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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FD03B it is the complementary color #F02FC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FD03B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FD03B shade: #14D036, #25E249, #36F45C, #47FF6F and #58FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FD03B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FD03B shade: #0FD03B, #00BE28, #00AC15, #009A02 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FD03B shade: #0ED13B, #16D10E, #4BD10E, #80D10E and #B4D10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FD03B shade: #0ED13B, #0ED16F, #0ED1A4, #0ECAD1 and #0E95D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FD03B shade matches the following richer shades: #0ED13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FD03B shade: #0ED13B, #20BF44, #32AD4E, #459B58 and #578962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FD03B shade: #4CD10E, #18D10E, #0ED138, #0ED16C and #0ED1A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FD03B shade: #098425, #0BAB30, #0ED13B, #1AEF4B and #41F169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FD03B shade: #0FD03B, #0E80D1 and #D10E32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FD03B shade: #0FD03B, #380ED1 and #D1380E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FD03B shade: #0FD03B, #0E80D1, #D10EA7 and #D15F0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FD03B shade: #0FD03B, #0E45D1, #D10EA7 and #D19A0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 72 / 18

HEX #0FD03B

RGB 15 208 59

HSL 133.68, 0.87%, 0.44%

LAB 73.24, -70.64, 58.82

 

Complementary color

CMYK 0 / 80 / 18 / 6

HEX #F02FC4

RGB 240 47 196

HSL 313.68, 0.87%, 0.56%

LAB 56.63, 82.1, -33.57

 

CMYK 90 / 0 / 74 / 18

HEX #14D036

RGB 20 208 54

HSL 130.85, 0.82%, 0.45%

LAB 73.24, -70.78, 60.6

 

CMYK 84 / 0 / 68 / 11

HEX #25E249

RGB 37 226 73

HSL 131.43, 0.77%, 0.52%

LAB 79.19, -73.09, 59.85

 

CMYK 78 / 0 / 62 / 4

HEX #36F45C

RGB 54 244 92

HSL 132, 0.9%, 0.58%

LAB 85.13, -74.79, 58.76

 

CMYK 72 / 0 / 56 / 0

HEX #47FF6F

RGB 71 255 111

HSL 133.04, 1%, 0.64%

LAB 88.93, -73.78, 55.02

 

CMYK 65 / 0 / 49 / 0

HEX #58FF82

RGB 88 255 130

HSL 135.09, 1%, 0.67%

LAB 89.49, -68.45, 47.09

 

CMYK 93 / 0 / 72 / 18

HEX #0FD03B

RGB 15 208 59

HSL 133.68, 0.87%, 0.44%

LAB 73.24, -70.64, 58.82

 

CMYK 100 / 0 / 79 / 25

HEX #00BE28

RGB 0 190 40

HSL 132.63, 1%, 0.37%

LAB 67.26, -67.58, 59.25

 

CMYK 100 / 0 / 88 / 33

HEX #00AC15

RGB 0 172 21

HSL 127.33, 1%, 0.34%

LAB 61.27, -63.54, 58.72

 

CMYK 100 / 0 / 99 / 40

HEX #009A02

RGB 0 154 2

HSL 120.78, 1%, 0.3%

LAB 55.19, -59.08, 56.76

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 93 / 0 / 72 / 18

HEX #0ED13B

RGB 14 209 59

HSL 133.85, 0.87%, 0.44%

LAB 73.55, -70.98, 59.14

 

CMYK 89 / 0 / 93 / 18

HEX #16D10E

RGB 22 209 14

HSL 117.54, 0.87%, 0.44%

LAB 73.42, -72.9, 70.29

 

CMYK 64 / 0 / 93 / 18

HEX #4BD10E

RGB 75 209 14

HSL 101.23, 0.87%, 0.44%

LAB 74.27, -65.44, 71.34

 

CMYK 39 / 0 / 93 / 18

HEX #80D10E

RGB 128 209 14

HSL 84.92, 0.87%, 0.44%

LAB 76.21, -50.39, 73.72

 

CMYK 14 / 0 / 93 / 18

HEX #B4D10E

RGB 180 209 14

HSL 68.92, 0.87%, 0.44%

LAB 79.23, -30.56, 77.4

 

CMYK 93 / 0 / 72 / 18

HEX #0ED13B

RGB 14 209 59

HSL 133.85, 0.87%, 0.44%

LAB 73.55, -70.98, 59.14

 

CMYK 93 / 0 / 47 / 18

HEX #0ED16F

RGB 14 209 111

HSL 149.85, 0.87%, 0.44%

LAB 74.09, -64.36, 36.7

 

CMYK 93 / 0 / 22 / 18

HEX #0ED1A4

RGB 14 209 164

HSL 166.15, 0.87%, 0.44%

LAB 75.06, -53.28, 10.39

 

CMYK 93 / 3 / 0 / 18

HEX #0ECAD1

RGB 14 202 209

HSL 182.15, 0.87%, 0.44%

LAB 74.15, -37.83, -15.23

 

CMYK 93 / 29 / 0 / 18

HEX #0E95D1

RGB 14 149 209

HSL 198.46, 0.87%, 0.44%

LAB 58.22, -10.89, -39.74

 

CMYK 93 / 0 / 72 / 18

HEX #0ED13B

RGB 14 209 59

HSL 133.85, 0.87%, 0.44%

LAB 73.55, -70.98, 59.14

 

CMYK 93 / 0 / 72 / 18

HEX #0ED13B

RGB 14 209 59

HSL 133.85, 0.87%, 0.44%

LAB 73.55, -70.98, 59.14

 

CMYK 83 / 0 / 64 / 25

HEX #20BF44

RGB 32 191 68

HSL 133.58, 0.71%, 0.44%

LAB 68.01, -63.39, 49.67

 

CMYK 71 / 0 / 55 / 32

HEX #32AD4E

RGB 50 173 78

HSL 133.66, 0.55%, 0.44%

LAB 62.6, -53.64, 38.89

 

CMYK 55 / 0 / 43 / 39

HEX #459B58

RGB 69 155 88

HSL 133.26, 0.38%, 0.44%

LAB 57.48, -40.99, 27.45

 

CMYK 36 / 0 / 28 / 46

HEX #578962

RGB 87 137 98

HSL 133.2, 0.22%, 0.44%

LAB 52.73, -25.56, 15.72

 

CMYK 64 / 0 / 93 / 18

HEX #4CD10E

RGB 76 209 14

HSL 100.92, 0.87%, 0.44%

LAB 74.3, -65.22, 71.37

 

CMYK 89 / 0 / 93 / 18

HEX #18D10E

RGB 24 209 14

HSL 116.92, 0.87%, 0.44%

LAB 73.43, -72.76, 70.31

 

CMYK 93 / 0 / 73 / 18

HEX #0ED138

RGB 14 209 56

HSL 132.92, 0.87%, 0.44%

LAB 73.53, -71.23, 60.19

 

CMYK 93 / 0 / 48 / 18

HEX #0ED16C

RGB 14 209 108

HSL 148.92, 0.87%, 0.44%

LAB 74.05, -64.86, 38.14

 

CMYK 93 / 0 / 23 / 18

HEX #0ED1A1

RGB 14 209 161

HSL 165.23, 0.87%, 0.44%

LAB 74.99, -54.01, 11.89

 

CMYK 93 / 0 / 72 / 48

HEX #098425

RGB 9 132 37

HSL 133.66, 0.87%, 0.28%

LAB 47.87, -49.99, 40.9

 

CMYK 94 / 0 / 72 / 33

HEX #0BAB30

RGB 11 171 48

HSL 133.88, 0.88%, 0.36%

LAB 61.14, -60.91, 50.4

 

CMYK 93 / 0 / 72 / 18

HEX #0ED13B

RGB 14 209 59

HSL 133.85, 0.87%, 0.44%

LAB 73.55, -70.98, 59.14

 

CMYK 89 / 0 / 69 / 6

HEX #1AEF4B

RGB 26 239 75

HSL 133.8, 0.87%, 0.52%

LAB 83.16, -77.54, 63.27

 

CMYK 73 / 0 / 56 / 5

HEX #41F169

RGB 65 241 105

HSL 133.64, 0.86%, 0.6%

LAB 84.51, -70.86, 52.46

 

CMYK 93 / 0 / 72 / 18

HEX #0FD03B

RGB 15 208 59

HSL 133.68, 0.87%, 0.44%

LAB 73.24, -70.64, 58.82

 

CMYK 93 / 39 / 0 / 18

HEX #0E80D1

RGB 14 128 209

HSL 204.92, 0.87%, 0.44%

LAB 51.99, 1.38, -49.6

 

CMYK 0 / 93 / 76 / 18

HEX #D10E32

RGB 209 14 50

HSL 348.92, 0.87%, 0.44%

LAB 44.38, 68.56, 35.91

 

CMYK 93 / 0 / 72 / 18

HEX #0FD03B

RGB 15 208 59

HSL 133.68, 0.87%, 0.44%

LAB 73.24, -70.64, 58.82

 

CMYK 73 / 93 / 0 / 18

HEX #380ED1

RGB 56 14 209

HSL 252.92, 0.87%, 0.44%

LAB 28.79, 66.48, -87.4

 

CMYK 0 / 73 / 93 / 18

HEX #D1380E

RGB 209 56 14

HSL 12.92, 0.87%, 0.44%

LAB 47.51, 58.08, 55.71

 

CMYK 93 / 0 / 72 / 18

HEX #0FD03B

RGB 15 208 59

HSL 133.68, 0.87%, 0.44%

LAB 73.24, -70.64, 58.82

 

CMYK 93 / 39 / 0 / 18

HEX #0E80D1

RGB 14 128 209

HSL 204.92, 0.87%, 0.44%

LAB 51.99, 1.38, -49.6

 

CMYK 0 / 93 / 20 / 18

HEX #D10EA7

RGB 209 14 167

HSL 312.92, 0.87%, 0.44%

LAB 47.83, 77.81, -30.78

 

CMYK 0 / 55 / 93 / 18

HEX #D15F0E

RGB 209 95 14

HSL 24.92, 0.87%, 0.44%

LAB 53.78, 41.39, 59.83

 

CMYK 93 / 0 / 72 / 18

HEX #0FD03B

RGB 15 208 59

HSL 133.68, 0.87%, 0.44%

LAB 73.24, -70.64, 58.82

 

CMYK 93 / 67 / 0 / 18

HEX #0E45D1

RGB 14 69 209

HSL 223.08, 0.87%, 0.44%

LAB 35.89, 39.23, -75.69

 

CMYK 0 / 93 / 20 / 18

HEX #D10EA7

RGB 209 14 167

HSL 312.92, 0.87%, 0.44%

LAB 47.83, 77.81, -30.78

 

CMYK 0 / 26 / 93 / 18

HEX #D19A0E

RGB 209 154 14

HSL 43.08, 0.87%, 0.44%

LAB 67.05, 10.14, 69.26

 

Description

Color code: HEX #0FD03B | qconv.com Color code: HEX #0FD03B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 208 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 208 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 72 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 72% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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