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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DE158 it is the complementary color #F21EA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DE158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DE158 shade: #12E153, #23F366, #34FF79, #45FF8C and #56FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DE158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DE158 shade: #0DE158, #00CF45, #00BD32, #00AB1F and #00990C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DE158 shade: #0DE258, #0DE21F, #34E20D, #6EE20D and #A7E20D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DE158 shade: #0DE258, #0DE292, #0DE2CB, #0DBFE2 and #0D86E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DE158 shade matches the following richer shades: #0DE258

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DE158 shade: #0DE258, #20CF5E, #33BB64, #47A869 and #5A946F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DE158 shade: #34E20D, #0DE21E, #0DE257, #0DE290 and #0DE2C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DE158 shade: #08943A, #0ABB49, #0DE258, #26F26E and #4DF488

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DE158 shade: #0DE158, #0D6DE2 and #E20D17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DE158 shade: #0DE158, #570DE2 and #E2570D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DE158 shade: #0DE158, #0D6DE2, #E20D97 and #E2820D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DE158 shade: #0DE158, #0D2DE2, #E20D97 and #E2C20D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 61 / 12

HEX #0DE158

RGB 13 225 88

HSL 141.23, 0.89%, 0.47%

LAB 78.83, -72.73, 53.22

 

Complementary color

CMYK 0 / 88 / 31 / 5

HEX #F21EA7

RGB 242 30 167

HSL 321.23, 0.89%, 0.53%

LAB 54.65, 82.42, -19.73

 

CMYK 92 / 0 / 63 / 12

HEX #12E153

RGB 18 225 83

HSL 138.84, 0.85%, 0.48%

LAB 78.81, -73.09, 55.34

 

CMYK 86 / 0 / 58 / 5

HEX #23F366

RGB 35 243 102

HSL 139.33, 0.9%, 0.55%

LAB 84.7, -75.18, 53.91

 

CMYK 80 / 0 / 53 / 0

HEX #34FF79

RGB 52 255 121

HSL 140.39, 1%, 0.6%

LAB 88.75, -74.86, 50.23

 

CMYK 73 / 0 / 45 / 0

HEX #45FF8C

RGB 69 255 140

HSL 142.9, 1%, 0.64%

LAB 89.24, -69.95, 41.94

 

CMYK 66 / 0 / 38 / 0

HEX #56FF9F

RGB 86 255 159

HSL 145.92, 1%, 0.67%

LAB 89.86, -64.14, 33.48

 

CMYK 94 / 0 / 61 / 12

HEX #0DE158

RGB 13 225 88

HSL 141.23, 0.89%, 0.47%

LAB 78.83, -72.73, 53.22

 

CMYK 100 / 0 / 67 / 19

HEX #00CF45

RGB 0 207 69

HSL 140, 1%, 0.41%

LAB 72.93, -70, 54.61

 

CMYK 100 / 0 / 74 / 26

HEX #00BD32

RGB 0 189 50

HSL 135.87, 1%, 0.37%

LAB 67, -66.55, 55.66

 

CMYK 100 / 0 / 82 / 33

HEX #00AB1F

RGB 0 171 31

HSL 130.88, 1%, 0.34%

LAB 60.98, -62.75, 55.96

 

CMYK 100 / 0 / 92 / 40

HEX #00990C

RGB 0 153 12

HSL 124.71, 1%, 0.3%

LAB 54.88, -58.5, 54.91

 

CMYK 94 / 0 / 61 / 11

HEX #0DE258

RGB 13 226 88

HSL 141.13, 0.89%, 0.47%

LAB 79.15, -73.03, 53.58

 

CMYK 94 / 0 / 86 / 11

HEX #0DE21F

RGB 13 226 31

HSL 125.07, 0.89%, 0.47%

LAB 78.8, -77.47, 72.09

 

CMYK 77 / 0 / 94 / 11

HEX #34E20D

RGB 52 226 13

HSL 109.01, 0.89%, 0.47%

LAB 79.13, -74.65, 75.26

 

CMYK 51 / 0 / 94 / 11

HEX #6EE20D

RGB 110 226 13

HSL 92.68, 0.89%, 0.47%

LAB 80.59, -62.46, 77.06

 

CMYK 26 / 0 / 94 / 11

HEX #A7E20D

RGB 167 226 13

HSL 76.62, 0.89%, 0.47%

LAB 83.25, -43.36, 80.31

 

CMYK 94 / 0 / 61 / 11

HEX #0DE258

RGB 13 226 88

HSL 141.13, 0.89%, 0.47%

LAB 79.15, -73.03, 53.58

 

CMYK 94 / 0 / 35 / 11

HEX #0DE292

RGB 13 226 146

HSL 157.46, 0.89%, 0.47%

LAB 79.93, -63.66, 26.59

 

CMYK 94 / 0 / 10 / 11

HEX #0DE2CB

RGB 13 226 203

HSL 173.52, 0.89%, 0.47%

LAB 81.18, -50.06, -1.58

 

CMYK 94 / 15 / 0 / 11

HEX #0DBFE2

RGB 13 191 226

HSL 189.86, 0.89%, 0.47%

LAB 71.44, -27.19, -28.57

 

CMYK 94 / 41 / 0 / 11

HEX #0D86E2

RGB 13 134 226

HSL 205.92, 0.89%, 0.47%

LAB 54.69, 4.25, -54.87

 

CMYK 94 / 0 / 61 / 11

HEX #0DE258

RGB 13 226 88

HSL 141.13, 0.89%, 0.47%

LAB 79.15, -73.03, 53.58

 

CMYK 94 / 0 / 61 / 11

HEX #0DE258

RGB 13 226 88

HSL 141.13, 0.89%, 0.47%

LAB 79.15, -73.03, 53.58

 

CMYK 85 / 0 / 55 / 19

HEX #20CF5E

RGB 32 207 94

HSL 141.26, 0.73%, 0.47%

LAB 73.38, -65.19, 44.12

 

CMYK 73 / 0 / 47 / 27

HEX #33BB64

RGB 51 187 100

HSL 141.62, 0.57%, 0.47%

LAB 67.4, -55.14, 33.82

 

CMYK 58 / 0 / 38 / 34

HEX #47A869

RGB 71 168 105

HSL 141.03, 0.41%, 0.47%

LAB 61.97, -42.94, 24.22

 

CMYK 39 / 0 / 25 / 42

HEX #5A946F

RGB 90 148 111

HSL 141.72, 0.24%, 0.47%

LAB 56.59, -27.47, 13.71

 

CMYK 77 / 0 / 94 / 11

HEX #34E20D

RGB 52 226 13

HSL 109.01, 0.89%, 0.47%

LAB 79.13, -74.65, 75.26

 

CMYK 94 / 0 / 87 / 11

HEX #0DE21E

RGB 13 226 30

HSL 124.79, 0.89%, 0.47%

LAB 78.79, -77.51, 72.29

 

CMYK 94 / 0 / 62 / 11

HEX #0DE257

RGB 13 226 87

HSL 140.85, 0.89%, 0.47%

LAB 79.14, -73.15, 54

 

CMYK 94 / 0 / 36 / 11

HEX #0DE290

RGB 13 226 144

HSL 156.9, 0.89%, 0.47%

LAB 79.89, -64.07, 27.57

 

CMYK 94 / 0 / 11 / 11

HEX #0DE2C9

RGB 13 226 201

HSL 172.96, 0.89%, 0.47%

LAB 81.12, -50.6, -0.59

 

CMYK 95 / 0 / 61 / 42

HEX #08943A

RGB 8 148 58

HSL 141.43, 0.9%, 0.31%

LAB 53.53, -52.74, 37.69

 

CMYK 95 / 0 / 61 / 27

HEX #0ABB49

RGB 10 187 73

HSL 141.36, 0.9%, 0.39%

LAB 66.59, -63.12, 45.81

 

CMYK 94 / 0 / 61 / 11

HEX #0DE258

RGB 13 226 88

HSL 141.13, 0.89%, 0.47%

LAB 79.15, -73.03, 53.58

 

CMYK 84 / 0 / 55 / 5

HEX #26F26E

RGB 38 242 110

HSL 141.18, 0.89%, 0.55%

LAB 84.51, -73.59, 50.1

 

CMYK 68 / 0 / 44 / 4

HEX #4DF488

RGB 77 244 136

HSL 141.2, 0.88%, 0.63%

LAB 86.03, -65.56, 39.8

 

CMYK 94 / 0 / 61 / 12

HEX #0DE158

RGB 13 225 88

HSL 141.23, 0.89%, 0.47%

LAB 78.83, -72.73, 53.22

 

CMYK 94 / 52 / 0 / 11

HEX #0D6DE2

RGB 13 109 226

HSL 212.96, 0.89%, 0.47%

LAB 47.64, 19.88, -66.21

 

CMYK 0 / 94 / 90 / 11

HEX #E20D17

RGB 226 13 23

HSL 357.18, 0.89%, 0.47%

LAB 47.65, 72.27, 54.21

 

CMYK 94 / 0 / 61 / 12

HEX #0DE158

RGB 13 225 88

HSL 141.23, 0.89%, 0.47%

LAB 78.83, -72.73, 53.22

 

CMYK 62 / 94 / 0 / 11

HEX #570DE2

RGB 87 13 226

HSL 260.85, 0.89%, 0.47%

LAB 33.57, 72.4, -89.19

 

CMYK 0 / 62 / 94 / 11

HEX #E2570D

RGB 226 87 13

HSL 20.85, 0.89%, 0.47%

LAB 55.09, 51.44, 62.25

 

CMYK 94 / 0 / 61 / 12

HEX #0DE158

RGB 13 225 88

HSL 141.23, 0.89%, 0.47%

LAB 78.83, -72.73, 53.22

 

CMYK 94 / 52 / 0 / 11

HEX #0D6DE2

RGB 13 109 226

HSL 212.96, 0.89%, 0.47%

LAB 47.64, 19.88, -66.21

 

CMYK 0 / 94 / 33 / 11

HEX #E20D97

RGB 226 13 151

HSL 321.13, 0.89%, 0.47%

LAB 50.32, 79.51, -17.12

 

CMYK 0 / 42 / 94 / 11

HEX #E2820D

RGB 226 130 13

HSL 32.96, 0.89%, 0.47%

LAB 63.48, 30.3, 67.82

 

CMYK 94 / 0 / 61 / 12

HEX #0DE158

RGB 13 225 88

HSL 141.23, 0.89%, 0.47%

LAB 78.83, -72.73, 53.22

 

CMYK 94 / 80 / 0 / 11

HEX #0D2DE2

RGB 13 45 226

HSL 230.99, 0.89%, 0.47%

LAB 32.82, 58.77, -90.56

 

CMYK 0 / 94 / 33 / 11

HEX #E20D97

RGB 226 13 151

HSL 321.13, 0.89%, 0.47%

LAB 50.32, 79.51, -17.12

 

CMYK 0 / 14 / 94 / 11

HEX #E2C20D

RGB 226 194 13

HSL 50.99, 0.89%, 0.47%

LAB 78.92, -3.54, 78.91

 

Description

Color code: HEX #0DE158 | qconv.com Color code: HEX #0DE158 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 225 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 225 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 61 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 61% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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