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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDCBA it is the complementary color #F12345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDCBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDCBA shade: #13DCB5, #24EEC8, #35FFDB, #46FFEE and #57FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDCBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDCBA shade: #0EDCBA, #00CAA7, #00B894, #00A681 and #00946E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDCBA shade: #0EDCBA, #0EDC82, #0EDC4B, #0EDC13 and #40DC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDCBA shade: #0EDCBA, #0EC6DC, #0E8FDC, #0E57DC and #0E1FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDCBA shade matches the following richer shades: #0EDCBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDCBA shade: #0EDCBA, #21C9AD, #34B6A1, #47A394 and #599087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDCBA shade: #0EDC4C, #0EDC83, #0EDCBA, #0EC7DC and #0E90DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDCBA shade: #098E78, #0BB599, #0EDCBA, #22F0CE and #49F3D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDCBA shade: #0EDCBA, #140EDC and #DC670E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDCBA shade: #0EDCBA, #BA0EDC and #DCBA0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDCBA shade: #0EDCBA, #140EDC, #DC0E30 and #D5DC0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDCBA shade: #0EDCBA, #520EDC, #DC0E30 and #97DC0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

Complementary color

CMYK 0 / 85 / 71 / 5

HEX #F12345

RGB 241 35 69

HSL 350.1, 0.88%, 0.54%

LAB 52.21, 74.17, 35.42

 

CMYK 91 / 0 / 18 / 14

HEX #13DCB5

RGB 19 220 181

HSL 168.36, 0.84%, 0.47%

LAB 78.85, -53.18, 6.73

 

CMYK 85 / 0 / 16 / 7

HEX #24EEC8

RGB 36 238 200

HSL 168.71, 0.86%, 0.54%

LAB 84.84, -54.64, 5.35

 

CMYK 79 / 0 / 14 / 0

HEX #35FFDB

RGB 53 255 219

HSL 169.31, 1%, 0.6%

LAB 90.5, -55.39, 3.67

 

CMYK 73 / 0 / 7 / 0

HEX #46FFEE

RGB 70 255 238

HSL 174.49, 1%, 0.64%

LAB 91.23, -48.81, -5.08

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFF

RGB 87 255 255

HSL 180, 1%, 0.67%

LAB 92.03, -42.17, -12.68

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 100 / 0 / 17 / 21

HEX #00CAA7

RGB 0 202 167

HSL 169.6, 1%, 0.4%

LAB 72.91, -50.17, 5.69

 

CMYK 100 / 0 / 20 / 28

HEX #00B894

RGB 0 184 148

HSL 168.26, 1%, 0.36%

LAB 66.84, -47.83, 7.32

 

CMYK 100 / 0 / 22 / 35

HEX #00A681

RGB 0 166 129

HSL 166.63, 1%, 0.33%

LAB 60.66, -45.43, 9.03

 

CMYK 100 / 0 / 26 / 42

HEX #00946E

RGB 0 148 110

HSL 164.59, 1%, 0.29%

LAB 54.35, -42.97, 10.82

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 94 / 0 / 41 / 14

HEX #0EDC82

RGB 14 220 130

HSL 153.79, 0.88%, 0.46%

LAB 77.81, -64.67, 31.95

 

CMYK 94 / 0 / 66 / 14

HEX #0EDC4B

RGB 14 220 75

HSL 137.77, 0.88%, 0.46%

LAB 77.15, -72.66, 56.8

 

CMYK 94 / 0 / 91 / 14

HEX #0EDC13

RGB 14 220 19

HSL 121.46, 0.88%, 0.46%

LAB 76.88, -76.21, 72.5

 

CMYK 71 / 0 / 94 / 14

HEX #40DC0E

RGB 64 220 14

HSL 105.44, 0.88%, 0.46%

LAB 77.46, -71.02, 73.87

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 94 / 10 / 0 / 14

HEX #0EC6DC

RGB 14 198 220

HSL 186.41, 0.88%, 0.46%

LAB 73.32, -32.53, -22.45

 

CMYK 94 / 35 / 0 / 14

HEX #0E8FDC

RGB 14 143 220

HSL 202.43, 0.88%, 0.46%

LAB 56.98, -3.36, -47.85

 

CMYK 94 / 60 / 0 / 14

HEX #0E57DC

RGB 14 87 220

HSL 218.74, 0.88%, 0.46%

LAB 41.34, 31.82, -73.07

 

CMYK 94 / 86 / 0 / 14

HEX #0E1FDC

RGB 14 31 220

HSL 235.05, 0.88%, 0.46%

LAB 30.01, 63.12, -91.79

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 84 / 0 / 14 / 21

HEX #21C9AD

RGB 33 201 173

HSL 170, 0.72%, 0.46%

LAB 72.97, -46.65, 2.55

 

CMYK 71 / 0 / 12 / 29

HEX #34B6A1

RGB 52 182 161

HSL 170.31, 0.56%, 0.46%

LAB 67.1, -39.63, 0.61

 

CMYK 56 / 0 / 9 / 36

HEX #47A394

RGB 71 163 148

HSL 170.22, 0.39%, 0.46%

LAB 61.37, -31.02, -0.45

 

CMYK 38 / 0 / 6 / 44

HEX #599087

RGB 89 144 135

HSL 170.18, 0.24%, 0.46%

LAB 55.91, -20.35, -0.97

 

CMYK 94 / 0 / 65 / 14

HEX #0EDC4C

RGB 14 220 76

HSL 138.06, 0.88%, 0.46%

LAB 77.16, -72.56, 56.4

 

CMYK 94 / 0 / 40 / 14

HEX #0EDC83

RGB 14 220 131

HSL 154.08, 0.88%, 0.46%

LAB 77.83, -64.48, 31.47

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 94 / 10 / 0 / 14

HEX #0EC7DC

RGB 14 199 220

HSL 186.12, 0.88%, 0.46%

LAB 73.62, -33, -22

 

CMYK 94 / 35 / 0 / 14

HEX #0E90DC

RGB 14 144 220

HSL 202.14, 0.88%, 0.46%

LAB 57.28, -3.94, -47.39

 

CMYK 94 / 0 / 15 / 44

HEX #098E78

RGB 9 142 120

HSL 170.08, 0.88%, 0.3%

LAB 52.69, -37.29, 2.72

 

CMYK 94 / 0 / 15 / 29

HEX #0BB599

RGB 11 181 153

HSL 170.12, 0.89%, 0.38%

LAB 66.07, -44.87, 3.48

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 86 / 0 / 14 / 6

HEX #22F0CE

RGB 34 240 206

HSL 170.1, 0.87%, 0.54%

LAB 85.56, -54.05, 3.25

 

CMYK 70 / 0 / 12 / 5

HEX #49F3D7

RGB 73 243 215

HSL 170.12, 0.88%, 0.62%

LAB 87.2, -49.28, 0.99

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 91 / 94 / 0 / 14

HEX #140EDC

RGB 20 14 220

HSL 241.75, 0.88%, 0.46%

LAB 28.46, 68.36, -94.38

 

CMYK 0 / 53 / 94 / 14

HEX #DC670E

RGB 220 103 14

HSL 25.92, 0.88%, 0.46%

LAB 57.02, 41.72, 62.83

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 15 / 94 / 0 / 14

HEX #BA0EDC

RGB 186 14 220

HSL 290.1, 0.88%, 0.46%

LAB 46.87, 81.58, -63.41

 

CMYK 0 / 15 / 94 / 14

HEX #DCBA0E

RGB 220 186 14

HSL 50.1, 0.88%, 0.46%

LAB 76.29, -2, 76.59

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 91 / 94 / 0 / 14

HEX #140EDC

RGB 20 14 220

HSL 241.75, 0.88%, 0.46%

LAB 28.46, 68.36, -94.38

 

CMYK 0 / 94 / 78 / 14

HEX #DC0E30

RGB 220 14 48

HSL 350.1, 0.88%, 0.46%

LAB 46.64, 71.23, 40.19

 

CMYK 3 / 0 / 94 / 14

HEX #D5DC0E

RGB 213 220 14

HSL 62.04, 0.88%, 0.46%

LAB 84.67, -22.09, 82.64

 

CMYK 94 / 0 / 15 / 14

HEX #0EDCBA

RGB 14 220 186

HSL 170.1, 0.88%, 0.46%

LAB 78.94, -52.09, 4.21

 

CMYK 63 / 94 / 0 / 14

HEX #520EDC

RGB 82 14 220

HSL 259.81, 0.88%, 0.46%

LAB 32.43, 70.5, -87.66

 

CMYK 0 / 94 / 78 / 14

HEX #DC0E30

RGB 220 14 48

HSL 350.1, 0.88%, 0.46%

LAB 46.64, 71.23, 40.19

 

CMYK 31 / 0 / 94 / 14

HEX #97DC0E

RGB 151 220 14

HSL 80.1, 0.88%, 0.46%

LAB 80.63, -46.75, 77.75

 

Description

Color code: HEX #0EDCBA | qconv.com Color code: HEX #0EDCBA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 220 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 220 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 15 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 15% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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