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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E96C2 it is the complementary color #F1693D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E96C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E96C2 shade: #1396BD, #24A8D0, #35BAE3, #46CCF6 and #57DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E96C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E96C2 shade: #0E96C2, #0084AF, #00729C, #006089 and #004E76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E96C2 shade: #0D97C3, #0D65C3, #0D34C3, #170DC3 and #480DC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E96C2 shade: #0D97C3, #0D65C3, #0D34C3 and #0D0DC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E96C2 shade matches the following richer shades: #0D97C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E96C2 shade: #0D97C3, #1E8EB2, #2F85A1, #407D90 and #51747F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E96C2 shade: #0DC38C, #0DC3BD, #0D99C3, #0D68C3 and #0D38C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E96C2 shade: #085B76, #0A799C, #0D97C3, #10B4EA and #32C2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E96C2 shade: #0E96C2, #5C0DC3 and #C3A50D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E96C2 shade: #0E96C2, #C30D99 and #99C30D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E96C2 shade: #0E96C2, #5C0DC3, #C3380D and #74C30D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E96C2 shade: #0E96C2, #920DC3, #C3380D and #3EC30D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 23 / 0 / 24

HEX #0E96C2

RGB 14 150 194

HSL 194.67, 0.87%, 0.41%

LAB 57.85, -16.88, -31.88

 

Complementary color

CMYK 0 / 56 / 75 / 5

HEX #F1693D

RGB 241 105 61

HSL 14.67, 0.87%, 0.59%

LAB 60.91, 49.86, 49.47

 

CMYK 90 / 21 / 0 / 26

HEX #1396BD

RGB 19 150 189

HSL 193.76, 0.82%, 0.41%

LAB 57.68, -18.41, -29.31

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 77 / 18 / 0 / 11

HEX #35BAE3

RGB 53 186 227

HSL 194.14, 0.76%, 0.55%

LAB 70.47, -21.68, -30.58

 

CMYK 72 / 17 / 0 / 4

HEX #46CCF6

RGB 70 204 246

HSL 194.32, 0.91%, 0.62%

LAB 76.76, -22.82, -31.11

 

CMYK 66 / 13 / 0 / 0

HEX #57DEFF

RGB 87 222 255

HSL 191.79, 1%, 0.67%

LAB 82.64, -26.72, -26.86

 

CMYK 93 / 23 / 0 / 24

HEX #0E96C2

RGB 14 150 194

HSL 194.67, 0.87%, 0.41%

LAB 57.85, -16.88, -31.88

 

CMYK 100 / 25 / 0 / 31

HEX #0084AF

RGB 0 132 175

HSL 194.74, 1%, 0.34%

LAB 51.38, -14.41, -31.13

 

CMYK 100 / 27 / 0 / 39

HEX #00729C

RGB 0 114 156

HSL 196.15, 1%, 0.31%

LAB 44.85, -11.33, -30.24

 

CMYK 100 / 30 / 0 / 46

HEX #006089

RGB 0 96 137

HSL 197.96, 1%, 0.27%

LAB 38.15, -8.08, -29.39

 

CMYK 100 / 34 / 0 / 54

HEX #004E76

RGB 0 78 118

HSL 200.34, 1%, 0.23%

LAB 31.25, -4.63, -28.57

 

CMYK 93 / 23 / 0 / 24

HEX #0D97C3

RGB 13 151 195

HSL 194.51, 0.88%, 0.41%

LAB 58.19, -17.11, -31.92

 

CMYK 93 / 48 / 0 / 24

HEX #0D65C3

RGB 13 101 195

HSL 210.99, 0.88%, 0.41%

LAB 43.26, 12.77, -55.58

 

CMYK 93 / 73 / 0 / 24

HEX #0D34C3

RGB 13 52 195

HSL 227.14, 0.88%, 0.41%

LAB 30.6, 44.61, -76.28

 

CMYK 88 / 93 / 0 / 24

HEX #170DC3

RGB 23 13 195

HSL 243.3, 0.88%, 0.41%

LAB 24.98, 62.09, -85.61

 

CMYK 63 / 93 / 0 / 24

HEX #480DC3

RGB 72 13 195

HSL 259.45, 0.88%, 0.41%

LAB 28.4, 64.04, -79.83

 

CMYK 93 / 23 / 0 / 24

HEX #0D97C3

RGB 13 151 195

HSL 194.51, 0.88%, 0.41%

LAB 58.19, -17.11, -31.92

 

CMYK 93 / 48 / 0 / 24

HEX #0D65C3

RGB 13 101 195

HSL 210.99, 0.88%, 0.41%

LAB 43.26, 12.77, -55.58

 

CMYK 93 / 73 / 0 / 24

HEX #0D34C3

RGB 13 52 195

HSL 227.14, 0.88%, 0.41%

LAB 30.6, 44.61, -76.28

 

CMYK 93 / 93 / 0 / 24

HEX #0D0DC3

RGB 13 13 195

HSL 240, 0.88%, 0.41%

LAB 24.68, 61.94, -86.12

 

CMYK 93 / 23 / 0 / 24

HEX #0D97C3

RGB 13 151 195

HSL 194.51, 0.88%, 0.41%

LAB 58.19, -17.11, -31.92

 

CMYK 93 / 23 / 0 / 24

HEX #0D97C3

RGB 13 151 195

HSL 194.51, 0.88%, 0.41%

LAB 58.19, -17.11, -31.92

 

CMYK 83 / 20 / 0 / 30

HEX #1E8EB2

RGB 30 142 178

HSL 194.59, 0.71%, 0.41%

LAB 54.9, -17.19, -27.35

 

CMYK 71 / 17 / 0 / 37

HEX #2F85A1

RGB 47 133 161

HSL 194.74, 0.55%, 0.41%

LAB 51.78, -16.13, -22.35

 

CMYK 56 / 13 / 0 / 44

HEX #407D90

RGB 64 125 144

HSL 194.25, 0.38%, 0.41%

LAB 49.22, -14.05, -16.31

 

CMYK 36 / 9 / 0 / 50

HEX #51747F

RGB 81 116 127

HSL 194.35, 0.22%, 0.41%

LAB 46.67, -9.47, -10.03

 

CMYK 93 / 0 / 28 / 24

HEX #0DC38C

RGB 13 195 140

HSL 161.87, 0.88%, 0.41%

LAB 70.18, -53.64, 16.4

 

CMYK 93 / 0 / 3 / 24

HEX #0DC3BD

RGB 13 195 189

HSL 178.02, 0.88%, 0.41%

LAB 71.41, -40.69, -8.46

 

CMYK 93 / 22 / 0 / 24

HEX #0D99C3

RGB 13 153 195

HSL 193.85, 0.88%, 0.41%

LAB 58.8, -18.18, -30.97

 

CMYK 93 / 47 / 0 / 24

HEX #0D68C3

RGB 13 104 195

HSL 210, 0.88%, 0.41%

LAB 44.13, 10.83, -54.18

 

CMYK 93 / 71 / 0 / 24

HEX #0D38C3

RGB 13 56 195

HSL 225.82, 0.88%, 0.41%

LAB 31.47, 42.18, -74.83

 

CMYK 93 / 23 / 0 / 54

HEX #085B76

RGB 8 91 118

HSL 194.73, 0.87%, 0.25%

LAB 35.68, -12.06, -21.62

 

CMYK 94 / 22 / 0 / 39

HEX #0A799C

RGB 10 121 156

HSL 194.38, 0.88%, 0.33%

LAB 47.16, -14.86, -26.64

 

CMYK 93 / 23 / 0 / 24

HEX #0D97C3

RGB 13 151 195

HSL 194.51, 0.88%, 0.41%

LAB 58.19, -17.11, -31.92

 

CMYK 93 / 23 / 0 / 8

HEX #10B4EA

RGB 16 180 234

HSL 194.86, 0.87%, 0.49%

LAB 68.53, -18.75, -37.44

 

CMYK 79 / 19 / 0 / 6

HEX #32C2F0

RGB 50 194 240

HSL 194.53, 0.86%, 0.57%

LAB 73.25, -21.83, -33.33

 

CMYK 93 / 23 / 0 / 24

HEX #0E96C2

RGB 14 150 194

HSL 194.67, 0.87%, 0.41%

LAB 57.85, -16.88, -31.88

 

CMYK 53 / 93 / 0 / 24

HEX #5C0DC3

RGB 92 13 195

HSL 266.04, 0.88%, 0.41%

LAB 30.65, 65.53, -76.03

 

CMYK 0 / 15 / 93 / 24

HEX #C3A50D

RGB 195 165 13

HSL 50.11, 0.88%, 0.41%

LAB 68.42, -1.99, 69.78

 

CMYK 93 / 23 / 0 / 24

HEX #0E96C2

RGB 14 150 194

HSL 194.67, 0.87%, 0.41%

LAB 57.85, -16.88, -31.88

 

CMYK 0 / 93 / 22 / 24

HEX #C30D99

RGB 195 13 153

HSL 313.85, 0.88%, 0.41%

LAB 44.5, 73.47, -27.79

 

CMYK 22 / 0 / 93 / 24

HEX #99C30D

RGB 153 195 13

HSL 73.85, 0.88%, 0.41%

LAB 73.44, -35.06, 72.21

 

CMYK 93 / 23 / 0 / 24

HEX #0E96C2

RGB 14 150 194

HSL 194.67, 0.87%, 0.41%

LAB 57.85, -16.88, -31.88

 

CMYK 53 / 93 / 0 / 24

HEX #5C0DC3

RGB 92 13 195

HSL 266.04, 0.88%, 0.41%

LAB 30.65, 65.53, -76.03

 

CMYK 0 / 71 / 93 / 24

HEX #C3380D

RGB 195 56 13

HSL 14.18, 0.88%, 0.41%

LAB 44.88, 53.56, 53.03

 

CMYK 41 / 0 / 93 / 24

HEX #74C30D

RGB 116 195 13

HSL 86.04, 0.88%, 0.41%

LAB 71.4, -48.89, 69.72

 

CMYK 93 / 23 / 0 / 24

HEX #0E96C2

RGB 14 150 194

HSL 194.67, 0.87%, 0.41%

LAB 57.85, -16.88, -31.88

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 0 / 71 / 93 / 24

HEX #C3380D

RGB 195 56 13

HSL 14.18, 0.88%, 0.41%

LAB 44.88, 53.56, 53.03

 

CMYK 68 / 0 / 93 / 24

HEX #3EC30D

RGB 62 195 13

HSL 103.85, 0.88%, 0.41%

LAB 69.53, -63.66, 67.42

 

Description

Color code: HEX #0E96C2 | qconv.com Color code: HEX #0E96C2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 150 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 150 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 23 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 23% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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