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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E9D42 it is the complementary color #F162BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E9D42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E9D42 shade: #139D3D, #24AF50, #35C163, #46D376 and #57E589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E9D42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E9D42 shade: #0E9D42, #008B2F, #00791C, #006709 and #005500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E9D42 shade: #0D9F42, #0D9F1B, #279F0D, #4E9F0D and #769F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E9D42 shade: #0D9F42, #0D9F6A, #0D9F91, #0D869F and #0D5F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E9D42 shade matches the following richer shades: #0D9F42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E9D42 shade: #0D9F42, #1B9146, #29834A, #37754E and #456752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E9D42 shade: #289F0D, #0D9F1A, #0D9F40, #0D9F67 and #0D9F8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E9D42 shade: #075323, #0A7932, #0D9F42, #11C552 and #15EA62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E9D42 shade: #0E9D42, #0D4F9F and #9F0D15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E9D42 shade: #0E9D42, #400D9F and #9F400D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E9D42 shade: #0E9D42, #0D4F9F, #9F0D6C and #9F5D0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E9D42 shade: #0E9D42, #0D239F, #9F0D6C and #9F890D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 58 / 38

HEX #0E9D42

RGB 14 157 66

HSL 141.82, 0.84%, 0.34%

LAB 56.68, -54.22, 37.54

 

Complementary color

CMYK 0 / 59 / 22 / 5

HEX #F162BD

RGB 241 98 189

HSL 321.82, 0.84%, 0.66%

LAB 62.6, 64.37, -20.33

 

CMYK 88 / 0 / 61 / 38

HEX #139D3D

RGB 19 157 61

HSL 138.26, 0.78%, 0.35%

LAB 56.67, -54.53, 39.93

 

CMYK 79 / 0 / 54 / 31

HEX #24AF50

RGB 36 175 80

HSL 138.99, 0.66%, 0.41%

LAB 63.02, -56.14, 38.35

 

CMYK 73 / 0 / 49 / 24

HEX #35C163

RGB 53 193 99

HSL 139.71, 0.57%, 0.48%

LAB 69.33, -57.15, 36.77

 

CMYK 67 / 0 / 44 / 17

HEX #46D376

RGB 70 211 118

HSL 140.43, 0.62%, 0.55%

LAB 75.57, -57.76, 35.25

 

CMYK 62 / 0 / 40 / 10

HEX #57E589

RGB 87 229 137

HSL 141.13, 0.73%, 0.62%

LAB 81.77, -58.1, 33.82

 

CMYK 91 / 0 / 58 / 38

HEX #0E9D42

RGB 14 157 66

HSL 141.82, 0.84%, 0.34%

LAB 56.68, -54.22, 37.54

 

CMYK 100 / 0 / 66 / 45

HEX #008B2F

RGB 0 139 47

HSL 140.29, 1%, 0.27%

LAB 50.3, -51.75, 39.15

 

CMYK 100 / 0 / 77 / 53

HEX #00791C

RGB 0 121 28

HSL 133.88, 1%, 0.24%

LAB 43.88, -48.07, 40.38

 

CMYK 100 / 0 / 91 / 60

HEX #006709

RGB 0 103 9

HSL 125.24, 1%, 0.2%

LAB 37.34, -43.81, 40.3

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 92 / 0 / 58 / 38

HEX #0D9F42

RGB 13 159 66

HSL 141.78, 0.85%, 0.34%

LAB 57.34, -54.95, 38.31

 

CMYK 92 / 0 / 83 / 38

HEX #0D9F1B

RGB 13 159 27

HSL 125.75, 0.85%, 0.34%

LAB 57.04, -58.78, 53.45

 

CMYK 75 / 0 / 92 / 38

HEX #279F0D

RGB 39 159 13

HSL 109.32, 0.85%, 0.34%

LAB 57.32, -56.42, 57

 

CMYK 51 / 0 / 92 / 38

HEX #4E9F0D

RGB 78 159 13

HSL 93.29, 0.85%, 0.34%

LAB 58.46, -47.1, 58.4

 

CMYK 26 / 0 / 92 / 38

HEX #769F0D

RGB 118 159 13

HSL 76.85, 0.85%, 0.34%

LAB 60.5, -32.61, 60.92

 

CMYK 92 / 0 / 58 / 38

HEX #0D9F42

RGB 13 159 66

HSL 141.78, 0.85%, 0.34%

LAB 57.34, -54.95, 38.31

 

CMYK 92 / 0 / 33 / 38

HEX #0D9F6A

RGB 13 159 106

HSL 158.22, 0.85%, 0.34%

LAB 57.96, -47.62, 18.08

 

CMYK 92 / 0 / 9 / 38

HEX #0D9F91

RGB 13 159 145

HSL 174.25, 0.85%, 0.34%

LAB 58.91, -37.48, -2.5

 

CMYK 92 / 16 / 0 / 38

HEX #0D869F

RGB 13 134 159

HSL 190.27, 0.85%, 0.34%

LAB 51.43, -20.74, -21.79

 

CMYK 92 / 40 / 0 / 38

HEX #0D5F9F

RGB 13 95 159

HSL 206.3, 0.85%, 0.34%

LAB 39.2, 2.12, -40.95

 

CMYK 92 / 0 / 58 / 38

HEX #0D9F42

RGB 13 159 66

HSL 141.78, 0.85%, 0.34%

LAB 57.34, -54.95, 38.31

 

CMYK 92 / 0 / 58 / 38

HEX #0D9F42

RGB 13 159 66

HSL 141.78, 0.85%, 0.34%

LAB 57.34, -54.95, 38.31

 

CMYK 81 / 0 / 52 / 43

HEX #1B9146

RGB 27 145 70

HSL 141.86, 0.69%, 0.34%

LAB 52.87, -48.24, 30.92

 

CMYK 69 / 0 / 44 / 49

HEX #29834A

RGB 41 131 74

HSL 142, 0.52%, 0.34%

LAB 48.51, -39.93, 23.28

 

CMYK 53 / 0 / 33 / 54

HEX #37754E

RGB 55 117 78

HSL 142.26, 0.36%, 0.34%

LAB 44.35, -29.65, 15.55

 

CMYK 33 / 0 / 20 / 60

HEX #456752

RGB 69 103 82

HSL 142.94, 0.2%, 0.34%

LAB 40.53, -17.24, 7.99

 

CMYK 75 / 0 / 92 / 38

HEX #289F0D

RGB 40 159 13

HSL 108.9, 0.85%, 0.34%

LAB 57.34, -56.26, 57.02

 

CMYK 92 / 0 / 84 / 38

HEX #0D9F1A

RGB 13 159 26

HSL 125.34, 0.85%, 0.34%

LAB 57.03, -58.84, 53.72

 

CMYK 92 / 0 / 60 / 38

HEX #0D9F40

RGB 13 159 64

HSL 140.96, 0.85%, 0.34%

LAB 57.32, -55.23, 39.25

 

CMYK 92 / 0 / 35 / 38

HEX #0D9F67

RGB 13 159 103

HSL 156.99, 0.85%, 0.34%

LAB 57.9, -48.28, 19.66

 

CMYK 92 / 0 / 11 / 38

HEX #0D9F8E

RGB 13 159 142

HSL 173.01, 0.85%, 0.34%

LAB 58.82, -38.35, -0.92

 

CMYK 92 / 0 / 58 / 67

HEX #075323

RGB 7 83 35

HSL 142.11, 0.84%, 0.18%

LAB 30.29, -33.41, 21.97

 

CMYK 92 / 0 / 59 / 53

HEX #0A7932

RGB 10 121 50

HSL 141.62, 0.85%, 0.26%

LAB 44.19, -44.61, 30.67

 

CMYK 92 / 0 / 58 / 38

HEX #0D9F42

RGB 13 159 66

HSL 141.78, 0.85%, 0.34%

LAB 57.34, -54.95, 38.31

 

CMYK 91 / 0 / 58 / 23

HEX #11C552

RGB 17 197 82

HSL 141.67, 0.84%, 0.42%

LAB 69.94, -64.73, 45.6

 

CMYK 91 / 0 / 58 / 8

HEX #15EA62

RGB 21 234 98

HSL 141.69, 0.84%, 0.5%

LAB 81.78, -73.85, 52.24

 

CMYK 91 / 0 / 58 / 38

HEX #0E9D42

RGB 14 157 66

HSL 141.82, 0.84%, 0.34%

LAB 56.68, -54.22, 37.54

 

CMYK 92 / 50 / 0 / 38

HEX #0D4F9F

RGB 13 79 159

HSL 212.88, 0.85%, 0.34%

LAB 34.36, 12.68, -48.72

 

CMYK 0 / 92 / 87 / 38

HEX #9F0D15

RGB 159 13 21

HSL 356.71, 0.85%, 0.34%

LAB 33.38, 54.8, 37.95

 

CMYK 91 / 0 / 58 / 38

HEX #0E9D42

RGB 14 157 66

HSL 141.82, 0.84%, 0.34%

LAB 56.68, -54.22, 37.54

 

CMYK 60 / 92 / 0 / 38

HEX #400D9F

RGB 64 13 159

HSL 260.96, 0.85%, 0.34%

LAB 23.27, 54.45, -66.77

 

CMYK 0 / 60 / 92 / 38

HEX #9F400D

RGB 159 64 13

HSL 20.96, 0.85%, 0.34%

LAB 39.69, 37.19, 46.4

 

CMYK 91 / 0 / 58 / 38

HEX #0E9D42

RGB 14 157 66

HSL 141.82, 0.84%, 0.34%

LAB 56.68, -54.22, 37.54

 

CMYK 92 / 50 / 0 / 38

HEX #0D4F9F

RGB 13 79 159

HSL 212.88, 0.85%, 0.34%

LAB 34.36, 12.68, -48.72

 

CMYK 0 / 92 / 32 / 38

HEX #9F0D6C

RGB 159 13 108

HSL 320.96, 0.85%, 0.34%

LAB 35.48, 60.63, -14.46

 

CMYK 0 / 42 / 92 / 38

HEX #9F5D0D

RGB 159 93 13

HSL 32.88, 0.85%, 0.34%

LAB 45.95, 21.63, 51.07

 

CMYK 91 / 0 / 58 / 38

HEX #0E9D42

RGB 14 157 66

HSL 141.82, 0.84%, 0.34%

LAB 56.68, -54.22, 37.54

 

CMYK 92 / 78 / 0 / 38

HEX #0D239F

RGB 13 35 159

HSL 230.96, 0.85%, 0.34%

LAB 22.97, 41.87, -67.38

 

CMYK 0 / 92 / 32 / 38

HEX #9F0D6C

RGB 159 13 108

HSL 320.96, 0.85%, 0.34%

LAB 35.48, 60.63, -14.46

 

CMYK 0 / 14 / 92 / 38

HEX #9F890D

RGB 159 137 13

HSL 50.96, 0.85%, 0.34%

LAB 57.36, -3.2, 59.81

 

Description

Color code: HEX #0E9D42 | qconv.com Color code: HEX #0E9D42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 157 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 157 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 58 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 58% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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