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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ED7B7 it is the complementary color #F12848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ED7B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ED7B7 shade: #13D7B2, #24E9C5, #35FBD8, #46FFEB and #57FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ED7B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ED7B7 shade: #0ED7B7, #00C5A4, #00B391, #00A17E and #008F6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ED7B7 shade: #0DD7B7, #0DD781, #0DD74A, #0DD714 and #3DD70D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ED7B7 shade: #0DD7B7, #0DC1D7, #0D8AD7, #0D54D7 and #0D1ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ED7B7 shade matches the following richer shades: #0DD7B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ED7B7 shade: #0DD7B7, #20C5AA, #32B29E, #45A091 and #588D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ED7B7 shade: #0DD74A, #0DD780, #0DD7B6, #0DC3D7 and #0D8DD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ED7B7 shade: #088A75, #0BB096, #0DD7B7, #1EF0CF and #44F3D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ED7B7 shade: #0ED7B7, #140DD7 and #D7650D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ED7B7 shade: #0ED7B7, #B60DD7 and #D7B60D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ED7B7 shade: #0ED7B7, #140DD7, #D70D2F and #D0D70D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ED7B7 shade: #0ED7B7, #510DD7, #D70D2F and #94D70D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 15 / 16

HEX #0ED7B7

RGB 14 215 183

HSL 170.45, 0.88%, 0.45%

LAB 77.35, -50.84, 3.5

 

Complementary color

CMYK 0 / 83 / 70 / 5

HEX #F12848

RGB 241 40 72

HSL 350.45, 0.88%, 0.55%

LAB 52.6, 73.29, 34.13

 

CMYK 91 / 0 / 17 / 16

HEX #13D7B2

RGB 19 215 178

HSL 168.67, 0.84%, 0.46%

LAB 77.25, -51.94, 6.04

 

CMYK 85 / 0 / 15 / 9

HEX #24E9C5

RGB 36 233 197

HSL 169.04, 0.82%, 0.53%

LAB 83.28, -53.39, 4.67

 

CMYK 79 / 0 / 14 / 2

HEX #35FBD8

RGB 53 251 216

HSL 169.39, 0.96%, 0.6%

LAB 89.26, -54.53, 3.42

 

CMYK 73 / 0 / 8 / 0

HEX #46FFEB

RGB 70 255 235

HSL 173.51, 1%, 0.64%

LAB 91.15, -49.6, -3.65

 

CMYK 66 / 0 / 0 / 0

HEX #57FFFE

RGB 87 255 254

HSL 179.64, 1%, 0.67%

LAB 92, -42.44, -12.21

 

CMYK 93 / 0 / 15 / 16

HEX #0ED7B7

RGB 14 215 183

HSL 170.45, 0.88%, 0.45%

LAB 77.35, -50.84, 3.5

 

CMYK 100 / 0 / 17 / 23

HEX #00C5A4

RGB 0 197 164

HSL 169.95, 1%, 0.39%

LAB 71.29, -48.93, 4.98

 

CMYK 100 / 0 / 19 / 30

HEX #00B391

RGB 0 179 145

HSL 168.6, 1%, 0.35%

LAB 65.19, -46.57, 6.61

 

CMYK 100 / 0 / 22 / 37

HEX #00A17E

RGB 0 161 126

HSL 166.96, 1%, 0.32%

LAB 58.97, -44.17, 8.31

 

CMYK 100 / 0 / 25 / 44

HEX #008F6B

RGB 0 143 107

HSL 164.9, 1%, 0.28%

LAB 52.63, -41.7, 10.1

 

CMYK 94 / 0 / 15 / 16

HEX #0DD7B7

RGB 13 215 183

HSL 170.5, 0.89%, 0.45%

LAB 77.34, -50.87, 3.5

 

CMYK 94 / 0 / 40 / 16

HEX #0DD781

RGB 13 215 129

HSL 154.46, 0.89%, 0.45%

LAB 76.24, -63.18, 30.39

 

CMYK 94 / 0 / 66 / 16

HEX #0DD74A

RGB 13 215 74

HSL 138.12, 0.89%, 0.45%

LAB 75.56, -71.34, 55.46

 

CMYK 94 / 0 / 91 / 16

HEX #0DD714

RGB 13 215 20

HSL 122.08, 0.89%, 0.45%

LAB 75.29, -74.87, 71.01

 

CMYK 72 / 0 / 94 / 16

HEX #3DD70D

RGB 61 215 13

HSL 105.74, 0.89%, 0.45%

LAB 75.84, -70.04, 72.62

 

CMYK 94 / 0 / 15 / 16

HEX #0DD7B7

RGB 13 215 183

HSL 170.5, 0.89%, 0.45%

LAB 77.34, -50.87, 3.5

 

CMYK 94 / 10 / 0 / 16

HEX #0DC1D7

RGB 13 193 215

HSL 186.53, 0.89%, 0.45%

LAB 71.64, -31.76, -22.28

 

CMYK 94 / 36 / 0 / 16

HEX #0D8AD7

RGB 13 138 215

HSL 202.87, 0.89%, 0.45%

LAB 55.25, -2.35, -47.8

 

CMYK 94 / 61 / 0 / 16

HEX #0D54D7

RGB 13 84 215

HSL 218.91, 0.89%, 0.45%

LAB 40.13, 31.81, -72.18

 

CMYK 94 / 86 / 0 / 16

HEX #0D1ED7

RGB 13 30 215

HSL 234.95, 0.89%, 0.45%

LAB 29.21, 62.05, -90.24

 

CMYK 94 / 0 / 15 / 16

HEX #0DD7B7

RGB 13 215 183

HSL 170.5, 0.89%, 0.45%

LAB 77.34, -50.87, 3.5

 

CMYK 94 / 0 / 15 / 16

HEX #0DD7B7

RGB 13 215 183

HSL 170.5, 0.89%, 0.45%

LAB 77.34, -50.87, 3.5

 

CMYK 84 / 0 / 14 / 23

HEX #20C5AA

RGB 32 197 170

HSL 170.18, 0.72%, 0.45%

LAB 71.65, -45.84, 2.27

 

CMYK 72 / 0 / 11 / 30

HEX #32B29E

RGB 50 178 158

HSL 170.63, 0.56%, 0.45%

LAB 65.74, -38.92, 0.28

 

CMYK 57 / 0 / 9 / 37

HEX #45A091

RGB 69 160 145

HSL 170.11, 0.4%, 0.45%

LAB 60.29, -30.79, -0.34

 

CMYK 38 / 0 / 6 / 45

HEX #588D84

RGB 88 141 132

HSL 169.81, 0.23%, 0.45%

LAB 54.86, -19.81, -0.78

 

CMYK 94 / 0 / 66 / 16

HEX #0DD74A

RGB 13 215 74

HSL 138.12, 0.89%, 0.45%

LAB 75.56, -71.34, 55.46

 

CMYK 94 / 0 / 40 / 16

HEX #0DD780

RGB 13 215 128

HSL 154.16, 0.89%, 0.45%

LAB 76.22, -63.37, 30.88

 

CMYK 94 / 0 / 15 / 16

HEX #0DD7B6

RGB 13 215 182

HSL 170.2, 0.89%, 0.45%

LAB 77.32, -51.14, 3.99

 

CMYK 94 / 9 / 0 / 16

HEX #0DC3D7

RGB 13 195 215

HSL 185.94, 0.89%, 0.45%

LAB 72.24, -32.72, -21.37

 

CMYK 94 / 34 / 0 / 16

HEX #0D8DD7

RGB 13 141 215

HSL 201.98, 0.89%, 0.45%

LAB 56.13, -4.11, -46.4

 

CMYK 94 / 0 / 15 / 46

HEX #088A75

RGB 8 138 117

HSL 170.31, 0.89%, 0.29%

LAB 51.28, -36.42, 2.42

 

CMYK 94 / 0 / 15 / 31

HEX #0BB096

RGB 11 176 150

HSL 170.55, 0.88%, 0.37%

LAB 64.42, -43.57, 2.75

 

CMYK 94 / 0 / 15 / 16

HEX #0DD7B7

RGB 13 215 183

HSL 170.5, 0.89%, 0.45%

LAB 77.34, -50.87, 3.5

 

CMYK 88 / 0 / 14 / 6

HEX #1EF0CF

RGB 30 240 207

HSL 170.57, 0.88%, 0.53%

LAB 85.56, -54.03, 2.71

 

CMYK 72 / 0 / 12 / 5

HEX #44F3D7

RGB 68 243 215

HSL 170.4, 0.88%, 0.61%

LAB 87.11, -49.91, 0.85

 

CMYK 93 / 0 / 15 / 16

HEX #0ED7B7

RGB 14 215 183

HSL 170.45, 0.88%, 0.45%

LAB 77.35, -50.84, 3.5

 

CMYK 91 / 94 / 0 / 16

HEX #140DD7

RGB 20 13 215

HSL 242.08, 0.89%, 0.45%

LAB 27.69, 67.29, -92.77

 

CMYK 0 / 53 / 94 / 16

HEX #D7650D

RGB 215 101 13

HSL 26.14, 0.89%, 0.45%

LAB 55.87, 40.75, 61.9

 

CMYK 93 / 0 / 15 / 16

HEX #0ED7B7

RGB 14 215 183

HSL 170.45, 0.88%, 0.45%

LAB 77.35, -50.84, 3.5

 

CMYK 15 / 94 / 0 / 16

HEX #B60DD7

RGB 182 13 215

HSL 290.2, 0.89%, 0.45%

LAB 45.82, 80.26, -62.27

 

CMYK 0 / 15 / 94 / 16

HEX #D7B60D

RGB 215 182 13

HSL 50.2, 0.89%, 0.45%

LAB 74.78, -2.11, 75.38

 

CMYK 93 / 0 / 15 / 16

HEX #0ED7B7

RGB 14 215 183

HSL 170.45, 0.88%, 0.45%

LAB 77.35, -50.84, 3.5

 

CMYK 91 / 94 / 0 / 16

HEX #140DD7

RGB 20 13 215

HSL 242.08, 0.89%, 0.45%

LAB 27.69, 67.29, -92.77

 

CMYK 0 / 94 / 78 / 16

HEX #D70D2F

RGB 215 13 47

HSL 349.9, 0.89%, 0.45%

LAB 45.55, 70.06, 39.3

 

CMYK 3 / 0 / 94 / 16

HEX #D0D70D

RGB 208 215 13

HSL 62.08, 0.89%, 0.45%

LAB 82.93, -21.78, 81.25

 

CMYK 93 / 0 / 15 / 16

HEX #0ED7B7

RGB 14 215 183

HSL 170.45, 0.88%, 0.45%

LAB 77.35, -50.84, 3.5

 

CMYK 62 / 94 / 0 / 16

HEX #510DD7

RGB 81 13 215

HSL 260.2, 0.89%, 0.45%

LAB 31.68, 69.43, -86.02

 

CMYK 0 / 94 / 78 / 16

HEX #D70D2F

RGB 215 13 47

HSL 349.9, 0.89%, 0.45%

LAB 45.55, 70.06, 39.3

 

CMYK 31 / 0 / 94 / 16

HEX #94D70D

RGB 148 215 13

HSL 79.9, 0.89%, 0.45%

LAB 79, -45.76, 76.49

 

Description

Color code: HEX #0ED7B7 | qconv.com Color code: HEX #0ED7B7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 215 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 215 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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