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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E9193 it is the complementary color #F16E6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E9193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E9193 shade: #13918E, #24A3A1, #35B5B4, #46C7C7 and #57D9DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E9193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E9193 shade: #0E9193, #007F80, #006D6D, #005B5A and #004947

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E9193 shade: #0D9395, #0D6E95, #0D4A95, #0D2595 and #1A0D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E9193 shade: #0D9395, #0D6E95, #0D4A95, #0D2595 and #0D0D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E9193 shade matches the following richer shades: #0D9395 and #00A0A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E9193 shade: #0D9395, #1B8688, #28797A, #356C6D and #426060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E9193 shade: #0D954D, #0D9571, #0D9595, #0D7195 and #0D4D95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E9193 shade: #064849, #0A6E6F, #0D9395, #11B8BB and #14DDE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E9193 shade: #0E9193, #280D95 and #955F0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E9193 shade: #0E9193, #950D95 and #95950D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E9193 shade: #0E9193, #280D95, #950D0D and #7A950D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E9193 shade: #0E9193, #510D95, #950D0D and #51950D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 1 / 0 / 42

HEX #0E9193

RGB 14 145 147

HSL 180.9, 0.83%, 0.32%

LAB 54.5, -30.29, -10.18

 

Complementary color

CMYK 0 / 54 / 55 / 5

HEX #F16E6C

RGB 241 110 108

HSL 0.9, 0.83%, 0.68%

LAB 62.45, 50.26, 25.89

 

CMYK 87 / 0 / 2 / 43

HEX #13918E

RGB 19 145 142

HSL 178.57, 0.77%, 0.32%

LAB 54.39, -31.55, -7.47

 

CMYK 78 / 0 / 1 / 36

HEX #24A3A1

RGB 36 163 161

HSL 179.06, 0.64%, 0.39%

LAB 60.91, -32.83, -8.55

 

CMYK 71 / 0 / 1 / 29

HEX #35B5B4

RGB 53 181 180

HSL 179.53, 0.55%, 0.46%

LAB 67.35, -33.75, -9.51

 

CMYK 65 / 0 / 0 / 22

HEX #46C7C7

RGB 70 199 199

HSL 180, 0.54%, 0.53%

LAB 73.72, -34.4, -10.37

 

CMYK 60 / 0 / 0 / 15

HEX #57D9DA

RGB 87 217 218

HSL 180.46, 0.64%, 0.6%

LAB 80.02, -34.86, -11.15

 

CMYK 90 / 1 / 0 / 42

HEX #0E9193

RGB 14 145 147

HSL 180.9, 0.83%, 0.32%

LAB 54.5, -30.29, -10.18

 

CMYK 100 / 1 / 0 / 50

HEX #007F80

RGB 0 127 128

HSL 180.47, 1%, 0.25%

LAB 47.93, -28.35, -8.97

 

CMYK 100 / 0 / 0 / 57

HEX #006D6D

RGB 0 109 109

HSL 180, 1%, 0.21%

LAB 41.28, -25.71, -7.56

 

CMYK 100 / 0 / 1 / 64

HEX #005B5A

RGB 0 91 90

HSL 179.34, 1%, 0.18%

LAB 34.44, -23, -6.09

 

CMYK 100 / 0 / 3 / 71

HEX #004947

RGB 0 73 71

HSL 178.36, 1%, 0.14%

LAB 27.35, -20.2, -4.54

 

CMYK 91 / 1 / 0 / 42

HEX #0D9395

RGB 13 147 149

HSL 180.88, 0.84%, 0.32%

LAB 55.2, -30.67, -10.29

 

CMYK 91 / 26 / 0 / 42

HEX #0D6E95

RGB 13 110 149

HSL 197.21, 0.84%, 0.32%

LAB 43.37, -11.02, -28.4

 

CMYK 91 / 50 / 0 / 42

HEX #0D4A95

RGB 13 74 149

HSL 213.09, 0.84%, 0.32%

LAB 32.15, 11.93, -46.23

 

CMYK 91 / 75 / 0 / 42

HEX #0D2595

RGB 13 37 149

HSL 229.41, 0.84%, 0.32%

LAB 22.23, 37.07, -62.47

 

CMYK 83 / 91 / 0 / 42

HEX #1A0D95

RGB 26 13 149

HSL 245.74, 0.84%, 0.32%

LAB 18.7, 49.45, -68.3

 

CMYK 91 / 1 / 0 / 42

HEX #0D9395

RGB 13 147 149

HSL 180.88, 0.84%, 0.32%

LAB 55.2, -30.67, -10.29

 

CMYK 91 / 26 / 0 / 42

HEX #0D6E95

RGB 13 110 149

HSL 197.21, 0.84%, 0.32%

LAB 43.37, -11.02, -28.4

 

CMYK 91 / 50 / 0 / 42

HEX #0D4A95

RGB 13 74 149

HSL 213.09, 0.84%, 0.32%

LAB 32.15, 11.93, -46.23

 

CMYK 91 / 75 / 0 / 42

HEX #0D2595

RGB 13 37 149

HSL 229.41, 0.84%, 0.32%

LAB 22.23, 37.07, -62.47

 

CMYK 91 / 91 / 0 / 42

HEX #0D0D95

RGB 13 13 149

HSL 240, 0.84%, 0.32%

LAB 18.11, 49.07, -69.3

 

CMYK 91 / 1 / 0 / 42

HEX #0D9395

RGB 13 147 149

HSL 180.88, 0.84%, 0.32%

LAB 55.2, -30.67, -10.29

 

CMYK 100 / 1 / 0 / 36

HEX #00A0A2

RGB 0 160 162

HSL 180.74, 1%, 0.32%

LAB 59.66, -33.3, -11.01

 

CMYK 91 / 1 / 0 / 42

HEX #0D9395

RGB 13 147 149

HSL 180.88, 0.84%, 0.32%

LAB 55.2, -30.67, -10.29

 

CMYK 80 / 1 / 0 / 47

HEX #1B8688

RGB 27 134 136

HSL 181.1, 0.67%, 0.32%

LAB 50.76, -27.38, -9.4

 

CMYK 67 / 1 / 0 / 52

HEX #28797A

RGB 40 121 122

HSL 180.73, 0.51%, 0.32%

LAB 46.35, -23.45, -7.71

 

CMYK 51 / 1 / 0 / 57

HEX #356C6D

RGB 53 108 109

HSL 181.07, 0.35%, 0.32%

LAB 42.13, -17.79, -6.17

 

CMYK 31 / 0 / 0 / 62

HEX #426060

RGB 66 96 96

HSL 180, 0.19%, 0.32%

LAB 38.5, -10.94, -3.55

 

CMYK 91 / 0 / 48 / 42

HEX #0D954D

RGB 13 149 77

HSL 148.24, 0.84%, 0.32%

LAB 54.15, -49.79, 28.82

 

CMYK 91 / 0 / 24 / 42

HEX #0D9571

RGB 13 149 113

HSL 164.12, 0.84%, 0.32%

LAB 54.84, -41.94, 9.81

 

CMYK 91 / 0 / 0 / 42

HEX #0D9595

RGB 13 149 149

HSL 180, 0.84%, 0.32%

LAB 55.84, -31.63, -9.33

 

CMYK 91 / 24 / 0 / 42

HEX #0D7195

RGB 13 113 149

HSL 195.88, 0.84%, 0.32%

LAB 44.33, -12.76, -26.91

 

CMYK 91 / 48 / 0 / 42

HEX #0D4D95

RGB 13 77 149

HSL 211.76, 0.84%, 0.32%

LAB 33.06, 9.88, -44.78

 

CMYK 92 / 1 / 0 / 71

HEX #064849

RGB 6 72 73

HSL 180.9, 0.85%, 0.15%

LAB 27.17, -18.24, -6.1

 

CMYK 91 / 1 / 0 / 56

HEX #0A6E6F

RGB 10 110 111

HSL 180.59, 0.83%, 0.24%

LAB 41.79, -24.88, -8

 

CMYK 91 / 1 / 0 / 42

HEX #0D9395

RGB 13 147 149

HSL 180.88, 0.84%, 0.32%

LAB 55.2, -30.67, -10.29

 

CMYK 91 / 2 / 0 / 27

HEX #11B8BB

RGB 17 184 187

HSL 181.06, 0.83%, 0.4%

LAB 68.01, -36.13, -12.44

 

CMYK 91 / 1 / 0 / 12

HEX #14DDE0

RGB 20 221 224

HSL 180.88, 0.84%, 0.48%

LAB 80.32, -41.72, -14.02

 

CMYK 90 / 1 / 0 / 42

HEX #0E9193

RGB 14 145 147

HSL 180.9, 0.83%, 0.32%

LAB 54.5, -30.29, -10.18

 

CMYK 73 / 91 / 0 / 42

HEX #280D95

RGB 40 13 149

HSL 251.91, 0.84%, 0.32%

LAB 19.68, 50.11, -66.66

 

CMYK 0 / 36 / 91 / 42

HEX #955F0D

RGB 149 95 13

HSL 36.18, 0.84%, 0.32%

LAB 45.09, 15.96, 49.82

 

CMYK 90 / 1 / 0 / 42

HEX #0E9193

RGB 14 145 147

HSL 180.9, 0.83%, 0.32%

LAB 54.5, -30.29, -10.18

 

CMYK 0 / 91 / 0 / 42

HEX #950D95

RGB 149 13 149

HSL 300, 0.84%, 0.32%

LAB 35.69, 64.14, -39.85

 

CMYK 0 / 0 / 91 / 42

HEX #95950D

RGB 149 149 13

HSL 60, 0.84%, 0.32%

LAB 59.81, -14.23, 61.33

 

CMYK 90 / 1 / 0 / 42

HEX #0E9193

RGB 14 145 147

HSL 180.9, 0.83%, 0.32%

LAB 54.5, -30.29, -10.18

 

CMYK 73 / 91 / 0 / 42

HEX #280D95

RGB 40 13 149

HSL 251.91, 0.84%, 0.32%

LAB 19.68, 50.11, -66.66

 

CMYK 0 / 91 / 91 / 42

HEX #950D0D

RGB 149 13 13

HSL 0, 0.84%, 0.32%

LAB 31.13, 51.88, 39.23

 

CMYK 18 / 0 / 91 / 42

HEX #7A950D

RGB 122 149 13

HSL 71.91, 0.84%, 0.32%

LAB 57.71, -26.17, 58.77

 

CMYK 90 / 1 / 0 / 42

HEX #0E9193

RGB 14 145 147

HSL 180.9, 0.83%, 0.32%

LAB 54.5, -30.29, -10.18

 

CMYK 46 / 91 / 0 / 42

HEX #510D95

RGB 81 13 149

HSL 270, 0.84%, 0.32%

LAB 24.34, 53.68, -58.78

 

CMYK 0 / 91 / 91 / 42

HEX #950D0D

RGB 149 13 13

HSL 0, 0.84%, 0.32%

LAB 31.13, 51.88, 39.23

 

CMYK 46 / 0 / 91 / 42

HEX #51950D

RGB 81 149 13

HSL 90, 0.84%, 0.32%

LAB 55.35, -42.16, 55.86

 

Description

Color code: HEX #0E9193 | qconv.com Color code: HEX #0E9193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 145 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 145 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 1 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 1% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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