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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DCD66 it is the complementary color #F23299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DCD66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DCD66 shade: #12CD61, #23DF74, #34F187, #45FF9A and #56FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DCD66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DCD66 shade: #0DCD66, #00BB53, #00A940, #00972D and #00851A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DCD66 shade: #0DCE66, #0DCE32, #1BCE0D, #4FCE0D and #83CE0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DCD66 shade: #0DCE66, #0DCE9A, #0DCDCE, #0D99CE and #0D65CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DCD66 shade matches the following richer shades: #0DCE66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DCD66 shade: #0DCE66, #1EBC67, #30AA69, #42986A and #54876B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DCD66 shade: #1DCE0D, #0DCE30, #0DCE64, #0DCE97 and #0DCECA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DCD66 shade: #08803F, #0AA753, #0DCE66, #14F07A and #3BF290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DCD66 shade: #0DCD66, #0D50CE and #CE160D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DCD66 shade: #0DCD66, #640DCE and #CE640D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DCD66 shade: #0DCD66, #0D50CE, #CE0D77 and #CE8A0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DCD66 shade: #0DCD66, #0D16CE, #CE0D77 and #CEC40D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 50 / 20

HEX #0DCD66

RGB 13 205 102

HSL 147.81, 0.88%, 0.43%

LAB 72.7, -64.57, 39.4

 

Complementary color

CMYK 0 / 79 / 37 / 5

HEX #F23299

RGB 242 50 153

HSL 327.81, 0.88%, 0.57%

LAB 55.54, 76.98, -10.14

 

CMYK 91 / 0 / 53 / 20

HEX #12CD61

RGB 18 205 97

HSL 145.35, 0.84%, 0.44%

LAB 72.66, -65.1, 41.8

 

CMYK 84 / 0 / 48 / 13

HEX #23DF74

RGB 35 223 116

HSL 145.85, 0.75%, 0.51%

LAB 78.69, -66.84, 40.1

 

CMYK 78 / 0 / 44 / 5

HEX #34F187

RGB 52 241 135

HSL 146.35, 0.87%, 0.57%

LAB 84.68, -68.1, 38.47

 

CMYK 73 / 0 / 40 / 0

HEX #45FF9A

RGB 69 255 154

HSL 147.42, 1%, 0.64%

LAB 89.45, -67.59, 35.36

 

CMYK 66 / 0 / 32 / 0

HEX #56FFAD

RGB 86 255 173

HSL 150.89, 1%, 0.67%

LAB 90.1, -61.54, 26.78

 

CMYK 94 / 0 / 50 / 20

HEX #0DCD66

RGB 13 205 102

HSL 147.81, 0.88%, 0.43%

LAB 72.7, -64.57, 39.4

 

CMYK 100 / 0 / 56 / 27

HEX #00BB53

RGB 0 187 83

HSL 146.63, 1%, 0.37%

LAB 66.65, -62.19, 41.2

 

CMYK 100 / 0 / 62 / 34

HEX #00A940

RGB 0 169 64

HSL 142.72, 1%, 0.33%

LAB 60.56, -59.11, 42.97

 

CMYK 100 / 0 / 70 / 41

HEX #00972D

RGB 0 151 45

HSL 137.88, 1%, 0.3%

LAB 54.37, -55.72, 44.45

 

CMYK 100 / 0 / 80 / 48

HEX #00851A

RGB 0 133 26

HSL 131.73, 1%, 0.26%

LAB 48.07, -51.92, 45.23

 

CMYK 94 / 0 / 50 / 19

HEX #0DCE66

RGB 13 206 102

HSL 147.67, 0.88%, 0.43%

LAB 73.02, -64.89, 39.8

 

CMYK 94 / 0 / 76 / 19

HEX #0DCE32

RGB 13 206 50

HSL 131.5, 0.88%, 0.43%

LAB 72.53, -70.88, 61.23

 

CMYK 87 / 0 / 94 / 19

HEX #1BCE0D

RGB 27 206 13

HSL 115.65, 0.88%, 0.43%

LAB 72.5, -71.72, 69.66

 

CMYK 62 / 0 / 94 / 19

HEX #4FCE0D

RGB 79 206 13

HSL 99.48, 0.88%, 0.43%

LAB 73.44, -63.58, 70.82

 

CMYK 36 / 0 / 94 / 19

HEX #83CE0D

RGB 131 206 13

HSL 83.32, 0.88%, 0.43%

LAB 75.45, -48.15, 73.29

 

CMYK 94 / 0 / 50 / 19

HEX #0DCE66

RGB 13 206 102

HSL 147.67, 0.88%, 0.43%

LAB 73.02, -64.89, 39.8

 

CMYK 94 / 0 / 25 / 19

HEX #0DCE9A

RGB 13 206 154

HSL 163.83, 0.88%, 0.43%

LAB 73.91, -54.57, 14.1

 

CMYK 94 / 0 / 0 / 19

HEX #0DCDCE

RGB 13 205 206

HSL 180.31, 0.88%, 0.43%

LAB 74.95, -40.13, -12.4

 

CMYK 94 / 26 / 0 / 19

HEX #0D99CE

RGB 13 153 206

HSL 196.48, 0.88%, 0.43%

LAB 59.27, -14.25, -36.41

 

CMYK 94 / 51 / 0 / 19

HEX #0D65CE

RGB 13 101 206

HSL 212.64, 0.88%, 0.43%

LAB 44.02, 17.16, -60.7

 

CMYK 94 / 0 / 50 / 19

HEX #0DCE66

RGB 13 206 102

HSL 147.67, 0.88%, 0.43%

LAB 73.02, -64.89, 39.8

 

CMYK 94 / 0 / 50 / 19

HEX #0DCE66

RGB 13 206 102

HSL 147.67, 0.88%, 0.43%

LAB 73.02, -64.89, 39.8

 

CMYK 84 / 0 / 45 / 26

HEX #1EBC67

RGB 30 188 103

HSL 147.72, 0.72%, 0.43%

LAB 67.44, -57.56, 32.28

 

CMYK 72 / 0 / 38 / 33

HEX #30AA69

RGB 48 170 105

HSL 148.03, 0.56%, 0.43%

LAB 62, -48.3, 24.15

 

CMYK 57 / 0 / 30 / 40

HEX #42986A

RGB 66 152 106

HSL 147.91, 0.39%, 0.43%

LAB 56.74, -37.01, 16.57

 

CMYK 38 / 0 / 21 / 47

HEX #54876B

RGB 84 135 107

HSL 147.06, 0.23%, 0.43%

LAB 52.15, -23.69, 9.73

 

CMYK 86 / 0 / 94 / 19

HEX #1DCE0D

RGB 29 206 13

HSL 115.03, 0.88%, 0.43%

LAB 72.52, -71.55, 69.68

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE30

RGB 13 206 48

HSL 130.88, 0.88%, 0.43%

LAB 72.52, -71.02, 61.87

 

CMYK 94 / 0 / 51 / 19

HEX #0DCE64

RGB 13 206 100

HSL 147.05, 0.88%, 0.43%

LAB 72.99, -65.2, 40.74

 

CMYK 94 / 0 / 27 / 19

HEX #0DCE97

RGB 13 206 151

HSL 162.9, 0.88%, 0.43%

LAB 73.84, -55.27, 15.62

 

CMYK 94 / 0 / 2 / 19

HEX #0DCECA

RGB 13 206 202

HSL 178.76, 0.88%, 0.43%

LAB 75.13, -41.76, -9.97

 

CMYK 94 / 0 / 51 / 50

HEX #08803F

RGB 8 128 63

HSL 147.5, 0.88%, 0.27%

LAB 46.78, -45.11, 26.98

 

CMYK 94 / 0 / 50 / 35

HEX #0AA753

RGB 10 167 83

HSL 147.9, 0.89%, 0.35%

LAB 60.18, -55.17, 33.29

 

CMYK 94 / 0 / 50 / 19

HEX #0DCE66

RGB 13 206 102

HSL 147.67, 0.88%, 0.43%

LAB 73.02, -64.89, 39.8

 

CMYK 92 / 0 / 49 / 6

HEX #14F07A

RGB 20 240 122

HSL 147.82, 0.88%, 0.51%

LAB 83.9, -72.35, 43.71

 

CMYK 76 / 0 / 40 / 5

HEX #3BF290

RGB 59 242 144

HSL 147.87, 0.88%, 0.59%

LAB 85.22, -66.07, 34.74

 

CMYK 94 / 0 / 50 / 20

HEX #0DCD66

RGB 13 205 102

HSL 147.81, 0.88%, 0.43%

LAB 72.7, -64.57, 39.4

 

CMYK 94 / 61 / 0 / 19

HEX #0D50CE

RGB 13 80 206

HSL 219.17, 0.88%, 0.43%

LAB 38.34, 30.94, -69.94

 

CMYK 0 / 89 / 94 / 19

HEX #CE160D

RGB 206 22 13

HSL 2.8, 0.88%, 0.43%

LAB 43.84, 65.88, 53.48

 

CMYK 94 / 0 / 50 / 20

HEX #0DCD66

RGB 13 205 102

HSL 147.81, 0.88%, 0.43%

LAB 72.7, -64.57, 39.4

 

CMYK 51 / 94 / 0 / 19

HEX #640DCE

RGB 100 13 206

HSL 267.05, 0.88%, 0.43%

LAB 32.82, 68.73, -78.85

 

CMYK 0 / 51 / 94 / 19

HEX #CE640D

RGB 206 100 13

HSL 27.05, 0.88%, 0.43%

LAB 54.31, 37.7, 60.2

 

CMYK 94 / 0 / 50 / 20

HEX #0DCD66

RGB 13 205 102

HSL 147.81, 0.88%, 0.43%

LAB 72.7, -64.57, 39.4

 

CMYK 94 / 61 / 0 / 19

HEX #0D50CE

RGB 13 80 206

HSL 219.17, 0.88%, 0.43%

LAB 38.34, 30.94, -69.94

 

CMYK 0 / 94 / 42 / 19

HEX #CE0D77

RGB 206 13 119

HSL 327.05, 0.88%, 0.43%

LAB 45.28, 72.2, -5.66

 

CMYK 0 / 33 / 94 / 19

HEX #CE8A0D

RGB 206 138 13

HSL 38.86, 0.88%, 0.43%

LAB 62.78, 17.48, 66.16

 

CMYK 94 / 0 / 50 / 20

HEX #0DCD66

RGB 13 205 102

HSL 147.81, 0.88%, 0.43%

LAB 72.7, -64.57, 39.4

 

CMYK 94 / 89 / 0 / 19

HEX #0D16CE

RGB 13 22 206

HSL 237.2, 0.88%, 0.43%

LAB 27.06, 62.36, -88.6

 

CMYK 0 / 94 / 42 / 19

HEX #CE0D77

RGB 206 13 119

HSL 327.05, 0.88%, 0.43%

LAB 45.28, 72.2, -5.66

 

CMYK 0 / 5 / 94 / 19

HEX #CEC40D

RGB 206 196 13

HSL 56.89, 0.88%, 0.43%

LAB 77.66, -13.23, 77.18

 

Description

Color code: HEX #0DCD66 | qconv.com Color code: HEX #0DCD66 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 205 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 205 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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