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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ED04E it is the complementary color #F12FB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ED04E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ED04E shade: #13D049, #24E25C, #35F46F, #46FF82 and #57FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ED04E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ED04E shade: #0ED04E, #00BE3B, #00AC28, #009A15 and #008802

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ED04E shade: #0ED14E, #0ED11A, #37D10E, #6CD10E and #A0D10E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ED04E shade: #0ED14E, #0ED183, #0ED1B8, #0EB6D1 and #0E82D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ED04E shade matches the following richer shades: #0ED14E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ED04E shade: #0ED14E, #20BF55, #32AD5B, #459B61 and #578967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ED04E shade: #38D10E, #0ED118, #0ED14C, #0ED180 and #0ED1B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ED04E shade: #098431, #0BAB40, #0ED14E, #1AEF60 and #41F17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ED04E shade: #0ED04E, #0E6CD1 and #D10E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ED04E shade: #0ED04E, #4C0ED1 and #D14C0E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ED04E shade: #0ED04E, #0E6CD1, #D10E93 and #D1730E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ED04E shade: #0ED04E, #0E32D1, #D10E93 and #D1AE0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 63 / 18

HEX #0ED04E

RGB 14 208 78

HSL 139.79, 0.87%, 0.44%

LAB 73.39, -68.77, 51.35

 

Complementary color

CMYK 0 / 80 / 27 / 5

HEX #F12FB1

RGB 241 47 177

HSL 319.79, 0.87%, 0.56%

LAB 56, 80.03, -23.54

 

CMYK 91 / 0 / 65 / 18

HEX #13D049

RGB 19 208 73

HSL 137.14, 0.83%, 0.45%

LAB 73.37, -69.07, 53.47

 

CMYK 84 / 0 / 59 / 11

HEX #24E25C

RGB 36 226 92

HSL 137.68, 0.77%, 0.51%

LAB 79.35, -71.11, 52.11

 

CMYK 78 / 0 / 55 / 4

HEX #35F46F

RGB 53 244 111

HSL 138.22, 0.9%, 0.58%

LAB 85.3, -72.6, 50.64

 

CMYK 73 / 0 / 49 / 0

HEX #46FF82

RGB 70 255 130

HSL 139.46, 1%, 0.64%

LAB 89.13, -71.35, 46.56

 

CMYK 66 / 0 / 42 / 0

HEX #57FF95

RGB 87 255 149

HSL 142.14, 1%, 0.67%

LAB 89.73, -65.69, 38.25

 

CMYK 93 / 0 / 63 / 18

HEX #0ED04E

RGB 14 208 78

HSL 139.79, 0.87%, 0.44%

LAB 73.39, -68.77, 51.35

 

CMYK 100 / 0 / 69 / 25

HEX #00BE3B

RGB 0 190 59

HSL 138.63, 1%, 0.37%

LAB 67.38, -66.02, 52.65

 

CMYK 100 / 0 / 77 / 33

HEX #00AC28

RGB 0 172 40

HSL 133.95, 1%, 0.34%

LAB 61.36, -62.43, 53.51

 

CMYK 100 / 0 / 86 / 40

HEX #009A15

RGB 0 154 21

HSL 128.18, 1%, 0.3%

LAB 55.24, -58.42, 53.35

 

CMYK 100 / 0 / 99 / 47

HEX #008802

RGB 0 136 2

HSL 120.88, 1%, 0.27%

LAB 49.02, -53.95, 51.75

 

CMYK 93 / 0 / 63 / 18

HEX #0ED14E

RGB 14 209 78

HSL 139.69, 0.87%, 0.44%

LAB 73.7, -69.07, 51.71

 

CMYK 93 / 0 / 88 / 18

HEX #0ED11A

RGB 14 209 26

HSL 123.69, 0.87%, 0.44%

LAB 73.4, -72.99, 68.35

 

CMYK 74 / 0 / 93 / 18

HEX #37D10E

RGB 55 209 14

HSL 107.38, 0.87%, 0.44%

LAB 73.83, -69.2, 70.8

 

CMYK 48 / 0 / 93 / 18

HEX #6CD10E

RGB 108 209 14

HSL 91.08, 0.87%, 0.44%

LAB 75.34, -56.85, 72.66

 

CMYK 23 / 0 / 93 / 18

HEX #A0D10E

RGB 160 209 14

HSL 75.08, 0.87%, 0.44%

LAB 77.94, -38.59, 75.83

 

CMYK 93 / 0 / 63 / 18

HEX #0ED14E

RGB 14 209 78

HSL 139.69, 0.87%, 0.44%

LAB 73.7, -69.07, 51.71

 

CMYK 93 / 0 / 37 / 18

HEX #0ED183

RGB 14 209 131

HSL 156, 0.87%, 0.44%

LAB 74.4, -60.66, 26.92

 

CMYK 93 / 0 / 12 / 18

HEX #0ED1B8

RGB 14 209 184

HSL 172.31, 0.87%, 0.44%

LAB 75.55, -48.1, 0.35

 

CMYK 93 / 13 / 0 / 18

HEX #0EB6D1

RGB 14 182 209

HSL 188.31, 0.87%, 0.44%

LAB 68.13, -28.3, -24.37

 

CMYK 93 / 38 / 0 / 18

HEX #0E82D1

RGB 14 130 209

HSL 204.31, 0.87%, 0.44%

LAB 52.58, 0.17, -48.66

 

CMYK 93 / 0 / 63 / 18

HEX #0ED14E

RGB 14 209 78

HSL 139.69, 0.87%, 0.44%

LAB 73.7, -69.07, 51.71

 

CMYK 93 / 0 / 63 / 18

HEX #0ED14E

RGB 14 209 78

HSL 139.69, 0.87%, 0.44%

LAB 73.7, -69.07, 51.71

 

CMYK 83 / 0 / 55 / 25

HEX #20BF55

RGB 32 191 85

HSL 140, 0.71%, 0.44%

LAB 68.19, -61.24, 42.15

 

CMYK 71 / 0 / 47 / 32

HEX #32AD5B

RGB 50 173 91

HSL 140, 0.55%, 0.44%

LAB 62.78, -51.64, 32.56

 

CMYK 55 / 0 / 37 / 39

HEX #459B61

RGB 69 155 97

HSL 139.53, 0.38%, 0.44%

LAB 57.63, -39.38, 22.78

 

CMYK 36 / 0 / 25 / 46

HEX #578967

RGB 87 137 103

HSL 139.2, 0.22%, 0.44%

LAB 52.84, -24.57, 13.02

 

CMYK 73 / 0 / 93 / 18

HEX #38D10E

RGB 56 209 14

HSL 107.08, 0.87%, 0.44%

LAB 73.85, -69.04, 70.82

 

CMYK 93 / 0 / 89 / 18

HEX #0ED118

RGB 14 209 24

HSL 123.08, 0.87%, 0.44%

LAB 73.39, -73.06, 68.72

 

CMYK 93 / 0 / 64 / 18

HEX #0ED14C

RGB 14 209 76

HSL 139.08, 0.87%, 0.44%

LAB 73.69, -69.3, 52.55

 

CMYK 93 / 0 / 39 / 18

HEX #0ED180

RGB 14 209 128

HSL 155.08, 0.87%, 0.44%

LAB 74.35, -61.26, 28.4

 

CMYK 93 / 0 / 14 / 18

HEX #0ED1B4

RGB 14 209 180

HSL 171.08, 0.87%, 0.44%

LAB 75.44, -49.17, 2.35

 

CMYK 93 / 0 / 63 / 48

HEX #098431

RGB 9 132 49

HSL 139.51, 0.87%, 0.28%

LAB 47.98, -48.59, 35.61

 

CMYK 94 / 0 / 63 / 33

HEX #0BAB40

RGB 11 171 64

HSL 139.88, 0.88%, 0.36%

LAB 61.28, -59.19, 43.81

 

CMYK 93 / 0 / 63 / 18

HEX #0ED14E

RGB 14 209 78

HSL 139.69, 0.87%, 0.44%

LAB 73.7, -69.07, 51.71

 

CMYK 89 / 0 / 60 / 6

HEX #1AEF60

RGB 26 239 96

HSL 139.72, 0.87%, 0.52%

LAB 83.34, -75.32, 54.94

 

CMYK 73 / 0 / 49 / 5

HEX #41F17B

RGB 65 241 123

HSL 139.77, 0.86%, 0.6%

LAB 84.72, -68.38, 44.37

 

CMYK 93 / 0 / 63 / 18

HEX #0ED04E

RGB 14 208 78

HSL 139.79, 0.87%, 0.44%

LAB 73.39, -68.77, 51.35

 

CMYK 93 / 48 / 0 / 18

HEX #0E6CD1

RGB 14 108 209

HSL 211.08, 0.87%, 0.44%

LAB 46.21, 13.87, -58.87

 

CMYK 0 / 93 / 86 / 18

HEX #D10E1E

RGB 209 14 30

HSL 355.08, 0.87%, 0.44%

LAB 44.18, 68.01, 46.79

 

CMYK 93 / 0 / 63 / 18

HEX #0ED04E

RGB 14 208 78

HSL 139.79, 0.87%, 0.44%

LAB 73.39, -68.77, 51.35

 

CMYK 64 / 93 / 0 / 18

HEX #4C0ED1

RGB 76 14 209

HSL 259.08, 0.87%, 0.44%

LAB 30.53, 67.5, -84.47

 

CMYK 0 / 64 / 93 / 18

HEX #D14C0E

RGB 209 76 14

HSL 19.08, 0.87%, 0.44%

LAB 50.4, 50.24, 57.57

 

CMYK 93 / 0 / 63 / 18

HEX #0ED04E

RGB 14 208 78

HSL 139.79, 0.87%, 0.44%

LAB 73.39, -68.77, 51.35

 

CMYK 93 / 48 / 0 / 18

HEX #0E6CD1

RGB 14 108 209

HSL 211.08, 0.87%, 0.44%

LAB 46.21, 13.87, -58.87

 

CMYK 0 / 93 / 30 / 18

HEX #D10E93

RGB 209 14 147

HSL 319.08, 0.87%, 0.44%

LAB 46.94, 75.5, -20.18

 

CMYK 0 / 45 / 93 / 18

HEX #D1730E

RGB 209 115 14

HSL 31.08, 0.87%, 0.44%

LAB 57.89, 31.15, 62.67

 

CMYK 93 / 0 / 63 / 18

HEX #0ED04E

RGB 14 208 78

HSL 139.79, 0.87%, 0.44%

LAB 73.39, -68.77, 51.35

 

CMYK 93 / 76 / 0 / 18

HEX #0E32D1

RGB 14 50 209

HSL 228.92, 0.87%, 0.44%

LAB 31.76, 50.64, -82.53

 

CMYK 0 / 93 / 30 / 18

HEX #D10E93

RGB 209 14 147

HSL 319.08, 0.87%, 0.44%

LAB 46.94, 75.5, -20.18

 

CMYK 0 / 17 / 93 / 18

HEX #D1AE0E

RGB 209 174 14

HSL 49.23, 0.87%, 0.44%

LAB 72.13, -0.54, 73.02

 

Description

Color code: HEX #0ED04E | qconv.com Color code: HEX #0ED04E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 208 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 208 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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