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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DD74D it is the complementary color #F228B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DD74D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DD74D shade: #12D748, #23E95B, #34FB6E, #45FF81 and #56FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DD74D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DD74D shade: #0DD74D, #00C53A, #00B327, #00A114 and #008F01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DD74D shade: #0CD84D, #0CD816, #3AD80C, #71D80C and #A8D80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DD74D shade: #0CD84D, #0CD884, #0CD8BB, #0CBFD8 and #0C88D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DD74D shade matches the following richer shades: #0CD84D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DD74D shade: #0CD84D, #1FC654, #31B35A, #44A161 and #568E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DD74D shade: #38D80C, #0CD816, #0CD84D, #0CD883 and #0CD8BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DD74D shade: #088A31, #0AB13F, #0CD84D, #1CF160 and #43F47B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DD74D shade: #0DD74D, #0C6FD8 and #D80C1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DD74D shade: #0DD74D, #4D0CD8 and #D84D0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DD74D shade: #0DD74D, #0C6FD8, #D80C98 and #D8760C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DD74D shade: #0DD74D, #0C32D8, #D80C98 and #D8B30C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 64 / 16

HEX #0DD74D

RGB 13 215 77

HSL 139.01, 0.89%, 0.45%

LAB 75.59, -71.02, 54.25

 

Complementary color

CMYK 0 / 83 / 26 / 5

HEX #F228B2

RGB 242 40 178

HSL 319.01, 0.89%, 0.55%

LAB 55.69, 81.86, -24.57

 

CMYK 92 / 0 / 67 / 16

HEX #12D748

RGB 18 215 72

HSL 136.45, 0.85%, 0.46%

LAB 75.57, -71.31, 56.29

 

CMYK 85 / 0 / 61 / 9

HEX #23E95B

RGB 35 233 91

HSL 136.97, 0.82%, 0.53%

LAB 81.51, -73.46, 55.02

 

CMYK 79 / 0 / 56 / 2

HEX #34FB6E

RGB 52 251 110

HSL 137.49, 0.96%, 0.59%

LAB 87.41, -75.06, 53.61

 

CMYK 73 / 0 / 49 / 0

HEX #45FF81

RGB 69 255 129

HSL 139.35, 1%, 0.64%

LAB 89.1, -71.63, 46.99

 

CMYK 66 / 0 / 42 / 0

HEX #56FF94

RGB 86 255 148

HSL 142.01, 1%, 0.67%

LAB 89.69, -66.03, 38.69

 

CMYK 94 / 0 / 64 / 16

HEX #0DD74D

RGB 13 215 77

HSL 139.01, 0.89%, 0.45%

LAB 75.59, -71.02, 54.25

 

CMYK 100 / 0 / 71 / 23

HEX #00C53A

RGB 0 197 58

HSL 137.66, 1%, 0.39%

LAB 69.64, -68.16, 55.43

 

CMYK 100 / 0 / 78 / 30

HEX #00B327

RGB 0 179 39

HSL 133.07, 1%, 0.35%

LAB 63.66, -64.52, 56.09

 

CMYK 100 / 0 / 88 / 37

HEX #00A114

RGB 0 161 20

HSL 127.45, 1%, 0.32%

LAB 57.6, -60.47, 55.69

 

CMYK 100 / 0 / 99 / 44

HEX #008F01

RGB 0 143 1

HSL 120.42, 1%, 0.28%

LAB 51.44, -55.99, 53.89

 

CMYK 94 / 0 / 64 / 15

HEX #0CD84D

RGB 12 216 77

HSL 139.12, 0.89%, 0.45%

LAB 75.9, -71.35, 54.59

 

CMYK 94 / 0 / 90 / 15

HEX #0CD816

RGB 12 216 22

HSL 122.94, 0.89%, 0.45%

LAB 75.61, -75.12, 70.96

 

CMYK 73 / 0 / 94 / 15

HEX #3AD80C

RGB 58 216 12

HSL 106.47, 0.89%, 0.45%

LAB 76.09, -70.85, 72.91

 

CMYK 48 / 0 / 94 / 15

HEX #71D80C

RGB 113 216 12

HSL 90.29, 0.89%, 0.45%

LAB 77.67, -57.97, 74.85

 

CMYK 22 / 0 / 94 / 15

HEX #A8D80C

RGB 168 216 12

HSL 74.12, 0.89%, 0.45%

LAB 80.44, -38.6, 78.23

 

CMYK 94 / 0 / 64 / 15

HEX #0CD84D

RGB 12 216 77

HSL 139.12, 0.89%, 0.45%

LAB 75.9, -71.35, 54.59

 

CMYK 94 / 0 / 39 / 15

HEX #0CD884

RGB 12 216 132

HSL 155.29, 0.89%, 0.45%

LAB 76.59, -62.99, 29.32

 

CMYK 94 / 0 / 13 / 15

HEX #0CD8BB

RGB 12 216 187

HSL 171.47, 0.89%, 0.45%

LAB 77.74, -50.26, 1.94

 

CMYK 94 / 12 / 0 / 15

HEX #0CBFD8

RGB 12 191 216

HSL 187.35, 0.89%, 0.45%

LAB 71.08, -30.5, -23.7

 

CMYK 94 / 37 / 0 / 15

HEX #0C88D8

RGB 12 136 216

HSL 203.53, 0.89%, 0.45%

LAB 54.7, -0.82, -49.23

 

CMYK 94 / 0 / 64 / 15

HEX #0CD84D

RGB 12 216 77

HSL 139.12, 0.89%, 0.45%

LAB 75.9, -71.35, 54.59

 

CMYK 94 / 0 / 64 / 15

HEX #0CD84D

RGB 12 216 77

HSL 139.12, 0.89%, 0.45%

LAB 75.9, -71.35, 54.59

 

CMYK 84 / 0 / 58 / 22

HEX #1FC654

RGB 31 198 84

HSL 139.04, 0.73%, 0.45%

LAB 70.4, -63.75, 45.25

 

CMYK 73 / 0 / 50 / 30

HEX #31B35A

RGB 49 179 90

HSL 138.92, 0.57%, 0.45%

LAB 64.67, -54.17, 35.45

 

CMYK 58 / 0 / 40 / 37

HEX #44A161

RGB 68 161 97

HSL 138.71, 0.41%, 0.45%

LAB 59.51, -42.18, 25.26

 

CMYK 39 / 0 / 27 / 44

HEX #568E68

RGB 86 142 104

HSL 139.29, 0.25%, 0.45%

LAB 54.37, -27.18, 14.56

 

CMYK 74 / 0 / 94 / 15

HEX #38D80C

RGB 56 216 12

HSL 107.06, 0.89%, 0.45%

LAB 76.06, -71.17, 72.87

 

CMYK 94 / 0 / 90 / 15

HEX #0CD816

RGB 12 216 22

HSL 122.94, 0.89%, 0.45%

LAB 75.61, -75.12, 70.96

 

CMYK 94 / 0 / 64 / 15

HEX #0CD84D

RGB 12 216 77

HSL 139.12, 0.89%, 0.45%

LAB 75.9, -71.35, 54.59

 

CMYK 94 / 0 / 39 / 15

HEX #0CD883

RGB 12 216 131

HSL 155, 0.89%, 0.45%

LAB 76.58, -63.18, 29.81

 

CMYK 94 / 0 / 14 / 15

HEX #0CD8BA

RGB 12 216 186

HSL 171.18, 0.89%, 0.45%

LAB 77.72, -50.52, 2.43

 

CMYK 94 / 0 / 64 / 46

HEX #088A31

RGB 8 138 49

HSL 138.92, 0.89%, 0.29%

LAB 50.04, -50.64, 37.95

 

CMYK 94 / 0 / 64 / 31

HEX #0AB13F

RGB 10 177 63

HSL 139.04, 0.89%, 0.37%

LAB 63.23, -61.23, 46.46

 

CMYK 94 / 0 / 64 / 15

HEX #0CD84D

RGB 12 216 77

HSL 139.12, 0.89%, 0.45%

LAB 75.9, -71.35, 54.59

 

CMYK 88 / 0 / 60 / 5

HEX #1CF160

RGB 28 241 96

HSL 139.15, 0.88%, 0.53%

LAB 83.97, -75.8, 55.67

 

CMYK 73 / 0 / 50 / 4

HEX #43F47B

RGB 67 244 123

HSL 138.98, 0.89%, 0.61%

LAB 85.67, -69.1, 45.56

 

CMYK 94 / 0 / 64 / 16

HEX #0DD74D

RGB 13 215 77

HSL 139.01, 0.89%, 0.45%

LAB 75.59, -71.02, 54.25

 

CMYK 94 / 49 / 0 / 15

HEX #0C6FD8

RGB 12 111 216

HSL 210.88, 0.89%, 0.45%

LAB 47.5, 14.64, -60.77

 

CMYK 0 / 94 / 87 / 15

HEX #D80C1D

RGB 216 12 29

HSL 355, 0.89%, 0.45%

LAB 45.57, 69.96, 49.03

 

CMYK 94 / 0 / 64 / 16

HEX #0DD74D

RGB 13 215 77

HSL 139.01, 0.89%, 0.45%

LAB 75.59, -71.02, 54.25

 

CMYK 64 / 94 / 0 / 15

HEX #4D0CD8

RGB 77 12 216

HSL 259.12, 0.89%, 0.45%

LAB 31.34, 69.61, -87.17

 

CMYK 0 / 64 / 94 / 15

HEX #D84D0C

RGB 216 77 12

HSL 19.12, 0.89%, 0.45%

LAB 51.76, 52.24, 59.54

 

CMYK 94 / 0 / 64 / 16

HEX #0DD74D

RGB 13 215 77

HSL 139.01, 0.89%, 0.45%

LAB 75.59, -71.02, 54.25

 

CMYK 94 / 49 / 0 / 15

HEX #0C6FD8

RGB 12 111 216

HSL 210.88, 0.89%, 0.45%

LAB 47.5, 14.64, -60.77

 

CMYK 0 / 94 / 30 / 15

HEX #D80C98

RGB 216 12 152

HSL 318.82, 0.89%, 0.45%

LAB 48.42, 77.66, -20.8

 

CMYK 0 / 45 / 94 / 15

HEX #D8760C

RGB 216 118 12

HSL 31.18, 0.89%, 0.45%

LAB 59.51, 32.44, 64.63

 

CMYK 94 / 0 / 64 / 16

HEX #0DD74D

RGB 13 215 77

HSL 139.01, 0.89%, 0.45%

LAB 75.59, -71.02, 54.25

 

CMYK 94 / 77 / 0 / 15

HEX #0C32D8

RGB 12 50 216

HSL 228.82, 0.89%, 0.45%

LAB 32.52, 52.94, -85.31

 

CMYK 0 / 94 / 30 / 15

HEX #D80C98

RGB 216 12 152

HSL 318.82, 0.89%, 0.45%

LAB 48.42, 77.66, -20.8

 

CMYK 0 / 17 / 94 / 15

HEX #D8B30C

RGB 216 179 12

HSL 49.12, 0.89%, 0.45%

LAB 74.1, -0.11, 75.05

 

Description

Color code: HEX #0DD74D | qconv.com Color code: HEX #0DD74D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 215 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 215 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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