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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EDA70 it is the complementary color #F1258F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EDA70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EDA70 shade: #13DA6B, #24EC7E, #35FE91, #46FFA4 and #57FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EDA70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EDA70 shade: #0EDA70, #00C85D, #00B64A, #00A437 and #009224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EDA70 shade: #0DD76E, #0DD738, #19D70D, #50D70D and #86D70D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EDA70 shade: #0DD76E, #0DD7A5, #0DD3D7, #0D9DD7 and #0D66D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EDA70 shade matches the following richer shades: #0DD76E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EDA70 shade: #0DD76E, #20C56F, #32B270, #45A070 and #588D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EDA70 shade: #1BD70D, #0DD736, #0DD76C, #0DD7A1 and #0DD7D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EDA70 shade: #088A46, #0BB05A, #0DD76E, #1EF083 and #44F398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EDA70 shade: #0EDA70, #0D51D7 and #D71B0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EDA70 shade: #0EDA70, #6C0DD7 and #D76C0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EDA70 shade: #0EDA70, #0D51D7, #D70D79 and #D7940D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EDA70 shade: #0EDA70, #0D14D7, #D70D79 and #D7D00D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 49 / 15

HEX #0EDA70

RGB 14 218 112

HSL 148.82, 0.88%, 0.45%

LAB 76.92, -67.14, 39.79

 

Complementary color

CMYK 0 / 85 / 41 / 5

HEX #F1258F

RGB 241 37 143

HSL 328.82, 0.88%, 0.55%

LAB 54.03, 78.65, -6.47

 

CMYK 91 / 0 / 51 / 15

HEX #13DA6B

RGB 19 218 107

HSL 146.53, 0.84%, 0.46%

LAB 76.89, -67.7, 42.18

 

CMYK 85 / 0 / 47 / 7

HEX #24EC7E

RGB 36 236 126

HSL 147, 0.84%, 0.53%

LAB 82.85, -69.43, 40.48

 

CMYK 79 / 0 / 43 / 0

HEX #35FE91

RGB 53 254 145

HSL 147.46, 0.99%, 0.6%

LAB 88.77, -70.71, 38.86

 

CMYK 73 / 0 / 36 / 0

HEX #46FFA4

RGB 70 255 164

HSL 150.49, 1%, 0.64%

LAB 89.63, -65.63, 30.62

 

CMYK 66 / 0 / 28 / 0

HEX #57FFB7

RGB 87 255 183

HSL 154.29, 1%, 0.67%

LAB 90.31, -59.39, 21.99

 

CMYK 94 / 0 / 49 / 15

HEX #0EDA70

RGB 14 218 112

HSL 148.82, 0.88%, 0.45%

LAB 76.92, -67.14, 39.79

 

CMYK 100 / 0 / 54 / 22

HEX #00C85D

RGB 0 200 93

HSL 147.9, 1%, 0.39%

LAB 70.94, -64.84, 41.59

 

CMYK 100 / 0 / 59 / 29

HEX #00B64A

RGB 0 182 74

HSL 144.4, 1%, 0.36%

LAB 64.92, -61.87, 43.41

 

CMYK 100 / 0 / 66 / 36

HEX #00A437

RGB 0 164 55

HSL 140.12, 1%, 0.32%

LAB 58.81, -58.63, 45.03

 

CMYK 100 / 0 / 75 / 43

HEX #009224

RGB 0 146 36

HSL 134.79, 1%, 0.29%

LAB 52.6, -55.05, 46.17

 

CMYK 94 / 0 / 49 / 16

HEX #0DD76E

RGB 13 215 110

HSL 148.81, 0.89%, 0.45%

LAB 75.95, -66.53, 39.55

 

CMYK 94 / 0 / 74 / 16

HEX #0DD738

RGB 13 215 56

HSL 132.77, 0.89%, 0.45%

LAB 75.43, -72.98, 62.11

 

CMYK 88 / 0 / 94 / 16

HEX #19D70D

RGB 25 215 13

HSL 116.44, 0.89%, 0.45%

LAB 75.35, -74.36, 72.02

 

CMYK 63 / 0 / 94 / 16

HEX #50D70D

RGB 80 215 13

HSL 100.1, 0.89%, 0.45%

LAB 76.27, -66.31, 73.16

 

CMYK 38 / 0 / 94 / 16

HEX #86D70D

RGB 134 215 13

HSL 84.06, 0.89%, 0.45%

LAB 78.29, -50.76, 75.62

 

CMYK 94 / 0 / 49 / 16

HEX #0DD76E

RGB 13 215 110

HSL 148.81, 0.89%, 0.45%

LAB 75.95, -66.53, 39.55

 

CMYK 94 / 0 / 23 / 16

HEX #0DD7A5

RGB 13 215 165

HSL 165.15, 0.89%, 0.45%

LAB 76.92, -55.4, 12.49

 

CMYK 94 / 2 / 0 / 16

HEX #0DD3D7

RGB 13 211 215

HSL 181.19, 0.89%, 0.45%

LAB 77.03, -40.14, -14.14

 

CMYK 94 / 27 / 0 / 16

HEX #0D9DD7

RGB 13 157 215

HSL 197.23, 0.89%, 0.45%

LAB 60.87, -13.2, -38.93

 

CMYK 94 / 53 / 0 / 16

HEX #0D66D7

RGB 13 102 215

HSL 213.56, 0.89%, 0.45%

LAB 44.93, 20.07, -64.36

 

CMYK 94 / 0 / 49 / 16

HEX #0DD76E

RGB 13 215 110

HSL 148.81, 0.89%, 0.45%

LAB 75.95, -66.53, 39.55

 

CMYK 94 / 0 / 49 / 16

HEX #0DD76E

RGB 13 215 110

HSL 148.81, 0.89%, 0.45%

LAB 75.95, -66.53, 39.55

 

CMYK 84 / 0 / 44 / 23

HEX #20C56F

RGB 32 197 111

HSL 148.73, 0.72%, 0.45%

LAB 70.45, -59.1, 32.06

 

CMYK 72 / 0 / 37 / 30

HEX #32B270

RGB 50 178 112

HSL 149.06, 0.56%, 0.45%

LAB 64.71, -49.72, 24.03

 

CMYK 57 / 0 / 30 / 37

HEX #45A070

RGB 69 160 112

HSL 148.35, 0.4%, 0.45%

LAB 59.5, -38.59, 17.05

 

CMYK 38 / 0 / 20 / 45

HEX #588D71

RGB 88 141 113

HSL 148.3, 0.23%, 0.45%

LAB 54.36, -24.19, 9.43

 

CMYK 87 / 0 / 94 / 16

HEX #1BD70D

RGB 27 215 13

HSL 115.84, 0.89%, 0.45%

LAB 75.37, -74.21, 72.04

 

CMYK 94 / 0 / 75 / 16

HEX #0DD736

RGB 13 215 54

HSL 132.18, 0.89%, 0.45%

LAB 75.42, -73.14, 62.77

 

CMYK 94 / 0 / 50 / 16

HEX #0DD76C

RGB 13 215 108

HSL 148.22, 0.89%, 0.45%

LAB 75.93, -66.85, 40.5

 

CMYK 94 / 0 / 25 / 16

HEX #0DD7A1

RGB 13 215 161

HSL 163.96, 0.89%, 0.45%

LAB 76.84, -56.35, 14.49

 

CMYK 94 / 0 / 0 / 16

HEX #0DD7D7

RGB 13 215 215

HSL 180, 0.89%, 0.45%

LAB 78.22, -41.94, -12.35

 

CMYK 94 / 0 / 49 / 46

HEX #088A46

RGB 8 138 70

HSL 148.62, 0.89%, 0.29%

LAB 50.3, -47.44, 27.66

 

CMYK 94 / 0 / 49 / 31

HEX #0BB05A

RGB 11 176 90

HSL 148.73, 0.88%, 0.37%

LAB 63.23, -57, 33.54

 

CMYK 94 / 0 / 49 / 16

HEX #0DD76E

RGB 13 215 110

HSL 148.81, 0.89%, 0.45%

LAB 75.95, -66.53, 39.55

 

CMYK 88 / 0 / 45 / 6

HEX #1EF083

RGB 30 240 131

HSL 148.86, 0.88%, 0.53%

LAB 84.09, -70.35, 39.61

 

CMYK 72 / 0 / 37 / 5

HEX #44F398

RGB 68 243 152

HSL 148.8, 0.88%, 0.61%

LAB 85.8, -63.8, 31.53

 

CMYK 94 / 0 / 49 / 15

HEX #0EDA70

RGB 14 218 112

HSL 148.82, 0.88%, 0.45%

LAB 76.92, -67.14, 39.79

 

CMYK 94 / 62 / 0 / 16

HEX #0D51D7

RGB 13 81 215

HSL 219.8, 0.89%, 0.45%

LAB 39.37, 33.76, -73.43

 

CMYK 0 / 87 / 94 / 16

HEX #D71B0D

RGB 215 27 13

HSL 4.16, 0.89%, 0.45%

LAB 45.99, 67.43, 55.7

 

CMYK 94 / 0 / 49 / 15

HEX #0EDA70

RGB 14 218 112

HSL 148.82, 0.88%, 0.45%

LAB 76.92, -67.14, 39.79

 

CMYK 50 / 94 / 0 / 16

HEX #6C0DD7

RGB 108 13 215

HSL 268.22, 0.89%, 0.45%

LAB 34.77, 71.43, -80.81

 

CMYK 0 / 50 / 94 / 16

HEX #D76C0D

RGB 215 108 13

HSL 28.22, 0.89%, 0.45%

LAB 57.27, 37.22, 62.85

 

CMYK 94 / 0 / 49 / 15

HEX #0EDA70

RGB 14 218 112

HSL 148.82, 0.88%, 0.45%

LAB 76.92, -67.14, 39.79

 

CMYK 94 / 62 / 0 / 16

HEX #0D51D7

RGB 13 81 215

HSL 219.8, 0.89%, 0.45%

LAB 39.37, 33.76, -73.43

 

CMYK 0 / 94 / 44 / 16

HEX #D70D79

RGB 215 13 121

HSL 327.92, 0.89%, 0.45%

LAB 47.13, 74.36, -3.96

 

CMYK 0 / 31 / 94 / 16

HEX #D7940D

RGB 215 148 13

HSL 40.1, 0.89%, 0.45%

LAB 66.26, 16, 69.15

 

CMYK 94 / 0 / 49 / 15

HEX #0EDA70

RGB 14 218 112

HSL 148.82, 0.88%, 0.45%

LAB 76.92, -67.14, 39.79

 

CMYK 94 / 91 / 0 / 16

HEX #0D14D7

RGB 13 20 215

HSL 237.92, 0.89%, 0.45%

LAB 28.09, 65.44, -92.1

 

CMYK 0 / 94 / 44 / 16

HEX #D70D79

RGB 215 13 121

HSL 327.92, 0.89%, 0.45%

LAB 47.13, 74.36, -3.96

 

CMYK 0 / 3 / 94 / 16

HEX #D7D00D

RGB 215 208 13

HSL 57.92, 0.89%, 0.45%

LAB 81.61, -15.37, 80.5

 

Description

Color code: HEX #0EDA70 | qconv.com Color code: HEX #0EDA70 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 218 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 218 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 49% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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