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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FACD1 it is the complementary color #F0532E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FACD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FACD1 shade: #14ACCC, #25BEDF, #36D0F2, #47E2FF and #58F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FACD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FACD1 shade: #0FACD1, #009ABE, #0088AB, #007698 and #006485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FACD1 shade: #0EACD1, #0E77D1, #0E43D1, #0E0ED1 and #430ED1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FACD1 shade: #0EACD1, #0E77D1, #0E43D1, #0E0ED1 and #0E0ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FACD1 shade matches the following richer shades: #0EACD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FACD1 shade: #0EACD1, #20A1BF, #3296AD, #458A9B and #577F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FACD1 shade: #0ED18D, #0ED1C1, #0EAED1, #0E79D1 and #0E45D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FACD1 shade: #096D84, #0B8CAB, #0EACD1, #1AC6EF and #41D0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FACD1 shade: #0FACD1, #590ED1 and #D1A70E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FACD1 shade: #0FACD1, #D10EAE and #AED10E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FACD1 shade: #0FACD1, #590ED1, #D1320E and #86D10E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FACD1 shade: #0FACD1, #930ED1, #D1320E and #4CD10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 18 / 0 / 18

HEX #0FACD1

RGB 15 172 209

HSL 191.44, 0.87%, 0.44%

LAB 65.13, -23.22, -28.98

 

Complementary color

CMYK 0 / 65 / 81 / 6

HEX #F0532E

RGB 240 83 46

HSL 11.44, 0.87%, 0.56%

LAB 56.99, 58.6, 52.77

 

CMYK 90 / 16 / 0 / 20

HEX #14ACCC

RGB 20 172 204

HSL 190.43, 0.82%, 0.44%

LAB 64.97, -24.7, -26.45

 

CMYK 83 / 15 / 0 / 13

HEX #25BEDF

RGB 37 190 223

HSL 190.65, 0.74%, 0.51%

LAB 71.25, -26.44, -27.23

 

CMYK 78 / 14 / 0 / 5

HEX #36D0F2

RGB 54 208 242

HSL 190.85, 0.88%, 0.58%

LAB 77.46, -27.84, -27.92

 

CMYK 72 / 11 / 0 / 0

HEX #47E2FF

RGB 71 226 255

HSL 189.46, 1%, 0.64%

LAB 83.42, -30.78, -25.7

 

CMYK 65 / 4 / 0 / 0

HEX #58F4FF

RGB 88 244 255

HSL 183.95, 1%, 0.67%

LAB 88.92, -37.04, -17.34

 

CMYK 93 / 18 / 0 / 18

HEX #0FACD1

RGB 15 172 209

HSL 191.44, 0.87%, 0.44%

LAB 65.13, -23.22, -28.98

 

CMYK 100 / 19 / 0 / 25

HEX #009ABE

RGB 0 154 190

HSL 191.37, 1%, 0.37%

LAB 58.82, -20.93, -28.13

 

CMYK 100 / 20 / 0 / 33

HEX #0088AB

RGB 0 136 171

HSL 192.28, 1%, 0.34%

LAB 52.45, -18.09, -27.15

 

CMYK 100 / 22 / 0 / 40

HEX #007698

RGB 0 118 152

HSL 193.42, 1%, 0.3%

LAB 45.94, -15.13, -26.19

 

CMYK 100 / 25 / 0 / 48

HEX #006485

RGB 0 100 133

HSL 194.89, 1%, 0.26%

LAB 39.25, -12.05, -25.23

 

CMYK 93 / 18 / 0 / 18

HEX #0EACD1

RGB 14 172 209

HSL 191.38, 0.87%, 0.44%

LAB 65.12, -23.26, -28.99

 

CMYK 93 / 43 / 0 / 18

HEX #0E77D1

RGB 14 119 209

HSL 207.69, 0.87%, 0.44%

LAB 49.36, 6.91, -53.8

 

CMYK 93 / 68 / 0 / 18

HEX #0E43D1

RGB 14 67 209

HSL 223.69, 0.87%, 0.44%

LAB 35.42, 40.49, -76.47

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 68 / 93 / 0 / 18

HEX #430ED1

RGB 67 14 209

HSL 256.31, 0.87%, 0.44%

LAB 29.69, 66.99, -85.89

 

CMYK 93 / 18 / 0 / 18

HEX #0EACD1

RGB 14 172 209

HSL 191.38, 0.87%, 0.44%

LAB 65.12, -23.26, -28.99

 

CMYK 93 / 43 / 0 / 18

HEX #0E77D1

RGB 14 119 209

HSL 207.69, 0.87%, 0.44%

LAB 49.36, 6.91, -53.8

 

CMYK 93 / 68 / 0 / 18

HEX #0E43D1

RGB 14 67 209

HSL 223.69, 0.87%, 0.44%

LAB 35.42, 40.49, -76.47

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 93 / 18 / 0 / 18

HEX #0EACD1

RGB 14 172 209

HSL 191.38, 0.87%, 0.44%

LAB 65.12, -23.26, -28.99

 

CMYK 93 / 18 / 0 / 18

HEX #0EACD1

RGB 14 172 209

HSL 191.38, 0.87%, 0.44%

LAB 65.12, -23.26, -28.99

 

CMYK 83 / 16 / 0 / 25

HEX #20A1BF

RGB 32 161 191

HSL 191.32, 0.71%, 0.44%

LAB 61.27, -22.65, -24.88

 

CMYK 71 / 13 / 0 / 32

HEX #3296AD

RGB 50 150 173

HSL 191.22, 0.55%, 0.44%

LAB 57.57, -20.88, -20.37

 

CMYK 55 / 11 / 0 / 39

HEX #458A9B

RGB 69 138 155

HSL 191.86, 0.38%, 0.44%

LAB 53.82, -16.74, -15.7

 

CMYK 36 / 7 / 0 / 46

HEX #577F89

RGB 87 127 137

HSL 192, 0.22%, 0.44%

LAB 50.7, -11.22, -9.86

 

CMYK 93 / 0 / 33 / 18

HEX #0ED18D

RGB 14 209 141

HSL 159.08, 0.87%, 0.44%

LAB 74.58, -58.59, 21.94

 

CMYK 93 / 0 / 8 / 18

HEX #0ED1C1

RGB 14 209 193

HSL 175.08, 0.87%, 0.44%

LAB 75.79, -45.62, -4.15

 

CMYK 93 / 17 / 0 / 18

HEX #0EAED1

RGB 14 174 209

HSL 190.77, 0.87%, 0.44%

LAB 65.72, -24.29, -28.06

 

CMYK 93 / 42 / 0 / 18

HEX #0E79D1

RGB 14 121 209

HSL 207.08, 0.87%, 0.44%

LAB 49.94, 5.67, -52.86

 

CMYK 93 / 67 / 0 / 18

HEX #0E45D1

RGB 14 69 209

HSL 223.08, 0.87%, 0.44%

LAB 35.89, 39.23, -75.69

 

CMYK 93 / 17 / 0 / 48

HEX #096D84

RGB 9 109 132

HSL 191.22, 0.87%, 0.28%

LAB 42.25, -17.04, -19.98

 

CMYK 94 / 18 / 0 / 33

HEX #0B8CAB

RGB 11 140 171

HSL 191.63, 0.88%, 0.36%

LAB 53.78, -19.8, -25.09

 

CMYK 93 / 18 / 0 / 18

HEX #0EACD1

RGB 14 172 209

HSL 191.38, 0.87%, 0.44%

LAB 65.12, -23.26, -28.99

 

CMYK 89 / 17 / 0 / 6

HEX #1AC6EF

RGB 26 198 239

HSL 191.55, 0.87%, 0.52%

LAB 74.09, -25.87, -31.53

 

CMYK 73 / 14 / 0 / 5

HEX #41D0F1

RGB 65 208 241

HSL 191.25, 0.86%, 0.6%

LAB 77.63, -26.98, -27.12

 

CMYK 93 / 18 / 0 / 18

HEX #0FACD1

RGB 15 172 209

HSL 191.44, 0.87%, 0.44%

LAB 65.13, -23.22, -28.98

 

CMYK 57 / 93 / 0 / 18

HEX #590ED1

RGB 89 14 209

HSL 263.08, 0.87%, 0.44%

LAB 31.9, 68.37, -82.15

 

CMYK 0 / 20 / 93 / 18

HEX #D1A70E

RGB 209 167 14

HSL 47.08, 0.87%, 0.44%

LAB 70.33, 3.17, 71.68

 

CMYK 93 / 18 / 0 / 18

HEX #0FACD1

RGB 15 172 209

HSL 191.44, 0.87%, 0.44%

LAB 65.13, -23.22, -28.98

 

CMYK 0 / 93 / 17 / 18

HEX #D10EAE

RGB 209 14 174

HSL 310.77, 0.87%, 0.44%

LAB 48.17, 78.68, -34.39

 

CMYK 17 / 0 / 93 / 18

HEX #AED10E

RGB 174 209 14

HSL 70.77, 0.87%, 0.44%

LAB 78.83, -33, 76.91

 

CMYK 93 / 18 / 0 / 18

HEX #0FACD1

RGB 15 172 209

HSL 191.44, 0.87%, 0.44%

LAB 65.13, -23.22, -28.98

 

CMYK 57 / 93 / 0 / 18

HEX #590ED1

RGB 89 14 209

HSL 263.08, 0.87%, 0.44%

LAB 31.9, 68.37, -82.15

 

CMYK 0 / 76 / 93 / 18

HEX #D1320E

RGB 209 50 14

HSL 11.08, 0.87%, 0.44%

LAB 46.8, 60.06, 55.26

 

CMYK 36 / 0 / 93 / 18

HEX #86D10E

RGB 134 209 14

HSL 83.08, 0.87%, 0.44%

LAB 76.5, -48.3, 74.08

 

CMYK 93 / 18 / 0 / 18

HEX #0FACD1

RGB 15 172 209

HSL 191.44, 0.87%, 0.44%

LAB 65.13, -23.22, -28.98

 

CMYK 30 / 93 / 0 / 18

HEX #930ED1

RGB 147 14 209

HSL 280.92, 0.87%, 0.44%

LAB 39.78, 74.26, -68.89

 

CMYK 0 / 76 / 93 / 18

HEX #D1320E

RGB 209 50 14

HSL 11.08, 0.87%, 0.44%

LAB 46.8, 60.06, 55.26

 

CMYK 64 / 0 / 93 / 18

HEX #4CD10E

RGB 76 209 14

HSL 100.92, 0.87%, 0.44%

LAB 74.3, -65.22, 71.37

 

Description

Color code: HEX #0FACD1 | qconv.com Color code: HEX #0FACD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 172 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 172 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 18 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 18% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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