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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DA1D2 it is the complementary color #F25E2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DA1D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DA1D2 shade: #12A1CD, #23B3E0, #34C5F3, #45D7FF and #56E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DA1D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DA1D2 shade: #0DA1D2, #008FBF, #007DAC, #006B99 and #005986

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DA1D2 shade: #0DA1D2, #0D6CD2, #0D37D2, #180DD2 and #4E0DD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DA1D2 shade: #0DA1D2, #0D6CD2, #0D37D2 and #0D0DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DA1D2 shade matches the following richer shades: #0DA1D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DA1D2 shade: #0DA1D2, #1F98C0, #318FAE, #43869C and #567D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DA1D2 shade: #0DD297, #0DD2CC, #0DA4D2, #0D70D2 and #0D3BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DA1D2 shade: #086685, #0A84AC, #0DA1D2, #19BAF0 and #40C6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DA1D2 shade: #0DA1D2, #630DD2 and #D2B20D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DA1D2 shade: #0DA1D2, #D20DA4 and #A4D20D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DA1D2 shade: #0DA1D2, #630DD2, #D23B0D and #7DD20D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DA1D2 shade: #0DA1D2, #9E0DD2, #D23B0D and #42D20D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

Complementary color

CMYK 0 / 61 / 81 / 5

HEX #F25E2D

RGB 242 94 45

HSL 14.92, 0.88%, 0.56%

LAB 59.04, 54.63, 55.26

 

CMYK 91 / 21 / 0 / 20

HEX #12A1CD

RGB 18 161 205

HSL 194.12, 0.84%, 0.44%

LAB 61.68, -18.72, -32.1

 

CMYK 84 / 20 / 0 / 12

HEX #23B3E0

RGB 35 179 224

HSL 194.29, 0.75%, 0.51%

LAB 68.01, -20.65, -32.77

 

CMYK 79 / 19 / 0 / 5

HEX #34C5F3

RGB 52 197 243

HSL 194.45, 0.89%, 0.58%

LAB 74.28, -22.2, -33.37

 

CMYK 73 / 16 / 0 / 0

HEX #45D7FF

RGB 69 215 255

HSL 192.9, 1%, 0.64%

LAB 80.23, -25.64, -30.59

 

CMYK 66 / 9 / 0 / 0

HEX #56E9FF

RGB 86 233 255

HSL 187.81, 1%, 0.67%

LAB 85.74, -32.18, -22.14

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 100 / 25 / 0 / 25

HEX #008FBF

RGB 0 143 191

HSL 195.08, 1%, 0.37%

LAB 55.49, -14.63, -33.87

 

CMYK 100 / 27 / 0 / 33

HEX #007DAC

RGB 0 125 172

HSL 196.4, 1%, 0.34%

LAB 49.06, -11.57, -33.01

 

CMYK 100 / 30 / 0 / 40

HEX #006B99

RGB 0 107 153

HSL 198.04, 1%, 0.3%

LAB 42.48, -8.37, -32.18

 

CMYK 100 / 34 / 0 / 47

HEX #005986

RGB 0 89 134

HSL 200.15, 1%, 0.26%

LAB 35.72, -4.97, -31.38

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 94 / 49 / 0 / 18

HEX #0D6CD2

RGB 13 108 210

HSL 211.07, 0.88%, 0.44%

LAB 46.26, 14.23, -59.35

 

CMYK 94 / 74 / 0 / 18

HEX #0D37D2

RGB 13 55 210

HSL 227.21, 0.88%, 0.44%

LAB 32.86, 48.11, -81.29

 

CMYK 89 / 94 / 0 / 18

HEX #180DD2

RGB 24 13 210

HSL 243.35, 0.88%, 0.44%

LAB 27.12, 66.05, -90.83

 

CMYK 63 / 94 / 0 / 18

HEX #4E0DD2

RGB 78 13 210

HSL 259.8, 0.88%, 0.44%

LAB 30.79, 68.05, -84.62

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 94 / 49 / 0 / 18

HEX #0D6CD2

RGB 13 108 210

HSL 211.07, 0.88%, 0.44%

LAB 46.26, 14.23, -59.35

 

CMYK 94 / 74 / 0 / 18

HEX #0D37D2

RGB 13 55 210

HSL 227.21, 0.88%, 0.44%

LAB 32.86, 48.11, -81.29

 

CMYK 94 / 94 / 0 / 18

HEX #0D0DD2

RGB 13 13 210

HSL 240, 0.88%, 0.44%

LAB 26.81, 65.91, -91.35

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 84 / 21 / 0 / 25

HEX #1F98C0

RGB 31 152 192

HSL 194.91, 0.72%, 0.44%

LAB 58.56, -17.63, -29.63

 

CMYK 72 / 18 / 0 / 32

HEX #318FAE

RGB 49 143 174

HSL 194.88, 0.56%, 0.44%

LAB 55.43, -16.95, -24.21

 

CMYK 57 / 14 / 0 / 39

HEX #43869C

RGB 67 134 156

HSL 194.83, 0.4%, 0.44%

LAB 52.56, -14.68, -18.21

 

CMYK 38 / 9 / 0 / 46

HEX #567D8A

RGB 86 125 138

HSL 195, 0.23%, 0.44%

LAB 50.07, -10.12, -11.39

 

CMYK 94 / 0 / 28 / 18

HEX #0DD297

RGB 13 210 151

HSL 162.03, 0.88%, 0.44%

LAB 75.08, -56.78, 17.35

 

CMYK 94 / 0 / 3 / 18

HEX #0DD2CC

RGB 13 210 204

HSL 178.17, 0.88%, 0.44%

LAB 76.4, -42.95, -9.17

 

CMYK 94 / 22 / 0 / 18

HEX #0DA4D2

RGB 13 164 210

HSL 194.01, 0.88%, 0.44%

LAB 62.75, -18.77, -33.22

 

CMYK 94 / 47 / 0 / 18

HEX #0D70D2

RGB 13 112 210

HSL 209.85, 0.88%, 0.44%

LAB 47.4, 11.67, -57.52

 

CMYK 94 / 72 / 0 / 18

HEX #0D3BD2

RGB 13 59 210

HSL 225.99, 0.88%, 0.44%

LAB 33.7, 45.75, -79.88

 

CMYK 94 / 23 / 0 / 48

HEX #086685

RGB 8 102 133

HSL 194.88, 0.89%, 0.28%

LAB 39.99, -12.74, -24.07

 

CMYK 94 / 23 / 0 / 33

HEX #0A84AC

RGB 10 132 172

HSL 194.81, 0.89%, 0.36%

LAB 51.32, -15.12, -29.48

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 90 / 23 / 0 / 6

HEX #19BAF0

RGB 25 186 240

HSL 195.07, 0.88%, 0.52%

LAB 70.61, -19.45, -37.47

 

CMYK 74 / 18 / 0 / 5

HEX #40C6F2

RGB 64 198 242

HSL 194.83, 0.87%, 0.6%

LAB 74.75, -21.76, -32.07

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 53 / 94 / 0 / 18

HEX #630DD2

RGB 99 13 210

HSL 266.19, 0.88%, 0.44%

LAB 33.12, 69.55, -80.67

 

CMYK 0 / 15 / 94 / 18

HEX #D2B20D

RGB 210 178 13

HSL 50.25, 0.88%, 0.44%

LAB 73.27, -2.21, 74.04

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 0 / 94 / 22 / 18

HEX #D20DA4

RGB 210 13 164

HSL 314.01, 0.88%, 0.44%

LAB 47.84, 77.74, -28.96

 

CMYK 22 / 0 / 94 / 18

HEX #A4D20D

RGB 164 210 13

HSL 74.01, 0.88%, 0.44%

LAB 78.47, -37.48, 76.47

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 53 / 94 / 0 / 18

HEX #630DD2

RGB 99 13 210

HSL 266.19, 0.88%, 0.44%

LAB 33.12, 69.55, -80.67

 

CMYK 0 / 72 / 94 / 18

HEX #D23B0D

RGB 210 59 13

HSL 14.01, 0.88%, 0.44%

LAB 48.08, 57.33, 56.45

 

CMYK 40 / 0 / 94 / 18

HEX #7DD20D

RGB 125 210 13

HSL 85.89, 0.88%, 0.44%

LAB 76.36, -51.83, 73.9

 

CMYK 94 / 23 / 0 / 18

HEX #0DA1D2

RGB 13 161 210

HSL 194.92, 0.88%, 0.44%

LAB 61.85, -17.17, -34.62

 

CMYK 25 / 94 / 0 / 18

HEX #9E0DD2

RGB 158 13 210

HSL 284.16, 0.88%, 0.44%

LAB 41.55, 76.01, -66.52

 

CMYK 0 / 72 / 94 / 18

HEX #D23B0D

RGB 210 59 13

HSL 14.01, 0.88%, 0.44%

LAB 48.08, 57.33, 56.45

 

CMYK 69 / 0 / 94 / 18

HEX #42D20D

RGB 66 210 13

HSL 103.86, 0.88%, 0.44%

LAB 74.37, -67.61, 71.45

 

Description

Color code: HEX #0DA1D2 | qconv.com Color code: HEX #0DA1D2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 161 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 161 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 23 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 23% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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