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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D9E52 it is the complementary color #F261AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D9E52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D9E52 shade: #129E4D, #23B060, #34C273, #45D486 and #56E699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D9E52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D9E52 shade: #0D9E52, #008C3F, #007A2C, #006819 and #005606

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D9E52 shade: #0DA053, #0DA02B, #16A00D, #3EA00D and #65A00D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D9E52 shade: #0DA053, #0DA07A, #0D9EA0, #0D76A0 and #0D4EA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D9E52 shade matches the following richer shades: #0DA053

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D9E52 shade: #0DA053, #1B9253, #298454, #377655 and #456855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D9E52 shade: #16A00D, #0DA02A, #0DA051, #0DA079 and #0DA0A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D9E52 shade: #06542B, #097A3F, #0DA053, #10C666 and #13EB7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D9E52 shade: #0D9E52, #0D3EA0 and #A0160D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D9E52 shade: #0D9E52, #510DA0 and #A0510D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D9E52 shade: #0D9E52, #0D3EA0, #A00D5B and #A06F0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D9E52 shade: #0D9E52, #0D11A0, #A00D5B and #A09B0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 48 / 38

HEX #0D9E52

RGB 13 158 82

HSL 148.55, 0.85%, 0.34%

LAB 57.22, -52.07, 30.08

 

Complementary color

CMYK 0 / 60 / 29 / 5

HEX #F261AD

RGB 242 97 173

HSL 328.55, 0.85%, 0.66%

LAB 62.04, 63.01, -12.03

 

CMYK 89 / 0 / 51 / 38

HEX #129E4D

RGB 18 158 77

HSL 145.29, 0.8%, 0.35%

LAB 57.19, -52.58, 32.64

 

CMYK 80 / 0 / 45 / 31

HEX #23B060

RGB 35 176 96

HSL 145.96, 0.67%, 0.41%

LAB 63.55, -54.02, 30.91

 

CMYK 73 / 0 / 41 / 24

HEX #34C273

RGB 52 194 115

HSL 146.62, 0.58%, 0.48%

LAB 69.86, -54.93, 29.28

 

CMYK 67 / 0 / 37 / 17

HEX #45D486

RGB 69 212 134

HSL 147.27, 0.62%, 0.55%

LAB 76.11, -55.48, 27.78

 

CMYK 63 / 0 / 33 / 10

HEX #56E699

RGB 86 230 153

HSL 147.92, 0.74%, 0.62%

LAB 82.31, -55.78, 26.39

 

CMYK 92 / 0 / 48 / 38

HEX #0D9E52

RGB 13 158 82

HSL 148.55, 0.85%, 0.34%

LAB 57.22, -52.07, 30.08

 

CMYK 100 / 0 / 55 / 45

HEX #008C3F

RGB 0 140 63

HSL 147, 1%, 0.27%

LAB 50.82, -49.83, 31.97

 

CMYK 100 / 0 / 64 / 52

HEX #007A2C

RGB 0 122 44

HSL 141.64, 1%, 0.24%

LAB 44.38, -46.61, 33.87

 

CMYK 100 / 0 / 76 / 59

HEX #006819

RGB 0 104 25

HSL 134.42, 1%, 0.2%

LAB 37.79, -42.95, 35.34

 

CMYK 100 / 0 / 93 / 66

HEX #005606

RGB 0 86 6

HSL 124.19, 1%, 0.17%

LAB 31.04, -38.65, 35.6

 

CMYK 92 / 0 / 48 / 37

HEX #0DA053

RGB 13 160 83

HSL 148.57, 0.85%, 0.34%

LAB 57.9, -52.6, 30.41

 

CMYK 92 / 0 / 73 / 37

HEX #0DA02B

RGB 13 160 43

HSL 132.24, 0.85%, 0.34%

LAB 57.46, -57.91, 48.52

 

CMYK 86 / 0 / 92 / 37

HEX #16A00D

RGB 22 160 13

HSL 116.33, 0.85%, 0.34%

LAB 57.41, -58.96, 56.97

 

CMYK 61 / 0 / 92 / 37

HEX #3EA00D

RGB 62 160 13

HSL 100, 0.85%, 0.34%

LAB 58.22, -51.96, 57.98

 

CMYK 37 / 0 / 92 / 37

HEX #65A00D

RGB 101 160 13

HSL 84.08, 0.85%, 0.34%

LAB 59.83, -39.68, 59.98

 

CMYK 92 / 0 / 48 / 37

HEX #0DA053

RGB 13 160 83

HSL 148.57, 0.85%, 0.34%

LAB 57.9, -52.6, 30.41

 

CMYK 92 / 0 / 24 / 37

HEX #0DA07A

RGB 13 160 122

HSL 164.49, 0.85%, 0.34%

LAB 58.63, -44.19, 10.09

 

CMYK 92 / 1 / 0 / 37

HEX #0D9EA0

RGB 13 158 160

HSL 180.82, 0.85%, 0.34%

LAB 59.05, -32.47, -10.8

 

CMYK 92 / 26 / 0 / 37

HEX #0D76A0

RGB 13 118 160

HSL 197.14, 0.85%, 0.34%

LAB 46.42, -11.5, -30.14

 

CMYK 92 / 51 / 0 / 37

HEX #0D4EA0

RGB 13 78 160

HSL 213.47, 0.85%, 0.34%

LAB 34.13, 13.78, -49.69

 

CMYK 92 / 0 / 48 / 37

HEX #0DA053

RGB 13 160 83

HSL 148.57, 0.85%, 0.34%

LAB 57.9, -52.6, 30.41

 

CMYK 92 / 0 / 48 / 37

HEX #0DA053

RGB 13 160 83

HSL 148.57, 0.85%, 0.34%

LAB 57.9, -52.6, 30.41

 

CMYK 82 / 0 / 43 / 43

HEX #1B9253

RGB 27 146 83

HSL 148.24, 0.69%, 0.34%

LAB 53.4, -46.29, 24.66

 

CMYK 69 / 0 / 36 / 48

HEX #298454

RGB 41 132 84

HSL 148.35, 0.53%, 0.34%

LAB 49.02, -38.36, 18.35

 

CMYK 53 / 0 / 28 / 54

HEX #377655

RGB 55 118 85

HSL 148.57, 0.36%, 0.34%

LAB 44.84, -28.62, 12.12

 

CMYK 34 / 0 / 18 / 59

HEX #456855

RGB 69 104 85

HSL 147.43, 0.2%, 0.34%

LAB 40.93, -17.12, 6.74

 

CMYK 86 / 0 / 92 / 37

HEX #16A00D

RGB 22 160 13

HSL 116.33, 0.85%, 0.34%

LAB 57.41, -58.96, 56.97

 

CMYK 92 / 0 / 74 / 37

HEX #0DA02A

RGB 13 160 42

HSL 131.84, 0.85%, 0.34%

LAB 57.46, -57.99, 48.89

 

CMYK 92 / 0 / 49 / 37

HEX #0DA051

RGB 13 160 81

HSL 147.76, 0.85%, 0.34%

LAB 57.87, -52.95, 31.42

 

CMYK 92 / 0 / 24 / 37

HEX #0DA079

RGB 13 160 121

HSL 164.08, 0.85%, 0.34%

LAB 58.61, -44.44, 10.62

 

CMYK 92 / 0 / 0 / 37

HEX #0DA0A0

RGB 13 160 160

HSL 180, 0.85%, 0.34%

LAB 59.68, -33.42, -9.85

 

CMYK 93 / 0 / 49 / 67

HEX #06542B

RGB 6 84 43

HSL 148.46, 0.87%, 0.18%

LAB 30.77, -32.42, 17.93

 

CMYK 93 / 0 / 48 / 52

HEX #097A3F

RGB 9 122 63

HSL 148.67, 0.86%, 0.26%

LAB 44.71, -42.84, 24.36

 

CMYK 92 / 0 / 48 / 37

HEX #0DA053

RGB 13 160 83

HSL 148.57, 0.85%, 0.34%

LAB 57.9, -52.6, 30.41

 

CMYK 92 / 0 / 48 / 22

HEX #10C666

RGB 16 198 102

HSL 148.35, 0.85%, 0.42%

LAB 70.5, -62.13, 36.65

 

CMYK 92 / 0 / 48 / 8

HEX #13EB7A

RGB 19 235 122

HSL 148.61, 0.85%, 0.5%

LAB 82.36, -70.8, 41.78

 

CMYK 92 / 0 / 48 / 38

HEX #0D9E52

RGB 13 158 82

HSL 148.55, 0.85%, 0.34%

LAB 57.22, -52.07, 30.08

 

CMYK 92 / 61 / 0 / 37

HEX #0D3EA0

RGB 13 62 160

HSL 220, 0.85%, 0.34%

LAB 29.59, 24.75, -57.08

 

CMYK 0 / 86 / 92 / 37

HEX #A0160D

RGB 160 22 13

HSL 3.67, 0.85%, 0.34%

LAB 34.14, 53.21, 42.49

 

CMYK 92 / 0 / 48 / 38

HEX #0D9E52

RGB 13 158 82

HSL 148.55, 0.85%, 0.34%

LAB 57.22, -52.07, 30.08

 

CMYK 49 / 92 / 0 / 37

HEX #510DA0

RGB 81 13 160

HSL 267.76, 0.85%, 0.34%

LAB 25.49, 56.28, -63.65

 

CMYK 0 / 49 / 92 / 37

HEX #A0510D

RGB 160 81 13

HSL 27.76, 0.85%, 0.34%

LAB 43.34, 28.73, 49.18

 

CMYK 92 / 0 / 48 / 38

HEX #0D9E52

RGB 13 158 82

HSL 148.55, 0.85%, 0.34%

LAB 57.22, -52.07, 30.08

 

CMYK 92 / 61 / 0 / 37

HEX #0D3EA0

RGB 13 62 160

HSL 220, 0.85%, 0.34%

LAB 29.59, 24.75, -57.08

 

CMYK 0 / 92 / 43 / 37

HEX #A00D5B

RGB 160 13 91

HSL 328.16, 0.85%, 0.34%

LAB 35.04, 59.1, -4.21

 

CMYK 0 / 31 / 92 / 37

HEX #A06F0D

RGB 160 111 13

HSL 40, 0.85%, 0.34%

LAB 50.54, 11.85, 54.61

 

CMYK 92 / 0 / 48 / 38

HEX #0D9E52

RGB 13 158 82

HSL 148.55, 0.85%, 0.34%

LAB 57.22, -52.07, 30.08

 

CMYK 92 / 89 / 0 / 37

HEX #0D11A0

RGB 13 17 160

HSL 238.37, 0.85%, 0.34%

LAB 20.14, 50.88, -72.69

 

CMYK 0 / 92 / 43 / 37

HEX #A00D5B

RGB 160 13 91

HSL 328.16, 0.85%, 0.34%

LAB 35.04, 59.1, -4.21

 

CMYK 0 / 3 / 92 / 37

HEX #A09B0D

RGB 160 155 13

HSL 57.96, 0.85%, 0.34%

LAB 62.46, -12.41, 63.81

 

Description

Color code: HEX #0D9E52 | qconv.com Color code: HEX #0D9E52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 158 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 158 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 48 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 48% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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