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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E8F76 it is the complementary color #F17089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E8F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E8F76 shade: #138F71, #24A184, #35B397, #46C5AA and #57D7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E8F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E8F76 shade: #0E8F76, #007D63, #006B50, #00593D and #00472A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E8F76 shade: #0E8F76, #0E8F53, #0E8F30, #0E8F0E and #318F0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E8F76 shade: #0E8F76, #0E868F, #0E638F, #0E408F and #0E1D8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E8F76 shade matches the following richer shades: #0E8F76 and #019C7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E8F76 shade: #0E8F76, #1B836E, #277667, #34695F and #415C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E8F76 shade: #0E8F30, #0E8F53, #0E8F75, #0E878F and #0E648F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E8F76 shade: #064438, #0A6A57, #0E8F76, #11B595 and #15DAB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E8F76 shade: #0E8F76, #0E0E8F and #8F420E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E8F76 shade: #0E8F76, #750E8F and #8F750E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E8F76 shade: #0E8F76, #0E0E8F, #8F0E28 and #8F8F0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E8F76 shade: #0E8F76, #350E8F, #8F0E28 and #688F0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

Complementary color

CMYK 0 / 54 / 43 / 5

HEX #F17089

RGB 241 112 137

HSL 348.37, 0.82%, 0.69%

LAB 63.42, 51.89, 10.66

 

CMYK 87 / 0 / 21 / 44

HEX #138F71

RGB 19 143 113

HSL 165.48, 0.77%, 0.32%

LAB 52.92, -38.99, 7.1

 

CMYK 78 / 0 / 18 / 37

HEX #24A184

RGB 36 161 132

HSL 166.08, 0.63%, 0.39%

LAB 59.46, -40.08, 5.69

 

CMYK 70 / 0 / 16 / 30

HEX #35B397

RGB 53 179 151

HSL 166.67, 0.54%, 0.45%

LAB 65.93, -40.78, 4.44

 

CMYK 64 / 0 / 14 / 23

HEX #46C5AA

RGB 70 197 170

HSL 167.24, 0.52%, 0.52%

LAB 72.32, -41.21, 3.32

 

CMYK 60 / 0 / 12 / 16

HEX #57D7BD

RGB 87 215 189

HSL 167.81, 0.62%, 0.59%

LAB 78.64, -41.47, 2.31

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 100 / 0 / 21 / 51

HEX #007D63

RGB 0 125 99

HSL 167.52, 1%, 0.25%

LAB 46.4, -36.24, 5.92

 

CMYK 100 / 0 / 25 / 58

HEX #006B50

RGB 0 107 80

HSL 164.86, 1%, 0.21%

LAB 39.74, -33.65, 7.78

 

CMYK 100 / 0 / 31 / 65

HEX #00593D

RGB 0 89 61

HSL 161.12, 1%, 0.17%

LAB 32.88, -30.96, 9.78

 

CMYK 100 / 0 / 41 / 72

HEX #00472A

RGB 0 71 42

HSL 155.49, 1%, 0.14%

LAB 25.78, -28.09, 11.96

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 90 / 0 / 42 / 44

HEX #0E8F53

RGB 14 143 83

HSL 152.09, 0.82%, 0.31%

LAB 52.24, -46.4, 23.11

 

CMYK 90 / 0 / 66 / 44

HEX #0E8F30

RGB 14 143 48

HSL 135.81, 0.82%, 0.31%

LAB 51.78, -51.97, 40.37

 

CMYK 90 / 0 / 90 / 44

HEX #0E8F0E

RGB 14 143 14

HSL 120, 0.82%, 0.31%

LAB 51.58, -54.58, 51.73

 

CMYK 66 / 0 / 90 / 44

HEX #318F0E

RGB 49 143 14

HSL 103.72, 0.82%, 0.31%

LAB 52.21, -49.1, 52.52

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 90 / 6 / 0 / 44

HEX #0E868F

RGB 14 134 143

HSL 184.19, 0.82%, 0.31%

LAB 50.84, -26.15, -13.38

 

CMYK 90 / 31 / 0 / 44

HEX #0E638F

RGB 14 99 143

HSL 200.47, 0.82%, 0.31%

LAB 39.58, -6.71, -30.75

 

CMYK 90 / 55 / 0 / 44

HEX #0E408F

RGB 14 64 143

HSL 216.74, 0.82%, 0.31%

LAB 28.76, 16.4, -48.06

 

CMYK 90 / 80 / 0 / 44

HEX #0E1D8F

RGB 14 29 143

HSL 233.02, 0.82%, 0.31%

LAB 19.86, 39.72, -62.66

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 99 / 0 / 19 / 39

HEX #019C7E

RGB 1 156 126

HSL 168.39, 0.99%, 0.31%

LAB 57.36, -42.04, 6.01

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 79 / 0 / 16 / 49

HEX #1B836E

RGB 27 131 110

HSL 167.88, 0.66%, 0.31%

LAB 49, -33.7, 3.23

 

CMYK 67 / 0 / 13 / 54

HEX #277667

RGB 39 118 103

HSL 168.61, 0.5%, 0.31%

LAB 44.76, -27.71, 1.25

 

CMYK 50 / 0 / 10 / 59

HEX #34695F

RGB 52 105 95

HSL 168.68, 0.34%, 0.31%

LAB 40.67, -20.38, 0.17

 

CMYK 29 / 0 / 5 / 64

HEX #415C57

RGB 65 92 87

HSL 168.89, 0.17%, 0.31%

LAB 36.87, -11.27, -0.38

 

CMYK 90 / 0 / 66 / 44

HEX #0E8F30

RGB 14 143 48

HSL 135.81, 0.82%, 0.31%

LAB 51.78, -51.97, 40.37

 

CMYK 90 / 0 / 42 / 44

HEX #0E8F53

RGB 14 143 83

HSL 152.09, 0.82%, 0.31%

LAB 52.24, -46.4, 23.11

 

CMYK 90 / 0 / 18 / 44

HEX #0E8F75

RGB 14 143 117

HSL 167.91, 0.82%, 0.31%

LAB 52.97, -38.28, 4.87

 

CMYK 90 / 6 / 0 / 44

HEX #0E878F

RGB 14 135 143

HSL 183.72, 0.82%, 0.31%

LAB 51.16, -26.66, -12.9

 

CMYK 90 / 30 / 0 / 44

HEX #0E648F

RGB 14 100 143

HSL 200, 0.82%, 0.31%

LAB 39.9, -7.32, -30.25

 

CMYK 91 / 0 / 18 / 73

HEX #064438

RGB 6 68 56

HSL 168.39, 0.84%, 0.15%

LAB 25.13, -21.85, 2.02

 

CMYK 91 / 0 / 18 / 58

HEX #0A6A57

RGB 10 106 87

HSL 168.13, 0.83%, 0.23%

LAB 39.68, -30.43, 3.47

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 91 / 0 / 18 / 29

HEX #11B595

RGB 17 181 149

HSL 168.29, 0.83%, 0.39%

LAB 66.01, -45.66, 5.6

 

CMYK 90 / 0 / 17 / 15

HEX #15DAB4

RGB 21 218 180

HSL 168.43, 0.82%, 0.47%

LAB 78.23, -52.54, 6.38

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 90 / 90 / 0 / 44

HEX #0E0E8F

RGB 14 14 143

HSL 240, 0.82%, 0.31%

LAB 17.42, 46.94, -66.73

 

CMYK 0 / 54 / 90 / 44

HEX #8F420E

RGB 143 66 14

HSL 24.19, 0.82%, 0.31%

LAB 37.42, 29.67, 43.15

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 18 / 90 / 0 / 44

HEX #750E8F

RGB 117 14 143

HSL 287.91, 0.82%, 0.31%

LAB 29.61, 57.34, -46.24

 

CMYK 0 / 18 / 90 / 44

HEX #8F750E

RGB 143 117 14

HSL 47.91, 0.82%, 0.31%

LAB 50.21, 0.51, 53.29

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 90 / 90 / 0 / 44

HEX #0E0E8F

RGB 14 14 143

HSL 240, 0.82%, 0.31%

LAB 17.42, 46.94, -66.73

 

CMYK 0 / 90 / 72 / 44

HEX #8F0E28

RGB 143 14 40

HSL 347.91, 0.82%, 0.31%

LAB 30.17, 50.88, 22.02

 

CMYK 0 / 0 / 90 / 44

HEX #8F8F0E

RGB 143 143 14

HSL 60, 0.82%, 0.31%

LAB 57.58, -13.77, 59.16

 

CMYK 90 / 0 / 17 / 44

HEX #0E8F76

RGB 14 143 118

HSL 168.37, 0.82%, 0.31%

LAB 53, -38, 4.33

 

CMYK 63 / 90 / 0 / 44

HEX #350E8F

RGB 53 14 143

HSL 258.14, 0.82%, 0.31%

LAB 20.26, 49.05, -61.93

 

CMYK 0 / 90 / 72 / 44

HEX #8F0E28

RGB 143 14 40

HSL 347.91, 0.82%, 0.31%

LAB 30.17, 50.88, 22.02

 

CMYK 27 / 0 / 90 / 44

HEX #688F0E

RGB 104 143 14

HSL 78.14, 0.82%, 0.31%

LAB 54.68, -30.83, 55.6

 

Description

Color code: HEX #0E8F76 | qconv.com Color code: HEX #0E8F76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 143 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 143 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 17 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 17% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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