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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DB48A it is the complementary color #F24B75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DB48A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DB48A shade: #12B485, #23C698, #34D8AB, #45EABE and #56FCD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DB48A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DB48A shade: #0DB48A, #00A277, #009064, #007E51 and #006C3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DB48A shade: #0CB58A, #0CB55D, #0CB52F, #16B50C and #44B50C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DB48A shade: #0CB58A, #0CB2B5, #0C84B5, #0C57B5 and #0C29B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DB48A shade matches the following richer shades: #0CB58A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DB48A shade: #0CB58A, #1CA583, #2B957B, #3B8673 and #4B766B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DB48A shade: #0CB52E, #0CB55B, #0CB588, #0CB5B5 and #0C88B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DB48A shade: #07684F, #098E6D, #0CB58A, #0FDBA8 and #24EFBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DB48A shade: #0DB48A, #0C17B5 and #B5440C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DB48A shade: #0DB48A, #880CB5 and #B5880C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DB48A shade: #0DB48A, #0C17B5, #B50C39 and #B5A90C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DB48A shade: #0DB48A, #330CB5, #B50C39 and #8DB50C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 23 / 29

HEX #0DB48A

RGB 13 180 138

HSL 164.91, 0.87%, 0.38%

LAB 65.41, -48.26, 10.79

 

Complementary color

CMYK 0 / 69 / 52 / 5

HEX #F24B75

RGB 242 75 117

HSL 344.91, 0.87%, 0.62%

LAB 57.26, 66.09, 13.66

 

CMYK 90 / 0 / 26 / 29

HEX #12B485

RGB 18 180 133

HSL 162.59, 0.82%, 0.39%

LAB 65.33, -49.23, 13.43

 

CMYK 82 / 0 / 23 / 22

HEX #23C698

RGB 35 198 152

HSL 163.07, 0.7%, 0.46%

LAB 71.56, -50.56, 11.9

 

CMYK 76 / 0 / 21 / 15

HEX #34D8AB

RGB 52 216 171

HSL 163.54, 0.68%, 0.53%

LAB 77.75, -51.51, 10.52

 

CMYK 71 / 0 / 19 / 8

HEX #45EABE

RGB 69 234 190

HSL 164, 0.8%, 0.59%

LAB 83.88, -52.19, 9.27

 

CMYK 66 / 0 / 17 / 1

HEX #56FCD1

RGB 86 252 209

HSL 164.46, 0.97%, 0.66%

LAB 89.95, -52.65, 8.12

 

CMYK 93 / 0 / 23 / 29

HEX #0DB48A

RGB 13 180 138

HSL 164.91, 0.87%, 0.38%

LAB 65.41, -48.26, 10.79

 

CMYK 100 / 0 / 27 / 36

HEX #00A277

RGB 0 162 119

HSL 164.07, 1%, 0.32%

LAB 59.13, -46.34, 12.46

 

CMYK 100 / 0 / 31 / 44

HEX #009064

RGB 0 144 100

HSL 161.67, 1%, 0.28%

LAB 52.8, -43.84, 14.34

 

CMYK 100 / 0 / 36 / 51

HEX #007E51

RGB 0 126 81

HSL 158.57, 1%, 0.25%

LAB 46.33, -41.23, 16.32

 

CMYK 100 / 0 / 43 / 58

HEX #006C3E

RGB 0 108 62

HSL 154.44, 1%, 0.21%

LAB 39.7, -38.48, 18.41

 

CMYK 93 / 0 / 24 / 29

HEX #0CB58A

RGB 12 181 138

HSL 164.73, 0.88%, 0.38%

LAB 65.72, -48.71, 11.23

 

CMYK 93 / 0 / 49 / 29

HEX #0CB55D

RGB 12 181 93

HSL 148.76, 0.88%, 0.38%

LAB 64.9, -58.14, 34.11

 

CMYK 93 / 0 / 74 / 29

HEX #0CB52F

RGB 12 181 47

HSL 132.43, 0.88%, 0.38%

LAB 64.43, -63.92, 54.15

 

CMYK 88 / 0 / 93 / 29

HEX #16B50C

RGB 22 181 12

HSL 116.45, 0.88%, 0.38%

LAB 64.36, -65.1, 62.98

 

CMYK 62 / 0 / 93 / 29

HEX #44B50C

RGB 68 181 12

HSL 100.12, 0.88%, 0.38%

LAB 65.2, -57.79, 64.03

 

CMYK 93 / 0 / 24 / 29

HEX #0CB58A

RGB 12 181 138

HSL 164.73, 0.88%, 0.38%

LAB 65.72, -48.71, 11.23

 

CMYK 93 / 2 / 0 / 29

HEX #0CB2B5

RGB 12 178 181

HSL 181.07, 0.88%, 0.38%

LAB 65.95, -35.39, -12.22

 

CMYK 93 / 27 / 0 / 29

HEX #0C84B5

RGB 12 132 181

HSL 197.4, 0.88%, 0.38%

LAB 51.74, -11.71, -34.01

 

CMYK 93 / 52 / 0 / 29

HEX #0C57B5

RGB 12 87 181

HSL 213.37, 0.88%, 0.38%

LAB 38.25, 16.29, -55.51

 

CMYK 93 / 77 / 0 / 29

HEX #0C29B5

RGB 12 41 181

HSL 229.7, 0.88%, 0.38%

LAB 26.74, 46.07, -74.4

 

CMYK 93 / 0 / 24 / 29

HEX #0CB58A

RGB 12 181 138

HSL 164.73, 0.88%, 0.38%

LAB 65.72, -48.71, 11.23

 

CMYK 93 / 0 / 24 / 29

HEX #0CB58A

RGB 12 181 138

HSL 164.73, 0.88%, 0.38%

LAB 65.72, -48.71, 11.23

 

CMYK 83 / 0 / 21 / 35

HEX #1CA583

RGB 28 165 131

HSL 165.11, 0.71%, 0.38%

LAB 60.6, -42.88, 7.86

 

CMYK 71 / 0 / 17 / 42

HEX #2B957B

RGB 43 149 123

HSL 165.28, 0.55%, 0.38%

LAB 55.52, -36.18, 5.15

 

CMYK 56 / 0 / 14 / 47

HEX #3B8673

RGB 59 134 115

HSL 164.8, 0.39%, 0.38%

LAB 50.94, -28.16, 3.22

 

CMYK 36 / 0 / 9 / 54

HEX #4B766B

RGB 75 118 107

HSL 164.65, 0.22%, 0.38%

LAB 46.33, -17.6, 1.34

 

CMYK 93 / 0 / 75 / 29

HEX #0CB52E

RGB 12 181 46

HSL 132.07, 0.88%, 0.38%

LAB 64.42, -64, 54.5

 

CMYK 93 / 0 / 50 / 29

HEX #0CB55B

RGB 12 181 91

HSL 148.05, 0.88%, 0.38%

LAB 64.87, -58.47, 35.09

 

CMYK 93 / 0 / 25 / 29

HEX #0CB588

RGB 12 181 136

HSL 164.02, 0.88%, 0.38%

LAB 65.67, -49.2, 12.26

 

CMYK 93 / 0 / 0 / 29

HEX #0CB5B5

RGB 12 181 181

HSL 180, 0.88%, 0.38%

LAB 66.87, -36.78, -10.84

 

CMYK 93 / 25 / 0 / 29

HEX #0C88B5

RGB 12 136 181

HSL 195.98, 0.88%, 0.38%

LAB 52.97, -13.96, -32.08

 

CMYK 93 / 0 / 24 / 59

HEX #07684F

RGB 7 104 79

HSL 164.54, 0.87%, 0.22%

LAB 38.74, -32.03, 6.99

 

CMYK 94 / 0 / 23 / 44

HEX #098E6D

RGB 9 142 109

HSL 165.11, 0.88%, 0.3%

LAB 52.41, -40.28, 8.66

 

CMYK 93 / 0 / 24 / 29

HEX #0CB58A

RGB 12 181 138

HSL 164.73, 0.88%, 0.38%

LAB 65.72, -48.71, 11.23

 

CMYK 93 / 0 / 23 / 14

HEX #0FDBA8

RGB 15 219 168

HSL 165, 0.87%, 0.46%

LAB 78.22, -56.15, 12.74

 

CMYK 85 / 0 / 21 / 6

HEX #24EFBC

RGB 36 239 188

HSL 164.93, 0.86%, 0.54%

LAB 84.86, -57.98, 11.66

 

CMYK 93 / 0 / 23 / 29

HEX #0DB48A

RGB 13 180 138

HSL 164.91, 0.87%, 0.38%

LAB 65.41, -48.26, 10.79

 

CMYK 93 / 87 / 0 / 29

HEX #0C17B5

RGB 12 23 181

HSL 236.09, 0.88%, 0.38%

LAB 23.76, 54.8, -79.34

 

CMYK 0 / 62 / 93 / 29

HEX #B5440C

RGB 181 68 12

HSL 19.88, 0.88%, 0.38%

LAB 44.21, 43.65, 51.66

 

CMYK 93 / 0 / 23 / 29

HEX #0DB48A

RGB 13 180 138

HSL 164.91, 0.87%, 0.38%

LAB 65.41, -48.26, 10.79

 

CMYK 25 / 93 / 0 / 29

HEX #880CB5

RGB 136 12 181

HSL 284.02, 0.88%, 0.38%

LAB 35.66, 67.74, -59.28

 

CMYK 0 / 25 / 93 / 29

HEX #B5880C

RGB 181 136 12

HSL 44.02, 0.88%, 0.38%

LAB 59.4, 7.42, 62.55

 

CMYK 93 / 0 / 23 / 29

HEX #0DB48A

RGB 13 180 138

HSL 164.91, 0.87%, 0.38%

LAB 65.41, -48.26, 10.79

 

CMYK 93 / 87 / 0 / 29

HEX #0C17B5

RGB 12 23 181

HSL 236.09, 0.88%, 0.38%

LAB 23.76, 54.8, -79.34

 

CMYK 0 / 93 / 69 / 29

HEX #B50C39

RGB 181 12 57

HSL 344.02, 0.88%, 0.38%

LAB 38.52, 62.03, 23.23

 

CMYK 0 / 7 / 93 / 29

HEX #B5A90C

RGB 181 169 12

HSL 55.74, 0.88%, 0.38%

LAB 68.19, -10.36, 69.17

 

CMYK 93 / 0 / 23 / 29

HEX #0DB48A

RGB 13 180 138

HSL 164.91, 0.87%, 0.38%

LAB 65.41, -48.26, 10.79

 

CMYK 72 / 93 / 0 / 29

HEX #330CB5

RGB 51 12 181

HSL 253.85, 0.88%, 0.38%

LAB 24.65, 59.54, -77.81

 

CMYK 0 / 93 / 69 / 29

HEX #B50C39

RGB 181 12 57

HSL 344.02, 0.88%, 0.38%

LAB 38.52, 62.03, 23.23

 

CMYK 22 / 0 / 93 / 29

HEX #8DB50C

RGB 141 181 12

HSL 74.2, 0.88%, 0.38%

LAB 68.56, -33.48, 68.15

 

Description

Color code: HEX #0DB48A | qconv.com Color code: HEX #0DB48A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 180 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 180 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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