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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F9274 it is the complementary color #F06D8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F9274. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F9274 shade: #14926F, #25A482, #36B695, #47C8A8 and #58DABB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F9274. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F9274 shade: #0F9274, #008061, #006E4E, #005C3B and #004A28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F9274 shade: #0F9375, #0F9351, #0F932E, #14930F and #38930F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F9274 shade: #0F9375, #0F8E93, #0F6A93, #0F4793 and #0F2393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F9274 shade matches the following richer shades: #0F9375 and #02A07C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F9274 shade: #0F9375, #1C866E, #297967, #376C5F and #445E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F9274 shade: #0F932E, #0F9351, #0F9374, #0F8F93 and #0F6C93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F9274 shade: #07493A, #0B6E57, #0F9375, #13B993 and #17DEB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F9274 shade: #0F9274, #0F1393 and #933F0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F9274 shade: #0F9274, #740F93 and #93740F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F9274 shade: #0F9274, #0F1393, #930F2E and #938F0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F9274 shade: #0F9274, #320F93, #930F2E and #70930F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 21 / 43

HEX #0F9274

RGB 15 146 116

HSL 166.26, 0.81%, 0.32%

LAB 53.94, -39.78, 6.83

 

Complementary color

CMYK 0 / 55 / 42 / 6

HEX #F06D8B

RGB 240 109 139

HSL 346.26, 0.81%, 0.68%

LAB 62.78, 53.17, 8.58

 

CMYK 86 / 0 / 24 / 43

HEX #14926F

RGB 20 146 111

HSL 163.33, 0.76%, 0.33%

LAB 53.87, -40.7, 9.6

 

CMYK 77 / 0 / 21 / 36

HEX #25A482

RGB 37 164 130

HSL 163.94, 0.63%, 0.39%

LAB 60.39, -41.77, 8.14

 

CMYK 70 / 0 / 18 / 29

HEX #36B695

RGB 54 182 149

HSL 164.53, 0.54%, 0.46%

LAB 66.83, -42.44, 6.84

 

CMYK 65 / 0 / 16 / 22

HEX #47C8A8

RGB 71 200 168

HSL 165.12, 0.54%, 0.53%

LAB 73.2, -42.86, 5.68

 

CMYK 60 / 0 / 14 / 15

HEX #58DABB

RGB 88 218 187

HSL 165.69, 0.64%, 0.6%

LAB 79.5, -43.1, 4.63

 

CMYK 90 / 0 / 21 / 43

HEX #0F9274

RGB 15 146 116

HSL 166.26, 0.81%, 0.32%

LAB 53.94, -39.78, 6.83

 

CMYK 100 / 0 / 24 / 50

HEX #008061

RGB 0 128 97

HSL 165.47, 1%, 0.25%

LAB 47.37, -38.07, 8.47

 

CMYK 100 / 0 / 29 / 57

HEX #006E4E

RGB 0 110 78

HSL 162.55, 1%, 0.22%

LAB 40.74, -35.47, 10.38

 

CMYK 100 / 0 / 36 / 64

HEX #005C3B

RGB 0 92 59

HSL 158.48, 1%, 0.18%

LAB 33.92, -32.74, 12.44

 

CMYK 100 / 0 / 46 / 71

HEX #004A28

RGB 0 74 40

HSL 152.43, 1%, 0.15%

LAB 26.88, -29.82, 14.66

 

CMYK 90 / 0 / 20 / 42

HEX #0F9375

RGB 15 147 117

HSL 166.36, 0.81%, 0.32%

LAB 54.29, -39.94, 6.76

 

CMYK 90 / 0 / 45 / 42

HEX #0F9351

RGB 15 147 81

HSL 150, 0.81%, 0.32%

LAB 53.56, -48.19, 25.92

 

CMYK 90 / 0 / 69 / 42

HEX #0F932E

RGB 15 147 46

HSL 134.09, 0.81%, 0.32%

LAB 53.13, -53.41, 42.73

 

CMYK 86 / 0 / 90 / 42

HEX #14930F

RGB 20 147 15

HSL 117.73, 0.81%, 0.32%

LAB 53, -55.2, 52.79

 

CMYK 62 / 0 / 90 / 42

HEX #38930F

RGB 56 147 15

HSL 101.36, 0.81%, 0.32%

LAB 53.75, -48.78, 53.73

 

CMYK 90 / 0 / 20 / 42

HEX #0F9375

RGB 15 147 117

HSL 166.36, 0.81%, 0.32%

LAB 54.29, -39.94, 6.76

 

CMYK 90 / 3 / 0 / 42

HEX #0F8E93

RGB 15 142 147

HSL 182.27, 0.81%, 0.32%

LAB 53.55, -28.77, -11.61

 

CMYK 90 / 28 / 0 / 42

HEX #0F6A93

RGB 15 106 147

HSL 198.64, 0.81%, 0.32%

LAB 42.03, -9.3, -29.31

 

CMYK 90 / 52 / 0 / 42

HEX #0F4793

RGB 15 71 147

HSL 214.55, 0.81%, 0.32%

LAB 31.15, 13.28, -46.64

 

CMYK 90 / 76 / 0 / 42

HEX #0F2393

RGB 15 35 147

HSL 230.91, 0.81%, 0.32%

LAB 21.62, 37.65, -62.24

 

CMYK 90 / 0 / 20 / 42

HEX #0F9375

RGB 15 147 117

HSL 166.36, 0.81%, 0.32%

LAB 54.29, -39.94, 6.76

 

CMYK 99 / 0 / 23 / 37

HEX #02A07C

RGB 2 160 124

HSL 166.33, 0.98%, 0.32%

LAB 58.61, -44.18, 8.93

 

CMYK 90 / 0 / 20 / 42

HEX #0F9375

RGB 15 147 117

HSL 166.36, 0.81%, 0.32%

LAB 54.29, -39.94, 6.76

 

CMYK 79 / 0 / 18 / 47

HEX #1C866E

RGB 28 134 110

HSL 166.42, 0.65%, 0.32%

LAB 50.01, -34.94, 4.68

 

CMYK 66 / 0 / 15 / 53

HEX #297967

RGB 41 121 103

HSL 166.5, 0.49%, 0.32%

LAB 45.81, -28.8, 2.78

 

CMYK 49 / 0 / 12 / 58

HEX #376C5F

RGB 55 108 95

HSL 165.28, 0.33%, 0.32%

LAB 41.79, -21.16, 1.82

 

CMYK 28 / 0 / 6 / 63

HEX #445E58

RGB 68 94 88

HSL 166.15, 0.16%, 0.32%

LAB 37.73, -11.14, 0.29

 

CMYK 90 / 0 / 69 / 42

HEX #0F932E

RGB 15 147 46

HSL 134.09, 0.81%, 0.32%

LAB 53.13, -53.41, 42.73

 

CMYK 90 / 0 / 45 / 42

HEX #0F9351

RGB 15 147 81

HSL 150, 0.81%, 0.32%

LAB 53.56, -48.19, 25.92

 

CMYK 90 / 0 / 21 / 42

HEX #0F9374

RGB 15 147 116

HSL 165.91, 0.81%, 0.32%

LAB 54.27, -40.2, 7.3

 

CMYK 90 / 3 / 0 / 42

HEX #0F8F93

RGB 15 143 147

HSL 181.82, 0.81%, 0.32%

LAB 53.87, -29.26, -11.13

 

CMYK 90 / 27 / 0 / 42

HEX #0F6C93

RGB 15 108 147

HSL 197.73, 0.81%, 0.32%

LAB 42.66, -10.48, -28.32

 

CMYK 90 / 0 / 21 / 71

HEX #07493A

RGB 7 73 58

HSL 166.36, 0.83%, 0.16%

LAB 27.06, -23.59, 3.5

 

CMYK 90 / 0 / 21 / 57

HEX #0B6E57

RGB 11 110 87

HSL 166.06, 0.82%, 0.24%

LAB 41.07, -32.18, 5.47

 

CMYK 90 / 0 / 20 / 42

HEX #0F9375

RGB 15 147 117

HSL 166.36, 0.81%, 0.32%

LAB 54.29, -39.94, 6.76

 

CMYK 90 / 0 / 21 / 27

HEX #13B993

RGB 19 185 147

HSL 166.27, 0.81%, 0.4%

LAB 67.23, -47.72, 8.45

 

CMYK 90 / 0 / 21 / 13

HEX #17DEB0

RGB 23 222 176

HSL 166.13, 0.81%, 0.48%

LAB 79.36, -55.03, 10.13

 

CMYK 90 / 0 / 21 / 43

HEX #0F9274

RGB 15 146 116

HSL 166.26, 0.81%, 0.32%

LAB 53.94, -39.78, 6.83

 

CMYK 90 / 87 / 0 / 42

HEX #0F1393

RGB 15 19 147

HSL 238.18, 0.81%, 0.32%

LAB 18.69, 46.15, -67.1

 

CMYK 0 / 57 / 90 / 42

HEX #933F0F

RGB 147 63 15

HSL 21.82, 0.81%, 0.32%

LAB 37.47, 32.94, 43.1

 

CMYK 90 / 0 / 21 / 43

HEX #0F9274

RGB 15 146 116

HSL 166.26, 0.81%, 0.32%

LAB 53.94, -39.78, 6.83

 

CMYK 21 / 90 / 0 / 42

HEX #740F93

RGB 116 15 147

HSL 285.91, 0.81%, 0.32%

LAB 29.82, 57.73, -48.38

 

CMYK 0 / 21 / 90 / 42

HEX #93740F

RGB 147 116 15

HSL 45.91, 0.81%, 0.32%

LAB 50.37, 2.99, 53.36

 

CMYK 90 / 0 / 21 / 43

HEX #0F9274

RGB 15 146 116

HSL 166.26, 0.81%, 0.32%

LAB 53.94, -39.78, 6.83

 

CMYK 90 / 87 / 0 / 42

HEX #0F1393

RGB 15 19 147

HSL 238.18, 0.81%, 0.32%

LAB 18.69, 46.15, -67.1

 

CMYK 0 / 90 / 69 / 42

HEX #930F2E

RGB 147 15 46

HSL 345.91, 0.81%, 0.32%

LAB 31.21, 52.09, 19.57

 

CMYK 0 / 3 / 90 / 42

HEX #938F0F

RGB 147 143 15

HSL 58.18, 0.81%, 0.32%

LAB 57.93, -11.92, 59.4

 

CMYK 90 / 0 / 21 / 43

HEX #0F9274

RGB 15 146 116

HSL 166.26, 0.81%, 0.32%

LAB 53.94, -39.78, 6.83

 

CMYK 66 / 90 / 0 / 42

HEX #320F93

RGB 50 15 147

HSL 255.91, 0.81%, 0.32%

LAB 20.54, 49.57, -63.95

 

CMYK 0 / 90 / 69 / 42

HEX #930F2E

RGB 147 15 46

HSL 345.91, 0.81%, 0.32%

LAB 31.21, 52.09, 19.57

 

CMYK 24 / 0 / 90 / 42

HEX #70930F

RGB 112 147 15

HSL 75.91, 0.81%, 0.32%

LAB 56.43, -29.39, 57.07

 

Description

Color code: HEX #0F9274 | qconv.com Color code: HEX #0F9274 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 146 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 146 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 21 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 21% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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