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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F851E it is the complementary color #F07AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F851E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F851E shade: #148519, #25972C, #36A93F, #47BB52 and #58CD65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F851E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F851E shade: #0F851E, #00730B, #006100, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F851E shade: #0E851D, #1F850E, #3F850E, #5F850E and #7F850E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F851E shade: #0E851D, #0E853D, #0E855D, #0E857D and #0E6C85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F851E shade matches the following richer shades: #0E851D and #029114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F851E shade: #0E851D, #1A7926, #266D2F, #326138 and #3E5541

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F851E shade: #40850E, #20850E, #0E851C, #0E853C and #0E855B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F851E shade: #063A0D, #0A5F15, #0E851D, #12AA26 and #17CF2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F851E shade: #0F851E, #0E5F85 and #850E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F851E shade: #0F851E, #1C0E85 and #851C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F851E shade: #0F851E, #0E5F85, #850E77 and #85340E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F851E shade: #0F851E, #0E3C85, #850E77 and #85570E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 77 / 48

HEX #0F851E

RGB 15 133 30

HSL 127.63, 0.8%, 0.29%

LAB 48.22, -50.46, 44.03

 

Complementary color

CMYK 0 / 49 / 6 / 6

HEX #F07AE1

RGB 240 122 225

HSL 307.63, 0.8%, 0.71%

LAB 67.93, 58.6, -32.36

 

CMYK 85 / 0 / 81 / 48

HEX #148519

RGB 20 133 25

HSL 122.65, 0.74%, 0.3%

LAB 48.25, -50.31, 45.81

 

CMYK 75 / 0 / 71 / 41

HEX #25972C

RGB 37 151 44

HSL 123.68, 0.61%, 0.37%

LAB 54.77, -52.25, 45.41

 

CMYK 68 / 0 / 63 / 34

HEX #36A93F

RGB 54 169 63

HSL 124.7, 0.52%, 0.44%

LAB 61.24, -53.4, 44.38

 

CMYK 62 / 0 / 56 / 27

HEX #47BB52

RGB 71 187 82

HSL 125.69, 0.46%, 0.51%

LAB 67.64, -54.04, 43.11

 

CMYK 57 / 0 / 51 / 20

HEX #58CD65

RGB 88 205 101

HSL 126.67, 0.54%, 0.57%

LAB 73.98, -54.35, 41.77

 

CMYK 89 / 0 / 77 / 48

HEX #0F851E

RGB 15 133 30

HSL 127.63, 0.8%, 0.29%

LAB 48.22, -50.46, 44.03

 

CMYK 100 / 0 / 90 / 55

HEX #00730B

RGB 0 115 11

HSL 125.74, 1%, 0.23%

LAB 41.67, -47.38, 43.65

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 89 / 0 / 78 / 48

HEX #0E851D

RGB 14 133 29

HSL 127.56, 0.81%, 0.29%

LAB 48.21, -50.64, 44.37

 

CMYK 77 / 0 / 89 / 48

HEX #1F850E

RGB 31 133 14

HSL 111.43, 0.81%, 0.29%

LAB 48.38, -49.35, 49.03

 

CMYK 53 / 0 / 89 / 48

HEX #3F850E

RGB 63 133 14

HSL 95.29, 0.81%, 0.29%

LAB 49.33, -41.56, 50.22

 

CMYK 29 / 0 / 89 / 48

HEX #5F850E

RGB 95 133 14

HSL 79.16, 0.81%, 0.29%

LAB 50.97, -29.81, 52.27

 

CMYK 5 / 0 / 89 / 48

HEX #7F850E

RGB 127 133 14

HSL 63.03, 0.81%, 0.29%

LAB 53.3, -15.77, 55.15

 

CMYK 89 / 0 / 78 / 48

HEX #0E851D

RGB 14 133 29

HSL 127.56, 0.81%, 0.29%

LAB 48.21, -50.64, 44.37

 

CMYK 89 / 0 / 54 / 48

HEX #0E853D

RGB 14 133 61

HSL 143.7, 0.81%, 0.29%

LAB 48.52, -46.78, 30.21

 

CMYK 89 / 0 / 30 / 48

HEX #0E855D

RGB 14 133 93

HSL 159.83, 0.81%, 0.29%

LAB 49.08, -40.26, 13.2

 

CMYK 89 / 0 / 6 / 48

HEX #0E857D

RGB 14 133 125

HSL 175.97, 0.81%, 0.29%

LAB 49.92, -31.42, -4.24

 

CMYK 89 / 19 / 0 / 48

HEX #0E6C85

RGB 14 108 133

HSL 192.61, 0.81%, 0.29%

LAB 42.02, -15.8, -20.93

 

CMYK 89 / 0 / 78 / 48

HEX #0E851D

RGB 14 133 29

HSL 127.56, 0.81%, 0.29%

LAB 48.21, -50.64, 44.37

 

CMYK 99 / 0 / 86 / 43

HEX #029114

RGB 2 145 20

HSL 127.55, 0.97%, 0.29%

LAB 52.19, -55.73, 50.86

 

CMYK 89 / 0 / 78 / 48

HEX #0E851D

RGB 14 133 29

HSL 127.56, 0.81%, 0.29%

LAB 48.21, -50.64, 44.37

 

CMYK 79 / 0 / 69 / 53

HEX #1A7926

RGB 26 121 38

HSL 127.58, 0.65%, 0.29%

LAB 44.28, -44.3, 36.67

 

CMYK 65 / 0 / 57 / 57

HEX #266D2F

RGB 38 109 47

HSL 127.61, 0.48%, 0.29%

LAB 40.5, -36.16, 27.95

 

CMYK 48 / 0 / 42 / 62

HEX #326138

RGB 50 97 56

HSL 127.66, 0.32%, 0.29%

LAB 36.95, -25.86, 18.53

 

CMYK 27 / 0 / 24 / 67

HEX #3E5541

RGB 62 85 65

HSL 127.83, 0.16%, 0.29%

LAB 33.78, -13.41, 8.88

 

CMYK 52 / 0 / 89 / 48

HEX #40850E

RGB 64 133 14

HSL 94.79, 0.81%, 0.29%

LAB 49.37, -41.24, 50.27

 

CMYK 76 / 0 / 89 / 48

HEX #20850E

RGB 32 133 14

HSL 110.92, 0.81%, 0.29%

LAB 48.4, -49.18, 49.06

 

CMYK 89 / 0 / 79 / 48

HEX #0E851C

RGB 14 133 28

HSL 127.06, 0.81%, 0.29%

LAB 48.2, -50.71, 44.72

 

CMYK 89 / 0 / 55 / 48

HEX #0E853C

RGB 14 133 60

HSL 143.19, 0.81%, 0.29%

LAB 48.5, -46.94, 30.72

 

CMYK 89 / 0 / 32 / 48

HEX #0E855B

RGB 14 133 91

HSL 158.82, 0.81%, 0.29%

LAB 49.04, -40.75, 14.29

 

CMYK 90 / 0 / 78 / 77

HEX #063A0D

RGB 6 58 13

HSL 128.08, 0.81%, 0.13%

LAB 20.42, -27.22, 22.46

 

CMYK 89 / 0 / 78 / 63

HEX #0A5F15

RGB 10 95 21

HSL 127.76, 0.81%, 0.21%

LAB 34.61, -39.24, 33.76

 

CMYK 89 / 0 / 78 / 48

HEX #0E851D

RGB 14 133 29

HSL 127.56, 0.81%, 0.29%

LAB 48.21, -50.64, 44.37

 

CMYK 89 / 0 / 78 / 33

HEX #12AA26

RGB 18 170 38

HSL 127.89, 0.81%, 0.37%

LAB 60.8, -60.98, 53.67

 

CMYK 89 / 0 / 78 / 19

HEX #17CF2E

RGB 23 207 46

HSL 127.5, 0.8%, 0.45%

LAB 72.9, -70.87, 62.88

 

CMYK 89 / 0 / 77 / 48

HEX #0F851E

RGB 15 133 30

HSL 127.63, 0.8%, 0.29%

LAB 48.22, -50.46, 44.03

 

CMYK 89 / 29 / 0 / 48

HEX #0E5F85

RGB 14 95 133

HSL 199.16, 0.81%, 0.29%

LAB 37.79, -8.2, -27.51

 

CMYK 0 / 89 / 64 / 48

HEX #850E30

RGB 133 14 48

HSL 342.86, 0.81%, 0.29%

LAB 28.15, 48.56, 13.68

 

CMYK 89 / 0 / 77 / 48

HEX #0F851E

RGB 15 133 30

HSL 127.63, 0.8%, 0.29%

LAB 48.22, -50.46, 44.03

 

CMYK 79 / 89 / 0 / 48

HEX #1C0E85

RGB 28 14 133

HSL 247.06, 0.81%, 0.29%

LAB 16.77, 44.46, -61.51

 

CMYK 0 / 79 / 89 / 48

HEX #851C0E

RGB 133 28 14

HSL 7.06, 0.81%, 0.29%

LAB 29.03, 43.27, 35.63

 

CMYK 89 / 0 / 77 / 48

HEX #0F851E

RGB 15 133 30

HSL 127.63, 0.8%, 0.29%

LAB 48.22, -50.46, 44.03

 

CMYK 89 / 29 / 0 / 48

HEX #0E5F85

RGB 14 95 133

HSL 199.16, 0.81%, 0.29%

LAB 37.79, -8.2, -27.51

 

CMYK 0 / 89 / 11 / 48

HEX #850E77

RGB 133 14 119

HSL 307.06, 0.81%, 0.29%

LAB 30.96, 56.27, -28.89

 

CMYK 0 / 61 / 89 / 48

HEX #85340E

RGB 133 52 14

HSL 19.16, 0.81%, 0.29%

LAB 32.86, 32.9, 38.78

 

CMYK 89 / 0 / 77 / 48

HEX #0F851E

RGB 15 133 30

HSL 127.63, 0.8%, 0.29%

LAB 48.22, -50.46, 44.03

 

CMYK 89 / 55 / 0 / 48

HEX #0E3C85

RGB 14 60 133

HSL 216.81, 0.81%, 0.29%

LAB 26.79, 15, -45.06

 

CMYK 0 / 89 / 11 / 48

HEX #850E77

RGB 133 14 119

HSL 307.06, 0.81%, 0.29%

LAB 30.96, 56.27, -28.89

 

CMYK 0 / 35 / 89 / 48

HEX #85570E

RGB 133 87 14

HSL 36.81, 0.81%, 0.29%

LAB 40.95, 13.19, 45.37

 

Description

Color code: HEX #0F851E | qconv.com Color code: HEX #0F851E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 133 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 133 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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