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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDDAE it is the complementary color #F12251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDDAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDDAE shade: #13DDA9, #24EFBC, #35FFCF, #46FFE2 and #57FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDDAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDDAE shade: #0EDDAE, #00CB9B, #00B988, #00A775 and #009562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDDAE shade: #0EDCAD, #0EDC75, #0EDC3E, #15DC0E and #4DDC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDDAE shade: #0EDCAD, #0ED3DC, #0E9CDC, #0E64DC and #0E2CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDDAE shade matches the following richer shades: #0EDCAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDDAE shade: #0EDCAD, #21C9A3, #34B698, #47A38E and #599084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDDAE shade: #0EDC3E, #0EDC75, #0EDCAC, #0ED5DC and #0E9EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDDAE shade: #098E70, #0BB58F, #0EDCAD, #22F0C2 and #49F3CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDDAE shade: #0EDDAE, #0E14DC and #DC590E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDDAE shade: #0EDDAE, #AC0EDC and #DCAC0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDDAE shade: #0EDDAE, #0E14DC, #DC0E3E and #DCD50E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDDAE shade: #0EDDAE, #450EDC, #DC0E3E and #A5DC0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 21 / 13

HEX #0EDDAE

RGB 14 221 174

HSL 166.38, 0.88%, 0.46%

LAB 78.96, -55.51, 10.61

 

Complementary color

CMYK 0 / 86 / 66 / 5

HEX #F12251

RGB 241 34 81

HSL 346.38, 0.88%, 0.54%

LAB 52.33, 74.89, 28.46

 

CMYK 91 / 0 / 24 / 13

HEX #13DDA9

RGB 19 221 169

HSL 164.55, 0.84%, 0.47%

LAB 78.88, -56.52, 13.14

 

CMYK 85 / 0 / 21 / 6

HEX #24EFBC

RGB 36 239 188

HSL 164.93, 0.86%, 0.54%

LAB 84.86, -57.98, 11.66

 

CMYK 79 / 0 / 19 / 0

HEX #35FFCF

RGB 53 255 207

HSL 165.74, 1%, 0.6%

LAB 90.22, -58.33, 9.47

 

CMYK 73 / 0 / 11 / 0

HEX #46FFE2

RGB 70 255 226

HSL 170.59, 1%, 0.64%

LAB 90.92, -51.9, 0.68

 

CMYK 66 / 0 / 4 / 0

HEX #57FFF5

RGB 87 255 245

HSL 176.43, 1%, 0.67%

LAB 91.75, -44.83, -7.92

 

CMYK 94 / 0 / 21 / 13

HEX #0EDDAE

RGB 14 221 174

HSL 166.38, 0.88%, 0.46%

LAB 78.96, -55.51, 10.61

 

CMYK 100 / 0 / 24 / 20

HEX #00CB9B

RGB 0 203 155

HSL 165.81, 1%, 0.4%

LAB 72.94, -53.59, 12.2

 

CMYK 100 / 0 / 26 / 27

HEX #00B988

RGB 0 185 136

HSL 164.11, 1%, 0.36%

LAB 66.88, -51.22, 13.95

 

CMYK 100 / 0 / 30 / 35

HEX #00A775

RGB 0 167 117

HSL 162.04, 1%, 0.33%

LAB 60.71, -48.78, 15.77

 

CMYK 100 / 0 / 34 / 42

HEX #009562

RGB 0 149 98

HSL 159.46, 1%, 0.29%

LAB 54.42, -46.26, 17.69

 

CMYK 94 / 0 / 21 / 14

HEX #0EDCAD

RGB 14 220 173

HSL 166.31, 0.88%, 0.46%

LAB 78.63, -55.36, 10.67

 

CMYK 94 / 0 / 47 / 14

HEX #0EDC75

RGB 14 220 117

HSL 150, 0.88%, 0.46%

LAB 77.62, -66.97, 38.21

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 90 / 0 / 94 / 14

HEX #15DC0E

RGB 21 220 14

HSL 117.96, 0.88%, 0.46%

LAB 76.91, -75.96, 73.18

 

CMYK 65 / 0 / 94 / 14

HEX #4DDC0E

RGB 77 220 14

HSL 101.65, 0.88%, 0.46%

LAB 77.75, -68.54, 74.23

 

CMYK 94 / 0 / 21 / 14

HEX #0EDCAD

RGB 14 220 173

HSL 166.31, 0.88%, 0.46%

LAB 78.63, -55.36, 10.67

 

CMYK 94 / 4 / 0 / 14

HEX #0ED3DC

RGB 14 211 220

HSL 182.62, 0.88%, 0.46%

LAB 77.19, -38.61, -16.58

 

CMYK 94 / 29 / 0 / 14

HEX #0E9CDC

RGB 14 156 220

HSL 198.64, 0.88%, 0.46%

LAB 60.81, -10.79, -41.8

 

CMYK 94 / 55 / 0 / 14

HEX #0E64DC

RGB 14 100 220

HSL 214.95, 0.88%, 0.46%

LAB 44.77, 23.37, -67.48

 

CMYK 94 / 80 / 0 / 14

HEX #0E2CDC

RGB 14 44 220

HSL 231.26, 0.88%, 0.46%

LAB 31.95, 57.39, -88.57

 

CMYK 94 / 0 / 21 / 14

HEX #0EDCAD

RGB 14 220 173

HSL 166.31, 0.88%, 0.46%

LAB 78.63, -55.36, 10.67

 

CMYK 94 / 0 / 21 / 14

HEX #0EDCAD

RGB 14 220 173

HSL 166.31, 0.88%, 0.46%

LAB 78.63, -55.36, 10.67

 

CMYK 84 / 0 / 19 / 21

HEX #21C9A3

RGB 33 201 163

HSL 166.43, 0.72%, 0.46%

LAB 72.72, -49.23, 7.61

 

CMYK 71 / 0 / 16 / 29

HEX #34B698

RGB 52 182 152

HSL 166.15, 0.56%, 0.46%

LAB 66.86, -41.97, 5.23

 

CMYK 56 / 0 / 13 / 36

HEX #47A38E

RGB 71 163 142

HSL 166.3, 0.39%, 0.46%

LAB 61.21, -32.56, 2.69

 

CMYK 38 / 0 / 8 / 44

HEX #599084

RGB 89 144 132

HSL 166.91, 0.24%, 0.46%

LAB 55.82, -21.08, 0.64

 

CMYK 94 / 0 / 72 / 14

HEX #0EDC3E

RGB 14 220 62

HSL 133.98, 0.88%, 0.46%

LAB 77.06, -73.88, 61.66

 

CMYK 94 / 0 / 47 / 14

HEX #0EDC75

RGB 14 220 117

HSL 150, 0.88%, 0.46%

LAB 77.62, -66.97, 38.21

 

CMYK 94 / 0 / 22 / 14

HEX #0EDCAC

RGB 14 220 172

HSL 166.02, 0.88%, 0.46%

LAB 78.61, -55.61, 11.17

 

CMYK 94 / 3 / 0 / 14

HEX #0ED5DC

RGB 14 213 220

HSL 182.04, 0.88%, 0.46%

LAB 77.79, -39.52, -15.69

 

CMYK 94 / 28 / 0 / 14

HEX #0E9EDC

RGB 14 158 220

HSL 198.06, 0.88%, 0.46%

LAB 61.41, -11.9, -40.87

 

CMYK 94 / 0 / 21 / 44

HEX #098E70

RGB 9 142 112

HSL 166.47, 0.88%, 0.3%

LAB 52.48, -39.49, 7.04

 

CMYK 94 / 0 / 21 / 29

HEX #0BB58F

RGB 11 181 143

HSL 166.59, 0.89%, 0.38%

LAB 65.83, -47.49, 8.64

 

CMYK 94 / 0 / 21 / 14

HEX #0EDCAD

RGB 14 220 173

HSL 166.31, 0.88%, 0.46%

LAB 78.63, -55.36, 10.67

 

CMYK 86 / 0 / 19 / 6

HEX #22F0C2

RGB 34 240 194

HSL 166.6, 0.87%, 0.54%

LAB 85.28, -57.05, 9.12

 

CMYK 70 / 0 / 16 / 5

HEX #49F3CC

RGB 73 243 204

HSL 166.24, 0.88%, 0.62%

LAB 86.94, -51.99, 6.35

 

CMYK 94 / 0 / 21 / 13

HEX #0EDDAE

RGB 14 221 174

HSL 166.38, 0.88%, 0.46%

LAB 78.96, -55.51, 10.61

 

CMYK 94 / 91 / 0 / 14

HEX #0E14DC

RGB 14 20 220

HSL 238.25, 0.88%, 0.46%

LAB 28.8, 66.79, -93.81

 

CMYK 0 / 60 / 94 / 14

HEX #DC590E

RGB 220 89 14

HSL 21.84, 0.88%, 0.46%

LAB 54.44, 48.39, 61.11

 

CMYK 94 / 0 / 21 / 13

HEX #0EDDAE

RGB 14 221 174

HSL 166.38, 0.88%, 0.46%

LAB 78.96, -55.51, 10.61

 

CMYK 22 / 94 / 0 / 14

HEX #AC0EDC

RGB 172 14 220

HSL 286.02, 0.88%, 0.46%

LAB 44.59, 79.59, -67.22

 

CMYK 0 / 22 / 94 / 14

HEX #DCAC0E

RGB 220 172 14

HSL 46.02, 0.88%, 0.46%

LAB 72.73, 5.35, 73.96

 

CMYK 94 / 0 / 21 / 13

HEX #0EDDAE

RGB 14 221 174

HSL 166.38, 0.88%, 0.46%

LAB 78.96, -55.51, 10.61

 

CMYK 94 / 91 / 0 / 14

HEX #0E14DC

RGB 14 20 220

HSL 238.25, 0.88%, 0.46%

LAB 28.8, 66.79, -93.81

 

CMYK 0 / 94 / 72 / 14

HEX #DC0E3E

RGB 220 14 62

HSL 346.02, 0.88%, 0.46%

LAB 46.81, 71.72, 32.14

 

CMYK 0 / 3 / 94 / 14

HEX #DCD50E

RGB 220 213 14

HSL 57.96, 0.88%, 0.46%

LAB 83.36, -15.71, 81.89

 

CMYK 94 / 0 / 21 / 13

HEX #0EDDAE

RGB 14 221 174

HSL 166.38, 0.88%, 0.46%

LAB 78.96, -55.51, 10.61

 

CMYK 69 / 94 / 0 / 14

HEX #450EDC

RGB 69 14 220

HSL 256.02, 0.88%, 0.46%

LAB 31.22, 69.8, -89.7

 

CMYK 0 / 94 / 72 / 14

HEX #DC0E3E

RGB 220 14 62

HSL 346.02, 0.88%, 0.46%

LAB 46.81, 71.72, 32.14

 

CMYK 25 / 0 / 94 / 14

HEX #A5DC0E

RGB 165 220 14

HSL 76.02, 0.88%, 0.46%

LAB 81.41, -41.5, 78.7

 

Description

Color code: HEX #0EDDAE | qconv.com Color code: HEX #0EDDAE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 221 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 221 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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