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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDB72 it is the complementary color #F1248D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDB72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDB72 shade: #13DB6D, #24ED80, #35FF93, #46FFA6 and #57FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDB72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDB72 shade: #0EDB72, #00C95F, #00B74C, #00A539 and #009326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDB72 shade: #0EDC72, #0EDC3B, #18DC0E, #50DC0E and #88DC0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDB72 shade: #0EDC72, #0EDCAA, #0ED6DC, #0E9FDC and #0E67DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDB72 shade matches the following richer shades: #0EDC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDB72 shade: #0EDC72, #21C973, #34B673, #47A374 and #599074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDB72 shade: #18DC0E, #0EDC3A, #0EDC71, #0EDCA8 and #0ED9DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDB72 shade: #098E4A, #0BB55E, #0EDC72, #22F087 and #49F39C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDB72 shade: #0EDB72, #0E4FDC and #DC1F0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDB72 shade: #0EDB72, #710EDC and #DC710E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDB72 shade: #0EDB72, #0E4FDC, #DC0E78 and #DC9B0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDB72 shade: #0EDB72, #0E11DC, #DC0E78 and #DCD90E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 48 / 14

HEX #0EDB72

RGB 14 219 114

HSL 149.27, 0.88%, 0.46%

LAB 77.26, -67.14, 39.24

 

Complementary color

CMYK 0 / 85 / 41 / 5

HEX #F1248D

RGB 241 36 141

HSL 329.27, 0.88%, 0.54%

LAB 53.91, 78.66, -5.47

 

CMYK 91 / 0 / 50 / 14

HEX #13DB6D

RGB 19 219 109

HSL 147, 0.84%, 0.47%

LAB 77.22, -67.72, 41.63

 

CMYK 85 / 0 / 46 / 7

HEX #24ED80

RGB 36 237 128

HSL 147.46, 0.85%, 0.54%

LAB 83.18, -69.43, 39.93

 

CMYK 79 / 0 / 42 / 0

HEX #35FF93

RGB 53 255 147

HSL 147.92, 1%, 0.6%

LAB 89.1, -70.7, 38.31

 

CMYK 73 / 0 / 35 / 0

HEX #46FFA6

RGB 70 255 166

HSL 151.14, 1%, 0.64%

LAB 89.66, -65.25, 29.66

 

CMYK 66 / 0 / 27 / 0

HEX #57FFB9

RGB 87 255 185

HSL 155, 1%, 0.67%

LAB 90.34, -58.97, 21.02

 

CMYK 94 / 0 / 48 / 14

HEX #0EDB72

RGB 14 219 114

HSL 149.27, 0.88%, 0.46%

LAB 77.26, -67.14, 39.24

 

CMYK 100 / 0 / 53 / 21

HEX #00C95F

RGB 0 201 95

HSL 148.36, 1%, 0.39%

LAB 71.28, -64.86, 41.05

 

CMYK 100 / 0 / 58 / 28

HEX #00B74C

RGB 0 183 76

HSL 144.92, 1%, 0.36%

LAB 65.27, -61.91, 42.88

 

CMYK 100 / 0 / 65 / 35

HEX #00A539

RGB 0 165 57

HSL 140.73, 1%, 0.32%

LAB 59.16, -58.71, 44.54

 

CMYK 100 / 0 / 74 / 42

HEX #009326

RGB 0 147 38

HSL 135.51, 1%, 0.29%

LAB 52.96, -55.18, 45.78

 

CMYK 94 / 0 / 48 / 14

HEX #0EDC72

RGB 14 220 114

HSL 149.13, 0.88%, 0.46%

LAB 77.58, -67.47, 39.64

 

CMYK 94 / 0 / 73 / 14

HEX #0EDC3B

RGB 14 220 59

HSL 133.11, 0.88%, 0.46%

LAB 77.04, -74.12, 62.7

 

CMYK 89 / 0 / 94 / 14

HEX #18DC0E

RGB 24 220 14

HSL 117.09, 0.88%, 0.46%

LAB 76.93, -75.77, 73.21

 

CMYK 64 / 0 / 94 / 14

HEX #50DC0E

RGB 80 220 14

HSL 100.78, 0.88%, 0.46%

LAB 77.83, -67.91, 74.32

 

CMYK 38 / 0 / 94 / 14

HEX #88DC0E

RGB 136 220 14

HSL 84.47, 0.88%, 0.46%

LAB 79.87, -52.06, 76.83

 

CMYK 94 / 0 / 48 / 14

HEX #0EDC72

RGB 14 220 114

HSL 149.13, 0.88%, 0.46%

LAB 77.58, -67.47, 39.64

 

CMYK 94 / 0 / 23 / 14

HEX #0EDCAA

RGB 14 220 170

HSL 165.44, 0.88%, 0.46%

LAB 78.57, -56.09, 12.17

 

CMYK 94 / 3 / 0 / 14

HEX #0ED6DC

RGB 14 214 220

HSL 181.75, 0.88%, 0.46%

LAB 78.08, -39.97, -15.24

 

CMYK 94 / 28 / 0 / 14

HEX #0E9FDC

RGB 14 159 220

HSL 197.77, 0.88%, 0.46%

LAB 61.7, -12.46, -40.41

 

CMYK 94 / 53 / 0 / 14

HEX #0E67DC

RGB 14 103 220

HSL 214.08, 0.88%, 0.46%

LAB 45.58, 21.43, -66.15

 

CMYK 94 / 0 / 48 / 14

HEX #0EDC72

RGB 14 220 114

HSL 149.13, 0.88%, 0.46%

LAB 77.58, -67.47, 39.64

 

CMYK 94 / 0 / 48 / 14

HEX #0EDC72

RGB 14 220 114

HSL 149.13, 0.88%, 0.46%

LAB 77.58, -67.47, 39.64

 

CMYK 84 / 0 / 43 / 21

HEX #21C973

RGB 33 201 115

HSL 149.29, 0.72%, 0.46%

LAB 71.78, -59.69, 31.74

 

CMYK 71 / 0 / 37 / 29

HEX #34B673

RGB 52 182 115

HSL 149.08, 0.56%, 0.46%

LAB 66.08, -50.37, 24.26

 

CMYK 56 / 0 / 29 / 36

HEX #47A374

RGB 71 163 116

HSL 149.35, 0.39%, 0.46%

LAB 60.6, -38.6, 16.36

 

CMYK 38 / 0 / 19 / 44

HEX #599074

RGB 89 144 116

HSL 149.45, 0.24%, 0.46%

LAB 55.41, -24.75, 9.21

 

CMYK 89 / 0 / 94 / 14

HEX #18DC0E

RGB 24 220 14

HSL 117.09, 0.88%, 0.46%

LAB 76.93, -75.77, 73.21

 

CMYK 94 / 0 / 74 / 14

HEX #0EDC3A

RGB 14 220 58

HSL 132.82, 0.88%, 0.46%

LAB 77.03, -74.2, 63.04

 

CMYK 94 / 0 / 49 / 14

HEX #0EDC71

RGB 14 220 113

HSL 148.83, 0.88%, 0.46%

LAB 77.56, -67.63, 40.11

 

CMYK 94 / 0 / 24 / 14

HEX #0EDCA8

RGB 14 220 168

HSL 164.85, 0.88%, 0.46%

LAB 78.52, -56.57, 13.16

 

CMYK 94 / 1 / 0 / 14

HEX #0ED9DC

RGB 14 217 220

HSL 180.87, 0.88%, 0.46%

LAB 78.98, -41.32, -13.9

 

CMYK 94 / 0 / 48 / 44

HEX #098E4A

RGB 9 142 74

HSL 149.32, 0.88%, 0.3%

LAB 51.72, -48.08, 27.32

 

CMYK 94 / 0 / 48 / 29

HEX #0BB55E

RGB 11 181 94

HSL 149.29, 0.89%, 0.38%

LAB 64.9, -58.01, 33.61

 

CMYK 94 / 0 / 48 / 14

HEX #0EDC72

RGB 14 220 114

HSL 149.13, 0.88%, 0.46%

LAB 77.58, -67.47, 39.64

 

CMYK 86 / 0 / 44 / 6

HEX #22F087

RGB 34 240 135

HSL 149.42, 0.87%, 0.54%

LAB 84.18, -69.4, 37.78

 

CMYK 70 / 0 / 36 / 5

HEX #49F39C

RGB 73 243 156

HSL 149.29, 0.88%, 0.62%

LAB 85.97, -62.33, 29.74

 

CMYK 94 / 0 / 48 / 14

HEX #0EDB72

RGB 14 219 114

HSL 149.27, 0.88%, 0.46%

LAB 77.26, -67.14, 39.24

 

CMYK 94 / 64 / 0 / 14

HEX #0E4FDC

RGB 14 79 220

HSL 221.07, 0.88%, 0.46%

LAB 39.33, 36.98, -76.36

 

CMYK 0 / 86 / 94 / 14

HEX #DC1F0E

RGB 220 31 14

HSL 4.95, 0.88%, 0.46%

LAB 47.27, 68.03, 56.65

 

CMYK 94 / 0 / 48 / 14

HEX #0EDB72

RGB 14 219 114

HSL 149.27, 0.88%, 0.46%

LAB 77.26, -67.14, 39.24

 

CMYK 49 / 94 / 0 / 14

HEX #710EDC

RGB 113 14 220

HSL 268.83, 0.88%, 0.46%

LAB 35.97, 72.82, -81.68

 

CMYK 0 / 49 / 94 / 14

HEX #DC710E

RGB 220 113 14

HSL 28.83, 0.88%, 0.46%

LAB 59.03, 36.68, 64.19

 

CMYK 94 / 0 / 48 / 14

HEX #0EDB72

RGB 14 219 114

HSL 149.27, 0.88%, 0.46%

LAB 77.26, -67.14, 39.24

 

CMYK 94 / 64 / 0 / 14

HEX #0E4FDC

RGB 14 79 220

HSL 221.07, 0.88%, 0.46%

LAB 39.33, 36.98, -76.36

 

CMYK 0 / 94 / 45 / 14

HEX #DC0E78

RGB 220 14 120

HSL 329.13, 0.88%, 0.46%

LAB 48.12, 75.28, -1.78

 

CMYK 0 / 30 / 94 / 14

HEX #DC9B0E

RGB 220 155 14

HSL 41.07, 0.88%, 0.46%

LAB 68.53, 14.42, 70.89

 

CMYK 94 / 0 / 48 / 14

HEX #0EDB72

RGB 14 219 114

HSL 149.27, 0.88%, 0.46%

LAB 77.26, -67.14, 39.24

 

CMYK 94 / 92 / 0 / 14

HEX #0E11DC

RGB 14 17 220

HSL 239.13, 0.88%, 0.46%

LAB 28.54, 67.59, -94.24

 

CMYK 0 / 94 / 45 / 14

HEX #DC0E78

RGB 220 14 120

HSL 329.13, 0.88%, 0.46%

LAB 48.12, 75.28, -1.78

 

CMYK 0 / 1 / 94 / 14

HEX #DCD90E

RGB 220 217 14

HSL 59.13, 0.88%, 0.46%

LAB 84.42, -17.68, 82.69

 

Description

Color code: HEX #0EDB72 | qconv.com Color code: HEX #0EDB72 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 219 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 219 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 48 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 48% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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