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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E5E7D it is the complementary color #F1A182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E5E7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E5E7D shade: #135E78, #24708B, #35829E, #4694B1 and #57A6C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E5E7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E5E7D shade: #0E5E7D, #004C6A, #003A57, #002844 and #001631

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E5E7D shade: #0D5D7B, #0D3F7B, #0D217B, #170D7B and #350D7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E5E7D shade: #0D5D7B, #0D3F7B, #0D217B and #0D0D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E5E7D shade matches the following richer shades: #0D5D7B and #026287

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E5E7D shade: #0D5D7B, #185870, #245365, #2F4E5A and #3A494F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E5E7D shade: #0D7B5E, #0D7B7B, #0D5E7B, #0D417B and #0D237B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E5E7D shade: #052531, #094156, #0D5D7B, #1179A1 and #1694C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E5E7D shade: #0E5E7D, #410D7B and #7B6D0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E5E7D shade: #0E5E7D, #7B0D5E and #5E7B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E5E7D shade: #0E5E7D, #410D7B, #7B2B0D and #487B0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E5E7D shade: #0E5E7D, #620D7B, #7B2B0D and #277B0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 25 / 0 / 51

HEX #0E5E7D

RGB 14 94 125

HSL 196.76, 0.8%, 0.27%

LAB 37.08, -10.71, -23.74

 

Complementary color

CMYK 0 / 33 / 46 / 5

HEX #F1A182

RGB 241 161 130

HSL 16.76, 0.8%, 0.73%

LAB 73.42, 26.25, 28.26

 

CMYK 84 / 22 / 0 / 53

HEX #135E78

RGB 19 94 120

HSL 195.45, 0.73%, 0.27%

LAB 36.93, -12.16, -20.89

 

CMYK 74 / 19 / 0 / 45

HEX #24708B

RGB 36 112 139

HSL 195.73, 0.59%, 0.34%

LAB 43.98, -13.56, -21.46

 

CMYK 66 / 18 / 0 / 38

HEX #35829E

RGB 53 130 158

HSL 196, 0.5%, 0.41%

LAB 50.91, -14.52, -21.94

 

CMYK 60 / 16 / 0 / 31

HEX #4694B1

RGB 70 148 177

HSL 196.26, 0.43%, 0.48%

LAB 57.71, -15.19, -22.37

 

CMYK 56 / 15 / 0 / 23

HEX #57A6C4

RGB 87 166 196

HSL 196.51, 0.48%, 0.55%

LAB 64.39, -15.69, -22.77

 

CMYK 89 / 25 / 0 / 51

HEX #0E5E7D

RGB 14 94 125

HSL 196.76, 0.8%, 0.27%

LAB 37.08, -10.71, -23.74

 

CMYK 100 / 28 / 0 / 58

HEX #004C6A

RGB 0 76 106

HSL 196.98, 1%, 0.21%

LAB 29.93, -8.35, -23.08

HEX #004C6A

CMYK 100 / 33 / 0 / 66

HEX #003A57

RGB 0 58 87

HSL 200, 1%, 0.17%

LAB 22.7, -4.81, -22.17

HEX #003A57

CMYK 100 / 41 / 0 / 73

HEX #002844

RGB 0 40 68

HSL 204.71, 1%, 0.13%

LAB 15.14, -0.9, -21.33

HEX #002844

CMYK 100 / 55 / 0 / 81

HEX #001631

RGB 0 22 49

HSL 213.06, 1%, 0.1%

LAB 7.19, 3.49, -20.53

HEX #001631

CMYK 89 / 24 / 0 / 52

HEX #0D5D7B

RGB 13 93 123

HSL 196.36, 0.81%, 0.27%

LAB 36.64, -10.96, -23.2

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 89 / 73 / 0 / 52

HEX #0D217B

RGB 13 33 123

HSL 229.09, 0.81%, 0.27%

LAB 18.38, 29.77, -52.52

 

CMYK 81 / 89 / 0 / 52

HEX #170D7B

RGB 23 13 123

HSL 245.45, 0.81%, 0.27%

LAB 14.95, 41.54, -58.18

 

CMYK 57 / 89 / 0 / 52

HEX #350D7B

RGB 53 13 123

HSL 261.82, 0.81%, 0.27%

LAB 17.8, 43.95, -53.37

 

CMYK 89 / 24 / 0 / 52

HEX #0D5D7B

RGB 13 93 123

HSL 196.36, 0.81%, 0.27%

LAB 36.64, -10.96, -23.2

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 89 / 73 / 0 / 52

HEX #0D217B

RGB 13 33 123

HSL 229.09, 0.81%, 0.27%

LAB 18.38, 29.77, -52.52

 

CMYK 89 / 89 / 0 / 52

HEX #0D0D7B

RGB 13 13 123

HSL 240, 0.81%, 0.27%

LAB 14.42, 41.11, -59.08

 

CMYK 89 / 24 / 0 / 52

HEX #0D5D7B

RGB 13 93 123

HSL 196.36, 0.81%, 0.27%

LAB 36.64, -10.96, -23.2

 

CMYK 99 / 27 / 0 / 47

HEX #026287

RGB 2 98 135

HSL 196.69, 0.97%, 0.27%

LAB 38.72, -9.96, -27.28

 

CMYK 89 / 24 / 0 / 52

HEX #0D5D7B

RGB 13 93 123

HSL 196.36, 0.81%, 0.27%

LAB 36.64, -10.96, -23.2

 

CMYK 79 / 21 / 0 / 56

HEX #185870

RGB 24 88 112

HSL 196.36, 0.65%, 0.27%

LAB 34.69, -11.01, -19.41

 

CMYK 64 / 18 / 0 / 60

HEX #245365

RGB 36 83 101

HSL 196.62, 0.47%, 0.27%

LAB 32.92, -9.92, -15.22

 

CMYK 48 / 13 / 0 / 65

HEX #2F4E5A

RGB 47 78 90

HSL 196.74, 0.31%, 0.27%

LAB 31.33, -7.8, -10.64

 

CMYK 27 / 8 / 0 / 69

HEX #3A494F

RGB 58 73 79

HSL 197.14, 0.15%, 0.27%

LAB 29.98, -4.36, -5.55

 

CMYK 89 / 0 / 24 / 52

HEX #0D7B5E

RGB 13 123 94

HSL 164.18, 0.81%, 0.27%

LAB 45.72, -35.87, 7.9

 

CMYK 89 / 0 / 0 / 52

HEX #0D7B7B

RGB 13 123 123

HSL 180, 0.81%, 0.27%

LAB 46.55, -27.27, -8.06

 

CMYK 89 / 24 / 0 / 52

HEX #0D5E7B

RGB 13 94 123

HSL 195.82, 0.81%, 0.27%

LAB 36.97, -11.56, -22.68

 

CMYK 89 / 47 / 0 / 52

HEX #0D417B

RGB 13 65 123

HSL 211.64, 0.81%, 0.27%

LAB 27.56, 7.15, -37.56

 

CMYK 89 / 72 / 0 / 52

HEX #0D237B

RGB 13 35 123

HSL 228, 0.81%, 0.27%

LAB 18.88, 28.41, -51.7

 

CMYK 90 / 24 / 0 / 81

HEX #052531

RGB 5 37 49

HSL 196.36, 0.81%, 0.11%

LAB 13.09, -6.48, -11.19

 

CMYK 90 / 24 / 0 / 66

HEX #094156

RGB 9 65 86

HSL 196.36, 0.81%, 0.19%

LAB 25.29, -8.79, -17.45

 

CMYK 89 / 24 / 0 / 52

HEX #0D5D7B

RGB 13 93 123

HSL 196.36, 0.81%, 0.27%

LAB 36.64, -10.96, -23.2

 

CMYK 89 / 25 / 0 / 37

HEX #1179A1

RGB 17 121 161

HSL 196.67, 0.81%, 0.35%

LAB 47.45, -12.62, -29.11

 

CMYK 89 / 25 / 0 / 22

HEX #1694C6

RGB 22 148 198

HSL 197.05, 0.8%, 0.43%

LAB 57.49, -13.95, -34.69

 

CMYK 89 / 25 / 0 / 51

HEX #0E5E7D

RGB 14 94 125

HSL 196.76, 0.8%, 0.27%

LAB 37.08, -10.71, -23.74

 

CMYK 47 / 89 / 0 / 52

HEX #410D7B

RGB 65 13 123

HSL 268.36, 0.81%, 0.27%

LAB 19.4, 45.38, -50.68

 

CMYK 0 / 11 / 89 / 52

HEX #7B6D0D

RGB 123 109 13

HSL 52.36, 0.81%, 0.27%

LAB 45.88, -4.49, 49.18

 

CMYK 89 / 25 / 0 / 51

HEX #0E5E7D

RGB 14 94 125

HSL 196.76, 0.8%, 0.27%

LAB 37.08, -10.71, -23.74

 

CMYK 0 / 89 / 24 / 52

HEX #7B0D5E

RGB 123 13 94

HSL 315.82, 0.81%, 0.27%

LAB 27.59, 50.74, -18.19

 

CMYK 24 / 0 / 89 / 52

HEX #5E7B0D

RGB 94 123 13

HSL 75.82, 0.81%, 0.27%

LAB 47.72, -25.42, 49.73

 

CMYK 89 / 25 / 0 / 51

HEX #0E5E7D

RGB 14 94 125

HSL 196.76, 0.8%, 0.27%

LAB 37.08, -10.71, -23.74

 

CMYK 47 / 89 / 0 / 52

HEX #410D7B

RGB 65 13 123

HSL 268.36, 0.81%, 0.27%

LAB 19.4, 45.38, -50.68

 

CMYK 0 / 65 / 89 / 52

HEX #7B2B0D

RGB 123 43 13

HSL 16.36, 0.81%, 0.27%

LAB 29.33, 33.39, 35.55

 

CMYK 41 / 0 / 89 / 52

HEX #487B0D

RGB 72 123 13

HSL 87.82, 0.81%, 0.27%

LAB 46.41, -34.32, 48.09

 

CMYK 89 / 25 / 0 / 51

HEX #0E5E7D

RGB 14 94 125

HSL 196.76, 0.8%, 0.27%

LAB 37.08, -10.71, -23.74

 

CMYK 20 / 89 / 0 / 52

HEX #620D7B

RGB 98 13 123

HSL 286.36, 0.81%, 0.27%

LAB 24.69, 50.45, -41.83

 

CMYK 0 / 65 / 89 / 52

HEX #7B2B0D

RGB 123 43 13

HSL 16.36, 0.81%, 0.27%

LAB 29.33, 33.39, 35.55

 

CMYK 68 / 0 / 89 / 52

HEX #277B0D

RGB 39 123 13

HSL 105.82, 0.81%, 0.27%

LAB 45.12, -44.39, 46.46

 

Description

Color code: HEX #0E5E7D | qconv.com Color code: HEX #0E5E7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 94 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 94 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 25 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 25% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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