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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F991F it is the complementary color #F066E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F991F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F991F shade: #14991A, #25AB2D, #36BD40, #47CF53 and #58E166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F991F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F991F shade: #0F991F, #00870C, #007500, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F991F shade: #0F991F, #24990F, #49990F, #6E990F and #94990F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F991F shade: #0F991F, #0F9944, #0F9969, #0F998E and #0F7E99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F991F shade matches the following richer shades: #0F991F and #01A614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F991F shade: #0F991F, #1C8B29, #2A7D34, #37703E and #456248

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F991F shade: #4A990F, #26990F, #0F991C, #0F9941 and #0F9966

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F991F shade: #074E0F, #0B7317, #0F991F, #12BE26 and #16E42E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F991F shade: #0F991F, #0F6F99 and #990F38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F991F shade: #0F991F, #1C0F99 and #991C0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F991F shade: #0F991F, #0F6F99, #990F8B and #99380F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F991F shade: #0F991F, #0F4699, #990F8B and #99610F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

Complementary color

CMYK 0 / 58 / 7 / 6

HEX #F066E0

RGB 240 102 224

HSL 306.96, 0.82%, 0.67%

LAB 64.49, 67.53, -37.15

 

CMYK 87 / 0 / 83 / 40

HEX #14991A

RGB 20 153 26

HSL 122.71, 0.77%, 0.34%

LAB 55.08, -56.48, 51.93

 

CMYK 78 / 0 / 74 / 33

HEX #25AB2D

RGB 37 171 45

HSL 123.58, 0.64%, 0.41%

LAB 61.4, -58.71, 51.89

 

CMYK 71 / 0 / 66 / 26

HEX #36BD40

RGB 54 189 64

HSL 124.44, 0.56%, 0.48%

LAB 67.69, -60.17, 51.11

 

CMYK 66 / 0 / 60 / 19

HEX #47CF53

RGB 71 207 83

HSL 125.29, 0.59%, 0.55%

LAB 73.93, -61.08, 49.99

 

CMYK 61 / 0 / 55 / 12

HEX #58E166

RGB 88 225 102

HSL 126.13, 0.7%, 0.61%

LAB 80.11, -61.63, 48.73

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 100 / 0 / 91 / 47

HEX #00870C

RGB 0 135 12

HSL 125.33, 1%, 0.26%

LAB 48.7, -53.3, 49.6

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 76 / 0 / 90 / 40

HEX #24990F

RGB 36 153 15

HSL 110.87, 0.82%, 0.33%

LAB 55.27, -54.94, 54.85

 

CMYK 52 / 0 / 90 / 40

HEX #49990F

RGB 73 153 15

HSL 94.78, 0.82%, 0.33%

LAB 56.32, -46.26, 56.16

 

CMYK 28 / 0 / 90 / 40

HEX #6E990F

RGB 110 153 15

HSL 78.7, 0.82%, 0.33%

LAB 58.16, -33.02, 58.45

 

CMYK 3 / 0 / 90 / 40

HEX #94990F

RGB 148 153 15

HSL 62.17, 0.82%, 0.33%

LAB 60.88, -16.72, 61.79

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 90 / 0 / 56 / 40

HEX #0F9944

RGB 15 153 68

HSL 143.04, 0.82%, 0.33%

LAB 55.38, -52.52, 34.99

 

CMYK 90 / 0 / 31 / 40

HEX #0F9969

RGB 15 153 105

HSL 159.13, 0.82%, 0.33%

LAB 55.99, -45.38, 15.94

 

CMYK 90 / 0 / 7 / 40

HEX #0F998E

RGB 15 153 142

HSL 175.22, 0.82%, 0.33%

LAB 56.92, -35.54, -3.72

 

CMYK 90 / 18 / 0 / 40

HEX #0F7E99

RGB 15 126 153

HSL 191.74, 0.82%, 0.33%

LAB 48.66, -18.45, -22.54

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 99 / 0 / 88 / 35

HEX #01A614

RGB 1 166 20

HSL 126.91, 0.99%, 0.33%

LAB 59.28, -61.84, 57.18

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 80 / 0 / 71 / 45

HEX #1C8B29

RGB 28 139 41

HSL 127.03, 0.66%, 0.33%

LAB 50.54, -49.88, 42.12

 

CMYK 66 / 0 / 58 / 51

HEX #2A7D34

RGB 42 125 52

HSL 127.23, 0.5%, 0.33%

LAB 46.19, -40.93, 32.17

 

CMYK 51 / 0 / 45 / 56

HEX #37703E

RGB 55 112 62

HSL 127.37, 0.34%, 0.33%

LAB 42.38, -30.36, 22.16

 

CMYK 30 / 0 / 27 / 62

HEX #456248

RGB 69 98 72

HSL 126.21, 0.17%, 0.33%

LAB 38.67, -16.6, 11.44

 

CMYK 52 / 0 / 90 / 40

HEX #4A990F

RGB 74 153 15

HSL 94.35, 0.82%, 0.33%

LAB 56.36, -45.96, 56.21

 

CMYK 75 / 0 / 90 / 40

HEX #26990F

RGB 38 153 15

HSL 110, 0.82%, 0.33%

LAB 55.31, -54.61, 54.9

 

CMYK 90 / 0 / 82 / 40

HEX #0F991C

RGB 15 153 28

HSL 125.65, 0.82%, 0.33%

LAB 55.04, -56.79, 51.29

 

CMYK 90 / 0 / 58 / 40

HEX #0F9941

RGB 15 153 65

HSL 141.74, 0.82%, 0.33%

LAB 55.34, -52.97, 36.44

 

CMYK 90 / 0 / 33 / 40

HEX #0F9966

RGB 15 153 102

HSL 157.83, 0.82%, 0.33%

LAB 55.93, -46.07, 17.53

 

CMYK 91 / 0 / 81 / 69

HEX #074E0F

RGB 7 78 15

HSL 126.76, 0.84%, 0.17%

LAB 28.19, -34.27, 29.71

 

CMYK 90 / 0 / 80 / 55

HEX #0B7317

RGB 11 115 23

HSL 126.92, 0.83%, 0.25%

LAB 41.84, -45.63, 40.24

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 91 / 0 / 80 / 25

HEX #12BE26

RGB 18 190 38

HSL 126.98, 0.83%, 0.41%

LAB 67.35, -66.84, 59.97

 

CMYK 90 / 0 / 80 / 11

HEX #16E42E

RGB 22 228 46

HSL 126.99, 0.82%, 0.49%

LAB 79.53, -76.85, 69.19

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 90 / 27 / 0 / 40

HEX #0F6F99

RGB 15 111 153

HSL 198.26, 0.82%, 0.33%

LAB 43.9, -9.96, -29.94

 

CMYK 0 / 90 / 63 / 40

HEX #990F38

RGB 153 15 56

HSL 342.17, 0.82%, 0.33%

LAB 32.7, 54.28, 15.17

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 82 / 90 / 0 / 40

HEX #1C0F99

RGB 28 15 153

HSL 245.65, 0.82%, 0.33%

LAB 19.59, 50, -69.29

 

CMYK 0 / 82 / 90 / 40

HEX #991C0F

RGB 153 28 15

HSL 5.65, 0.82%, 0.33%

LAB 33.22, 49.63, 40.26

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 90 / 27 / 0 / 40

HEX #0F6F99

RGB 15 111 153

HSL 198.26, 0.82%, 0.33%

LAB 43.9, -9.96, -29.94

 

CMYK 0 / 90 / 9 / 40

HEX #990F8B

RGB 153 15 139

HSL 306.09, 0.82%, 0.33%

LAB 35.94, 63.07, -33.26

 

CMYK 0 / 63 / 90 / 40

HEX #99380F

RGB 153 56 15

HSL 17.83, 0.82%, 0.33%

LAB 37.18, 38.78, 43.32

 

CMYK 90 / 0 / 80 / 40

HEX #0F991F

RGB 15 153 31

HSL 126.96, 0.82%, 0.33%

LAB 55.05, -56.59, 50.37

 

CMYK 90 / 54 / 0 / 40

HEX #0F4699

RGB 15 70 153

HSL 216.09, 0.82%, 0.33%

LAB 31.3, 16.47, -50.04

 

CMYK 0 / 90 / 9 / 40

HEX #990F8B

RGB 153 15 139

HSL 306.09, 0.82%, 0.33%

LAB 35.94, 63.07, -33.26

 

CMYK 0 / 37 / 90 / 40

HEX #99610F

RGB 153 97 15

HSL 35.65, 0.82%, 0.33%

LAB 46.12, 16.69, 50.3

 

Description

Color code: HEX #0F991F | qconv.com Color code: HEX #0F991F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 153 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 153 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 80 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 80% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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