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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FC5E7 it is the complementary color #F03A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FC5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FC5E7 shade: #14C5E2, #25D7F5, #36E9FF, #47FBFF and #58FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FC5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FC5E7 shade: #0FC5E7, #00B3D4, #00A1C1, #008FAE and #007D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FC5E7 shade: #0EC4E6, #0E8AE6, #0E50E6, #0E15E6 and #410EE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FC5E7 shade: #0EC4E6, #0E8AE6, #0E50E6, #0E15E6 and #0E0EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FC5E7 shade matches the following richer shades: #0EC4E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FC5E7 shade: #0EC4E6, #22B6D2, #36A9BE, #4A9BAA and #5D8D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FC5E7 shade: #0EE693, #0EE6CC, #0EC5E6, #0E8CE6 and #0E52E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FC5E7 shade: #098298, #0CA3BF, #0EC4E6, #2CD2F1 and #53DAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FC5E7 shade: #0FC5E7, #5A0EE6 and #E6B00E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FC5E7 shade: #0FC5E7, #E60EC5 and #C5E60E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FC5E7 shade: #0FC5E7, #5A0EE6, #E62F0E and #9AE60E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FC5E7 shade: #0FC5E7, #9A0EE6, #E62F0E and #5AE60E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 15 / 0 / 9

HEX #0FC5E7

RGB 15 197 231

HSL 189.44, 0.88%, 0.48%

LAB 73.42, -28.45, -28.25

 

Complementary color

CMYK 0 / 76 / 90 / 6

HEX #F03A18

RGB 240 58 24

HSL 9.44, 0.88%, 0.52%

LAB 53.62, 67.01, 59.26

 

CMYK 91 / 13 / 0 / 11

HEX #14C5E2

RGB 20 197 226

HSL 188.45, 0.84%, 0.48%

LAB 73.27, -29.9, -25.77

 

CMYK 85 / 12 / 0 / 4

HEX #25D7F5

RGB 37 215 245

HSL 188.65, 0.91%, 0.55%

LAB 79.38, -31.66, -26.62

 

CMYK 79 / 9 / 0 / 0

HEX #36E9FF

RGB 54 233 255

HSL 186.57, 1%, 0.61%

LAB 85.14, -35.82, -23.11

 

CMYK 72 / 2 / 0 / 0

HEX #47FBFF

RGB 71 251 255

HSL 181.3, 1%, 0.64%

LAB 90.58, -42.36, -14.88

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 94 / 15 / 0 / 9

HEX #0FC5E7

RGB 15 197 231

HSL 189.44, 0.88%, 0.48%

LAB 73.42, -28.45, -28.25

 

CMYK 100 / 16 / 0 / 17

HEX #00B3D4

RGB 0 179 212

HSL 189.34, 1%, 0.42%

LAB 67.27, -26.22, -27.34

 

CMYK 100 / 17 / 0 / 24

HEX #00A1C1

RGB 0 161 193

HSL 189.95, 1%, 0.38%

LAB 61.08, -23.53, -26.32

 

CMYK 100 / 18 / 0 / 32

HEX #008FAE

RGB 0 143 174

HSL 190.69, 1%, 0.34%

LAB 54.76, -20.77, -25.3

 

CMYK 100 / 19 / 0 / 39

HEX #007D9B

RGB 0 125 155

HSL 191.61, 1%, 0.3%

LAB 48.3, -17.91, -24.29

 

CMYK 94 / 15 / 0 / 10

HEX #0EC4E6

RGB 14 196 230

HSL 189.44, 0.89%, 0.48%

LAB 73.08, -28.32, -28.23

 

CMYK 94 / 40 / 0 / 10

HEX #0E8AE6

RGB 14 138 230

HSL 205.56, 0.89%, 0.48%

LAB 56.07, 3.4, -54.88

 

CMYK 94 / 65 / 0 / 10

HEX #0E50E6

RGB 14 80 230

HSL 221.67, 0.89%, 0.48%

LAB 40.48, 40.08, -80.17

 

CMYK 94 / 91 / 0 / 10

HEX #0E15E6

RGB 14 21 230

HSL 238.06, 0.89%, 0.48%

LAB 30.26, 69.18, -97.11

 

CMYK 72 / 94 / 0 / 10

HEX #410EE6

RGB 65 14 230

HSL 254.17, 0.89%, 0.48%

LAB 32.15, 72.06, -93.9

 

CMYK 94 / 15 / 0 / 10

HEX #0EC4E6

RGB 14 196 230

HSL 189.44, 0.89%, 0.48%

LAB 73.08, -28.32, -28.23

 

CMYK 94 / 40 / 0 / 10

HEX #0E8AE6

RGB 14 138 230

HSL 205.56, 0.89%, 0.48%

LAB 56.07, 3.4, -54.88

 

CMYK 94 / 65 / 0 / 10

HEX #0E50E6

RGB 14 80 230

HSL 221.67, 0.89%, 0.48%

LAB 40.48, 40.08, -80.17

 

CMYK 94 / 91 / 0 / 10

HEX #0E15E6

RGB 14 21 230

HSL 238.06, 0.89%, 0.48%

LAB 30.26, 69.18, -97.11

 

CMYK 94 / 94 / 0 / 10

HEX #0E0EE6

RGB 14 14 230

HSL 240, 0.89%, 0.48%

LAB 29.71, 70.86, -98.03

 

CMYK 94 / 15 / 0 / 10

HEX #0EC4E6

RGB 14 196 230

HSL 189.44, 0.89%, 0.48%

LAB 73.08, -28.32, -28.23

 

CMYK 94 / 15 / 0 / 10

HEX #0EC4E6

RGB 14 196 230

HSL 189.44, 0.89%, 0.48%

LAB 73.08, -28.32, -28.23

 

CMYK 84 / 13 / 0 / 18

HEX #22B6D2

RGB 34 182 210

HSL 189.55, 0.72%, 0.48%

LAB 68.35, -26.89, -24.57

 

CMYK 72 / 11 / 0 / 25

HEX #36A9BE

RGB 54 169 190

HSL 189.26, 0.56%, 0.48%

LAB 64.06, -24.72, -20.02

 

CMYK 56 / 9 / 0 / 33

HEX #4A9BAA

RGB 74 155 170

HSL 189.38, 0.39%, 0.48%

LAB 59.71, -20.26, -15.34

 

CMYK 38 / 6 / 0 / 41

HEX #5D8D96

RGB 93 141 150

HSL 189.47, 0.23%, 0.48%

LAB 55.66, -13.78, -9.93

 

CMYK 94 / 0 / 36 / 10

HEX #0EE693

RGB 14 230 147

HSL 156.94, 0.89%, 0.48%

LAB 81.18, -64.83, 27.77

 

CMYK 94 / 0 / 11 / 10

HEX #0EE6CC

RGB 14 230 204

HSL 172.78, 0.89%, 0.48%

LAB 82.4, -51.42, -0.31

 

CMYK 94 / 14 / 0 / 10

HEX #0EC5E6

RGB 14 197 230

HSL 189.17, 0.89%, 0.48%

LAB 73.38, -28.81, -27.77

 

CMYK 94 / 39 / 0 / 10

HEX #0E8CE6

RGB 14 140 230

HSL 205, 0.89%, 0.48%

LAB 56.65, 2.2, -53.97

 

CMYK 94 / 64 / 0 / 10

HEX #0E52E6

RGB 14 82 230

HSL 221.11, 0.89%, 0.48%

LAB 40.96, 38.82, -79.38

 

CMYK 94 / 14 / 0 / 40

HEX #098298

RGB 9 130 152

HSL 189.23, 0.89%, 0.32%

LAB 49.85, -21.26, -20.15

 

CMYK 94 / 15 / 0 / 25

HEX #0CA3BF

RGB 12 163 191

HSL 189.39, 0.88%, 0.4%

LAB 61.68, -24.84, -24.27

 

CMYK 94 / 15 / 0 / 10

HEX #0EC4E6

RGB 14 196 230

HSL 189.44, 0.89%, 0.48%

LAB 73.08, -28.32, -28.23

 

CMYK 82 / 13 / 0 / 5

HEX #2CD2F1

RGB 44 210 241

HSL 189.44, 0.88%, 0.56%

LAB 77.86, -30, -26.79

 

CMYK 66 / 11 / 0 / 4

HEX #53DAF4

RGB 83 218 244

HSL 189.69, 0.88%, 0.64%

LAB 81.02, -28.6, -23.5

 

CMYK 94 / 15 / 0 / 9

HEX #0FC5E7

RGB 15 197 231

HSL 189.44, 0.88%, 0.48%

LAB 73.42, -28.45, -28.25

 

CMYK 61 / 94 / 0 / 10

HEX #5A0EE6

RGB 90 14 230

HSL 261.11, 0.89%, 0.48%

LAB 34.4, 73.35, -90.1

 

CMYK 0 / 23 / 94 / 10

HEX #E6B00E

RGB 230 176 14

HSL 45, 0.89%, 0.48%

LAB 74.77, 7.6, 75.92

 

CMYK 94 / 15 / 0 / 9

HEX #0FC5E7

RGB 15 197 231

HSL 189.44, 0.88%, 0.48%

LAB 73.42, -28.45, -28.25

 

CMYK 0 / 94 / 14 / 10

HEX #E60EC5

RGB 230 14 197

HSL 309.17, 0.89%, 0.48%

LAB 53.13, 85.46, -39.75

 

CMYK 14 / 0 / 94 / 10

HEX #C5E60E

RGB 197 230 14

HSL 69.17, 0.89%, 0.48%

LAB 86.25, -33.38, 83.36

 

CMYK 94 / 15 / 0 / 9

HEX #0FC5E7

RGB 15 197 231

HSL 189.44, 0.88%, 0.48%

LAB 73.42, -28.45, -28.25

 

CMYK 61 / 94 / 0 / 10

HEX #5A0EE6

RGB 90 14 230

HSL 261.11, 0.89%, 0.48%

LAB 34.4, 73.35, -90.1

 

CMYK 0 / 80 / 94 / 10

HEX #E62F0E

RGB 230 47 14

HSL 9.17, 0.89%, 0.48%

LAB 50.56, 67.11, 59.6

 

CMYK 33 / 0 / 94 / 10

HEX #9AE60E

RGB 154 230 14

HSL 81.11, 0.89%, 0.48%

LAB 83.7, -49.81, 80.26

 

CMYK 94 / 15 / 0 / 9

HEX #0FC5E7

RGB 15 197 231

HSL 189.44, 0.88%, 0.48%

LAB 73.42, -28.45, -28.25

 

CMYK 33 / 94 / 0 / 10

HEX #9A0EE6

RGB 154 14 230

HSL 278.89, 0.89%, 0.48%

LAB 42.61, 79.14, -76.28

 

CMYK 0 / 80 / 94 / 10

HEX #E62F0E

RGB 230 47 14

HSL 9.17, 0.89%, 0.48%

LAB 50.56, 67.11, 59.6

 

CMYK 61 / 0 / 94 / 10

HEX #5AE60E

RGB 90 230 14

HSL 98.89, 0.89%, 0.48%

LAB 81.18, -68.91, 77.18

 

Description

Color code: HEX #0FC5E7 | qconv.com Color code: HEX #0FC5E7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 197 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 197 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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