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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F7558 it is the complementary color #F08AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F7558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F7558 shade: #147553, #258766, #369979, #47AB8C and #58BD9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F7558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F7558 shade: #0F7558, #006345, #005132, #003F1F and #002D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F7558 shade: #0F7558, #0F753C, #0F7521, #18750F and #34750F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F7558 shade: #0F7558, #0F7573, #0F5B75, #0F3F75 and #0F2475

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F7558 shade matches the following richer shades: #0F7558 and #04805C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F7558 shade: #0F7558, #196A53, #245F4F, #2F554A and #3A4A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F7558 shade: #0F7520, #0F753B, #0F7556, #0F7571 and #0F5D75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F7558 shade: #052C21, #0A503C, #0F7558, #139973 and #18BE8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F7558 shade: #0F7558, #0F1975 and #752D0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F7558 shade: #0F7558, #560F75 and #75560F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F7558 shade: #0F7558, #0F1975, #750F2D and #756B0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F7558 shade: #0F7558, #230F75, #750F2D and #60750F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

Complementary color

CMYK 0 / 43 / 30 / 6

HEX #F08AA7

RGB 240 138 167

HSL 342.94, 0.77%, 0.74%

LAB 69.11, 42.1, 1.8

 

CMYK 83 / 0 / 29 / 54

HEX #147553

RGB 20 117 83

HSL 158.97, 0.71%, 0.27%

LAB 43.5, -35.44, 11.29

 

CMYK 73 / 0 / 24 / 47

HEX #258766

RGB 37 135 102

HSL 159.8, 0.57%, 0.34%

LAB 50.31, -36.22, 9.78

 

CMYK 65 / 0 / 21 / 40

HEX #369979

RGB 54 153 121

HSL 160.61, 0.48%, 0.41%

LAB 57.02, -36.6, 8.47

 

CMYK 58 / 0 / 18 / 33

HEX #47AB8C

RGB 71 171 140

HSL 161.4, 0.41%, 0.47%

LAB 63.64, -36.76, 7.31

 

CMYK 53 / 0 / 16 / 26

HEX #58BD9F

RGB 88 189 159

HSL 162.18, 0.43%, 0.54%

LAB 70.16, -36.78, 6.26

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 100 / 0 / 30 / 61

HEX #006345

RGB 0 99 69

HSL 161.82, 1%, 0.19%

LAB 36.66, -33.15, 10.12

 

CMYK 100 / 0 / 38 / 68

HEX #005132

RGB 0 81 50

HSL 157.04, 1%, 0.16%

LAB 29.7, -30.35, 12.24

 

CMYK 100 / 0 / 51 / 75

HEX #003F1F

RGB 0 63 31

HSL 149.52, 1%, 0.12%

LAB 22.49, -27.31, 14.54

 

CMYK 100 / 0 / 73 / 82

HEX #002D0C

RGB 0 45 12

HSL 136, 1%, 0.09%

LAB 14.97, -23.76, 16.34

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 87 / 0 / 49 / 54

HEX #0F753C

RGB 15 117 60

HSL 146.47, 0.77%, 0.26%

LAB 42.99, -41.01, 23.84

 

CMYK 87 / 0 / 72 / 54

HEX #0F7521

RGB 15 117 33

HSL 130.59, 0.77%, 0.26%

LAB 42.66, -44.96, 37.1

 

CMYK 79 / 0 / 87 / 54

HEX #18750F

RGB 24 117 15

HSL 114.71, 0.77%, 0.26%

LAB 42.69, -45.16, 43.65

 

CMYK 56 / 0 / 87 / 54

HEX #34750F

RGB 52 117 15

HSL 98.24, 0.77%, 0.26%

LAB 43.49, -38.54, 44.67

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 87 / 0 / 2 / 54

HEX #0F7573

RGB 15 117 115

HSL 178.82, 0.77%, 0.26%

LAB 44.32, -26.73, -6.62

 

CMYK 87 / 22 / 0 / 54

HEX #0F5B75

RGB 15 91 117

HSL 195.29, 0.77%, 0.26%

LAB 35.73, -11.91, -20.91

 

CMYK 87 / 46 / 0 / 54

HEX #0F3F75

RGB 15 63 117

HSL 211.76, 0.77%, 0.26%

LAB 26.57, 6.16, -35.37

 

CMYK 87 / 69 / 0 / 54

HEX #0F2475

RGB 15 36 117

HSL 227.65, 0.77%, 0.26%

LAB 18.57, 25.45, -48.35

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 97 / 0 / 28 / 50

HEX #04805C

RGB 4 128 92

HSL 162.58, 0.94%, 0.26%

LAB 47.28, -39.11, 11.27

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 76 / 0 / 22 / 58

HEX #196A53

RGB 25 106 83

HSL 162.96, 0.62%, 0.26%

LAB 39.81, -29.84, 6.12

 

CMYK 62 / 0 / 17 / 63

HEX #245F4F

RGB 36 95 79

HSL 163.73, 0.45%, 0.26%

LAB 36.22, -23.49, 3.47

 

CMYK 45 / 0 / 13 / 67

HEX #2F554A

RGB 47 85 74

HSL 162.63, 0.29%, 0.26%

LAB 33.13, -16.54, 2.19

 

CMYK 22 / 0 / 7 / 71

HEX #3A4A45

RGB 58 74 69

HSL 161.25, 0.12%, 0.26%

LAB 29.98, -7.54, 0.89

 

CMYK 87 / 0 / 73 / 54

HEX #0F7520

RGB 15 117 32

HSL 130, 0.77%, 0.26%

LAB 42.66, -45.06, 37.52

 

CMYK 87 / 0 / 50 / 54

HEX #0F753B

RGB 15 117 59

HSL 145.88, 0.77%, 0.26%

LAB 42.97, -41.2, 24.38

 

CMYK 87 / 0 / 26 / 54

HEX #0F7556

RGB 15 117 86

HSL 161.76, 0.77%, 0.26%

LAB 43.5, -35.2, 9.51

 

CMYK 87 / 0 / 3 / 54

HEX #0F7571

RGB 15 117 113

HSL 177.65, 0.77%, 0.26%

LAB 44.26, -27.37, -5.52

 

CMYK 87 / 21 / 0 / 54

HEX #0F5D75

RGB 15 93 117

HSL 194.12, 0.77%, 0.26%

LAB 36.39, -13.09, -19.88

 

CMYK 89 / 0 / 25 / 83

HEX #052C21

RGB 5 44 33

HSL 163.08, 0.8%, 0.1%

LAB 15.19, -16.79, 3.31

 

CMYK 88 / 0 / 25 / 69

HEX #0A503C

RGB 10 80 60

HSL 162.86, 0.78%, 0.18%

LAB 29.73, -26.02, 6.02

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 88 / 0 / 25 / 40

HEX #139973

RGB 19 153 115

HSL 162.99, 0.78%, 0.34%

LAB 56.25, -42.69, 10.67

 

CMYK 87 / 0 / 25 / 25

HEX #18BE8F

RGB 24 190 143

HSL 163.01, 0.78%, 0.42%

LAB 68.75, -50.4, 12.79

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 87 / 79 / 0 / 54

HEX #0F1975

RGB 15 25 117

HSL 234.12, 0.77%, 0.26%

LAB 15.91, 32.77, -52.75

 

CMYK 0 / 62 / 87 / 54

HEX #752D0F

RGB 117 45 15

HSL 17.65, 0.77%, 0.26%

LAB 28.62, 30.02, 33.57

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 26 / 87 / 0 / 54

HEX #560F75

RGB 86 15 117

HSL 281.76, 0.77%, 0.26%

LAB 22.32, 46.59, -41.93

 

CMYK 0 / 26 / 87 / 54

HEX #75560F

RGB 117 86 15

HSL 41.76, 0.77%, 0.26%

LAB 38.68, 6.13, 42.33

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 87 / 79 / 0 / 54

HEX #0F1975

RGB 15 25 117

HSL 234.12, 0.77%, 0.26%

LAB 15.91, 32.77, -52.75

 

CMYK 0 / 87 / 62 / 54

HEX #750F2D

RGB 117 15 45

HSL 342.35, 0.77%, 0.26%

LAB 24.68, 43.6, 10.45

 

CMYK 0 / 9 / 87 / 54

HEX #756B0F

RGB 117 107 15

HSL 54.12, 0.77%, 0.26%

LAB 44.71, -6.18, 47.44

 

CMYK 87 / 0 / 25 / 54

HEX #0F7558

RGB 15 117 88

HSL 162.94, 0.77%, 0.26%

LAB 43.55, -34.67, 8.39

 

CMYK 70 / 87 / 0 / 54

HEX #230F75

RGB 35 15 117

HSL 251.76, 0.77%, 0.26%

LAB 15.4, 39.65, -53.55

 

CMYK 0 / 87 / 62 / 54

HEX #750F2D

RGB 117 15 45

HSL 342.35, 0.77%, 0.26%

LAB 24.68, 43.6, 10.45

 

CMYK 18 / 0 / 87 / 54

HEX #60750F

RGB 96 117 15

HSL 72.35, 0.77%, 0.26%

LAB 45.97, -21.45, 47.8

 

Description

Color code: HEX #0F7558 | qconv.com Color code: HEX #0F7558 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 117 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 117 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 25 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 25% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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