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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0FA256 it is the complementary color #F05DA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0FA256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0FA256 shade: #14A251, #25B464, #36C677, #47D88A and #58EA9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0FA256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0FA256 shade: #0FA256, #009043, #007E30, #006C1D and #005A0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0FA256 shade: #0FA356, #0FA32E, #17A30F, #3FA30F and #67A30F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0FA256 shade: #0FA356, #0FA37E, #0FA0A3, #0F78A3 and #0F50A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0FA256 shade matches the following richer shades: #0FA356 and #00B156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0FA256 shade: #0FA356, #1D9457, #2C8657, #3A7858 and #486958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0FA256 shade: #19A30F, #0FA32C, #0FA354, #0FA37B and #0FA3A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0FA256 shade: #08572E, #0B7D42, #0FA356, #12C96A and #1BE97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0FA256 shade: #0FA256, #0F40A3 and #A3190F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0FA256 shade: #0FA256, #540FA3 and #A3540F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0FA256 shade: #0FA256, #0F40A3, #A30F5E and #A3710F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0FA256 shade: #0FA256, #0F14A3, #A30F5E and #A39E0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 47 / 36

HEX #0FA256

RGB 15 162 86

HSL 148.98, 0.83%, 0.35%

LAB 58.62, -52.64, 29.76

 

Complementary color

CMYK 0 / 61 / 30 / 6

HEX #F05DA9

RGB 240 93 169

HSL 328.98, 0.83%, 0.65%

LAB 60.97, 63.63, -11.35

 

CMYK 88 / 0 / 50 / 36

HEX #14A251

RGB 20 162 81

HSL 145.77, 0.78%, 0.36%

LAB 58.59, -53.14, 32.33

 

CMYK 79 / 0 / 44 / 29

HEX #25B464

RGB 37 180 100

HSL 146.43, 0.66%, 0.43%

LAB 64.93, -54.51, 30.61

 

CMYK 73 / 0 / 40 / 22

HEX #36C677

RGB 54 198 119

HSL 147.08, 0.57%, 0.49%

LAB 71.22, -55.38, 29

 

CMYK 67 / 0 / 36 / 15

HEX #47D88A

RGB 71 216 138

HSL 147.72, 0.65%, 0.56%

LAB 77.45, -55.91, 27.51

 

CMYK 62 / 0 / 33 / 8

HEX #58EA9D

RGB 88 234 157

HSL 148.36, 0.78%, 0.63%

LAB 83.63, -56.2, 26.14

 

CMYK 91 / 0 / 47 / 36

HEX #0FA256

RGB 15 162 86

HSL 148.98, 0.83%, 0.35%

LAB 58.62, -52.64, 29.76

 

CMYK 100 / 0 / 53 / 44

HEX #009043

RGB 0 144 67

HSL 147.92, 1%, 0.28%

LAB 52.23, -50.54, 31.63

 

CMYK 100 / 0 / 62 / 51

HEX #007E30

RGB 0 126 48

HSL 142.86, 1%, 0.25%

LAB 45.82, -47.39, 33.58

 

CMYK 100 / 0 / 73 / 58

HEX #006C1D

RGB 0 108 29

HSL 136.11, 1%, 0.21%

LAB 39.27, -43.83, 35.18

 

CMYK 100 / 0 / 89 / 65

HEX #005A0A

RGB 0 90 10

HSL 126.67, 1%, 0.18%

LAB 32.56, -39.67, 35.7

 

CMYK 91 / 0 / 47 / 36

HEX #0FA356

RGB 15 163 86

HSL 148.78, 0.83%, 0.35%

LAB 58.94, -52.99, 30.18

 

CMYK 91 / 0 / 72 / 36

HEX #0FA32E

RGB 15 163 46

HSL 132.57, 0.83%, 0.35%

LAB 58.5, -58.42, 48.44

 

CMYK 86 / 0 / 91 / 36

HEX #17A30F

RGB 23 163 15

HSL 116.76, 0.83%, 0.35%

LAB 58.43, -59.68, 57.49

 

CMYK 61 / 0 / 91 / 36

HEX #3FA30F

RGB 63 163 15

HSL 100.54, 0.83%, 0.35%

LAB 59.24, -52.71, 58.51

 

CMYK 37 / 0 / 91 / 36

HEX #67A30F

RGB 103 163 15

HSL 84.32, 0.83%, 0.35%

LAB 60.88, -40.18, 60.55

 

CMYK 91 / 0 / 47 / 36

HEX #0FA356

RGB 15 163 86

HSL 148.78, 0.83%, 0.35%

LAB 58.94, -52.99, 30.18

 

CMYK 91 / 0 / 23 / 36

HEX #0FA37E

RGB 15 163 126

HSL 165, 0.83%, 0.35%

LAB 59.71, -44.29, 9.38

 

CMYK 91 / 2 / 0 / 36

HEX #0FA0A3

RGB 15 160 163

HSL 181.22, 0.83%, 0.35%

LAB 59.79, -32.39, -11.38

 

CMYK 91 / 26 / 0 / 36

HEX #0F78A3

RGB 15 120 163

HSL 197.43, 0.83%, 0.35%

LAB 47.21, -11.42, -30.66

 

CMYK 91 / 51 / 0 / 36

HEX #0F50A3

RGB 15 80 163

HSL 213.65, 0.83%, 0.35%

LAB 34.97, 13.77, -50.13

 

CMYK 91 / 0 / 47 / 36

HEX #0FA356

RGB 15 163 86

HSL 148.78, 0.83%, 0.35%

LAB 58.94, -52.99, 30.18

 

CMYK 100 / 0 / 51 / 31

HEX #00B156

RGB 0 177 86

HSL 149.15, 1%, 0.35%

LAB 63.44, -58.49, 35.81

 

CMYK 91 / 0 / 47 / 36

HEX #0FA356

RGB 15 163 86

HSL 148.78, 0.83%, 0.35%

LAB 58.94, -52.99, 30.18

 

CMYK 80 / 0 / 41 / 42

HEX #1D9457

RGB 29 148 87

HSL 149.24, 0.67%, 0.35%

LAB 54.16, -46.03, 23.48

 

CMYK 67 / 0 / 35 / 47

HEX #2C8657

RGB 44 134 87

HSL 148.67, 0.51%, 0.35%

LAB 49.83, -37.99, 17.74

 

CMYK 52 / 0 / 27 / 53

HEX #3A7858

RGB 58 120 88

HSL 149.03, 0.35%, 0.35%

LAB 45.68, -28.1, 11.55

 

CMYK 31 / 0 / 16 / 59

HEX #486958

RGB 72 105 88

HSL 149.09, 0.19%, 0.35%

LAB 41.51, -15.96, 5.77

 

CMYK 85 / 0 / 91 / 36

HEX #19A30F

RGB 25 163 15

HSL 115.95, 0.83%, 0.35%

LAB 58.45, -59.48, 57.52

 

CMYK 91 / 0 / 73 / 36

HEX #0FA32C

RGB 15 163 44

HSL 131.76, 0.83%, 0.35%

LAB 58.49, -58.6, 49.2

 

CMYK 91 / 0 / 48 / 36

HEX #0FA354

RGB 15 163 84

HSL 147.97, 0.83%, 0.35%

LAB 58.92, -53.34, 31.19

 

CMYK 91 / 0 / 25 / 36

HEX #0FA37B

RGB 15 163 123

HSL 163.78, 0.83%, 0.35%

LAB 59.64, -45.05, 10.96

 

CMYK 91 / 0 / 0 / 36

HEX #0FA3A3

RGB 15 163 163

HSL 180, 0.83%, 0.35%

LAB 60.73, -33.8, -9.97

 

CMYK 91 / 0 / 47 / 66

HEX #08572E

RGB 8 87 46

HSL 148.86, 0.83%, 0.19%

LAB 31.96, -32.76, 17.68

 

CMYK 91 / 0 / 47 / 51

HEX #0B7D42

RGB 11 125 66

HSL 148.95, 0.84%, 0.27%

LAB 45.81, -43.24, 24.12

 

CMYK 91 / 0 / 47 / 36

HEX #0FA356

RGB 15 163 86

HSL 148.78, 0.83%, 0.35%

LAB 58.94, -52.99, 30.18

 

CMYK 91 / 0 / 47 / 21

HEX #12C96A

RGB 18 201 106

HSL 148.85, 0.84%, 0.43%

LAB 71.52, -62.35, 35.94

 

CMYK 88 / 0 / 46 / 9

HEX #1BE97E

RGB 27 233 126

HSL 148.83, 0.82%, 0.51%

LAB 81.85, -69.07, 39.19

 

CMYK 91 / 0 / 47 / 36

HEX #0FA256

RGB 15 162 86

HSL 148.98, 0.83%, 0.35%

LAB 58.62, -52.64, 29.76

 

CMYK 91 / 61 / 0 / 36

HEX #0F40A3

RGB 15 64 163

HSL 220.14, 0.83%, 0.35%

LAB 30.43, 24.7, -57.51

 

CMYK 0 / 85 / 91 / 36

HEX #A3190F

RGB 163 25 15

HSL 4.05, 0.83%, 0.35%

LAB 35.04, 53.41, 42.55

 

CMYK 91 / 0 / 47 / 36

HEX #0FA256

RGB 15 162 86

HSL 148.98, 0.83%, 0.35%

LAB 58.62, -52.64, 29.76

 

CMYK 48 / 91 / 0 / 36

HEX #540FA3

RGB 84 15 163

HSL 267.97, 0.83%, 0.35%

LAB 26.36, 56.84, -64.02

 

CMYK 0 / 48 / 91 / 36

HEX #A3540F

RGB 163 84 15

HSL 27.97, 0.83%, 0.35%

LAB 44.46, 28.42, 49.63

 

CMYK 91 / 0 / 47 / 36

HEX #0FA256

RGB 15 162 86

HSL 148.98, 0.83%, 0.35%

LAB 58.62, -52.64, 29.76

 

CMYK 91 / 61 / 0 / 36

HEX #0F40A3

RGB 15 64 163

HSL 220.14, 0.83%, 0.35%

LAB 30.43, 24.7, -57.51

 

CMYK 0 / 91 / 42 / 36

HEX #A30F5E

RGB 163 15 94

HSL 327.97, 0.83%, 0.35%

LAB 35.86, 59.8, -4.86

 

CMYK 0 / 31 / 91 / 36

HEX #A3710F

RGB 163 113 15

HSL 39.73, 0.83%, 0.35%

LAB 51.42, 12.14, 54.98

 

CMYK 91 / 0 / 47 / 36

HEX #0FA256

RGB 15 162 86

HSL 148.98, 0.83%, 0.35%

LAB 58.62, -52.64, 29.76

 

CMYK 91 / 88 / 0 / 36

HEX #0F14A3

RGB 15 20 163

HSL 237.97, 0.83%, 0.35%

LAB 21, 50.66, -73.08

 

CMYK 0 / 91 / 42 / 36

HEX #A30F5E

RGB 163 15 94

HSL 327.97, 0.83%, 0.35%

LAB 35.86, 59.8, -4.86

 

CMYK 0 / 3 / 91 / 36

HEX #A39E0F

RGB 163 158 15

HSL 57.97, 0.83%, 0.35%

LAB 63.57, -12.6, 64.46

 

Description

Color code: HEX #0FA256 | qconv.com Color code: HEX #0FA256 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 162 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 162 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 47 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 47% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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