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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DC57C it is the complementary color #F23A83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DC57C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DC57C shade: #12C577, #23D78A, #34E99D, #45FBB0 and #56FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DC57C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DC57C shade: #0DC57C, #00B369, #00A156, #008F43 and #007D30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DC57C shade: #0CC47B, #0CC449, #0CC418, #32C40C and #64C40C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DC57C shade: #0CC47B, #0CC4AD, #0CAAC4, #0C78C4 and #0C47C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DC57C shade matches the following richer shades: #0CC47B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DC57C shade: #0CC47B, #1DB378, #2EA274, #3F9171 and #50806D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DC57C shade: #0CC418, #0CC449, #0CC47A, #0CC4AC and #0CACC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DC57C shade: #07764A, #0A9D63, #0CC47B, #0FEB93 and #31F1A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DC57C shade: #0DC57C, #0C31C4 and #C4310C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DC57C shade: #0DC57C, #7A0CC4 and #C47A0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DC57C shade: #0DC57C, #0C31C4, #C40C56 and #C49F0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DC57C shade: #0DC57C, #1E0CC4, #C40C56 and #B2C40C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 37 / 23

HEX #0DC57C

RGB 13 197 124

HSL 156.2, 0.88%, 0.41%

LAB 70.51, -57.85, 25.35

 

Complementary color

CMYK 0 / 76 / 46 / 5

HEX #F23A83

RGB 242 58 131

HSL 336.2, 0.88%, 0.59%

LAB 55.63, 72.79, 3.03

 

CMYK 91 / 0 / 40 / 23

HEX #12C577

RGB 18 197 119

HSL 153.85, 0.83%, 0.42%

LAB 70.45, -58.61, 27.9

 

CMYK 84 / 0 / 36 / 16

HEX #23D78A

RGB 35 215 138

HSL 154.33, 0.72%, 0.49%

LAB 76.55, -60.1, 26.2

 

CMYK 78 / 0 / 33 / 9

HEX #34E99D

RGB 52 233 157

HSL 154.81, 0.8%, 0.56%

LAB 82.62, -61.17, 24.64

 

CMYK 73 / 0 / 30 / 2

HEX #45FBB0

RGB 69 251 176

HSL 155.27, 0.96%, 0.63%

LAB 88.64, -61.93, 23.2

 

CMYK 66 / 0 / 24 / 0

HEX #56FFC3

RGB 86 255 195

HSL 158.7, 1%, 0.67%

LAB 90.52, -57.01, 16.15

 

CMYK 93 / 0 / 37 / 23

HEX #0DC57C

RGB 13 197 124

HSL 156.2, 0.88%, 0.41%

LAB 70.51, -57.85, 25.35

 

CMYK 100 / 0 / 41 / 30

HEX #00B369

RGB 0 179 105

HSL 155.2, 1%, 0.35%

LAB 64.37, -55.78, 27.2

 

CMYK 100 / 0 / 47 / 37

HEX #00A156

RGB 0 161 86

HSL 152.05, 1%, 0.32%

LAB 58.19, -53.08, 29.2

 

CMYK 100 / 0 / 53 / 44

HEX #008F43

RGB 0 143 67

HSL 148.11, 1%, 0.28%

LAB 51.89, -50.2, 31.22

 

CMYK 100 / 0 / 62 / 51

HEX #007D30

RGB 0 125 48

HSL 143.04, 1%, 0.25%

LAB 45.47, -47.06, 33.17

 

CMYK 94 / 0 / 37 / 23

HEX #0CC47B

RGB 12 196 123

HSL 156.2, 0.88%, 0.41%

LAB 70.17, -57.74, 25.42

 

CMYK 94 / 0 / 63 / 23

HEX #0CC449

RGB 12 196 73

HSL 139.89, 0.88%, 0.41%

LAB 69.5, -65.8, 49.13

 

CMYK 94 / 0 / 88 / 23

HEX #0CC418

RGB 12 196 24

HSL 123.91, 0.88%, 0.41%

LAB 69.2, -69.57, 65.08

 

CMYK 74 / 0 / 94 / 23

HEX #32C40C

RGB 50 196 12

HSL 107.61, 0.88%, 0.41%

LAB 69.6, -66.11, 67.5

 

CMYK 49 / 0 / 94 / 23

HEX #64C40C

RGB 100 196 12

HSL 91.3, 0.88%, 0.41%

LAB 71.02, -54.46, 69.25

 

CMYK 94 / 0 / 37 / 23

HEX #0CC47B

RGB 12 196 123

HSL 156.2, 0.88%, 0.41%

LAB 70.17, -57.74, 25.42

 

CMYK 94 / 0 / 12 / 23

HEX #0CC4AD

RGB 12 196 173

HSL 172.5, 0.88%, 0.41%

LAB 71.27, -45.71, 0.05

 

CMYK 94 / 13 / 0 / 23

HEX #0CAAC4

RGB 12 170 196

HSL 188.48, 0.88%, 0.41%

LAB 64.01, -26.7, -23.49

 

CMYK 94 / 39 / 0 / 23

HEX #0C78C4

RGB 12 120 196

HSL 204.78, 0.88%, 0.41%

LAB 48.88, 1.13, -47.14

 

CMYK 94 / 64 / 0 / 23

HEX #0C47C4

RGB 12 71 196

HSL 220.76, 0.88%, 0.41%

LAB 35.14, 32.93, -69.37

 

CMYK 94 / 0 / 37 / 23

HEX #0CC47B

RGB 12 196 123

HSL 156.2, 0.88%, 0.41%

LAB 70.17, -57.74, 25.42

 

CMYK 94 / 0 / 37 / 23

HEX #0CC47B

RGB 12 196 123

HSL 156.2, 0.88%, 0.41%

LAB 70.17, -57.74, 25.42

 

CMYK 84 / 0 / 33 / 30

HEX #1DB378

RGB 29 179 120

HSL 156.4, 0.72%, 0.41%

LAB 64.85, -51.01, 19.86

 

CMYK 72 / 0 / 28 / 36

HEX #2EA274

RGB 46 162 116

HSL 156.21, 0.56%, 0.41%

LAB 59.6, -43.06, 14.87

 

CMYK 57 / 0 / 22 / 43

HEX #3F9171

RGB 63 145 113

HSL 156.59, 0.39%, 0.41%

LAB 54.55, -32.97, 9.56

 

CMYK 38 / 0 / 15 / 50

HEX #50806D

RGB 80 128 109

HSL 156.25, 0.23%, 0.41%

LAB 49.8, -20.88, 5.19

 

CMYK 94 / 0 / 88 / 23

HEX #0CC418

RGB 12 196 24

HSL 123.91, 0.88%, 0.41%

LAB 69.2, -69.57, 65.08

 

CMYK 94 / 0 / 63 / 23

HEX #0CC449

RGB 12 196 73

HSL 139.89, 0.88%, 0.41%

LAB 69.5, -65.8, 49.13

 

CMYK 94 / 0 / 38 / 23

HEX #0CC47A

RGB 12 196 122

HSL 155.87, 0.88%, 0.41%

LAB 70.15, -57.94, 25.93

 

CMYK 94 / 0 / 12 / 23

HEX #0CC4AC

RGB 12 196 172

HSL 172.17, 0.88%, 0.41%

LAB 71.24, -45.98, 0.56

 

CMYK 94 / 12 / 0 / 23

HEX #0CACC4

RGB 12 172 196

HSL 187.83, 0.88%, 0.41%

LAB 64.62, -27.7, -22.56

 

CMYK 94 / 0 / 37 / 54

HEX #07764A

RGB 7 118 74

HSL 156.22, 0.89%, 0.25%

LAB 43.5, -39.17, 16.54

 

CMYK 94 / 0 / 37 / 38

HEX #0A9D63

RGB 10 157 99

HSL 156.33, 0.88%, 0.33%

LAB 57.15, -48.55, 20.84

 

CMYK 94 / 0 / 37 / 23

HEX #0CC47B

RGB 12 196 123

HSL 156.2, 0.88%, 0.41%

LAB 70.17, -57.74, 25.42

 

CMYK 94 / 0 / 37 / 8

HEX #0FEB93

RGB 15 235 147

HSL 156, 0.88%, 0.49%

LAB 82.71, -66.52, 29.82

 

CMYK 80 / 0 / 32 / 5

HEX #31F1A5

RGB 49 241 165

HSL 156.25, 0.87%, 0.57%

LAB 85.14, -62.78, 23.97

 

CMYK 93 / 0 / 37 / 23

HEX #0DC57C

RGB 13 197 124

HSL 156.2, 0.88%, 0.41%

LAB 70.51, -57.85, 25.35

 

CMYK 94 / 75 / 0 / 23

HEX #0C31C4

RGB 12 49 196

HSL 227.93, 0.88%, 0.41%

LAB 30.06, 46.7, -77.76

 

CMYK 0 / 75 / 94 / 23

HEX #C4310C

RGB 196 49 12

HSL 12.07, 0.88%, 0.41%

LAB 44.17, 56.35, 52.98

 

CMYK 93 / 0 / 37 / 23

HEX #0DC57C

RGB 13 197 124

HSL 156.2, 0.88%, 0.41%

LAB 70.51, -57.85, 25.35

 

CMYK 38 / 94 / 0 / 23

HEX #7A0CC4

RGB 122 12 196

HSL 275.87, 0.88%, 0.41%

LAB 34.77, 68.92, -69.67

 

CMYK 0 / 38 / 94 / 23

HEX #C47A0C

RGB 196 122 12

HSL 35.87, 0.88%, 0.41%

LAB 57.73, 21.82, 62.14

 

CMYK 93 / 0 / 37 / 23

HEX #0DC57C

RGB 13 197 124

HSL 156.2, 0.88%, 0.41%

LAB 70.51, -57.85, 25.35

 

CMYK 94 / 75 / 0 / 23

HEX #0C31C4

RGB 12 49 196

HSL 227.93, 0.88%, 0.41%

LAB 30.06, 46.7, -77.76

 

CMYK 0 / 94 / 56 / 23

HEX #C40C56

RGB 196 12 86

HSL 335.87, 0.88%, 0.41%

LAB 42.26, 67.41, 10.35

 

CMYK 0 / 19 / 94 / 23

HEX #C49F0C

RGB 196 159 12

HSL 47.93, 0.88%, 0.41%

LAB 66.94, 1.64, 68.86

 

CMYK 93 / 0 / 37 / 23

HEX #0DC57C

RGB 13 197 124

HSL 156.2, 0.88%, 0.41%

LAB 70.51, -57.85, 25.35

 

CMYK 85 / 94 / 0 / 23

HEX #1E0CC4

RGB 30 12 196

HSL 245.87, 0.88%, 0.41%

LAB 25.33, 62.74, -85.6

 

CMYK 0 / 94 / 56 / 23

HEX #C40C56

RGB 196 12 86

HSL 335.87, 0.88%, 0.41%

LAB 42.26, 67.41, 10.35

 

CMYK 9 / 0 / 94 / 23

HEX #B2C40C

RGB 178 196 12

HSL 65.87, 0.88%, 0.41%

LAB 75.43, -25.23, 74.62

 

Description

Color code: HEX #0DC57C | qconv.com Color code: HEX #0DC57C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 197 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 197 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 37 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 37% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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