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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DC38F it is the complementary color #F23C70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DC38F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DC38F shade: #12C38A, #23D59D, #34E7B0, #45F9C3 and #56FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DC38F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DC38F shade: #0DC38F, #00B17C, #009F69, #008D56 and #007B43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DC38F shade: #0CC48F, #0CC45E, #0CC42C, #1DC40C and #4FC40C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DC38F shade: #0CC48F, #0CC4C1, #0C95C4, #0C64C4 and #0C32C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DC38F shade matches the following richer shades: #0CC48F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DC38F shade: #0CC48F, #1DB388, #2EA281, #3F917A and #508072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DC38F shade: #0CC42B, #0CC45C, #0CC48D, #0CC4BE and #0C99C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DC38F shade: #077657, #0A9D73, #0CC48F, #0FEBAC and #31F1BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DC38F shade: #0DC38F, #0C1EC4 and #C4430C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DC38F shade: #0DC38F, #8D0CC4 and #C48D0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DC38F shade: #0DC38F, #0C1EC4, #C40C43 and #C4B20C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DC38F shade: #0DC38F, #310CC4, #C40C43 and #9FC40C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 27 / 24

HEX #0DC38F

RGB 13 195 143

HSL 162.86, 0.88%, 0.41%

LAB 70.25, -52.94, 14.87

 

Complementary color

CMYK 0 / 75 / 54 / 5

HEX #F23C70

RGB 242 60 112

HSL 342.86, 0.88%, 0.59%

LAB 55.36, 70.7, 13.98

 

CMYK 91 / 0 / 29 / 24

HEX #12C38A

RGB 18 195 138

HSL 160.68, 0.83%, 0.42%

LAB 70.17, -53.86, 17.46

 

CMYK 84 / 0 / 26 / 16

HEX #23D59D

RGB 35 213 157

HSL 161.12, 0.72%, 0.49%

LAB 76.3, -55.27, 15.89

 

CMYK 77 / 0 / 24 / 9

HEX #34E7B0

RGB 52 231 176

HSL 161.56, 0.79%, 0.55%

LAB 82.39, -56.3, 14.46

 

CMYK 72 / 0 / 22 / 2

HEX #45F9C3

RGB 69 249 195

HSL 162, 0.94%, 0.62%

LAB 88.43, -57.04, 13.15

 

CMYK 66 / 0 / 16 / 0

HEX #56FFD6

RGB 86 255 214

HSL 165.44, 1%, 0.67%

LAB 90.94, -52.71, 6.96

 

CMYK 93 / 0 / 27 / 24

HEX #0DC38F

RGB 13 195 143

HSL 162.86, 0.88%, 0.41%

LAB 70.25, -52.94, 14.87

 

CMYK 100 / 0 / 30 / 31

HEX #00B17C

RGB 0 177 124

HSL 162.03, 1%, 0.35%

LAB 64.08, -50.98, 16.59

 

CMYK 100 / 0 / 34 / 38

HEX #009F69

RGB 0 159 105

HSL 159.62, 1%, 0.31%

LAB 57.86, -48.48, 18.48

 

CMYK 100 / 0 / 39 / 45

HEX #008D56

RGB 0 141 86

HSL 156.6, 1%, 0.28%

LAB 51.52, -45.88, 20.47

 

CMYK 100 / 0 / 46 / 52

HEX #007B43

RGB 0 123 67

HSL 152.68, 1%, 0.24%

LAB 45.04, -43.11, 22.55

 

CMYK 94 / 0 / 27 / 23

HEX #0CC48F

RGB 12 196 143

HSL 162.72, 0.88%, 0.41%

LAB 70.55, -53.36, 15.3

 

CMYK 94 / 0 / 52 / 23

HEX #0CC45E

RGB 12 196 94

HSL 146.74, 0.88%, 0.41%

LAB 69.73, -62.94, 39.64

 

CMYK 94 / 0 / 78 / 23

HEX #0CC42C

RGB 12 196 44

HSL 130.43, 0.88%, 0.41%

LAB 69.28, -68.5, 59.98

 

CMYK 85 / 0 / 94 / 23

HEX #1DC40C

RGB 29 196 12

HSL 114.46, 0.88%, 0.41%

LAB 69.3, -68.75, 67.13

 

CMYK 60 / 0 / 94 / 23

HEX #4FC40C

RGB 79 196 12

HSL 98.15, 0.88%, 0.41%

LAB 70.29, -60.24, 68.36

 

CMYK 94 / 0 / 27 / 23

HEX #0CC48F

RGB 12 196 143

HSL 162.72, 0.88%, 0.41%

LAB 70.55, -53.36, 15.3

 

CMYK 94 / 0 / 2 / 23

HEX #0CC4C1

RGB 12 196 193

HSL 179.02, 0.88%, 0.41%

LAB 71.83, -39.99, -10.01

 

CMYK 94 / 24 / 0 / 23

HEX #0C95C4

RGB 12 149 196

HSL 195.33, 0.88%, 0.41%

LAB 57.62, -15.7, -33.37

 

CMYK 94 / 49 / 0 / 23

HEX #0C64C4

RGB 12 100 196

HSL 211.3, 0.88%, 0.41%

LAB 43.03, 13.78, -56.53

 

CMYK 94 / 74 / 0 / 23

HEX #0C32C4

RGB 12 50 196

HSL 227.61, 0.88%, 0.41%

LAB 30.27, 46.11, -77.41

 

CMYK 94 / 0 / 27 / 23

HEX #0CC48F

RGB 12 196 143

HSL 162.72, 0.88%, 0.41%

LAB 70.55, -53.36, 15.3

 

CMYK 94 / 0 / 27 / 23

HEX #0CC48F

RGB 12 196 143

HSL 162.72, 0.88%, 0.41%

LAB 70.55, -53.36, 15.3

 

CMYK 84 / 0 / 24 / 30

HEX #1DB388

RGB 29 179 136

HSL 162.8, 0.72%, 0.41%

LAB 65.18, -47.32, 11.59

 

CMYK 72 / 0 / 20 / 36

HEX #2EA281

RGB 46 162 129

HSL 162.93, 0.56%, 0.41%

LAB 59.89, -39.95, 8.02

 

CMYK 57 / 0 / 16 / 43

HEX #3F917A

RGB 63 145 122

HSL 163.17, 0.39%, 0.41%

LAB 54.78, -30.79, 4.72

 

CMYK 38 / 0 / 11 / 50

HEX #508072

RGB 80 128 114

HSL 162.5, 0.23%, 0.41%

LAB 49.93, -19.71, 2.46

 

CMYK 94 / 0 / 78 / 23

HEX #0CC42B

RGB 12 196 43

HSL 130.11, 0.88%, 0.41%

LAB 69.28, -68.57, 60.29

 

CMYK 94 / 0 / 53 / 23

HEX #0CC45C

RGB 12 196 92

HSL 146.09, 0.88%, 0.41%

LAB 69.7, -63.24, 40.58

 

CMYK 94 / 0 / 28 / 23

HEX #0CC48D

RGB 12 196 141

HSL 162.07, 0.88%, 0.41%

LAB 70.51, -53.83, 16.32

 

CMYK 94 / 0 / 3 / 23

HEX #0CC4BE

RGB 12 196 190

HSL 178.04, 0.88%, 0.41%

LAB 71.74, -40.87, -8.51

 

CMYK 94 / 22 / 0 / 23

HEX #0C99C4

RGB 12 153 196

HSL 194.02, 0.88%, 0.41%

LAB 58.83, -17.87, -31.48

 

CMYK 94 / 0 / 26 / 54

HEX #077657

RGB 7 118 87

HSL 163.24, 0.89%, 0.25%

LAB 43.79, -35.99, 9.31

 

CMYK 94 / 0 / 27 / 38

HEX #0A9D73

RGB 10 157 115

HSL 162.86, 0.88%, 0.33%

LAB 57.48, -44.87, 12.39

 

CMYK 94 / 0 / 27 / 23

HEX #0CC48F

RGB 12 196 143

HSL 162.72, 0.88%, 0.41%

LAB 70.55, -53.36, 15.3

 

CMYK 94 / 0 / 27 / 8

HEX #0FEBAC

RGB 15 235 172

HSL 162.82, 0.88%, 0.49%

LAB 83.18, -61.25, 17.6

 

CMYK 80 / 0 / 23 / 5

HEX #31F1BA

RGB 49 241 186

HSL 162.81, 0.87%, 0.57%

LAB 85.56, -58.17, 13.71

 

CMYK 93 / 0 / 27 / 24

HEX #0DC38F

RGB 13 195 143

HSL 162.86, 0.88%, 0.41%

LAB 70.25, -52.94, 14.87

 

CMYK 94 / 85 / 0 / 23

HEX #0C1EC4

RGB 12 30 196

HSL 234.13, 0.88%, 0.41%

LAB 26.71, 56.41, -83.32

 

CMYK 0 / 66 / 94 / 23

HEX #C4430C

RGB 196 67 12

HSL 17.93, 0.88%, 0.41%

LAB 46.68, 49.5, 54.57

 

CMYK 93 / 0 / 27 / 24

HEX #0DC38F

RGB 13 195 143

HSL 162.86, 0.88%, 0.41%

LAB 70.25, -52.94, 14.87

 

CMYK 28 / 94 / 0 / 23

HEX #8D0CC4

RGB 141 12 196

HSL 282.07, 0.88%, 0.41%

LAB 37.68, 71.26, -64.8

 

CMYK 0 / 28 / 94 / 23

HEX #C48D0C

RGB 196 141 12

HSL 42.07, 0.88%, 0.41%

LAB 62.35, 11.41, 65.48

 

CMYK 93 / 0 / 27 / 24

HEX #0DC38F

RGB 13 195 143

HSL 162.86, 0.88%, 0.41%

LAB 70.25, -52.94, 14.87

 

CMYK 94 / 85 / 0 / 23

HEX #0C1EC4

RGB 12 30 196

HSL 234.13, 0.88%, 0.41%

LAB 26.71, 56.41, -83.32

 

CMYK 0 / 94 / 66 / 23

HEX #C40C43

RGB 196 12 67

HSL 342.07, 0.88%, 0.41%

LAB 41.85, 66.27, 21.8

 

CMYK 0 / 9 / 94 / 23

HEX #C4B20C

RGB 196 178 12

HSL 54.13, 0.88%, 0.41%

LAB 71.96, -8.39, 72.62

 

CMYK 93 / 0 / 27 / 24

HEX #0DC38F

RGB 13 195 143

HSL 162.86, 0.88%, 0.41%

LAB 70.25, -52.94, 14.87

 

CMYK 75 / 94 / 0 / 23

HEX #310CC4

RGB 49 12 196

HSL 252.07, 0.88%, 0.41%

LAB 26.45, 63.32, -83.71

 

CMYK 0 / 94 / 66 / 23

HEX #C40C43

RGB 196 12 67

HSL 342.07, 0.88%, 0.41%

LAB 41.85, 66.27, 21.8

 

CMYK 19 / 0 / 94 / 23

HEX #9FC40C

RGB 159 196 12

HSL 72.07, 0.88%, 0.41%

LAB 74.11, -33.11, 73.02

 

Description

Color code: HEX #0DC38F | qconv.com Color code: HEX #0DC38F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 195 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 195 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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