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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0EACE0 it is the complementary color #F1531F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0EACE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0EACE0 shade: #13ACDB, #24BEEE, #35D0FF, #46E2FF and #57F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0EACE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0EACE0 shade: #0EACE0, #009ACD, #0088BA, #0076A7 and #006494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0EACE0 shade: #0EADE1, #0E74E1, #0E3BE1, #1A0EE1 and #530EE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0EACE0 shade: #0EADE1, #0E74E1, #0E3BE1 and #0E0EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0EACE0 shade matches the following richer shades: #0EADE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0EACE0 shade: #0EADE1, #21A3CD, #3599BA, #488FA7 and #5B8593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0EACE0 shade: #0EE1A2, #0EE1DA, #0EB0E1, #0E77E1 and #0E3FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0EACE0 shade: #097193, #0B8FBA, #0EADE1, #27BFF1 and #4ECAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0EACE0 shade: #0EACE0, #690EE1 and #E1BE0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0EACE0 shade: #0EACE0, #E10EB0 and #B0E10E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0EACE0 shade: #0EACE0, #690EE1, #E13F0E and #85E10E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0EACE0 shade: #0EACE0, #A90EE1, #E13F0E and #46E10E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 23 / 0 / 12

HEX #0EACE0

RGB 14 172 224

HSL 194.86, 0.88%, 0.47%

LAB 65.73, -18.08, -36.32

 

Complementary color

CMYK 0 / 66 / 87 / 5

HEX #F1531F

RGB 241 83 31

HSL 14.86, 0.88%, 0.53%

LAB 57.06, 58.57, 59.31

 

CMYK 91 / 21 / 0 / 14

HEX #13ACDB

RGB 19 172 219

HSL 194.1, 0.84%, 0.47%

LAB 65.56, -19.62, -33.83

 

CMYK 85 / 20 / 0 / 7

HEX #24BEEE

RGB 36 190 238

HSL 194.26, 0.86%, 0.54%

LAB 71.81, -21.57, -34.51

 

CMYK 79 / 18 / 0 / 0

HEX #35D0FF

RGB 53 208 255

HSL 193.96, 1%, 0.6%

LAB 77.93, -23.8, -34.16

 

CMYK 73 / 11 / 0 / 0

HEX #46E2FF

RGB 70 226 255

HSL 189.41, 1%, 0.64%

LAB 83.4, -30.9, -25.74

 

CMYK 66 / 4 / 0 / 0

HEX #57F4FF

RGB 87 244 255

HSL 183.93, 1%, 0.67%

LAB 88.9, -37.18, -17.37

 

CMYK 94 / 23 / 0 / 12

HEX #0EACE0

RGB 14 172 224

HSL 194.86, 0.88%, 0.47%

LAB 65.73, -18.08, -36.32

 

CMYK 100 / 25 / 0 / 20

HEX #009ACD

RGB 0 154 205

HSL 194.93, 1%, 0.4%

LAB 59.45, -15.58, -35.57

 

CMYK 100 / 27 / 0 / 27

HEX #0088BA

RGB 0 136 186

HSL 196.13, 1%, 0.36%

LAB 53.12, -12.57, -34.73

 

CMYK 100 / 29 / 0 / 35

HEX #0076A7

RGB 0 118 167

HSL 197.6, 1%, 0.33%

LAB 46.64, -9.43, -33.9

 

CMYK 100 / 32 / 0 / 42

HEX #006494

RGB 0 100 148

HSL 199.46, 1%, 0.29%

LAB 40, -6.12, -33.1

 

CMYK 94 / 23 / 0 / 12

HEX #0EADE1

RGB 14 173 225

HSL 194.79, 0.88%, 0.47%

LAB 66.07, -18.26, -36.34

 

CMYK 94 / 48 / 0 / 12

HEX #0E74E1

RGB 14 116 225

HSL 211, 0.88%, 0.47%

LAB 49.52, 15.06, -62.6

 

CMYK 94 / 74 / 0 / 12

HEX #0E3BE1

RGB 14 59 225

HSL 227.2, 0.88%, 0.47%

LAB 35.32, 51.01, -85.84

 

CMYK 88 / 94 / 0 / 12

HEX #1A0EE1

RGB 26 14 225

HSL 243.41, 0.88%, 0.47%

LAB 29.34, 69.73, -95.78

 

CMYK 63 / 94 / 0 / 12

HEX #530EE1

RGB 83 14 225

HSL 259.62, 0.88%, 0.47%

LAB 33.11, 71.75, -89.39

 

CMYK 94 / 23 / 0 / 12

HEX #0EADE1

RGB 14 173 225

HSL 194.79, 0.88%, 0.47%

LAB 66.07, -18.26, -36.34

 

CMYK 94 / 48 / 0 / 12

HEX #0E74E1

RGB 14 116 225

HSL 211, 0.88%, 0.47%

LAB 49.52, 15.06, -62.6

 

CMYK 94 / 74 / 0 / 12

HEX #0E3BE1

RGB 14 59 225

HSL 227.2, 0.88%, 0.47%

LAB 35.32, 51.01, -85.84

 

CMYK 94 / 94 / 0 / 12

HEX #0E0EE1

RGB 14 14 225

HSL 240, 0.88%, 0.47%

LAB 29.01, 69.58, -96.33

 

CMYK 94 / 23 / 0 / 12

HEX #0EADE1

RGB 14 173 225

HSL 194.79, 0.88%, 0.47%

LAB 66.07, -18.26, -36.34

 

CMYK 94 / 23 / 0 / 12

HEX #0EADE1

RGB 14 173 225

HSL 194.79, 0.88%, 0.47%

LAB 66.07, -18.26, -36.34

 

CMYK 84 / 20 / 0 / 20

HEX #21A3CD

RGB 33 163 205

HSL 194.65, 0.72%, 0.47%

LAB 62.44, -18.86, -30.9

 

CMYK 72 / 18 / 0 / 27

HEX #3599BA

RGB 53 153 186

HSL 194.89, 0.56%, 0.47%

LAB 59.05, -17.8, -25.45

 

CMYK 57 / 14 / 0 / 35

HEX #488FA7

RGB 72 143 167

HSL 195.16, 0.4%, 0.47%

LAB 55.9, -15.17, -19.43

 

CMYK 38 / 10 / 0 / 42

HEX #5B8593

RGB 91 133 147

HSL 195, 0.24%, 0.47%

LAB 53.07, -10.73, -12.11

 

CMYK 94 / 0 / 28 / 12

HEX #0EE1A2

RGB 14 225 162

HSL 162.09, 0.88%, 0.47%

LAB 79.93, -59.84, 18.29

 

CMYK 94 / 0 / 3 / 12

HEX #0EE1DA

RGB 14 225 218

HSL 178.01, 0.88%, 0.47%

LAB 81.29, -45.43, -9.37

 

CMYK 94 / 22 / 0 / 12

HEX #0EB0E1

RGB 14 176 225

HSL 193.93, 0.88%, 0.47%

LAB 66.96, -19.84, -34.96

 

CMYK 94 / 47 / 0 / 12

HEX #0E77E1

RGB 14 119 225

HSL 210.14, 0.88%, 0.47%

LAB 50.36, 13.17, -61.25

 

CMYK 94 / 72 / 0 / 12

HEX #0E3FE1

RGB 14 63 225

HSL 226.07, 0.88%, 0.47%

LAB 36.15, 48.69, -84.47

 

CMYK 94 / 23 / 0 / 42

HEX #097193

RGB 9 113 147

HSL 194.78, 0.88%, 0.31%

LAB 44.2, -13.73, -25.93

 

CMYK 94 / 23 / 0 / 27

HEX #0B8FBA

RGB 11 143 186

HSL 194.74, 0.89%, 0.39%

LAB 55.34, -16.06, -31.25

 

CMYK 94 / 23 / 0 / 12

HEX #0EADE1

RGB 14 173 225

HSL 194.79, 0.88%, 0.47%

LAB 66.07, -18.26, -36.34

 

CMYK 84 / 21 / 0 / 5

HEX #27BFF1

RGB 39 191 241

HSL 194.85, 0.88%, 0.55%

LAB 72.26, -20.87, -35.43

 

CMYK 68 / 17 / 0 / 5

HEX #4ECAF3

RGB 78 202 243

HSL 194.91, 0.87%, 0.63%

LAB 76.27, -21.66, -30.25

 

CMYK 94 / 23 / 0 / 12

HEX #0EACE0

RGB 14 172 224

HSL 194.86, 0.88%, 0.47%

LAB 65.73, -18.08, -36.32

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 0 / 16 / 94 / 12

HEX #E1BE0E

RGB 225 190 14

HSL 50.05, 0.88%, 0.47%

LAB 77.8, -1.9, 77.92

 

CMYK 94 / 23 / 0 / 12

HEX #0EACE0

RGB 14 172 224

HSL 194.86, 0.88%, 0.47%

LAB 65.73, -18.08, -36.32

 

CMYK 0 / 94 / 22 / 12

HEX #E10EB0

RGB 225 14 176

HSL 313.93, 0.88%, 0.47%

LAB 51.22, 81.96, -30.58

 

CMYK 22 / 0 / 94 / 12

HEX #B0E10E

RGB 176 225 14

HSL 73.93, 0.88%, 0.47%

LAB 83.5, -39.45, 80.63

 

CMYK 94 / 23 / 0 / 12

HEX #0EACE0

RGB 14 172 224

HSL 194.86, 0.88%, 0.47%

LAB 65.73, -18.08, -36.32

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 0 / 72 / 94 / 12

HEX #E13F0E

RGB 225 63 14

HSL 13.93, 0.88%, 0.47%

LAB 51.38, 60.68, 59.6

 

CMYK 41 / 0 / 94 / 12

HEX #85E10E

RGB 133 225 14

HSL 86.16, 0.88%, 0.47%

LAB 81.22, -55.03, 77.85

 

CMYK 94 / 23 / 0 / 12

HEX #0EACE0

RGB 14 172 224

HSL 194.86, 0.88%, 0.47%

LAB 65.73, -18.08, -36.32

 

CMYK 25 / 94 / 0 / 12

HEX #A90EE1

RGB 169 14 225

HSL 284.08, 0.88%, 0.47%

LAB 44.5, 80.08, -70.25

 

CMYK 0 / 72 / 94 / 12

HEX #E13F0E

RGB 225 63 14

HSL 13.93, 0.88%, 0.47%

LAB 51.38, 60.68, 59.6

 

CMYK 69 / 0 / 94 / 12

HEX #46E10E

RGB 70 225 14

HSL 104.08, 0.88%, 0.47%

LAB 79.15, -71.47, 75.31

 

Description

Color code: HEX #0EACE0 | qconv.com Color code: HEX #0EACE0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 172 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 172 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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