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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F6341 it is the complementary color #F09CBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F6341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F6341 shade: #14633C, #25754F, #368762, #479975 and #58AB88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F6341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F6341 shade: #0F6341, #00512E, #003F1B, #002D08 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F6341 shade: #0E6140, #0E6129, #0E6113, #20610E and #36610E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F6341 shade: #0E6140, #0E6156, #0E5661, #0E4061 and #0E2961

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F6341 shade matches the following richer shades: #0E6140 and #056A41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F6341 shade: #0E6140, #17583E, #204F3C, #29463A and #323D39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F6341 shade: #0E6112, #0E6128, #0E613F, #0E6155 and #0E5761

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F6341 shade: #031910, #093D28, #0E6140, #138557 and #19A96F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F6341 shade: #0F6341, #0E2061 and #611D0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F6341 shade: #0F6341, #3F0E61 and #613F0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F6341 shade: #0F6341, #0E2061, #610E31 and #614F0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F6341 shade: #0F6341, #150E61, #610E31 and #5A610E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 34 / 61

HEX #0F6341

RGB 15 99 65

HSL 155.71, 0.74%, 0.22%

LAB 36.76, -32.69, 12.71

 

Complementary color

CMYK 0 / 35 / 21 / 6

HEX #F09CBE

RGB 240 156 190

HSL 335.71, 0.74%, 0.78%

LAB 73.56, 35.91, -4.47

 

CMYK 80 / 0 / 39 / 61

HEX #14633C

RGB 20 99 60

HSL 150.38, 0.66%, 0.23%

LAB 36.74, -33.17, 15.7

 

CMYK 68 / 0 / 32 / 54

HEX #25754F

RGB 37 117 79

HSL 151.5, 0.52%, 0.3%

LAB 43.77, -33.73, 14.08

 

CMYK 60 / 0 / 27 / 47

HEX #368762

RGB 54 135 98

HSL 152.59, 0.43%, 0.37%

LAB 50.68, -33.89, 12.67

 

CMYK 54 / 0 / 24 / 40

HEX #479975

RGB 71 153 117

HSL 153.66, 0.37%, 0.44%

LAB 57.47, -33.86, 11.44

 

CMYK 49 / 0 / 20 / 33

HEX #58AB88

RGB 88 171 136

HSL 154.7, 0.33%, 0.51%

LAB 64.14, -33.73, 10.33

 

CMYK 85 / 0 / 34 / 61

HEX #0F6341

RGB 15 99 65

HSL 155.71, 0.74%, 0.22%

LAB 36.76, -32.69, 12.71

 

CMYK 100 / 0 / 43 / 68

HEX #00512E

RGB 0 81 46

HSL 154.07, 1%, 0.16%

LAB 29.62, -31.31, 14.59

 

CMYK 100 / 0 / 57 / 75

HEX #003F1B

RGB 0 63 27

HSL 145.71, 1%, 0.12%

LAB 22.42, -28.15, 16.91

 

CMYK 100 / 0 / 82 / 82

HEX #002D08

RGB 0 45 8

HSL 130.67, 1%, 0.09%

LAB 14.92, -24.38, 17.95

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 86 / 0 / 34 / 62

HEX #0E6140

RGB 14 97 64

HSL 156.14, 0.75%, 0.22%

LAB 36.01, -32.19, 12.29

 

CMYK 86 / 0 / 58 / 62

HEX #0E6129

RGB 14 97 41

HSL 139.52, 0.75%, 0.22%

LAB 35.6, -36.89, 25.13

 

CMYK 86 / 0 / 80 / 62

HEX #0E6113

RGB 14 97 19

HSL 123.61, 0.75%, 0.22%

LAB 35.38, -39.61, 35.36

 

CMYK 67 / 0 / 86 / 62

HEX #20610E

RGB 32 97 14

HSL 106.99, 0.75%, 0.22%

LAB 35.77, -36.42, 37.65

 

CMYK 44 / 0 / 86 / 62

HEX #36610E

RGB 54 97 14

HSL 91.08, 0.75%, 0.22%

LAB 36.68, -29.37, 38.83

 

CMYK 86 / 0 / 34 / 62

HEX #0E6140

RGB 14 97 64

HSL 156.14, 0.75%, 0.22%

LAB 36.01, -32.19, 12.29

 

CMYK 86 / 0 / 11 / 62

HEX #0E6156

RGB 14 97 86

HSL 172.05, 0.75%, 0.22%

LAB 36.58, -26.08, -0.41

 

CMYK 86 / 11 / 0 / 62

HEX #0E5661

RGB 14 86 97

HSL 187.95, 0.75%, 0.22%

LAB 33.16, -16.58, -12.39

 

CMYK 86 / 34 / 0 / 62

HEX #0E4061

RGB 14 64 97

HSL 203.86, 0.75%, 0.22%

LAB 25.63, -3.08, -24.06

 

CMYK 86 / 58 / 0 / 62

HEX #0E2961

RGB 14 41 97

HSL 220.48, 0.75%, 0.22%

LAB 18.11, 13.27, -36.1

 

CMYK 86 / 0 / 34 / 62

HEX #0E6140

RGB 14 97 64

HSL 156.14, 0.75%, 0.22%

LAB 36.01, -32.19, 12.29

 

CMYK 95 / 0 / 39 / 58

HEX #056A41

RGB 5 106 65

HSL 155.64, 0.91%, 0.22%

LAB 39.11, -36.58, 15.88

 

CMYK 86 / 0 / 34 / 62

HEX #0E6140

RGB 14 97 64

HSL 156.14, 0.75%, 0.22%

LAB 36.01, -32.19, 12.29

 

CMYK 74 / 0 / 30 / 65

HEX #17583E

RGB 23 88 62

HSL 156, 0.59%, 0.22%

LAB 32.94, -27.26, 9.31

 

CMYK 59 / 0 / 24 / 69

HEX #204F3C

RGB 32 79 60

HSL 155.74, 0.42%, 0.22%

LAB 29.97, -21.29, 6.45

 

CMYK 41 / 0 / 17 / 73

HEX #29463A

RGB 41 70 58

HSL 155.17, 0.26%, 0.22%

LAB 27.18, -14.12, 3.82

 

CMYK 18 / 0 / 7 / 76

HEX #323D39

RGB 50 61 57

HSL 158.18, 0.1%, 0.22%

LAB 24.67, -5.52, 0.94

 

CMYK 86 / 0 / 81 / 62

HEX #0E6112

RGB 14 97 18

HSL 122.89, 0.75%, 0.22%

LAB 35.37, -39.69, 35.73

 

CMYK 86 / 0 / 59 / 62

HEX #0E6128

RGB 14 97 40

HSL 138.8, 0.75%, 0.22%

LAB 35.59, -37.05, 25.66

 

CMYK 86 / 0 / 35 / 62

HEX #0E613F

RGB 14 97 63

HSL 155.42, 0.75%, 0.22%

LAB 35.99, -32.43, 12.86

 

CMYK 86 / 0 / 12 / 62

HEX #0E6155

RGB 14 97 85

HSL 171.33, 0.75%, 0.22%

LAB 36.55, -26.38, 0.17

 

CMYK 86 / 10 / 0 / 62

HEX #0E5761

RGB 14 87 97

HSL 187.23, 0.75%, 0.22%

LAB 33.51, -17.14, -11.87

 

CMYK 88 / 0 / 36 / 90

HEX #031910

RGB 3 25 16

HSL 155.45, 0.79%, 0.05%

LAB 6.79, -9.67, 2.99

 

CMYK 85 / 0 / 34 / 76

HEX #093D28

RGB 9 61 40

HSL 155.77, 0.74%, 0.14%

LAB 22.12, -22.59, 8.29

 

CMYK 86 / 0 / 34 / 62

HEX #0E6140

RGB 14 97 64

HSL 156.14, 0.75%, 0.22%

LAB 36.01, -32.19, 12.29

 

CMYK 86 / 0 / 35 / 48

HEX #138557

RGB 19 133 87

HSL 155.79, 0.75%, 0.3%

LAB 49.01, -41.24, 16.55

 

CMYK 85 / 0 / 34 / 34

HEX #19A96F

RGB 25 169 111

HSL 155.83, 0.74%, 0.38%

LAB 61.42, -49.49, 20.07

 

CMYK 85 / 0 / 34 / 61

HEX #0F6341

RGB 15 99 65

HSL 155.71, 0.74%, 0.22%

LAB 36.76, -32.69, 12.71

 

CMYK 86 / 67 / 0 / 62

HEX #0E2061

RGB 14 32 97

HSL 226.99, 0.75%, 0.22%

LAB 15.43, 19.95, -40.46

 

CMYK 0 / 70 / 86 / 62

HEX #611D0E

RGB 97 29 14

HSL 10.84, 0.75%, 0.22%

LAB 21.77, 29.99, 26.17

 

CMYK 85 / 0 / 34 / 61

HEX #0F6341

RGB 15 99 65

HSL 155.71, 0.74%, 0.22%

LAB 36.76, -32.69, 12.71

 

CMYK 35 / 86 / 0 / 62

HEX #3F0E61

RGB 63 14 97

HSL 275.42, 0.75%, 0.22%

LAB 16.67, 38.23, -38.24

 

CMYK 0 / 35 / 86 / 62

HEX #613F0E

RGB 97 63 14

HSL 35.42, 0.75%, 0.22%

LAB 29.73, 10.3, 33.85

 

CMYK 85 / 0 / 34 / 61

HEX #0F6341

RGB 15 99 65

HSL 155.71, 0.74%, 0.22%

LAB 36.76, -32.69, 12.71

 

CMYK 86 / 67 / 0 / 62

HEX #0E2061

RGB 14 32 97

HSL 226.99, 0.75%, 0.22%

LAB 15.43, 19.95, -40.46

 

CMYK 0 / 86 / 49 / 62

HEX #610E31

RGB 97 14 49

HSL 334.7, 0.75%, 0.22%

LAB 20.35, 38.35, 0.94

 

CMYK 0 / 19 / 86 / 62

HEX #614F0E

RGB 97 79 14

HSL 46.99, 0.75%, 0.22%

LAB 34.32, 0.41, 37.98

 

CMYK 85 / 0 / 34 / 61

HEX #0F6341

RGB 15 99 65

HSL 155.71, 0.74%, 0.22%

LAB 36.76, -32.69, 12.71

 

CMYK 78 / 86 / 0 / 62

HEX #150E61

RGB 21 14 97

HSL 245.06, 0.75%, 0.22%

LAB 11.53, 32.46, -46.88

 

CMYK 0 / 86 / 49 / 62

HEX #610E31

RGB 97 14 49

HSL 334.7, 0.75%, 0.22%

LAB 20.35, 38.35, 0.94

 

CMYK 7 / 0 / 86 / 62

HEX #5A610E

RGB 90 97 14

HSL 65.06, 0.75%, 0.22%

LAB 39.16, -13.57, 41.99

 

Description

Color code: HEX #0F6341 | qconv.com Color code: HEX #0F6341 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 99 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 99 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 34 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 34% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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