 

CMYK 55 / 0 / 2 / 39

HEX #459B98

RGB 69 155 152

HSL 177.91, 0.38%, 0.44%

LAB 58.95, -26.45, -6.28

 

CMYK 36 / 0 / 1 / 46

HEX #578987

RGB 87 137 135

HSL 177.6, 0.22%, 0.44%

LAB 53.67, -17.23, -4.27

 

CMYK 93 / 0 / 53 / 18

HEX #0ED163

RGB 14 209 99

HSL 146.15, 0.87%, 0.44%

LAB 73.93, -66.28, 42.38

 

CMYK 93 / 0 / 28 / 18

HEX #0ED197

RGB 14 209 151

HSL 162.15, 0.87%, 0.44%

LAB 74.78, -56.37, 16.92

 

CMYK 93 / 0 / 3 / 18

HEX #0ED1CB

RGB 14 209 203

HSL 178.15, 0.87%, 0.44%

LAB 76.07, -42.76, -9.11

 

CMYK 93 / 22 / 0 / 18

HEX #0EA4D1

RGB 14 164 209

HSL 193.85, 0.87%, 0.44%

LAB 62.72, -19.08, -32.72

 

CMYK 93 / 46 / 0 / 18

HEX #0E70D1

RGB 14 112 209

HSL 209.85, 0.87%, 0.44%

LAB 47.35, 11.32, -57.04

 

CMYK 93 / 0 / 3 / 48

HEX #098480

RGB 9 132 128

HSL 178.05, 0.87%, 0.28%

LAB 49.64, -30.3, -6.41

 

CMYK 94 / 0 / 3 / 33

HEX #0BABA6

RGB 11 171 166

HSL 178.13, 0.88%, 0.36%

LAB 63.3, -36.77, -7.82

 

CMYK 93 / 0 / 3 / 18

HEX #0ED1CB

RGB 14 209 203

HSL 178.15, 0.87%, 0.44%

LAB 76.07, -42.76, -9.11

 

CMYK 89 / 0 / 3 / 6

HEX #1AEFE8

RGB 26 239 232

HSL 178.03, 0.87%, 0.52%

LAB 85.9, -47.05, -9.91

 

CMYK 73 / 0 / 2 / 5

HEX #41F1EC

RGB 65 241 236

HSL 178.3, 0.86%, 0.6%

LAB 87.04, -43.84, -10.26

 

CMYK 93 / 0 / 3 / 18

HEX #0FD0CA

RGB 15 208 202

HSL 178.13, 0.87%, 0.44%

LAB 75.75, -42.58, -9.06

 

CMYK 78 / 93 / 0 / 18

HEX #2F0ED1

RGB 47 14 209

HSL 250.15, 0.87%, 0.44%

LAB 28.17, 66.14, -88.45

 

CMYK 0 / 40 / 93 / 18

HEX #D17D0E

RGB 209 125 14

HSL 34.15, 0.87%, 0.44%

LAB 60.12, 25.82, 64.24

 

CMYK 93 / 0 / 3 / 18

HEX #0FD0CA

RGB 15 208 202

HSL 178.13, 0.87%, 0.44%

LAB 75.75, -42.58, -9.06

 

CMYK 3 / 93 / 0 / 18

HEX #CB0ED1

RGB 203 14 209

HSL 298.15, 0.87%, 0.44%

LAB 49.02, 82.47, -53.49

 

CMYK 0 / 3 / 93 / 18

HEX #D1CB0E

RGB 209 203 14

HSL 58.15, 0.87%, 0.44%

LAB 79.78, -15.44, 78.78

 

CMYK 93 / 0 / 3 / 18

HEX #0FD0CA

RGB 15 208 202

HSL 178.13, 0.87%, 0.44%

LAB 75.75, -42.58, -9.06

 

CMYK 78 / 93 / 0 / 18

HEX #2F0ED1

RGB 47 14 209

HSL 250.15, 0.87%, 0.44%

LAB 28.17, 66.14, -88.45

 

CMYK 0 / 93 / 90 / 18

HEX #D10E15

RGB 209 14 21

HSL 357.85, 0.87%, 0.44%

LAB 44.12, 67.85, 50.93

 

CMYK 15 / 0 / 93 / 18

HEX #B1D10E

RGB 177 209 14

HSL 69.85, 0.87%, 0.44%

LAB 79.03, -31.78, 77.16

 

CMYK 93 / 0 / 3 / 18

HEX #0FD0CA

RGB 15 208 202

HSL 178.13, 0.87%, 0.44%

LAB 75.75, -42.58, -9.06

 

CMYK 50 / 93 / 0 / 18

HEX #690ED1

RGB 105 14 209

HSL 268, 0.87%, 0.44%

LAB 33.82, 69.67, -78.92

 

CMYK 0 / 93 / 90 / 18

HEX #D10E15

RGB 209 14 21

HSL 357.85, 0.87%, 0.44%

LAB 44.12, 67.85, 50.93

 

CMYK 44 / 0 / 93 / 18

HEX #76D10E

RGB 118 209 14

HSL 88, 0.87%, 0.44%

LAB 75.75, -53.73, 73.16

 

Description

Color code: HEX #0FD0CA | qconv.com Color code: HEX #0FD0CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 208 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 208 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 3 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 3% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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