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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E3F7B it is the complementary color #F1C084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E3F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E3F7B shade: #133F76, #245189, #35639C, #4675AF and #5787C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E3F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E3F7B shade: #0E3F7B, #002D68, #001B55, #000942 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E3F7B shade: #0D3F7B, #0D217B, #170D7B, #350D7B and #530D7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E3F7B shade: #0D3F7B, #0D217B and #0D0D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E3F7B shade matches the following richer shades: #0D3F7B and #023E87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E3F7B shade: #0D3F7B, #184070, #244165, #2F425A and #3A434F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E3F7B shade: #0D7A7B, #0D5C7B, #0D3F7B, #0D217B and #160D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E3F7B shade: #051931, #092C56, #0D3F7B, #1152A1 and #1665C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E3F7B shade: #0E3F7B, #600D7B and #6B7B0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E3F7B shade: #0E3F7B, #7B0D3F and #3F7B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E3F7B shade: #0E3F7B, #600D7B, #7B4A0D and #297B0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E3F7B shade: #0E3F7B, #7B0D76, #7B4A0D and #0D7B13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

Complementary color

CMYK 0 / 20 / 45 / 5

HEX #F1C084

RGB 241 192 132

HSL 33.03, 0.8%, 0.73%

LAB 80.78, 10.08, 36.84

 

CMYK 84 / 47 / 0 / 54

HEX #133F76

RGB 19 63 118

HSL 213.33, 0.72%, 0.27%

LAB 26.74, 7, -35.72

 

CMYK 74 / 41 / 0 / 46

HEX #245189

RGB 36 81 137

HSL 213.27, 0.58%, 0.34%

LAB 34.12, 4.77, -35.71

 

CMYK 66 / 37 / 0 / 39

HEX #35639C

RGB 53 99 156

HSL 213.2, 0.49%, 0.41%

LAB 41.34, 3.18, -35.68

 

CMYK 60 / 33 / 0 / 31

HEX #4675AF

RGB 70 117 175

HSL 213.14, 0.43%, 0.48%

LAB 48.41, 1.99, -35.67

 

CMYK 55 / 30 / 0 / 24

HEX #5787C2

RGB 87 135 194

HSL 213.08, 0.47%, 0.55%

LAB 55.33, 1.08, -35.67

 

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

CMYK 100 / 57 / 0 / 59

HEX #002D68

RGB 0 45 104

HSL 214.04, 1%, 0.2%

LAB 19.54, 12.15, -38.38

 

CMYK 100 / 68 / 0 / 67

HEX #001B55

RGB 0 27 85

HSL 220.94, 1%, 0.17%

LAB 12.22, 17.13, -37.7

 

CMYK 100 / 86 / 0 / 74

HEX #000942

RGB 0 9 66

HSL 231.82, 1%, 0.13%

LAB 5.32, 20.56, -35.86

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 89 / 73 / 0 / 52

HEX #0D217B

RGB 13 33 123

HSL 229.09, 0.81%, 0.27%

LAB 18.38, 29.77, -52.52

 

CMYK 81 / 89 / 0 / 52

HEX #170D7B

RGB 23 13 123

HSL 245.45, 0.81%, 0.27%

LAB 14.95, 41.54, -58.18

 

CMYK 57 / 89 / 0 / 52

HEX #350D7B

RGB 53 13 123

HSL 261.82, 0.81%, 0.27%

LAB 17.8, 43.95, -53.37

 

CMYK 33 / 89 / 0 / 52

HEX #530D7B

RGB 83 13 123

HSL 278.18, 0.81%, 0.27%

LAB 22.15, 47.97, -46.07

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 89 / 73 / 0 / 52

HEX #0D217B

RGB 13 33 123

HSL 229.09, 0.81%, 0.27%

LAB 18.38, 29.77, -52.52

 

CMYK 89 / 89 / 0 / 52

HEX #0D0D7B

RGB 13 13 123

HSL 240, 0.81%, 0.27%

LAB 14.42, 41.11, -59.08

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 99 / 54 / 0 / 47

HEX #023E87

RGB 2 62 135

HSL 212.93, 0.97%, 0.27%

LAB 27.32, 13.7, -45.46

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 79 / 43 / 0 / 56

HEX #184070

RGB 24 64 112

HSL 212.73, 0.65%, 0.27%

LAB 26.82, 4.44, -31.77

 

CMYK 64 / 36 / 0 / 60

HEX #244165

RGB 36 65 101

HSL 213.23, 0.47%, 0.27%

LAB 27, 1.57, -24.42

 

CMYK 48 / 27 / 0 / 65

HEX #2F425A

RGB 47 66 90

HSL 213.49, 0.31%, 0.27%

LAB 27.4, -0.17, -16.65

 

CMYK 27 / 15 / 0 / 69

HEX #3A434F

RGB 58 67 79

HSL 214.29, 0.15%, 0.27%

LAB 28.06, -0.53, -8.44

 

CMYK 89 / 1 / 0 / 52

HEX #0D7A7B

RGB 13 122 123

HSL 180.55, 0.81%, 0.27%

LAB 46.22, -26.77, -8.55

 

CMYK 89 / 25 / 0 / 52

HEX #0D5C7B

RGB 13 92 123

HSL 196.91, 0.81%, 0.27%

LAB 36.31, -10.36, -23.71

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 89 / 73 / 0 / 52

HEX #0D217B

RGB 13 33 123

HSL 229.09, 0.81%, 0.27%

LAB 18.38, 29.77, -52.52

 

CMYK 82 / 89 / 0 / 52

HEX #160D7B

RGB 22 13 123

HSL 244.91, 0.81%, 0.27%

LAB 14.89, 41.49, -58.29

 

CMYK 90 / 49 / 0 / 81

HEX #051931

RGB 5 25 49

HSL 212.73, 0.81%, 0.11%

LAB 8.56, 2.38, -18.31

 

CMYK 90 / 49 / 0 / 66

HEX #092C56

RGB 9 44 86

HSL 212.73, 0.81%, 0.19%

LAB 18.06, 5.62, -28.88

 

CMYK 89 / 49 / 0 / 52

HEX #0D3F7B

RGB 13 63 123

HSL 212.73, 0.81%, 0.27%

LAB 26.94, 8.55, -38.57

 

CMYK 89 / 49 / 0 / 37

HEX #1152A1

RGB 17 82 161

HSL 212.92, 0.81%, 0.35%

LAB 35.45, 11.73, -48.15

 

CMYK 89 / 49 / 0 / 22

HEX #1665C6

RGB 22 101 198

HSL 213.07, 0.8%, 0.43%

LAB 43.59, 14.42, -56.78

 

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

CMYK 22 / 89 / 0 / 52

HEX #600D7B

RGB 96 13 123

HSL 285.27, 0.81%, 0.27%

LAB 24.34, 50.11, -42.41

 

CMYK 13 / 0 / 89 / 52

HEX #6B7B0D

RGB 107 123 13

HSL 68.73, 0.81%, 0.27%

LAB 48.66, -19.66, 50.9

 

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

CMYK 0 / 89 / 49 / 52

HEX #7B0D3F

RGB 123 13 63

HSL 332.73, 0.81%, 0.27%

LAB 26.33, 47.21, 0.62

 

CMYK 49 / 0 / 89 / 52

HEX #3F7B0D

RGB 63 123 13

HSL 92.73, 0.81%, 0.27%

LAB 45.98, -37.52, 47.55

 

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

CMYK 22 / 89 / 0 / 52

HEX #600D7B

RGB 96 13 123

HSL 285.27, 0.81%, 0.27%

LAB 24.34, 50.11, -42.41

 

CMYK 0 / 40 / 89 / 52

HEX #7B4A0D

RGB 123 74 13

HSL 33.27, 0.81%, 0.27%

LAB 36.25, 16.14, 41.29

 

CMYK 67 / 0 / 89 / 52

HEX #297B0D

RGB 41 123 13

HSL 104.73, 0.81%, 0.27%

LAB 45.17, -43.92, 46.54

 

CMYK 89 / 49 / 0 / 52

HEX #0E3F7B

RGB 14 63 123

HSL 213.03, 0.8%, 0.27%

LAB 26.96, 8.63, -38.53

 

CMYK 0 / 89 / 4 / 52

HEX #7B0D76

RGB 123 13 118

HSL 302.73, 0.81%, 0.27%

LAB 28.92, 54.27, -31.6

 

CMYK 0 / 40 / 89 / 52

HEX #7B4A0D

RGB 123 74 13

HSL 33.27, 0.81%, 0.27%

LAB 36.25, 16.14, 41.29

 

CMYK 89 / 0 / 85 / 52

HEX #0D7B13

RGB 13 123 19

HSL 123.27, 0.81%, 0.27%

LAB 44.66, -48.28, 44.26

 

Description

Color code: HEX #0E3F7B | qconv.com Color code: HEX #0E3F7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 63 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 63 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 49 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 49% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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